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Pic Andrew Teebay. Liverpool FC v Manchester United FC........ Dirk Kuyt celebrates his Hatrick goal at the Kop end with Lucas.........
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
[url=http://the-lilypad.com/store/Be-Mine-2-Dressed-Up-Digital-Scrapbook-Template.html] Be Mine 2{Dressed Up} from Fiddle-Dee-Dee Designs[/url]
[url=http://the-lilypad.com/store/Hearts-Aflutter-Digital-Scrapbook-Kit.html] Hearts Aflutter from Bella Gypsy [/url]
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world. The city also became the great emporium for prints, and the woodcut developed beyond its humble origins as a popular art for devotional imagery, playing cards, and later for book illustration. <em>View of Venice</em> epitomizes this new ambitious scope for the woodcut, and is a landmark in the history of printmaking. This monumental print can be compared in scale only to a mural decoration and presumably served as a less expensive surrogate for paintings. The six sheets that make up the design would have been pasted either onto a canvas or the wall itself, resulting in the survival of only 12 impressions of the original edition like this one, and only three in America. The goal of the print was to depict Venice as seen from above. No single vantage point would have been sufficient, so Jacopo de' Barbari and a team of surveyors climbed various towers and tall buildings to record small sections of the city. These individual views were combined to form the map which follows a single, though inconsistent, system of perspective. Unprecedented for its exactness of detail and difficulty of execution, <em>View of Venice</em> represents the first attempt to render the image of a city according to the laws of geometry. The view also highlights the seafaring trade activities of Venice, depicting Mercury, god of commerce, presiding over the city, while Neptune, god of the seas, keeps watch over the entrance to the city's Grand Canal.
Italy, early 16th Century
woodcut from six blocks on six sheets of paper
Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)
Did you know...
Before the conveniences of airplanes, photography, or even a hot air balloon this monumental bird's-eye view map of Venice made in 1500 documents every building, canal, alleyway, and square in the city.
Purchase from the J. H. Wade Fund
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
This carefully carved plump female figure has short limbs, a large head with short curly hair, and large breasts. A deep hole marks the navel. The wide pubic triangle is marked by holes. There is a depression on top of the buttocks. On the head is a large lotus blossom. A ball surrounded by ridges has been inserted into the hollow lotus to form the calyx of the flower.
Egyptian
H: 2 7/16 x W: 9/16 x D: 9/16 in. (6.14 x 1.44 x 1.35 cm)
medium: bone
culture: Egyptian
Walters Art Museum, 1931, by bequest.
Canakkale 1915 Bridge
Fotoğrafların Orjinal boyutlarının temini ve kullanımı için Sinan Doğan ile iletişim kurunuz...
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The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes.
This scarab has a bottom design that displays King Amenhotep seated on his throne. He is dressed in a long pleated kilt, wears the so-called "Blue crown" with Uraeus-serpent and crown sash. The king holds with his left hand the crook in front of his chest, and with his right an ankh-sign (meaning "life"). The block throne has a small back. In front of him is a column with a left reading inscription, containing his throne name and title, and behind him the hieroglyphs for "protection" and "life." The layout is well organized, but it is notable that the royal figure does not fill the whole space, and that the Uraeus on the forehead of the king is unusually large. The highest point of the scarab's back is the pronotum (dorsal plate of the prothorax). Pronotum and elytron (wing cases) have deeply incised, fine borderlines, single separation lines, V-shaped marks for the humeral callosities (shoulder thickenings), and small side-depressions. The partition lines between pronotum and elytron meet V-shaped. The rectangular head is flanked by triangular eyes. The trapezoidal side plates have curved outer edges and borderlines, and the clypeus (front plate) has four frontal serrations and two central base notches. The raised, slender extremities have natural form; the background between the legs is deeply hollowed out. The low oval base is symmetrical.
The scarab is longitudinally pierced, was originally mounted or threaded, and functioned as an amulet. It secures the existence ("life"), protection, divinity (title: "Perfect god"), and royal authority (cartouche, seated king with scepter) for the king, and provides a private owner with his patronage and protection.
Egyptian
H: 3/4 x W: 1 5/16 x L: 1 7/8 in. (1.9 x 3.3 x 4.7 cm)
medium: steatite with green glaze and residue of white underglaze
culture: Egyptian
dynasty: 18th Dynasty
reign: Thutmosis IV-Amenophis III (1397-1350 BC)
Walters Art Museum, 1931, by bequest.