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Course: Typography 2, Univeristy of Wisconsin-Milwaukee
Project One: Reading Space (part 1)
Instructor: Kim Beckmann-Moegenburg
Designer: John ONeil
Title: disconnect
Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
C'est une machine très originale. Presse à cylindre et à pédale, les feuilles imprimées arrivent devant les yeux de l'imprimeur. Il manque les rouleaux.
Collection personnelle.
Vendue à, sold to Patrick Goossens, Antwerp.
I lettered this piece as a personal project. It was a bit of art therapy long overdue. #Shakespeare #handlettering #typography #illustration #handlettered
Pin&Thread Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
This was an experiment into expressive typography. In the exercise we were given two random words which he had to express individually and together.
Clearing out old computer, I discovered I did actually make a kind of finished Type 1 Postscript font years ago - presumably with Fontographer. Even more amazed to discover I can install it and use it in Mac OS 10.6.
This was inspired by punched paper tape after a visit to the Museum of Submarine Telegraphy in Porthcurno, Cornwall.
Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
An experimental typographic project at SCAD where we were asked to select a random tag line and try to express it though typography.
"Singing the body electric" was the headline of an article I found which summarized the debate on whether the human body produced electrical current. Its a nod to “I sing the body electric”, an erotic poem by Walt Whitman in which he celebrates the divine sensuality of flesh and bone.
Figuring out the weight, widths and overshoot of the extrabold weight. Caps are falling slowly into place.
2. Fonts such as Garamond, Helvetica, Universe, etc were traced onto a tracing sheet for lettering and font analysis.
3. Criticisms from professors and colleagues, scanned copies of test papers, and any revisions made along the process of making the book were printed on coloured papers.
4. I overlapped Helvetica and Universe, fonts that I usually thought are very similar, to compare and find any contrasting features.