View allAll Photos Tagged Typography
Taku Tāmaki- Auckland Stories at Auckland Museum
This view shows the programmable LED type as well as backlit case labels and CNC cut wall text.
a sooo little design project; a flyer for a company i know for so long and yes, they started to import and sell... chinese gravestone.
made entirely in Illustrator from scratch in size A/6; tried to catch the right mood, and to keep as simple as it could be; i liked to make the typography but sadly there was not enough time to made it... well, perfect.
Always forget that Flickr has video, thought I would try it out. This is my first go at using After Effects to create a kinetic typography movie, I'm doing Dyslexia Awareness as my year 13 (high school) design folio, and this is kind of extra scholarshipishy work.
2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel
Max Gilbert: Typography Twitter Sprints (created in 20-30 min each)
Tweets from @rainnwilson
“Every time I start my Prius I change my tampon.”
Beautiful 19th century typefaces. The photos are from posters shown in the exhibition : Affiche-Action, quand la politique s'écrit dans la rue
SIGG is an eco-friendly water container that has recently become popular due to the the chemicals Nalgenes bottles can leech into your drinking water.
The concept piece is about environmental awareness so the two mesh great with each other.
20090410~11 Railway Travel _ Gangchon
Typography expression about my daily life.
Who can resist the glamour of traveling by train? It was very exciting!
I found another sky note and natural grid :-)
I refreshed my mind and body with this workshop.
My first attempt to mess w/ After Effects. The project blends type and motion to make what you see now. I used Awol - Rhythm cause I love the beat. And not like the whack trash you hear on the radio now.
Molecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This study is based on the premise that Latin and Hebrew letters possess a molecular structure, exploring how this concept can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language.
The research is a deep and comprehensive exploration of the concept of “molecular typography.” It involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. These tests have led to the identification of 11 key themes: foundations, language, gender, formula, weight, 3D, gravitation, generative research, color, word play, and the relationship between type and image.
The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research and is accompanied by the website themtlab.com, offering additional animated and interactive content.
This is the first book to combine the similarities and components of Hebrew and Latin script based on years of research and experimentation!
CONTENT
— Inspiring visual representations of Latin and Hebrew letters.
— Methods and rules enabling a rhizomatic exploration of experimental typography.
— The project received the New York’s TDC awards.
ABOUT
Kobi Franco is a Tel Aviv based designer, researcher, curator, and the Head of the Master's in Design Program at Shenkar College in Tel Aviv. He owns a leading studio specializing in design for culture and art. His work has been exhibited in a variety of exhibitions in Israel and around the world. The book Molecular Typography Laboratory is the result of five years of research in experimental typography. The project has been showcased in several exhibitions and has received numerous awards, including Typographic Excellence from New York's Type Directors Club.
Publisher: Slanted Publishers
Author, Editor, Concept: Kobi Franco
Design: Kobi Franco
Release: January 2025
Format: 21 × 27 cm
Volume: 224 pages
Language: English, Hebrew
Printing: Offset printing with spot colors, NINO Druck
Bookbinding: Open thread-stitching with black thread, dust jacket
Paper: Munken Print White 1.5 115 g/sm (Inside), 300 g/sm (cover)