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France, 19th century

 

oil on paper, glued to canvas

Unframed: 43.2 x 32.4 cm (17 x 12 3/4 in.)

 

Gift of Paul and Odette Wurzburger

clevelandart.org/art/1970.159

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Remedial Massage

This is what you train for.

James McNeill Whistler

American, Lowell, Massachusetts 1834–1903 London

11 5/8 x 7 in. (29.4 x 17.8 cm)

 

medium: Oil on wood

 

Metropolitan Museum of Art, New York, NY 09.222 1909

Gift of Edward G. Kennedy, 1909

www.metmuseum.org/art/collection/search/13225

December 25, 2015 at 06:07PM

March 29, 2015 at 11:35AM

Tenjin Traveling to China, 1610. Konoe Nobutada (Japanese, 1565–1614). Hanging scroll; ink on paper; overall: 91.4 x 32.1 cm (36 x 12 5/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III 2015.456

 

More at clevelandart.org/art/2015.456

Every night for 52 nights the sly domesticated parrot encourages his master's wife Khujasta to meet her lover under cover of darkness. Just before she leaves, he mentions a topic from a tantalizing tale; she becomes so curious that she cannot go out before hearing the whole story. By the time the story ends, dawn breaks, and it is too late for her to go out unnoticed. The gold sky and geometric tile patterns are derived from Persian sources while Khujasta's figure shown in profile and style of dress are purely Indian. The artist has chosen to tilt the carpet up in defiance of realistic perspective to show off the fine arabesque motif. The checkered bedspread calls attention to the empty bed and Khujasta's longing to be with her lover.

Mughal India, court of Akbar (reigned 1556–1605)

 

gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.1 x 10.3 cm (3 9/16 x 4 1/16 in.)

 

Did you know...

The gauzy fabric that Khujasta wears over her sari is called an <em>odhani</em>.

 

Gift of Mrs. A. Dean Perry

clevelandart.org/art/1962.279.95.a

March 10, 2015 at 10:13PM

This small head is unusual for the shape of its skull, which transforms from a weathered and poorly defined mound on the top into defined locks of twisted hair down the back of the head and neck. The skull is hairless on either side of the asymmetrical crest. The forehead recedes back sharply and is marked by a deep furrow. The eyes have a semicircular shape and are heavily lidded, perhaps influenced by the portraiture of Ptolemaic Egypt. They are close-set, and there is damage to the area around the left eye and the right eyebrow. The nose has been broken off from bridge to tip. The full upper lip protrudes beyond the lower and the corners of the mouth are deeply drilled. The head’s physiognomy may be comparable to some private portraiture of Ptolemaic Egypt, and may be a Hellenistic or Roman interpretation of a foreigner. It may also be the portrait of an athlete, as both ears show the so-called cauliflower ear deformity, which is usually caused by repeated blunt trauma experienced by individuals who participate in such sports as boxing.

Greek or Roman

 

4 7/8 x 3 7/16 x 4 1/4 in. (12.5 x 8.7 x 10.8 cm)

medium: marble

culture: Greek or Roman

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/7063

temporal: Spätbarock

D: 3,9 cm

mat: Silber

class: Kunstgewerbe

type: Medaille

provenance: Dorotheum, Wien. – 1988 Schenkung Bundesinnung der Baugewerbe, Wien

 

Österreichische Galerie Belvedere

sammlung.belvedere.at/objects/7496/medaille-auf-die-hochz...

Portable altars were used by Christians to celebrate the Mass while traveling. On one long side is depicted the Baptism of Christ, attended by a veiled woman, possibly representing the Church, and Christ in Majesty, surrounded by Evangelist symbols. On the other long side, John the Baptist and the Holy Women at the Tomb are shown. Originally, the figure of John the Baptist was part of the Baptism scene, but he was mistakenly placed with the Holy Women when the 11th-century plaques (perhaps from an altar panel) were reused in the 12th century to make this portable altar. A pair of apostles decorate both short sides. The rough, square opening at one end was made later, to remove the relic once sealed inside.

German

 

Overall: H: 7 1/2 × W: 13 3/8 × D: 7 5/8 in. (19 × 34 × 19.3 cm)

medium: gilded copper, enamel, porphyry

style: Romanesque

culture: German

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/12372

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Go to Page 1 in the Internet Archive

Title: Some German woodcuts of the fifteenth century

Creator: Cockerell, Sydney Carlyle, Sir, 1867-1962. n 50032243

Creator: Morris, William, 1834-1896. n 78095326

Publisher: [Hammersmith] : [Kelmscott Press]

Sponsor: Wellcome Library

Contributor: Wellcome Library

Date: 1898

Language: eng

Description: Pages 1-23 printed on one side of leaf only

Thirty-five reproductions from printed books in the library of William Morris, preceded by extracts from his article "On the artistic qualities of the woodcut books of Ulm and Augsburg in the fifteenth century," and followed by a list of the principal books with woodcuts in his library

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

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Belgium, Brussels, first half of 18th century

 

linen center with bobbin lace edging

Average: 44.5 x 44.5 cm (17 1/2 x 17 1/2 in.)

 

Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey

clevelandart.org/art/1936.688

February 13, 2015 at 04:20PM

you can now short and share your URL’s using qsr.li URL shortner , Spread your link on facebook.com,LinkedIn.com,Twitter.com and any web site you wish

 

يتيح لك قصرلي تقصير الروابط الى روابط اقصر منها لتكون منا سبة للنشر على المواقع الاجتماعلة

The electrical signal produced by the sinus node makes your heart’s top chambers or atria contract and push blood through to the lower chambers or ventricles.

  

What is atrial fibrillation

 

Go to Page with image in the Internet Archive

Title: Traitement du cancer de l'uterus gravide

Creator: Hernandez, E

Creator: Royal College of Physicians of Edinburgh

Publisher: Paris : G. Steinheil

Sponsor: Jisc and Wellcome Library

Contributor: Royal College of Physicians in Edinburgh

Date: 1893

Language: fre

Description: This material has been provided by the Royal College of Physicians of Edinburgh. The original may be consulted at the Royal College of Physicians of Edinburgh

Royal College of Physicians of Edinburgh

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

On a beach where a strong breeze moves off the water from left to right, figures of French women, men, and children in chic Parisian dress stroll, sit, chat, or take donkey rides. The activities depicted (promenades, socializing, riding, sandbox playing) are the same as those enjoyed by residents of London or Paris. At the right, the dog suggests that these are vacationers rather than tourists seeking to recreate their urban pastimes at the seashore. Painted outdoors, this composition is typical of Boudin's beach scenes in the 1860s in its low-lying horizon, cloud-filled sky, and figures ranged across the middle ground. By scattering the figures over the surface and not closing off the scene with framing elements, the artist created the impression of a partial view of a much larger scene.

France, 19th century

 

oil on wood panel

Framed: 54 x 75 x 6.4 cm (21 1/4 x 29 1/2 x 2 1/2 in.); Unframed: 34.7 x 57.7 cm (13 11/16 x 22 11/16 in.)

 

Gift of Mrs. D. Z. Norton

clevelandart.org/art/1917.63

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