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Words and lettering created using food by our AS Graphics students as part of their typography project

White Background

 

- Typography clock represents its past, present and future, pointing the present's colorful and creative types. The ancient letters imply typography's past while the computer binary languages (0s and 1s) show as future typography.

Typography super-graphic project

This is my final draft of my 3rd project in my typography class. The assignment was for me to represent the word "silly" using one type font and color.

I made this using Adobe Illustrator CS5.

 

Please do not use this image in any way.

typography 1 students work

Portugal isn't the what I'd associate with really good Swiss typography.

Experimenting with making my own typeface using ink, water, photography and photoshop.

Scott Kelby's World Wide Photo Walk 2015 - Little Italy

 

Typography 1: Look around for the alphabet in everything.

Nice typography, copper from a sign at Dun Laoghiare Pier

Weingart Typography, exhibition ‘Paradigm of Art, German Contemporary Art’ / 《德国8之》《艺术之规——德国当代艺术》, CAFA / Central Academy of Fine Arts, 中央美术学院美术馆, Beijing / 北京, China / 中国, 2017

Typography is not defined by any one thing. It is the sum of all parts joined together at any given time to create an expression that may or may not be even understood.

Inspired by lovely pebble artist Sid Beynon (who shares my Birthday too).

A generative typography using autonomous agents & vector fields.

White ink on several paper colors. Used very shiny paper, which made for some interesting results.

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School bus pencil holder on a skate.

Taku Tāmaki- Auckland Stories at Auckland Museum

 

This view shows the programmable LED type as well as backlit case labels and CNC cut wall text.

 

2 day Typography & Lettering workshop taught by Nomad Ink at Positivo University 2009.

Molecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This study is based on the premise that Latin and Hebrew letters possess a molecular structure, exploring how this concept can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language.

 

The research is a deep and comprehensive exploration of the concept of “molecular typography.” It involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. These tests have led to the identification of 11 key themes: foundations, language, gender, formula, weight, 3D, gravitation, generative research, color, word play, and the relationship between type and image.

 

The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research and is accompanied by the website themtlab.com, offering additional animated and interactive content.

 

This is the first book to combine the similarities and components of Hebrew and Latin script based on years of research and experimentation!

 

CONTENT

— Inspiring visual representations of Latin and Hebrew letters.

— Methods and rules enabling a rhizomatic exploration of experimental typography.

— The project received the New York’s TDC awards.

 

ABOUT

Kobi Franco is a Tel Aviv based designer, researcher, curator, and the Head of the Master's in Design Program at Shenkar College in Tel Aviv. He owns a leading studio specializing in design for culture and art. His work has been exhibited in a variety of exhibitions in Israel and around the world. The book Molecular Typography Laboratory is the result of five years of research in experimental typography. The project has been showcased in several exhibitions and has received numerous awards, including Typographic Excellence from New York's Type Directors Club.

  

Publisher: Slanted Publishers

Author, Editor, Concept: Kobi Franco

Design: Kobi Franco

Release: January 2025

Format: 21 × 27 cm

Volume: 224 pages

Language: English, Hebrew

Printing: Offset printing with spot colors, NINO Druck

Bookbinding: Open thread-stitching with black thread, dust jacket

Paper: Munken Print White 1.5 115 g/sm (Inside), 300 g/sm (cover)

Student type design project by Kawisara Vacharaprucks from Chulalungkorn University's CommDe course.

 

This fantastic project examines the commonalities and identifiers of the Thai letters to create a font with increased letter recognisability. By overlaying letters from almost 40 fonts, the basic underlying shapes were extracted. Then, the letters were examined individually to define the elements that distinguish them. The combination of the two results in a coherent design with strong detailing.

If Metropolis magazine had a feature on Jan Tschichold. [Opening spread of three]

Always forget that Flickr has video, thought I would try it out. This is my first go at using After Effects to create a kinetic typography movie, I'm doing Dyslexia Awareness as my year 13 (high school) design folio, and this is kind of extra scholarshipishy work.

First attempt on TYPOGRAPHY!

2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel

Max Gilbert: Typography Twitter Sprints (created in 20-30 min each)

 

Tweets from @rainnwilson

 

“Every time I start my Prius I change my tampon.”

typography 1 students work

typography 1 students work

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