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Football Super Bowl XI: Oakland Raiders coach John Madden Gene Upshaw after def. Minnesota Vikings. .Credit: Neil Leifer.SetNumber: X21106
Created by: John Lawrence Reyes
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網誌一覽Background背景stage-design婚嫁場所WEDDING-decoration@christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes.
This scarab has a bottom inscription, which contains the name and title of the King Sheshi, as well as a formula wishing him life. The inscription is deeply carved with thick lines, and the shape of the hieroglyphs is somewhat clumsy. The layout is irregularly organized, and the top and bottom signs collide with the borderline. The incised circle-design that frames the inscription, is exact and symmetrically arranged, which contrasts with the more sloppy forms and arrangement of the hieroglyphs; additionally, the last two signs in the lower round are very compressed, and collide with the borderline. It is possible to explain the discrepancy between the exactly executed circle pattern and the inscription either with two different hands - of a scribe and of a pattern cutter - or, and more likely for such a small object, with the use of a kind of compass or stencil for the execution of the pattern. The highest point of the scarab's back is at the partition between pronotum (dorsal plate of the protorax) and elytron (wing cases). The small, semicircular head is framed by borderlines, and the side plates are trapezoidal. The clypeus (front plate) has four frontal serrations, and a central base notch. Two side-notches at shoulder height, which are short and not aligned, define the partition between pronotum and elytron. The raised, slender extremities are naturally formed, and show deeply incised, slightly irregular hatch lines for tibial teeth and pilosity (hair). The background between the legs is hollowed out, and the central triangle shifted slightly to the front. The base is symmetrically oval, and the drill-holes are framed.
The scarab is longitudinally pierced, was originally mounted or threaded, and used as an amulet. Such an amulet should on one side secure the existence and divine monarchy for this king, and on the other provide its private owner with his royal patronage.
The identification of Sheshi with one of the Hyksos rulers or their vassals is likely, but not secure.. The meaning of the circles' arrangement is difficult to determine; nevertheless, given its similarity to the hieroglyphic sign of the sun disk, it may assure renewal.
Egyptian
H: 3/8 x W: 9/16 x L: 13/16 in. (0.9 x 1.4 x 2 cm)
medium: beige steatite
culture: Egyptian
dynasty: 15th Dynasty
Walters Art Museum, 1931, by bequest.
John La Farge
American, New York 1835–1910 Providence, Rhode Island
7 3/8 x 10 5/8 in. (18.7 x 27 cm)
medium: Watercolor, gouache with gum arabic, and graphite on olive-green wove paper
Metropolitan Museum of Art, New York, NY 67.55.166 1967
Bequest of Susan Dwight Bliss, 1966
A pedagogue was an adult male who supervised the moral and social education of a young boy. In Hellenistic times, boys and girls attended privately funded elementary schools, but formal education beyond this level was exclusively for boys.
6 1/16 x 2 3/4 x 1 3/4 in. (15.4 x 7 x 4.4 cm)
medium: terracotta, traces of paint
Walters Art Museum, 1946, by gift.
The Nomads like Flickr slideshows and want to give them more prominence. This is easy if the pictures in the proposed slideshow are in a Set and are all 'public' - just grab and paste the URL. Giving a slideshow of 'private' pictures is a little more tricky. It will be the subject of another tutorial.
So this tutorial in essence becomes a tutorial about grabbing an URL.
Grabbing an URL is easy. It's so easy I'm going to do it right now: www.flickr.com/photos/tomsgardenshed/sets/721576218617080...
Hey Presto! A Slideshow.
Saint Catherine (1347-1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.2, was once part of a predella (or pedestal) of a large altarpiece painted for the Hospital Church of Siena. The main scene of this altarpiece, showing the Presentation of Christ in the Temple (now preserved in Siena) was ordered by the Pork Butchers Guild (the Pizzicaiuoli) in 1447. The predella was added later when Catherine was canonized in 1461. In the first panel, she kneels before an altar and reaches up to choose from the monastic garments offered by Saints Dominic, Augustine, and Francis, all founders of religious orders. Catherine takes the habit of Saint Dominic, which she wore as the founder of the Sisters of Penance. The second panel shows, at the right, Saint Catherine giving her cloak to a beggar. The beggar was really Christ in disguise, and at the left returns the cloak to her. For this act of charity, the cloak perpetually protected its wearer from the cold.
Italy, Siena
tempera and gold on wood
Framed: 35.6 x 35.7 x 4.5 cm (14 x 14 1/16 x 1 3/4 in.); Unframed: 28.7 x 28.9 cm (11 5/16 x 11 3/8 in.)
Did you know...
Giovanni di Paolo painted both large altarpieces and small manuscripts.
Gift of the John Huntington Art and Polytechnic Trust
Presentación realizada en la Universidad Rafael Landívar a alumnos y alumnas de la carrera de Relaciones Internacionales sobre la ONU en el mundo, el Marco de Asistencia para el Desarrollo en Guatemala, los Objetivos de Desarrollo del Milenio y la presentación de los nuevos Objetivos de Desarrollo Sostenible.
Shiva stands firmly on his lotus pedestal, arching his back in a stance associated with power in the region of Kerala, on India’s southwestern coast, where this sculpture was made. In his upper hands, he holds a battle axe—to cut through illusion—and an antelope, which expresses his role as lord of creatures. The goddess Ganga, a personification of the sacred Ganges River, looks out through Shiva’s hair. When she came to earth from the heavens, she traveled through Shiva’s thickly matted dreadlocks, in order to ease the force of her descent into a gentle flow. Shiva also wears the crescent moon in his hair, a symbol of time, marked by the moon’s waxing and waning. The crescent moon also appears at the peak of the flaming aureole that surrounds the god, along with a five-headed serpent (only two heads remain intact). The snake may allude to the time when Shiva destroyed the deadly poison that threatened both heaven and earth.
In Kerata, sculptures like this one are carried by priests seated on elephants during ritual processions in and around a temple's grounds.
Indian
Overall H: 11 15/16 × W: 6 5/16 × D: 4 15/16 in. (30.3 × 16 × 12.5 cm)
Base only H: 1 13/16 × W: 4 15/16 × D: 4 15/16 in. (4.6 × 12.5 × 12.5 cm)
medium: copper alloy
culture: Indian
given to Walters Art Museum, 1989.
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This miniature "oinochoe," known more particularly as a "chous" ("choes" in the plural), dates to the last decade of the 5th century BCE. As is most often the fashion with small "choes," this example features scenes of children, their accoutrements, and their play. This "chous" depicts two boys. One rides on a goat; the other stands nearby holding out a bunch of grapes to his companion. Both boys are crowned, and the standing boy, who also holds a toy cart on one shoulder, is adorned with protective amulets.
Greek
3 9/16 x 2 3/4 in. (9.1 x 7 cm)
medium: terracotta, wheel made; red-figure with white paint
style: Attic
culture: Greek
Walters Art Museum, 1931, by bequest.