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Much of the text in this piece is far too personal for me to talk about comfortably at this point. i will, however, say that i chopped up one of my favorite postcards, a photo of the brilliant Ray Charles in mid-song, belting his ass off. It's an incredible picture, the creases on his brow like a topographical map. i'm still not sure why i did it, because i do really admire the postcard. It could be that his expression was how i was feeling at the time.
i've had two distinct dreams of my mom since she died, and the second was just this morning, May 2nd, 2007, close to the two-year anniversary of her death. Both of these dreams felt more like visitations than the product of sleep.
In the first dream, which happened just before her one year memorial, i got a phone call from her, and it was exactly the kind of phone call i might have received from my mom had she been living. She was calling to tell me that my uncle had given me the wrong time and that because of the train schedule from Chicago to Holland, Michigan, i was going to miss her memorial. A dead woman calling to help me attend the anniversary of her death... And my uncle giving me the wrong information about the memorial is also something that could have easily happened. Even the tone in my moms voice on the phone in my dream was perfect, a breathy mix of frustration, panic, and disappointment in her brother, a tone i had heard more than once from her while she lived. This dream came to me the day before i left for Michigan to attend the actual memorial.
The second dream was more emotional for me. i woke up from it with tears on my cheeks. i was in some kind of lobby, a restaurant or hotel, and my mom approached me and gave me a hug. She looked just as she did during her last period of really good health, and she said it was nice to see me. i asked her if my grandmother, my yia-yia was with her, and my mom said "we're all here, it's kind of circular where we're all connected." She made a twirling motion with her finger which implied that while i was talking to my mom in the dream i was also talking to my yia-yia, who died when i was ten. There was a little more dialog but of course i've lost it over the course of the work day. i was rushing this morning and some of it slipped away from me.
i felt good, sad but good, when i woke from the dream. Right away i realized that it's been nearly two years since her death and i wondered if this would last, if every year before her anniversary i would get some kind of message from her. i hope so. It's important to stay in touch with family.
Marker and collage on watercolor paper.
April 2005 - 18 x 24
Emma Watson hält eine feministische Rede. emmayouarenext.com droht, Nacktfotos von Emma Watson zu veröffentlichen. emmayouarenext.com ist ein Fake. Alle haben eine Meinung zu Emma Watson. EMMA frägt nach Fakten, Fiktionen und unübersichtlich verwischten Grenzen, Stars und Fans, Hatern und Lovern. Es geht um Feminismus, Magie und eigentlich und vor allem um die Frage: Which Emma Watson Character Are You?
Performerinnen: Michaela Adrigan, Elena Ledochowsky, Michaela Senn
Soundbearbeitung: Andreas Holleschek
Licht und Sound: Georg Roppatsch, Andreas Mathoy
Inszenierung und Raum: Martin Zistler
Text: Martin Fritz
Premiere: Dienstag, 5. Juli 2016, 20:00 Uhr
Weitere Vorstellungen:
Donnerstag, 7. Juli, 19:00 Uhr (!)
Freitag, 8. Juli, 20:00 Uhr
Samstag, 9. Juli, 20:00 Uhr
Achtung begrenzte Zuschauer_innenzahl, Reservierung über freiestheater.at/produktion/emma oder +43 664 1129285
Eine Produktion im Rahmen des Tiroler Dramatikerfestivals 2016.
Layout/Graphik Flyer: (c) Carmen Sulzenbacher
Custom Dream cast cover for Cover Design By (dcFanatic!) All Rights Reserved. To copy or Save, Right click on Upper right corner of picture then (Available Sizes) option.
That's a very long breakfast! Stuff yourself for eight hours every day for C$11.99. If you want to see some serious food addiction in Toronto take a day off and watch the regulars at the Golden Griddle in Toronto on Carlton just opposite the old Maple Leaf Gardens.
She does have a Yoga mat , but with the cigarette cancer stick and texting people who probably will never read the texts , she's probably nowhere near inner peace and very close to sheep herd mentality
This manuscript, illustrated with 155 marginal paintings, is one the few surviving “marginal psalters,” in which images provide a pictorial commentary on the Biblical text. Other examples include the Khludov Psalter (ca. 850 CE, Moscow, State Historical Museum, Muz. 129), the Barberini Psalter (ca. 1050 CE, Vat. Barb. Gr. 372), the Theodore Psalter (1066 CE, London, British Library, Add. Ms. 19,352), and a Cyrillic psalter made in Kiev (1397 CE, Saint Petersburg, National Library of Russia, cod. OLDP, F6). The Walters' psalter was apparently copied from the same eleventh-century model as the Saint Petersburg manuscript, as the iconography of the two is very similar.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Frank Boyd - The Flesh Peddlers
Monarch Books 133, 1959
Cover Artist: Robert Maguire
"Party Girl"
Frank Boyd is a pseudonym of Frank Kane
Gil was a good friend of my Dad's and they joined the US Army Air Corp together in 1938. Gil, my Dad, and their good friend Micky, all served their first two years in the service stationed together in Hawaii. Gil transfered to the Navy after the war broke out. Gil didn't know that at the time he wrote this that my Dad, who was in New Guinea, was all ready married to my Mom, an Australian girl. My Dad kept dozens of V Mails but I like this one in particular from Gil because he describes some great details of life in America during the first year of WWII. Also I believe the photo of Gil, below, is the one he mentions in the letter.
V, or Victory, Mail was used during WWII to ergonomically move correspondence around the world to save space and energy for war related material. This is Wikipedia's description. V-mail correspondence was on small letter sheets, 17.8cm by 23.2cm (7 by 9 1/8 in.), that would go through mail censors before being photographed and transported as thumbnail-sized image in negative microfilm. Upon arrival to their destination, the negatives would be blown up to 60% their original size 10.7cm by 13.2cm (4 ¼ in. by 5 3/16 in.) and printed.
I believe these V Mail's were reprinted in New Guinea, and the Southwest Pacific, where my Dad was stationed. They did have the photographic capability in the field to print them. The majority of them are not folded but some are enclosed in very small envelopes which look like were used to forward them on to where my Dad was.
Annual canal rally at Stourbridge today. Interesting and very well patronised - loads of people milling about.
My very dear friend, the fabulously talented Monique Germon, is launching an online store of beautiful handmade treasures in January 2011.
Her new business is called STORY and showcases a more mature, pared back and elegant aesthetic which is going to be really exciting for me to work with, and this piece is part of the exclusive collection of tea cosies and cushions I have designed and made for STORY.
(Google for link to 'STORY-thestore')
Hemp denim, silk, cotton, hand embroidery, vintage buttons and Australian-made feather cushion insert.
Dimensions: 30 x 60cm
Collection: Monique Germon/ STORY
Photo: The Artist
Albertus Magnus [pseudo-]: Secreta mulierum et virorum (cum expositione Henrici de Saxonia). [Venice: Adam de Rottweil], 24 June 1478. Page of text([25r]) with marginal annotations in a 17th-century hand; leaf is foliated “25” in a 16th/17th century hand at upper right. Sp Coll Ferguson Ah-b.23.
File name: 10_03_003525b
Binder label: Stock Cards
Title: A happy Christmas to you. [back]
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 9 x 13 cm.
Genre: Advertising cards
Subject: Adults; Dogs; Canoes; Umbrellas
Notes: Title from item.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
flickriver.com/photos/javier1949/popular-interesting/
Proyecto paisaje urbano en Tetuán
Plaza del poeta Leopoldo Luis, calles Matadero con Ángel Puech, Hierbabuena, Lope de Haro, Marqués de Viana, Almortas… Barrio de Tetuán, Madrid
Proyecto Tetuán para la mejora de paisaje urbano de Tetuán tiene como objeto desarrollar una experiencia para explorar las posibilidades de mejora del paisaje urbano mediante intervenciones de carácter artístico durante 2013. Esta acción se encuentra entre las recogidas en el Plan Estratégico de Cultura del Ayuntamiento de Madrid 2012-2015 (PECAM) y se inscribe dentro de las líneas encaminadas al fomento de la creatividad, la participación pública y la difusión en la mejora del paisaje urbano. El proyecto contempla, por tanto, dos ámbitos de trabajo: por un lado el orientado a los artistas y sus intervenciones y, por otro, las tareas de difusión y participación ciudadana.
Tras varias sesiones de trabajo abiertas llevadas a cabo durante este año, se generado un grupo de trabajo para la gestión compartida del proyecto del que forman parte: integrantes de Red de agentes culturales de Tetuán (entre los que se encuentran Moenia, Pkmn, Taller de Casquería, Mood Studio o Bea Burgos, de Aquí Tetuán) colectivos dedicados a la creación, la arquitectura o el paisajismo vinculados o interesados en trabajar en el distrito de Tetuán, como Estudio Montes, Pez Arquitectos, Ahora Arquitectura y La Galería Magdalena, representantes o agentes vecinales del barrio, agentes de la Dirección General de Paisaje Urbano, de la Junta Municipal de Distrito e Intermediae.
Tras desarrollar conjuntamente el proyecto y definir las actuaciones a llevar a cabo, el grupo de trabajo ha invitado a otros colectivos a implicarse en acciones concretas acompañadas por agentes vinculados al distrito de Tetuán que han participado en la definición del proyecto. Entre ellos Germinando, Perricac, La Fresquera, Basurama y Zuloark.
También forman parte del proyecto los artistas implicados en los muros artísticos gestionados por el equipo de la Dirección General de Paisaje Urbano testeando el funcionamiento de la Oficina de Gestión de Muros. Entre ellos se encuentran Suso 33, San, E1000, Spy y Borondo.
La propuesta global del proyecto se concreta en cuatro emplazamientos principales, definidos colectivamente y gracias a la colaboración de la junta municipal de distrito que elaboró el catalogo de solares de propiedad municipal, así como del Área de Urbanismo que facilitó la información sobre la calificación de los terrenos para elegir el lugar del Huerto: la Plaza Leopoldo Luis, el solar situado en la calle Nuestra Señora del Carmen, el solar de la calle López de Haro con Berruguete y el solar de calle Matadero con Ángel Puech. Cada emplazamiento agrupa las distintas intervenciones y colaboradores.
- La Plaza Leopoldo Luis: Intervienen Estudio Montes y Pez Arquitectos, Germinando y Perricac.
- El solar de calle Matadero con Ángel Puech: Intervienen Moenia, La Fresquera, La Galería Magadena y Mood Studio.
- El solar situado en la Calle Hierbabuena: Intervienen Pkmn y Taller de Casquería.
- El solar de la calle Lope de Haro: Intervienen Basurama y Zuloark.
- Además Aquí Tetuán, Bea Burgos, llevará a cabo la intervención “Ventanas a Tetuán” basado participación vecinal y la recuperación de la memoria del distrito. A través de las ventanas, metáforas de la memoria de los ciudadanos, el proyecto trata de recuperar el paisaje urbano que no está presente físicamente, o que tan solo se intuye a partir de ciertos elementos - una fuente, un ladrillo, una acera, un adoquín -pero sigue existiendo en la mente de los vecinos. Mood Studio y La Galería Magdalena llevarán a cabo la documentación del proyecto a través de fotografías, retratos de los vecinos e interacciones a pie de calle que generarán un material fotográfico que será expuesto a posteriori. Miguel Díaz de Ahora Arquitectura propone un programa de paseos donde encontramos de lugares desconocidos y un itinerario guiado desde un punto de vista urbano para mostrar las intervenciones realizadas, su desarrollo y su entorno.
Proyecto paisaje urbano en Tetuán
intermediae.es/project/blog_del_proyecto_paisaje_tetuan/p...
intermediae.es/project/blog_del_proyecto_paisaje_tetuan
www.mataderomadrid.org/ficha/3663/proyecto-paisaje-tetuan...
www.mataderomadrid.org/ficha/3019/proyecto-paisaje-tetuan...
madridstreetartproject.com/%E2%86%92-paisaje-tetuan/
www.tetuanmadrid.com/nuevos-proyectos-en-la-mejora-del-pa...
www.tetuanmadrid.com/tag/paisaje-tetuan/
www.principiafilms.es/Paisaje-Tetuan
Suso Suso33
www.flickr.com/photos/dug_da_bug/sets/72157623453962256/
www.flickr.com/photos/35042698@N02
www.flickr.com/photos/suso33/sets/72157622975044475/detai...
San
www.velvetliga.com/2009/12/entrevista-san.html
E 1000 e1000 ink
www.flickr.com/photos/e1000ink/
www.flickr.com/photos/dug_da_bug/sets/72157623453898370/
Borondo
www.flickr.com/search/?q=borondo
madridstreetartproject.com/%E2%86%92-borondo-figuras-en-e...
SPY
www.urbanario.es/articulos/articulo/art/spy-no-es-un-arti...
www.cookingideas.es/que-vigilan-150-camaras-de-seguridad-...
303 - Is it true that you love Bon Jovi?*
Babak - Love is nothing more than a four letter word - I admire any Artist that can do what they do, whether music photography or whatever despite all the bullshit, scams and disappointments. Someone said you get good at what you doing after 10,000 hours of doing it and i don't think a lot of people have the drive to do any thing that much .
3030 Tell us about your obsession with aeroplanes and are you a member of the mile high club? Babak - Airplanes like models always hang around runways and the mile high thing is so overrated!
303-Describe the moment you know that the photo you are taking is magical?
Babak - Sometimes it is right at the point of shutter release and sometimes it is years away in the future , every photo has a different time that it becomes magical.
303 - When did you start doing your infamous “jumpshots” (pictures of yourself jumping)
Babak - First one was a self portrait a light test on Polaroid back in 1996-ish ! I know - But they are fun, i like to do then with one other person and for me its like getting my self synchronized with the other person .
303 - How would you describe your style as a photographer?
Babak- i always say " i like to shoot people up in the right key"
Format: Dokument
Dato / Date: 1959
Wikipedia: I. K. Lykke
Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim
Arkivreferanse / Archive reference: Ranheim Papirfabrikk: Mønstertrykk - U 11-13 (1959)