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Rainbow colours in thin typography - probably stand out more at night time. Background is made of neon as well, creating many lines and losing the emphasis on the words themselves. Located in shop window so probably aimed to only be read by passerby's, but be seen from a far way.
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2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel
Types for Brands - Typographies pour les marques. By Seenk and Christophe Badani. Editor: Eyrolles. Book on custom fonts for brands identities. More infos: www.typophage.com/actualites/103-evenements/211-types-for...
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Author: 今井直一 (Naoichi Imai)
Publisher: 印刷学会出版部 (Insatsu Gakkai Shuppanbu Ltd.)
Language: 日本語 (Japanese)
Edition: 第3刷／限定500部 (third impression of the first edition / limited 500 prints)
Date: 1966
Specifications: ハードカバー函付 (Hardcover with slipcase)
Size: B6 (128×182 mm)
Page: 220 pages
typography experiment based on the work of:
Ricard Marxer - Piñón www.caligraft.com/
www.ricardmarxer.com/processing/geomerative/documentation...
2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel
Molecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This study is based on the premise that Latin and Hebrew letters possess a molecular structure, exploring how this concept can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language.
The research is a deep and comprehensive exploration of the concept of “molecular typography.” It involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. These tests have led to the identification of 11 key themes: foundations, language, gender, formula, weight, 3D, gravitation, generative research, color, word play, and the relationship between type and image.
The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research and is accompanied by the website themtlab.com, offering additional animated and interactive content.
This is the first book to combine the similarities and components of Hebrew and Latin script based on years of research and experimentation!
CONTENT
— Inspiring visual representations of Latin and Hebrew letters.
— Methods and rules enabling a rhizomatic exploration of experimental typography.
— The project received the New York’s TDC awards.
ABOUT
Kobi Franco is a Tel Aviv based designer, researcher, curator, and the Head of the Master's in Design Program at Shenkar College in Tel Aviv. He owns a leading studio specializing in design for culture and art. His work has been exhibited in a variety of exhibitions in Israel and around the world. The book Molecular Typography Laboratory is the result of five years of research in experimental typography. The project has been showcased in several exhibitions and has received numerous awards, including Typographic Excellence from New York's Type Directors Club.
Publisher: Slanted Publishers
Author, Editor, Concept: Kobi Franco
Design: Kobi Franco
Release: January 2025
Format: 21 × 27 cm
Volume: 224 pages
Language: English, Hebrew
Printing: Offset printing with spot colors, NINO Druck
Bookbinding: Open thread-stitching with black thread, dust jacket
Paper: Munken Print White 1.5 115 g/sm (Inside), 300 g/sm (cover)
2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel
Typography II, Final
Travel poster using a radial grid system.
Designer:Kirk Kempker Jr
Professor: Kim Beckmann-Moegenburg