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Léon Bonvin was born in Vaugirard, just outside Paris in 1834. Despite displaying great talent in the medium of watercolor he was largely unrecognized by his contemporaries. In 1866 he hanged himself at the age of 32, apparently due to financial difficulties. Working at his family's bar or "cabaret," he sketched and painted watercolors only in his spare moments, yet in the seven year period between 1859 and his death he created numerous exquisite still lifes of flowers and fruits, and subtle landscapes capturing fleeting atmospheric effects. There is evidence that, despite his rural home, Bonvin did have knowledge of the art world in Paris. His half-brother was the better known artist, François Bonvin. In addition Bonvin's still lifes show the influence of Jean-Siméon Chardin (1699-1779), whose work was undergoing a revival in the 1850s and 60s. At the time Bonvin was working several of Chardin's paintings could be found among the new acquisitions at the Louvre Museum. Bonvin might have seen his work there or in reproduction.
During the 19th century an appreciation of Bonvin's work was confined to a small circle of connoisseurs and collectors, most prominent among them William T. Walters, father of Henry Walters, founder of the Walters Art Museum. For much of the 19th century William displayed and stored his watercolors in a deluxe leather-bound album with a specially commissioned frontispiece and tailpiece by the renowned flower painter of the Lyon school, Jean-Marie Reignier (see WAM 37.1501 and 37. 1531). William's collection of Bonvin's work was acquired between 1862 and 1891, and eventually comprised 56 watercolors and one, rare oil; today, this is the largest collection of Bonvin's work in existence.
H: 9 5/8 × W: 7 5/16 in. (24.4 × 18.6 cm)
Framed H: 21 1/4 × W: 16 1/4 × D: 1 5/16 in. (53.98 × 41.28 × 3.33 cm)
medium: watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper
Walters Art Museum, 1931, by bequest.
[1] possibly one of seven purchased by Lucas in 1864 (see Randall, Diaries of George A. Lucas, vol. 2, p. 172 and p. 174).
Matt Balazik of the Virginia Commonwealth University Rice Rivers Center captures and tags Atlantic sturgeon on the James River in Chesterfield County, Va., on Sept. 24, 2024. Balazik measures each sturgeon and checks for a pit tag, indicating a recaptured fish. Atlantic sturgeon are an endangered species that is slowly recovering after centuries of harvest. (Photo by Will Parson/Chesapeake Bay Program)
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CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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This piece has designs of birds and foliage in niello on the sides of the hexagonal cup. Inside is gilt, with the figure of a shrimp "en plein" air. When the drinker is finished, a shrimp stares at him from inside the cup. The finial of the cover is designed as a nude child.
Russian
H:10 9/16 in. (26.9 cm)
medium: silver, parcel gilt, niello
style: Baroque
culture: Russian
dynasty: House of Romanov
Walters Art Museum, 1931, by bequest.
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
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www.rosscastors.co.uk/news/shipping-containers/
Ross Castors is the UK’s number one supplier for Casters, Wheels, Tube End Fittings, Adjustable Feet, Handwheels, Handgrips and Material Handling Equipment.
This richly embellished garment was worn by Muslim women in Albania over a fine silk blouse with wide trousers decorated with matching embroidery. The Europeanized Ottoman style signaled social prestige in the late 19th century and differed from regional dress. The gold thread embroidery fashion was influenced by the attire of Ottoman officials and Eastern Orthodox church clergy. This spectacular garment was created with woven bands and twisted cords of gold thread plus stunning gold and silver thread embroidered motifs. Metal threads were secured on the velvet with a stitch from underneath, known as couching. Specialized workshops in urban centers embroidered similar but not identical models for Muslim and Christian women. Threads loosely attached to the velvet provided design guidelines for the embroiderers.
Prizrend, Serbia, or Scutari, Albani, late 19th century
silk, velvet; gold- and silver-thread: bands, cords, couched embroidery
Overall: 117 x 170.2 cm (46 1/16 x 67 in.)
Gift of Jeannette Cox Morrill
France, 19th century
pencil and watercolor
Gift of The Print Club of Cleveland in honor of Mrs. William G. Mather
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http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
A bird is depicted perched on the branch of an oak tree. Beneath the bird is a small cluster of gold acorns. This is part of a set with Walters 51.1012.
Japanese
1 5/16 in. (3.4 cm) (l.)
medium: shakudo, copper, gold
culture: Japanese
Walters Art Museum, 1931, by bequest.
Video URL: youtu.be/1FYXX9cNJt8
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