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First output of some typography experiments. Beginning with 'A' letter. Rendered with vision Factory, output as .svg file.
I had fun making this piece, and yes, it took a while to create. The words typed inside are all pertinent to Xenoblade, from the creation story to the lyrics to "Beyond the Sky." The original picture is one of my favorite graphics of all time, even though I HAVE NEVER PLAYED THE GAME, DE FACTO.
Xenoblade Chronicles belongs to Nintendo.
I personally feel that this is one of my better works, despite some obvoius imbalance in letters and the fact that the finished product is slightly messy. I think I got some of my message across. I don't remember the original intent though.
Early experiments for the typography only final piece in response to the given proverb 'on the spur of a moment'. Created using Illustrator. 17/11/14- 8/12/14
International Camping and Motorway Signs
As used by the Automobile Association
2573
Letraset instant lettering
Printed in England
1 used
3D letters made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
This is an experiment with typography as an attempt to create closely-fitting letters with basic geometric shapes. A texture will be applied to this design as the next entry of the daily design project.
For more designs, please visit designtaneous.com
This autumn Princeton Architectural Press, New York has published the new book by Steven Heller, the world’s leading graphic design historian, and Lita Talarico called Typography Sketchbooks. It's been also published in Europe by Thames and Hudson. Typography Sketchbooks compiles works by nearly 120 of the world's leading graphic designers, typographers, and leterers.
This is my Portfolio if you want work with me contact me on this email : tahamateen00@gmail.com or go checkout if you want to see full videos of my work >>> <a href="https://youtube.com/tahamateen99
Posters using Noam Text by Adi Stern: Rotem Soaye presents a quote on ethnic tensions by Nathan Zach and Rotem Fisch presents a design inspired by Italian futurism
Installation view “Dichotomies”
Type Directors Club
New York, New York
November 14, 2019 – January 31, 2020
Web typography? Sounds good, but looks awful! How to recognise poor web typography? Why is it that micro-typography on the Internet lags centuries behind? What is the connection between text lines and Laurel & Hardy? Why is web typography actually a misleading designation?
This newspaper tells in a nutshell what designers should keep in mind when deciding on typography for web users, including key design-elements and often overlooked facts.
More info & order here:
I posted this on Briar last year so excuse me if I'm repeating myself:
Several years ago I was asked to pitch for a corporate identity for the local concert hall ‘The Brighton Dome’. The pitch was quite a large undertaking for me at the time and my background was in book design so I asked a London based designer friend with a corporate identity background to work on it with me. We spent a week working on the project, Martin in London, me in Brighton and on the day before the pitch Martin came down to Brighton (about 50-60 miles away) with his material. He also brought down a gift for me which he had picked up in a street market in South London the day before. It was a large letterpress woodcut with the word ‘DOME’ on it - on closer inspection it turned out to be the original Brighton Dome ‘logo’ used in the 1950’s… how weird is that?
Unfortunately it's about half an inch too long to put on the vandercook without mashing it with the gripper bar... bah!