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Carved in low relief, this plaque was probably made to decorate a small casket. It is based on an engraving by Barthel Beham (1502–40) entitled by the artist RAPTUS / HELENAE (The Abduction of Helen). The subject here, however, is not the abduction of Queen Helen by the Trojan prince Paris (calling for princely attire) but a generic "battle of wild men," itself a popular Renaissance subject. The artist may have given some of the abductors African facial features to make them look more savage to European viewers.

 

H: 1 1/2 x W: 5 3/16 in. (3.8 x 13.2 cm)

medium: ivory

 

by bequest to Walters Art Museum, 1931.

art.thewalters.org/detail/2633

While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status. The marten skin attached to the woman’s waist-its head decorated with gems-symbolized propriety. These expressions of wealth convey achievements and position rather than accurate personalities, and the figures, though lifelike, stand in awkward relationship to each other, their interaction one of alliance not love.

Northern Italy, late 16th century

 

oil on canvas

Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)

 

Did you know...

The bejeweled martin (weasel) was a coveted fashion accessory in Renaissance Europe.

 

Holden Collection

clevelandart.org/art/1916.793

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Football Super Bowl XI: Oakland Raiders coach John Madden Gene Upshaw after def. Minnesota Vikings. .Credit: Neil Leifer.SetNumber: X21106

Bergen aan Zee, July 2007

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This circular element called a roundel that originally decorated a curtain displays a perfectly interlaced knot, a design believed to provide protection from harm. Curtains were often used as modular walls in houses, theaters, and Christian churches during the late Roman and early Christian periods.

Egypt, Byzantine period

 

plain weave ground with tapestry weave and supplementary weft wrapping; undyed linen and dyed wool

Overall: 45.2 x 47.7 cm (17 13/16 x 18 3/4 in.); Mounted: 64.1 x 64.1 x 2.5 cm (25 1/4 x 25 1/4 x 1 in.)

 

Did you know...

The purple color was achieved with kermes, a dye derived from the dried bodies of insects of the same name.

 

Gift of Henry Hunt Clark

clevelandart.org/art/1946.412

Eastman Johnson

American, Lovell, Maine 1824–1906 New York

30 x 25in. (76.2 x 63.5cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 1983.486 1983

Gift of Mr. and Mrs. Stephen Whitney Blodgett, 1983

www.metmuseum.org/art/collection/search/11258

France, 19th century

 

lithograph

 

Mr. and Mrs. Lewis B. Williams Collection

clevelandart.org/art/1956.642

August 28, 2014 at 10:55PM

Bretts, Forth Road Bridge, South Queensferry

Argentina, Santamariana

 

earthenware

Diameter: 25 cm (9 13/16 in.); Overall: 13.4 x 26.9 cm (5 1/4 x 10 9/16 in.)

 

Gift of Katherine C. White

clevelandart.org/art/1968.244

Canteiro de Obras do PAC. Manguinhos, Rio de Janeiro - Brasil

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FT Due Diligence Live 2023: Connecting leaders in finance & investing, 17 October 2023, London.

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