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The four sections of this stand each terminate in a lion's head and the supporting legs end with a paw. The angular modeling of the lion's head contrasts with the delicate silver inlaid decoration.
Northern Iraq or Syria, Zengid or Ayyubid period
cast brass inlaid with silver
Overall: 14 cm (5 1/2 in.)
Dudley P. Allen Fund
Inspired by J. S. Chardin’s 1725–26 still life of a stingray at the Musée du Louvre, Chaim Soutine reinterpreted the theme in a turbulent, luminescent manner. Every line and form undulates as if propelled by some unseen force. Tied up on two points, as if being tortured or crucified, the stingray assumes an expression of almost human anguish, transforming it into a powerful metaphor for suffering, perhaps referring to Soutine’s own life as a poor Jewish artist who emigrated from Belarus to Paris in 1913.
Russia (worked in France), 20th century
oil on canvas
Framed: 111.8 x 94.3 x 11.8 cm (44 x 37 1/8 x 4 5/8 in.); Unframed: 80.5 x 64.5 cm (31 11/16 x 25 3/8 in.)
Gift of the Hanna Fund
After being abandoned in the desert by her cruel husband, Khassa’s daughter is discovered by Khusrau, who is instantly captivated by her religious devotion. He proposes marriage and aptly punishes those who were cruel to her. The brick well that sustained her for many days in the desert is depicted in the foreground.
Mughal India, court of Akbar (reigned 1556–1605)
gum tempera, ink, and gold on paper
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.9 x 9.9 cm (3 7/8 x 3 7/8 in.)
Did you know...
The woman kneels on a rug and holds prayer beads, signaling her Islamic faith.
Gift of Mrs. A. Dean Perry
The Muses were the nine daughters of Zeus and Mnemosyne (Memory) and were associated with various arts: Calliope (epic poetry), Clio (history), Euterpe (flute-playing), Terpsichore (lyric poetry and dance), Erato (lyric poetry), Melpomene (tragedy), Thalia (comedy), Polyhymnia (hymns and pantomime), and Urania (astronomy). In Greek myth and culture, the Muses were honored as beautiful goddesses who brought inspiration to artists. In the Hellenistic period, the Muses were widely depicted, and certain statue types have been thought to depict particular Muses. This seated Muse, holding her chin in a thoughtful gesture, is traditionally thought to be Urania, Muse of astronomy. Statues of the Muses also adorned the great scholarly complex in Alexandria known as the Mouseion, "Place of the Muses," which has given us the modern word "museum."
Greek
H: 25 7/8 x W: 12 3/4 x D: 8 11/16 in. (65.7 x 32.4 x 22 cm)
medium: marble
culture: Greek
Walters Art Museum, 1931, by bequest.
In this watercolor, acrobats and circus jugglers emerge from a complex pattern of shapes and colors. Two jugglers share a face and torso. A member of Der Blaue Reiter group in Munich, Paul Klee believed that the elements of color and shape alone could carry connotations of emotions, moods, and subjective feelings. His method was to begin painting without a subject, only settling upon something that could be recognized after layering colored form upon colored form.
Germany, 20th century
watercolor
Sheet: 24 x 23.5 cm (9 7/16 x 9 1/4 in.); Secondary Support: 34.5 x 29.3 cm (13 9/16 x 11 9/16 in.)
Contemporary Collection of The Cleveland Museum of Art
Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.
England, 19th century
woodcut printed in gray
Book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.)
Gift of Henry H. Hawley for the fiftieth anniversary of The Print Club of Cleveland
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