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Within a spacious and unadorned hall, a Franciscan monk preaches to a group of ecclesiastics and laymen. In accordance with Renaissance social hierarchies, women are seated on the ground while men are seated on benches or standing. The monk looming over the crowd from a simple wooden pulpit gestures upward toward God, the source of his authority, and rests his other hand on a piece of paper marked with a red seal. The paper is likely a papal bull, or decree, investing the monk’s arguments with the authority of the church.
The monk’s attention seems to be directed specifically to the three clergymen (two bishops and a cardinal) seated on the bench in the foreground. The bishop in green is directly engaged with the monk and the two seem to be debating. Exactly what is being discussed is not clear, though it has been suggested that it is the institution of the Monte di Pietà, a charitable organization akin to a pawnshop that was founded by the Franciscans in the late 1400s. One prominent Franciscan, Bernardino da Feltre, is recorded as having preached in favor of the Monte’s foundation in 1491 in the town of Faenza. This painting, executed in or near Faenza around 1520, could depict this very debate. However, the monk’s features don’t resemble those of Bernardino’s as represented in the surviving portraits of him.
As indicated by its small size and horizontal orientation, the picture was originally part of a predella, the lowest register of an altarpiece. Predellas were often illustrated with scenes from the lives of the figures represented in the altarpiece’s central compartments. This painting, together with its companion panel depicting the “Saint Anthony of Padua Taking the Habit of the Franciscan Order” (Walters 37.547), must have come from a now-unidentified altarpiece in a Franciscan church.
Painted surface H: 15 1/16 x W: 23 1/16 x D excluding cradle: 5/16 in. (38.2 x 58.5 x 0.8 cm)
H framed: 20 x W: 27 3/4 x D: 2 in. (50.8 x 70.49 x 5.08 cm)
medium: oil on wood panel
Walters Art Museum, 1931, by bequest.
Alfred Jacob Miller was a prolific sketcher. He filled many journals with drawings and captions from the time he was studying in Paris and Rome (1833) until the 1870's. The varied interests of Miller are clearly reflected in these sketches: rural sites, studies after Old Master paintings, illustrations of literature, and comical scenes and characters.
This sketch comes from the family album of L. Vernon Miller, which contains works that have passed down through the Miller family directly from the artist.
H: 7 5/8 x W: 9 3/4 in. (19.4 x 24.7 cm)
medium: pencil, ink, and wash on paper
given to Walters Art Museum, 1994.
[1] passed directly from the artist down through his family.
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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This small triptych icon is fitted within a silver frame and was meant to be worn on the chest as a pendant. The outside of the frame is engraved with floral ornament and has a small relief Crucifix in the middle. In the top register on the inside, the four evangelists surround an image of the Holy Trinity. On their two sides is the Annunciation. The scenes that follow are, from left to right, the Nativity, Presentation of Christ in the Temple, Baptism, Transfiguration, Raising of Lazarus, Entry into Jerusalem, Crucifixion, Resurrection, Ascension, Pentecost, Dormition of the Virgin, and Birth of the Virgin. These are framed by an image of the Tree of Jesse: Jesse, the father of King David, is shown reclining at it the bottom; from him spring branches that contain medallions with images of the Old Testament ancestors of Christ.
Orthodox Eastern
H: 5 1/2 x W: 5 1/8 x D: 13/16 in. (14 x 13 x 2 cm)
medium: boxwood, silver
style: Post-Byzantine
culture: Orthodox Eastern
dynasty: Ottoman Dynasty
Walters Art Museum, 1931, by bequest.
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Fisika adalah salah satu mata pelajaran bagi para siswa tingkat SMP & SMA yang saat ini bersekolah di wilayah Cengkareng Mata pelajaran ini sekilas mengasyikkan bila pembahasannya digali lebih dalam, teruma ketika sesi praktek yang terkadang memerlukan peralatan. Pasalnya, fisika meliputi bidang keilmuan yang membahas gerak, termodinamika, gaya, energi dan lain-lain. Tidak hanya sebatas rumus, para siswa yang mempelajari fisika juga diharuskan untuk mengingat beberapa definisi penting. Tentu hal ini menjadi tantangan bagi dua tipe siswa, yakni siswa yang tidak bisa berhitung sesuai rumus dan siswa yang sulit untuk memahami materi secara keseluruhan. Untuk mengatasi kendala tersebut, ada baiknya jika bergabung di Executive Education untuk mendapatkan bimbingan dari guru les privat fisika di Cengkareng yang memiliki metode pembelajaran solutif.
Kursus / Les Privat Fisika di Cengkareng
Executive Education hadir sebagai satu dari sekian lembaga kursus / les privat fisika Cengkareng unggulan yang sudah terbukti mampu menyediakan guru profesional untuk mengajar sesuai bidang yang sudah ditempuh selama bangku kuliah. Sejumlah guru fisika yang kami rekrut umumnya masih menyandang status sebagai mahasiswa bahkan sudah menjadi sarjana dari UI atau Universitas Indonesia.
fisika-exed.blogspot.com/2022/07/les-privat-fisika-di-cen...
Robert Besnard and His Donkey (Robert Besnard et son âne), 1888. Albert Besnard (French, 1849–1934). Etching and aquatint; platemark: 23.6 x 18.1 cm (9 5/16 x 7 1/8 in.); sheet: 28.8 x 21.7 cm (11 5/16 x 8 9/16 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer 2016.106
More at clevelandart.org/art/2016.106
Japanese
H: 2 13/16 x W: 1 15/16 x D: 1 1/4 in. (7.2 x 5 x 3.1 cm)
medium: sperm whale tooth (?)
culture: Japanese
Walters Art Museum, 1931, by bequest.
These elements once belonged to a full suit of armor that would have been made for a young boy. Decorated with etching, embossing, and gilding, the original suit would have been impressive. Dressing your sons in small custom suits of armor was popular with the wealthiest nobles. They would have been worn for parades and ceremonial occasions and once outgrown were often kept as mementos. Made for the left arm, the rerebrace or upper cannon protected the upper arm, the couter the elbow, and the lower cannon the forearm.
Germany, Augsburg, mostly 17th Century (some modern)
etched and lightly embossed steel with traces of gilding, leather
Overall: 17 cm (6 11/16 in.)
Did you know...
Small-scale suits of armor would help prepare a young boy for knighthood.
Gift of Mr. and Mrs. John L. Severance
Three Amazons on this black-figure lekythos face right, and appear to march one after the other. Their skin is white, but their facial features, eroded or rubbed away, are indistinguishable. Each wears a helmet, holds a long spear and has a horizontal quiver. The middle figure holds both hands near her waist; the other two have one hand raised.
Amazons are first mentioned in the "Iliad" (6.186) as allies of the Trojans; later authors emphasize their fearlessness and their status as foreigners. They were introduced on Attic vases in the early 6th century BC, and quickly became a popular subject. Early black-figure depictions of Amazons resemble Greek warriors, with one notable difference-their white skin color, which identifies them as "women." In red-figure vases, the Amazons acquire more feminine features and bodies, and their foreigness is emphasized by their attire: Scythian or Thracian clothing and subsequently Persian garb.
In some places in Greece, Amazons were the object of cult. Jennifer Larson (1995, 111-16) has suggested that despite the fact that they were considered hostile to the Greeks, their complete otherness from the Greek way of life also gave them protective powers and entitled them to be worshiped as heroines.
Greek
H: 8 1/16 x Diam: 2 3/8 in. (20.5 x 6 cm)
medium: terracotta, wheel made; black figure with white paint
style: Attic
culture: Greek
Walters Art Museum, 1931, by bequest.
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
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youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
This engraving is part of the Tarocchi group marked with the letter “A”, and named<em> Firmaments of the Universe</em>. This series comprises the seven planets from the classical astronomy (Moon, Mercury, Venus, Sun, Mars, Jupiter, Saturn) and the three celestial spheres that separate them from the Supreme Entity (<em>Prima Causa</em>) from which everything was originated. <br><br>Here, <em>Marte </em>(Mars) is personified as a full-length male figure, in frontal view, and seated on a chariot-like throne. Mars is armored and holds up a sword in his right hand. A wolf lays at his feet.
Italy, Ferrara, 15th century
engraving
Dudley P. Allen Fund
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