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I took this shot in 2019 I tried several times to process it but wasn’t able to get it right. This was the most fun I’ve had processing an image in years. I processed and applied actions and textures in Photoshop.
Composited image of a bonsai tree I imaged at a bonsai show and a photo of tree bark. Re-released without a border.
textures 'close up' and 'lost image#2' thanks to jinterwas..
www.flickr.com/photos/jinterwas/5084624324/in/set-7215762...
and...
wall0003 thanks to www.flickr.com/photos/moonlitmist/
A walk in the woods with the family and a camera… a moving wobbly camera image.
Processed to bring out the textures in the blur. I’ve used this approach before and quite like the painterly look you end up with.
Another for my 100x Motion project…
Thank you for looking. I hope you like the effect and the image. Happy 100x :)
[Developed in Capture One for tone and colour rendition. Maxed the Clarity and Structure.
Into Affinity, duplicated the image layer and blended with Soft Light.
Heavily sharpened with Clarity, High Pass/Linear Blend and Unsharp masking. This wouldn’t work on a normal image but it gives the textures in the ICM.
Light soft white vignette to finish… and serve hot with a salad garnish on the side ;) ]
Οn Flickr's Explore. (30-11-2020)
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I belong to this set. Textures&Backgrounds .
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The Northumberland coastline is a landscape photographers paradise and this remote spot is no exception.
Rumbling Kern, a precarious bit of rocky coastline jutting out into the North Sea, you could spend an age here and come up with something different each time, such is the vastness of the rock formation and patterns, the hardest parts are spotting something you want to shoot and then trying to get to it without going flying on seaweed or falling down crevices in the rocks.
This spot looked like it had potential and took a good while to get out to safely, this took quite a while to set up as the tripod had to be balanced either side of the gap between the 2 rock faces and I was stood on a tiny bit of rock that stretched between the 2 as well, with all my stuff laid out on either side, balancing legs between the rock faces while trying to compose the shot and put filters on, while keeping an eye on the tide that was on it's way back in... not an easy proposition.
Decided on a portrait format image here with the 16-35mm lens, I could have gone slightly wider but that would have meant using really clumbersome filters and there was hardly any room to move about at all so the location dictated the set up for me.
This was the result, I was really drawn to the rock textures and the deep gully leading into the ocean with the colourful seaweed clinging to the rocks, the sea made a fantastic noise as it rushed into this narrow channel and splashed up at the rear of me. As soon as this one was in the bag it was back to the shoreline before the sea cut this rocky section off, definitely a place I'll come back to again and again.
Have a zoom in and have a look around.
ISO100 | f/14 | 16mm | 81 seconds