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Types for Brands - Typographies pour les marques. By Seenk and Christophe Badani. Editor: Eyrolles. Book on custom fonts for brands identities. More infos: www.typophage.com/actualites/103-evenements/211-types-for...
Weingart Typography, exhibition ‘Paradigm of Art, German Contemporary Art’ / 《德国8之》《艺术之规——德国当代艺术》, CAFA / Central Academy of Fine Arts, 中央美术学院美术馆, Beijing / 北京, China / 中国, 2017
Daily Typo-Inspiration for 2021
As trend radar and typo-inspiration, as up-to-date-keeper and as eye-catcher on designer tables the Typodarium has conquered its firm place—and designers are eagerly waiting in August to see which small, fine extra Raban Ruddigkeit and Lars Harmsen have given the cute calendar in the Schriftschatz collection box this time. Before we tell you, we would like to say that the Typodarium 2021 shines in twelve cheerful colors and, in addition to typo vitality, brings colorful joy to everyday creative life. Once again, it is packed in a colorful, solid collection box in which your special font treasures are well protected and waiting to be used. As always, you will find the degree of expansion and where to buy the fonts on the back of the daily papers.
And what is the “Typo-Schmankerl” 2021?
On Sundays there is not only more variability in the appointment calendar, but also in the Typodarium 2021: 52 variable fonts are presented by the classic among typo calendars. Flexible in use, they solve even the trickiest challenges in graphic design.
Trend Radar
Lars Harmsen and Raban Ruddigkeit not only have their ears very close to the pulse of the typography scene, they are an integral part of it. Every year they succeed in tracking down the hippest new creations in type design, discovering new type designers before they are on everyone's lips and in all designs. Over the years, the two editors have developed an unmistakable feeling for the grassroots movements of serifs—so the Typodarium brings a breath of fresh air to agencies and production departments, magazine and book design, web and print, packaging and fashion. And on your desk.
Have fun and a happy 2021!
Typodarium 2021–A 365 Day Type Calendar
Editors: Lars Harmsen, Raban Ruddigkeit
Publisher: Verlag Hermann Schmidt
Design: Jonas Rose
Format: 8.5 × 12 cm
Volume: 384 pages in 12 colors, printed on both sides
Language: English
Specials: Packaged in a sturdy collecting box for archiving the type samples
Photos: © Verlag Hermann Schmidt
Molecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This study is based on the premise that Latin and Hebrew letters possess a molecular structure, exploring how this concept can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language.
The research is a deep and comprehensive exploration of the concept of “molecular typography.” It involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. These tests have led to the identification of 11 key themes: foundations, language, gender, formula, weight, 3D, gravitation, generative research, color, word play, and the relationship between type and image.
The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research and is accompanied by the website themtlab.com, offering additional animated and interactive content.
This is the first book to combine the similarities and components of Hebrew and Latin script based on years of research and experimentation!
CONTENT
— Inspiring visual representations of Latin and Hebrew letters.
— Methods and rules enabling a rhizomatic exploration of experimental typography.
— The project received the New York’s TDC awards.
ABOUT
Kobi Franco is a Tel Aviv based designer, researcher, curator, and the Head of the Master's in Design Program at Shenkar College in Tel Aviv. He owns a leading studio specializing in design for culture and art. His work has been exhibited in a variety of exhibitions in Israel and around the world. The book Molecular Typography Laboratory is the result of five years of research in experimental typography. The project has been showcased in several exhibitions and has received numerous awards, including Typographic Excellence from New York's Type Directors Club.
Publisher: Slanted Publishers
Author, Editor, Concept: Kobi Franco
Design: Kobi Franco
Release: January 2025
Format: 21 × 27 cm
Volume: 224 pages
Language: English, Hebrew
Printing: Offset printing with spot colors, NINO Druck
Bookbinding: Open thread-stitching with black thread, dust jacket
Paper: Munken Print White 1.5 115 g/sm (Inside), 300 g/sm (cover)
A small collection of handpainted boat-names, something I feel takes skill and experience to get looking nice.
I used photoshop after the picture was taken. It was just a try with typography, and it isn't totally finished but I learned a lot with the techniques I used to make this picture.
Brief: To create a small brochure on a Phobia. In this case mine was a phobia of words and numbers.
Here are some pages from my brochure.
Pin&Thread Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
"Your Helvetica" showing 24 works inspired by Helvetica, by graphic designers, photographer, chef, musician, ...etc. at Central World Plaza, Bangkok
Did a typography project in Digital Design 2. Took about a month. 1st image is the original, 2nd is the grayscale, and 3rd is the final typography. This piece of mine will be in the Winter Park Art Festival tomorrow and Sunday, if your going check it out!
Weingart Typography, exhibition ‘Paradigm of Art, German Contemporary Art’ / 《德国8之》《艺术之规——德国当代艺术》, CAFA / Central Academy of Fine Arts, 中央美术学院美术馆, Beijing / 北京, China / 中国, 2017
Weingart Typography, exhibition ‘Paradigm of Art, German Contemporary Art’ / 《德国8之》《艺术之规——德国当代艺术》, CAFA / Central Academy of Fine Arts, 中央美术学院美术馆, Beijing / 北京, China / 中国, 2017
typography urbano caligrafia contemporânea. (NOTURNO).
tela- tamanho 50x40 feito com tinta olio e spray.
Pin&Thread Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project