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christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
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//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
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youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
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After the sudden, apparent death of the pious man’s daughter, her three suitors take her body from its grave. One of the suitors, a doctor, realizes that the woman is not dead and proposes flailing her to restore her consciousness. After she is successfully revived, the men resume their rivalry.
Mughal India, court of Akbar (reigned 1556–1605)
gum tempera, ink, and gold on paper
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.8 x 10.1 cm (3 1/16 x 4 in.)
Did you know...
The stain above the painting is from the acidic green pigment used to paint a tree on the reverse.
Gift of Mrs. A. Dean Perry
Egypt, Antinoë, Byzantine period
tapestry weave (with plain tabby borders): wool and linen
Overall: 122.6 x 158.1 cm (48 1/4 x 62 1/4 in.)
Purchase from the J. H. Wade Fund
The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes.
This scarab has a bottom design that displays King Amenhotep seated on his throne. He is dressed in a long pleated kilt, wears the so-called "Blue crown" with Uraeus-serpent and crown sash. The king holds with his left hand the crook in front of his chest, and with his right an ankh-sign (meaning "life"). The block throne has a small back. In front of him is a column with a left reading inscription, containing his throne name and title, and behind him the hieroglyphs for "protection" and "life." The layout is well organized, but it is notable that the royal figure does not fill the whole space, and that the Uraeus on the forehead of the king is unusually large. The highest point of the scarab's back is the pronotum (dorsal plate of the prothorax). Pronotum and elytron (wing cases) have deeply incised, fine borderlines, single separation lines, V-shaped marks for the humeral callosities (shoulder thickenings), and small side-depressions. The partition lines between pronotum and elytron meet V-shaped. The rectangular head is flanked by triangular eyes. The trapezoidal side plates have curved outer edges and borderlines, and the clypeus (front plate) has four frontal serrations and two central base notches. The raised, slender extremities have natural form; the background between the legs is deeply hollowed out. The low oval base is symmetrical.
The scarab is longitudinally pierced, was originally mounted or threaded, and functioned as an amulet. It secures the existence ("life"), protection, divinity (title: "Perfect god"), and royal authority (cartouche, seated king with scepter) for the king, and provides a private owner with his patronage and protection.
Egyptian
H: 3/4 x W: 1 5/16 x L: 1 7/8 in. (1.9 x 3.3 x 4.7 cm)
medium: steatite with green glaze and residue of white underglaze
culture: Egyptian
dynasty: 18th Dynasty
reign: Thutmosis IV-Amenophis III (1397-1350 BC)
Walters Art Museum, 1931, by bequest.
Medieval medicine offered few cures. Christians focused their hopes for recovery from illness or accident on their prayers to saints to intercede for them with God. Saints Cosmas and Damian, Protasius and Gervasius, were two pairs of twin brothers who were invoked for their healing of the sick. The statues are from the hospital complex at Abbeville, built between 1484 and 1492, where they may have stood in niches at the entrance to the church.
The vigorous modeling and realistic details- as in the variety in their facial expressions- are made more vivid by the use of color and give credibility to the saints' humanity. Their size, relative to the sick at their feet, conveys their superhuman powers, while the clerical garments lend them authority. The stocky proportions are typical of French sculpture of the late 15th century.
Damian, seen here with an ointment jar and a spatula, prepares to cure a lame man supported by a crutch.
French
H: 27 9/16 x W: 12 1/2 x D: 7 13/16 in. (70 x 31.8 x 19.8 cm)
medium: limestone with traces of paint and gilding
style: Gothic
culture: French
Walters Art Museum, 1931, by bequest.
[url=https://www.digitalscrapbookingstudio.com/store/index.php?main_page=product_info&cPath=13_396&products_id=15074] Great Love: Othello & Desdemona by ADB Designs[/url]
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
Pottier and Stymus Manufacturing Company
active ca. 1858–1918/19
51 3/4 x 28 x 25 in. (131.4 x 71.1 x 63.5 cm)
medium: Black walnut, original and reproduction upholstery
Metropolitan Museum of Art, New York, NY 88.10.3 1888
Gift of Auguste Pottier, 1888
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
Jennie Walters was born in 1853, the daughter of William T. and Ellen Walters (née Harper), and the sister of Henry Walters. She was educated in Paris, and at St. Mary's Convent, Georgetown, and later at Harvard University. In Cambridge she met Warren Delano, a close friend of her brother. She became engaged, and they married in 1876. After her marriage she lived in Orange, New Jersey, and, from 1900, in New York City. She had seven children, five of whom lived into adulthood. She died in 1922.
Baker's contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full-scale oil portraits.
H: 14 5/8 x W: 12 3/8 in. (37.2 x 31.5 cm)
Framed: 22 x 20 x 3 3/4 in. (55.9 x 50.8 x 9.5 cm)
medium: oil on canvas
style: Victorian
Walters Art Museum, by bequest, 1931.
This weapon is etched with the imperial Habsburg arms on one face and the Burgundian stave cross of St. Andrew on the other. In the 1500s, parade spears of this type became part of the insignia of infantry and light cavalry officers in the imperial army. In 1548 Titian painted an equestrian portrait of Emperor Charles V holding such a spear. At his abdication in 1556, Charles split the Habsburg inheritance between his son, Philip II of Spain, who was awarded control of Burgundy, and his brother, Frederick, who received the imperial title and the family's central European lands. This spear probably belongs to this later period and its purpose was likely ceremonial.
Germany, Augsburg?, 16th century
steel, etched; brass lugs; hexagonal wood haft with leather straps; woolen tassel
Overall: 208.2 cm (81 15/16 in.); Blade: 29.5 cm (11 5/8 in.)
Did you know...
The Habsburg coat of arms, seen here, features a double-headed eagle.
Gift of Mr. and Mrs. John L. Severance