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And that is all. In the aquatic pond at the New York Botanical Garden, the Bronx, NYC -- July 6, 2019
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
This historic canal in Delft is called 'De Oude Delft'. This photo captures three bridges in one view.
Don't worry about a thing,
'Cause every little thing gonna be all right.
Singin': "Don't worry about a thing,
'Cause every little thing gonna be all right!
Please don't use this image without my explicit permission.
© All rights reserved
My 1st Tree purchased from SL 16 months ago, I'm too attached to it.
fr.youtube.com/watch?v=zXB6bQmEqZo
"Who can say where the road goes
Where the day flows
Only time...
And who can say if your love grows
As your heart chose
Only time...
Who can say why your heart sighs
As your love flies
Only time...
And who can say why your heart cries
When your love lies
Only time...
Who can say when the roads meet
That they might be
In your heart...
And who can say when the day sleeps
If the night keeps all your heart
...night keeps all your heart...
Who can say if your love grows
As your heart chose
Only time...
And who can say where the road goes
Where the day flows
Only time...
Who knows? Only time...
Who knows? Only time..."
Enya "Only Time"
Three curious cows in the reed lands of the Nature Reserve Ilperveld in Landsmeer, The Netherlands.
This photo was taken using an M.Zuiko 40-150mm f/1.8 Pro lens @97mm.
Three baby robins hungrily await their father to return with some food.
This nest provides a lot of excitement for my cat, Jane.
Nikkor 300mm f/4 AF-D @ f/5.6
The Three Sisters viewpoint, Scotland
Made with 28 mm Elmarit, but it was not correctly screwed until the “click” and the Exif camera info doesn’t recognise it.
Three figures dance upon the waves,
Where wind and water weave their spell,
With kites aloft, like vibrant slaves,
To gusts that pull and swell.
The theme this week is "Pretty in Pastel" and I remembered the pig erasers who are cute and pastel colours :) I added some pastel sweet peas and geranium petals and voila!
This is the last mult-panel panorama I have to share. Maybe I'll take more at some point. They're fun, but quite a time-suck.
This is a 4-panel version of a 3-panel pano I did at the same time. This one has no edits between photos.
It's so strange to see the two shiprocks together though. In real life you don't quite get this view.
All I can really say about these is that they're harder than they look. Not much harder though. With a little pre-thought and some planning, you can pull it off.
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'4/3'
Camera: Chamonix 45F-2
Lens: Steinheil München Anastigmat Actinar 4.5; 135mm
Film: Agfa CP-BU M X-Ray Film; 25iso
Exposure: f/25; 1/10sec
Process: HC-110; 1+100; 5mins
Washington
March 2025
Mum Stuttard, twin sister Stuttard and moi Stuttard! Lunch at 20stories Manchester! iphone image edited in LR taken by "the obliging waiter" :-))
“Three Trees, Sunrise” — Three trees at Tuolumne Meadows in hazy sunrise light.
In mid-September I had the opportunity to spend a few days camping and photographing in the Tuolumne Meadows area. On two of. those mornings I wandered into Tuolumne Meadows before sunrise. There was fog one day — not the one in this photograph — and haze from wildfire smoke on both. Here the trees, being close to the camera, have some intense color from the sunrise light, but the haze mutes the distant landscape and shifts its colors.
Some amount of wildfire smoke seems to just come with the terrify in September and October in the Sierra, at least until a first good storm arrives. At its worst, the smoke can be thick enough to be very unhealthy and extremely difficult to photograph. But much of the time it can lend an interesting muted color to everything, as it does here.
For once I was in the right place at the right time to actually photograph a sunset on my local patch, as opposed to seeing it from my car or bedroom window! I had not long dropped off my last learner of the day when I could see the sunset starting to happen and I was fortunately placed a short distance from the main car park at Attenborough Nature Reserve. It took a concerted effort positioning the boulders exactly where I wanted them, but beyond that I simply used a 0.9 hard grad to hold in the sky detail.