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Obverse: Head of Constantine, diademed, right; beaded border. Reverse: Victory, draped, seated on a pile of arms and a shield, right, inscribing a shield also supported by a nude male figure (probably a genius).
This medallion of Constantine the Great (ruled 306-337) was struck at the mint of Nicomedia (now Izmit, Turkey) for the celebration of the 30th anniversary of his rule. The Latin inscription on the reverse refers to him by name: "Victorious Constantine, Augustus." Anniversaries were often marked by the issue of medallions that served as gifts from the emperor to state officials, military leaders, and others in his favor.
Byzantine
Max diam: 13/16 in. (2 cm)
medium: gold; struck
culture: Byzantine
Walters Art Museum, 1946, by purchase.
By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world. The city also became the great emporium for prints, and the woodcut developed beyond its humble origins as a popular art for devotional imagery, playing cards, and later for book illustration. <em>View of Venice</em> epitomizes this new ambitious scope for the woodcut, and is a landmark in the history of printmaking. This monumental print can be compared in scale only to a mural decoration and presumably served as a less expensive surrogate for paintings. The six sheets that make up the design would have been pasted either onto a canvas or the wall itself, resulting in the survival of only 12 impressions of the original edition like this one, and only three in America. The goal of the print was to depict Venice as seen from above. No single vantage point would have been sufficient, so Jacopo de' Barbari and a team of surveyors climbed various towers and tall buildings to record small sections of the city. These individual views were combined to form the map which follows a single, though inconsistent, system of perspective. Unprecedented for its exactness of detail and difficulty of execution, <em>View of Venice</em> represents the first attempt to render the image of a city according to the laws of geometry. The view also highlights the seafaring trade activities of Venice, depicting Mercury, god of commerce, presiding over the city, while Neptune, god of the seas, keeps watch over the entrance to the city's Grand Canal.
Italy, early 16th Century
woodcut from six blocks on six sheets of paper
Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)
Did you know...
Before the conveniences of airplanes, photography, or even a hot air balloon this monumental bird's-eye view map of Venice made in 1500 documents every building, canal, alleyway, and square in the city.
Purchase from the J. H. Wade Fund
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
Go to Page 379 in the Internet Archive
Title: Das Füllen der Zähne mit Amalgam : nebst einem Anhange über die moderne Behandlung pulpakranker Zähne
Creator: Witzel, Adoph
Creator: Frisch, Albert
Creator: Zeiss, C
Creator: Wesser, Karl
Creator: Obernetter, J. B. (Johann Baptist), 1840-1887
Creator: University of Bristol. Library
Publisher: Berlin : Berlinische Verlagsanstalt
Sponsor: Jisc and Wellcome Library
Contributor: University of Bristol
Date: 1899
Language: ger
Description: Vol. 1: "mit 9 Lichtdruck- 11 Aquarelldrucktafeln und 466 Figuren im Texte" and vol. 2: "mit 4 Tafeln und 42 Figuren im Texte."
Plates are signed: "Photographiert von C. Zeiss, Jena", and "Lithtdruck von Albert Frisch, Berlin W.", or "Gezeichnet und gemalt von Karl Wesser, Jena", and "Aquarelldruck von J. B. Obernetter, München."
The 4 plates in vol. 2 are accompanied by letterpress explanations
With added part t.-p. for each vol
Each vol. has its own t.-p
This material has been provided by University of Bristol Library. The original may be consulted at University of Bristol Library
University of Bristol Library
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Muisca metalwork divides into two categories: ornaments to be worn, such as these, and offering figurines, in the case to the right. The elaborate bird pendant features delicate herringbone moldings, openwork patterns, and wing details-all part of the wax model from which the pendant was cast (see nearby computer animation). The dangles were attached after casting.
Colombia, Muisca style
stone?
Gift of Mrs. Edward S. Harkness in memory of Mrs. Stephen V. Harkness
Smack/URL Born Legacy 3 Predictions (Day 1)
battledomination.com/smackurl-born-legacy-3-predictions-d...
A living shoreline is installed with members of the Elizabeth River Project on the Lafayette River in Norfolk, Va., on July 26, 2024. A private homeowner worked with the nonprofit to install the living shoreline, which includes oyster castles and newly planted smooth cordgrass, in her backyard. (Photo by Rhiannon Johnston/Chesapeake Bay Program)
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A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Photo URL: www.facebook.com/#!/photo.php?fbid=465757458046&set=a...
Official Website: www.lindsaybrookephoto.com/
Lindsay Brooke Webster is a photographer who takes portraits of families, engagements, weddings, seniors and more. She is also my inspiration in becoming a photography major and is my high school digital photography teacher. I am more interested in taking pictures of people: candids, portraits anything. I especially like taking pictures of an event that leaves an impacting emotion to the viewers. I also love using natural light/sun rather than artificial lights. Lindsay Brooke Webster's photos all or mostly consists with natural light. She captures every focal point with perfect lighting. She also records memorable moments like this photo of the a husband and wife spending time with their baby. This photo of the Umbelino Family is a good example of the kinds of photos I am wanting to take: great lighting, people related, capturing a moment.
The sexual features of this creature have been emphasized so as to guarantee fertility to the woman who drank from it.
Iran, Marlik
ceramic, earthenware, burnished
Overall: 24.1 x 14.7 x 16.5 cm (9 1/2 x 5 13/16 x 6 1/2 in.)
James Albert and Mary Gardiner Ford Memorial Fund
[url=http://the-lilypad.com/store/December-To-Remember-Dressed-Up-Digital-Scrapbook-Template.html] December To Remember {Dressed Up} from Fiddle-Dee-Dee Designs [/url]
[url=http://the-lilypad.com/store/digital-scrapbooking-kit-instrumental-strings.html] Instrumental: Strings from Kristin Aagard Designs [/url]
Smoking tobacco was introduced to the Mughal court from Iran in the very early 1600s and soon became popular. This base formed part of a hookah, or water pipe, which consisted of a base that held water—sometimes perfumed with herbs or fresh fruit—a detachable bowl to hold tobacco, and a long tube. Early hookahs used existing vessels for bases, including coconut shells. By the late 1600s or early 1700s, richly decorated pieces like this were produced. The jewel-like decoration of blue and green blossoms evokes a garden in which a smoker might have sat.
India, Mughal Dynasty (1526-1756)
Glass with colored enamel and gilding
Overall: 17.8 cm (7 in.)
Did you know...
Turquoise five-petaled flowers hang from lime green pedicels.
The Norweb Collection
caodangyduocsaigon.com/cao-dang-duoc/ma-nganh-cao-dang-du...
Mã ngành là thông tin rất cần thiết để các bạn thí sinh đăng ký xét tuyển vào các trường Cao đẳng, Đại học. Nếu bạn đang có dự định theo học ngành dược thì bạn cần phải biết mã ngành, mã trường để hoàn thiện hồ sơ đăng ký.
Mã ngành Cao Đẳng Dược TPHCM năm 2019 có gì thay đổi?
Sinh viên cần phải nắm được mã ngành chính xác để đăng ký tuyển sinh
Vai trò của mã ngành, mã trường
Mỗi trường Đại học, Cao đẳng đều có những mã ngành, mã trường riêng do trường quy định. Những mã ngành, mã trường này dùng để khi nhập dữ liệu hồ sơ vào máy tính, các cán bộ nhập dữ liệu sẽ nhập theo phần mã ngành, mã trường. Vì vậy, khi làm thủ tục, hồ sơ đăng ký xét tuyển, thi tuyển vào các trường Đại học, Cao đẳng, bạn cần phải tìm hiểu thật kỹ để ghi chính xác tên trường, tên ngành, mã trường, mã ngành.
Trong đó, việc ghi chính xác mã ngành là vô cùng quan trọng, nếu ghi sai, dữ liệu máy tính có thể sẽ nhập thành ngành khác và việc chỉnh sửa lại sẽ rất khó khăn và vất vả, thậm chí là không thể chỉnh sửa lại. Để chính xác nhất, thí sinh nên xem mã ngành, mã trường trong quyển Những điều cần biết về tuyển sinh Đại học, Cao đẳng hoặc xem trực tiếp thông tin trên website của trường mình đăng ký.
Mã ngành Cao đẳng Dược năm 2019
Ngành Dược là một trong những nghề được nhiều bạn trẻ lựa chọn làm nghề nghiệp chính trong tương lai. Đây là ngành rất đáng được tôn trọng và tự hào. Những người làm trong ngành này cần phải tự đề cao ý thức phục vụ nhân dân, có kiến thức, kỹ năng vững chắc trong nghề theo tiêu chuẩn, đảm bảo đủ sức khỏe, có khả năng làm việc độc lập, tự học , tự tìm hiểu, sáng tạo,…
Nếu bạn thấy bản thân có những tố chất làm công việc này thì hãy lựa chọn trường và theo học ngay từ bây giờ. Tuy nhiên trước khi đăng ký, bạn hãy tìm hiểu thật kỹ về thông tin mã ngành, mã trường mà bạn có mong muốn, nguyện vọng theo học để tránh những trường hợp sai sót đáng tiếc.
Sinh viên ngành dược trường Cao đẳng Dược TPHCM
Học ngành Dược tại trường Cao đẳng Dược TPHCM
Trường Cao đẳng Y dược hiện nay thực hiện đào tạo 5 chuyên ngành sức khỏe chính là: Điều dưỡng, Xét nghiệm y học, Dược , Phục hồi chức năng và Hộ sinh. Để được học tập tại trường thí sinh chỉ cần tốt nghiệp trung cấp, cao đẳng đúng chuyên ngành đăng ký dự tuyển hoặc có chứng chỉ chuyển đổi phù hợp với chuyên ngành dự tuyển.
Thời gian đào tạo tại trường là từ 3 năm. Trong quá trình đào tạo, giảng dạy nhà trường luôn chú trọng vào việc thực hành để mọi sinh viên sau khi tốt nghiệp ra trường đều có thể làm được việc ngay. Bên cạnh đó trường còn luôn đổi mới, cung cấp đầy đủ thiết bị dạy và học hiện đại hỗ trợ sinh viên tốt hơn trong việc tiếp thu kiến thức. Giáo trình giảng dạy tại trường là giáo trình chuẩn theo khung chương trình đào tạo của Bộ giáo dục đưa ra, các chương trình học lý thuyết được rút gọn, và nâng cao bổ sung thêm nhiều giờ thực hành để cân đối giữa việc học và kỹ năng làm việc.
Các giảng viên, giáo viên đang làm việc tại trường đều là những người có kiến thức chuyên ngành sâu rộng, trình độ cao từ thạc sĩ trở lên, giỏi cả về chuyên môn chuyên ngành lẫn sư phạm, đủ tâm và tầm để giảng dạy cho học viên. Môi trường học tại trường là một môi trường năng động, thường xuyên có các phong trào thi đua tạo sự gắn bó, đoàn kết giữa các sinh viên với nhau. Sau khi học xong tại trường sinh viên sẽ nhận dược bằng chính quy theo quy định của Bộ Giáo dục và đào tạo.
Trên đây là các thông tin về mã ngành dược năm 2019 để các bạn tham khảo. Nếu bạn có nhu cầu theo học ngành Dược tại Trường Cao đẳng Dược Sài Gòn thì hãy liên hệ ngay với chúng tôi để được tư vấn hỗ trợ thêm các thông tin mới nhất.
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
Pottier and Stymus Manufacturing Company
active ca. 1858–1918/19
37 x 27 1/2 x 27 1/2 in. (94 x 69.9 x 69.9 cm)
medium: Rosewood, prickly juniper veneer, gilding, brass, original tapestry upholstery
Metropolitan Museum of Art, New York, NY 1970.35.1 1970
Funds from various donors, 1970
CAPTION: URL: ift.tt/1Q8cGQo SOURCE: ift.tt/1Q12NQQ FROM: HM Harris Auto-action created by ifttt.com
Although it is impossible to say if it was always part of the artist’s process to execute a preparatory sketch prior to painting each miniature, we do know that John Smart retained many hundreds of these sketches. A group of preparatory sketches—of which this portrait is one—descended through the Smirke family after Smart’s daughter Sarah gave a sketchbook containing preparatory portrait studies to her friend Mary Smirke, sister of the celebrated Victorian architect Sydney Smirke. This book was probably broken up around 1877 when it was divided between Sydney’s daughters Mary Jemmett and Mrs. Lange, whose portions were both sold at auction in 1928.<br>Compared to his contemporaries George Engleheart (1752–1829) and Andrew Plimer (1763–1837), whose female sitters were often painted in similar simple white gowns, Smart often lavished more attention on the costumes in his portraits of women, whose dresses incorporated colored silks, printed fabrics, and luxury trimmings like lace and fur. The sitter’s head and shoulders face left. She has what was probably once blond hair—now faded to pink—dressed high on her head, with curls down the back of her neck, over which a veil descends. Her eyes are hazel, and the color of her lips has almost completely faded. Positioned in an oval, and revealing much of her left breast, she wears a low-necked dress with faint traces of pink pigment, trimmed with a string of pearls. The background is unpainted. To this date, the finished ivory for which this preparatory sketch was presumably undertaken has not been discovered.<br>The portrait was assigned the historically colorful but fictitious title of “Henrietta Maria” at some point after memory of its true identity had been lost. Giving illustrious titles to portraits of unknown sitters was a popular strategy adopted by dealers during the nineteenth and twentieth centuries, often applied to miniature portraits and, in particular, to Smart’s sketches of women. In 1948 Arthur Jaffé wrote to the Cleveland Museum of Art that a “Mrs. Samuelson of Exeter recently brought me two frames, with six sketches mounted in each, of ladies, mostly with fancy names. I think there is no doubt that they were part of Mrs. Lange’s share of the Smirke sketches, though unlike yours they did not pass through Christie’s auction in Dec. 1928. I persuaded Mrs. Samuelson to let me remove them from their frames and to rub the paper backing from the card on which the sketches are painted. The result was as follows. Included was a No. 115 called, Margaret, Archduchess of Austria, which is the same number given to our Henrietta Maria.” Elsewhere Jaffé notes that the number on the front of this sketch was probably a 119 instead of a 115.
England, 18th century
graphite and wash on laid paper
Framed: 8.8 x 7.6 cm (3 7/16 x 3 in.); Unframed: 6.4 x 5.1 cm (2 1/2 x 2 in.)
Did you know...
Sketches helped John Smart work out the particulars of a portrait before commencing the miniature on ivory; they were useful in the event that a duplicate might later be required.
The Edward B. Greene Collection
CHANNEL 4 PICTURE PUBLICITY.124 Horseferry Road.London SW1P 2TX.020 7306 8685..GARTH MARENGHI'S DARKPLACE 1/6.Sanchez, Dean, Garth & Madaleine..Tx:03/10/2006 12:10..This picture may be used solely for Channel 4 programme publicity purposes in connection with the current broadcast of the programme(s) featured in the national and local press and listings. Not to be reproduced or redistributed for any use or in any medium not set out above (including the internet or other electronic form) without the prior written consent of Channel 4 Picture Publicity 020 7306 8685