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This is a design I made a while ago, but I still really like it. I hope you do as well. By the way, I PROMISE I will have a new photo tomorrow. No more being lazy!
Pin&Thread Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
"Annals of Parisian Typography, Containing an Account of the Earliest Typographical Establishments of Paris; and Notices and Illustrations of the Most Remarkable Productions of the Parisian Gothic Press: Compiled Principally to Shew its General Character; and its Particular Influence Upon the Early English Press." The Reverend William Parr Greswell, London, 1818.
Types for Brands - Typographies pour les marques. By Seenk and Christophe Badani. Editor: Eyrolles. Book on custom fonts for brands identities. More infos: www.typophage.com/actualites/103-evenements/211-types-for...
Front page of the report for a project for the Design and Experience course. The course was about industrial design with geometrical forms: a perfect chance to experiment with geometrical typography in my report.
Guest: Rui Abreu
Date: 06/05/2015
Place: ESAD.CR (Caldas da Rainha)
Country: Portugal
Photo: ©Departamento de Fotografia ESAD.CR
Rui Abreu Website: www.r-typography.com/
Types for Brands - Typographies pour les marques. By Seenk and Christophe Badani. Editor: Eyrolles. Book on custom fonts for brands identities. More infos: www.typophage.com/actualites/103-evenements/211-types-for...
This was for my computer art class's digital book. The text is lyrics from "Bohemian Like Me" by the Dandy Warhols.
Class: Typography 1; Level: Sophomore; Project: Grid Based Typeface; Instructors: Levi Hammett, Titus Nemeth.
A project where students worked in teams to create low resolution typefaces composed of found grids in their every-day environment.
Ri Xing Typography, which houses the world's last complete set of traditional Chinese character molds for lead-type casting.
4th round of exploration. This series is focused on color, element registration, planar rotations and transparencies. As with before, no compositing or photoshop is used here, all elements are composed within the duration of the exposure.
The next round will look at the inclusion of real world/physical objects into this approach.