View allAll Photos Tagged URL

URL's chef demo of cutting fish - 2-12-2015

December 16, 2015 at 08:54PM

the colours on this are bright which looks like they are a god character this also makes it look lIke he is a good character because he has someone next to him whilst he is recovering or lying there dead

Go to Page 293 in the Internet Archive

Title: Catalogue of artificial teeth, precious metals, stoppings, dental rubbers, furniture, instruments, nitrous oxide gas and ether apparatus, laboratory apparatus, tools and sundries manufactured, imported, and sold by Claudius Ash & Sons, Limited, 6, 7, 8, & 9, Broad Street, Golden Square, London, W [electronic resource]

Creator: Claudius Ash & Sons

Creator: University of Glasgow. Library

Creator: University of Glasgow. Library

Publisher: London : Claudius Ash & Sons

Sponsor: Jisc and Wellcome Library

Contributor: University of Glasgow Library

Date: 1893

Language: eng

Description: Cover title: Claudius Ash and Sons' Dental catalogue. 1893

Includes index

Spine title: Dental catalogue

This material has been provided by The University of Glasgow Library. The original may be consulted at The University of Glasgow Library

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

Jars of this type were once used as water pots on a writing desk by scholars. The rounded crisp mouth is a functional design which assists in removing excess water from a brush. Cobalt blue paintings on the white porcelain body depict a three clawed dragon consuming floating sacred fungi lingzhi, believed to ensure long life and used as a symbol for immortality. A mark for good luck inscribed on the foot of the pot reads "precious jade treasure".

Chinese

 

H: 2 3/16 × Diam: 2 5/8 in. (5.6 × 6.7 cm)

medium: semi-eggshell porcelain with underglaze blue decoration

culture: Chinese

dynasty: Qing Dynasty

reign: Kangxi; Yongzheng

 

by bequest to Walters Art Museum, 1931.

art.thewalters.org/detail/159

 

GWITTY CAMPAIGNS URL, WHY AIN’T I ON THE MAIN STAGE??? IM NICER THEN ALL THESE NEW GUYS + RECAPS BL3

battledomination.com/gwitty-campaigns-url-why-aint-i-on-t...

spaces on Leopard 10.5.4

This tsuba illustrates a story about the 8th-century Chinese painter Wu Daozi [Tao-tzu], who was said to have painted a picture of a dragon so realistic that it came to life. The tsuba shows the painter in the lower right surrounded by brushes and other tools. The dragon looms over the upper left of the tsuba. On the reverse is a pine tree and bamboo. Both secondary holes have been plugged and the background incising continues across the plugs.

Japanese

 

2 13/16 x 2 11/16 x 1/8 in. (7.15 x 6.88 x 0.38 cm)

medium: sentoku, gold, copper

style: Shimizu School

culture: Japanese

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/5413

Zaielhawa.CoM - Zayelhawa.CoM

Sight: 2 7/8 x 2 3/8 in. (7.3 x 6 cm)

 

medium: Watercolor on ivory

 

Metropolitan Museum of Art, New York, NY 20.130.4 1920

Gift of Frances A. De Vinne, in memory of her sister, Emma A. De Vinne, 1920

www.metmuseum.org/art/collection/search/12999

June 10, 2016 at 10:44AM

November 03, 2013 at 01:55PM

A gemellion (from the Latin geminus, meaning "twin") is one of a pair of basins used for hand washing, either at home or during the Mass. Water was poured from the spouted bowl and was caught in the second bowl placed below. Many gemellions made in the enamel manufacturing center of Limoges, France, were decorated with secular-themed designs of birds, beasts, or courtly scenes. This example shows a knight kneeling before his lady in the central medallion and women holding coats-of-arms on the surround.

 

French

 

H: 1 3/8 x Diam: 8 7/8 in. (3.5 x 22.5 cm)

medium: champlevé enamel on copper with gilding

style: Gothic

culture: French

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/9202

Rocks have long been admired in China as an essential feature in gardens. By the 10th century, small ornamental rocks such as this example were also collected and displayed in the scholar’s study. Either naturally sculpted by erosion or artfully shaped by human hands, such rocks were seen as embodiments of the transformational processes of nature. Rocks were also admired for their resemblance to mountains or caves, particularly the magical peaks and paradise caves believed to be inhabited by immortal beings.

 

Overall with base: H: 30 11/16 x W: 11 7/8 x D: 6 7/8 in. (78 x 30.1 x 17.5 cm)

Rock: H: 27 13/16 x W: 11 7/8 x D: 6 7/16 in. (70.7 x 30.1 x 16.3 cm)

Base: H: 5 3/8 x W: 9 7/16 x D: 6 7/8 in. (13.6 x 23.9 x 17.5 cm)

medium: black lingbi limestone with white veining

 

Walters Art Museum, 1998, by gift.

 

art.thewalters.org/detail/6740

Both continuity and change are reflected in this portrait bust initially carved for a ruler of the Middle Kingdom and then re-carved for a New Kingdom monarch. There was a marked change between the way late 12th Dynasty and mid 19th Dynasty kings were represented. The pharaohs of the 12th Dynasty wished to present an experienced and careworn expression. This is conveyed by heavy eyelids, wrinkles, and a firm set to the mouth. The pharaohs of the 19th Dynasty, however, wanted their images to suggest youth, vigor, and confidence. To transform a Middle Kingdom royal image into a New Kingdom one, sculptors re-carved the face. The eyes, nose, and forehead of this sculpture show evidence of reworking to erase signs of age, while the corners of the mouth were deeply drilled to make the cheeks appear rounder and to bring the lips closer to the slight smile typical of 19th Dynasty royal sculpture.

Egyptian

 

8 11/16 x 7 5/16 x 4 5/16 in. (22 x 18.5 x 11 cm)

medium: anorthosite gneiss

culture: Egyptian

dynasty: 12th Dynasty, 19th Dynasty

reign: Sesostris III-Amenemhat III, Ramesses II

 

Walters Art Museum, 1931, by bequest.

 

art.thewalters.org/detail/2362

Wearing a pink garment, the prince sits in a characteristic position on a striped carpet against a bolster, while holding a little white flower in his left hand. Behind him stands an attendant with a flywhisk. The pungent yellow background was favored by early Pahari artists, and the idealization notwithstanding, the two figures are rendered in exquisite detail worthy of a master artist.

 

H: 7 3/8 x W: 5 3/16 in. (18.7 x 13.2 cm)

Framed H: 20 1/8 × W

15 3/16 × D: 1 1/4 in. (51.12 × 38.58 × 3.18 cm)

medium: opaque watercolor on paper

 

Walters Art Museum, 2001, by gift.

art.thewalters.org/detail/7372

June 10, 2018 at 02:32PM

1 2 ••• 59 60 62 64 65 ••• 79 80