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Taken from my personal collection.
Sticks & Buds,
(c) 2012 Barbara Gilhooly
Annealed Steel wire
3.5' h. x 11' l.
Commision for a company in Denver
Weekly Shonen Jump Covers
週刊少年ジャンプ
This web collection,
pretend to be the number one source for Weekly Shonen Jump Covers.
In each set, you can see in the description, the missing covers, or not.
If you wanna contribute…
Please send me a message, and a link with a HQ (300dpi) scan.
These images have been collected since 2000 in auction sites and over the web.
provided by:
Public Domain Book: Rosicrvcian symbology
a treatise wherein the discerning ones will find the elements of constructive symbology and certain other things
Published 1916 by Macoy pvblishing and masonic svpply co. in New York .
Written in English.
openlibrary.org/works/OL16225420W/Rosicrvcian_symbology
Curated by: www.elusivemu.se
and the name of a woman working at the san jose rag given to me by a woman remanded for a dui charge.
The competitive subscription market is about to have a new entrant to the market with ITV and the BBC braced to establish a Netflix style streaming service, having been given the green light from the authorities. First rumored a few months ago, the service with a working title of “Britflix” will see the two competitors collaborate to provide content via iPlayer. In a White Paper on the future of the BBC, Culture Secretary John Whittingdale called on the broadcaster to develop some sort of added subscription services over the next couple of years, in response to a call from the BBC for new powers to impose subscriptions.
It is being reported that other media content makers, Carnival and NBC films will be coming on board. Preceding strategies for the platform have suggested that it will also play host to a number of initial commissions from the BBC, and that it is going to be centered around archive content as opposed to first runs. The move implies that popular shows like Sherlock and Dr Who, may shortly be accessible for spectators to binge watch.
With a market becoming ever more crowded and a limit to the number of subscribers, the smart money is on them dropping the subscription fees and switching to an ad funded model. For Karma this means our production division and brand advertising agency could be involved.
karma.co.uk/bbc-itv-opening-iplayer-compete-big-subscript...
Cpl. David Merwin (1842-1916) letters, Company I, 76th Ohio Volunteer Infantry
Gift of Fred D. Merwin
Copyright Massillon Museum
Transcription:
To: Father and Mother
From: Joseph K. Merwin
Date: February 10, 1862
Camp Andrews--Mount Vernon, Ohio
Dear Father and Mother
I presume you are waiting anxiously to hear from us again. I advised you in my last letter of the fact that several Companies had been transformed out of the 61st to other Regiments and among the number Briggs [Company where David and George are] and the one I belong, the former going to the 76th Regiment and the latter to the 43rd. I have been ordered to report to the 43rd Regiment with the men and I therefore expect to return to Camp Medill at Lancaster tomorrow. Ema [Joseph’s wife] who has been stopping here with an old acquanitance will also return and remain with me at Camp Medill as long as we shall remain there. After which she will return to Massillon.
I am going to try to get my pay this week. I presume the boys will also get their pay in a day or two. I saw in the morning paper that the 76th Regiment has taken up its march for Kentucky. I am not sure whether David made it back before his Regiment started out (see 71.36.6 - David did). David and George seem to be much more attached to each other than formerly. I gave George some good advice which I think he will treasure and practice upon. Ema did also.
Do not let yourselves be unnecessarily troubled about the boys, for although they are on the way to Kentucky, they will not be likely to be placed in the advance column. Above all, pay no attention to the exaggerated rumors you may hear.
Your Son, Jos. K. Merwin
P.S. The 61st Regiment is not broken up but will probably be full in the course of six or eight weeks. I remain, of course, a Second Lieutenant.
General Electric Christmas Lighting and Decorating guide from 1963. This was the first season GE offered complete light sets. Up until this point GE only manufactured Christmas Lamps for retail sale as replacements and as a lamp supplier to lighting string manufacturers. This would begin their dominance in the US Christmas Lighting Industry for well over two decades.
A photograph I took in Indonesia appears in Pulitzer Prize winner and best-selling author Professor Jared Diamond's latest book "The World Until Yesterday: What Can We Learn from Traditional Societies?"
I posted the photo here a few years ago:
Much of the text in this piece is far too personal for me to talk about comfortably at this point. i will, however, say that i chopped up one of my favorite postcards, a photo of the brilliant Ray Charles in mid-song, belting his ass off. It's an incredible picture, the creases on his brow like a topographical map. i'm still not sure why i did it, because i do really admire the postcard. It could be that his expression was how i was feeling at the time.
i've had two distinct dreams of my mom since she died, and the second was just this morning, May 2nd, 2007, close to the two-year anniversary of her death. Both of these dreams felt more like visitations than the product of sleep.
In the first dream, which happened just before her one year memorial, i got a phone call from her, and it was exactly the kind of phone call i might have received from my mom had she been living. She was calling to tell me that my uncle had given me the wrong time and that because of the train schedule from Chicago to Holland, Michigan, i was going to miss her memorial. A dead woman calling to help me attend the anniversary of her death... And my uncle giving me the wrong information about the memorial is also something that could have easily happened. Even the tone in my moms voice on the phone in my dream was perfect, a breathy mix of frustration, panic, and disappointment in her brother, a tone i had heard more than once from her while she lived. This dream came to me the day before i left for Michigan to attend the actual memorial.
The second dream was more emotional for me. i woke up from it with tears on my cheeks. i was in some kind of lobby, a restaurant or hotel, and my mom approached me and gave me a hug. She looked just as she did during her last period of really good health, and she said it was nice to see me. i asked her if my grandmother, my yia-yia was with her, and my mom said "we're all here, it's kind of circular where we're all connected." She made a twirling motion with her finger which implied that while i was talking to my mom in the dream i was also talking to my yia-yia, who died when i was ten. There was a little more dialog but of course i've lost it over the course of the work day. i was rushing this morning and some of it slipped away from me.
i felt good, sad but good, when i woke from the dream. Right away i realized that it's been nearly two years since her death and i wondered if this would last, if every year before her anniversary i would get some kind of message from her. i hope so. It's important to stay in touch with family.
Marker and collage on watercolor paper.
April 2005 - 18 x 24
Emma Watson hält eine feministische Rede. emmayouarenext.com droht, Nacktfotos von Emma Watson zu veröffentlichen. emmayouarenext.com ist ein Fake. Alle haben eine Meinung zu Emma Watson. EMMA frägt nach Fakten, Fiktionen und unübersichtlich verwischten Grenzen, Stars und Fans, Hatern und Lovern. Es geht um Feminismus, Magie und eigentlich und vor allem um die Frage: Which Emma Watson Character Are You?
Performerinnen: Michaela Adrigan, Elena Ledochowsky, Michaela Senn
Soundbearbeitung: Andreas Holleschek
Licht und Sound: Georg Roppatsch, Andreas Mathoy
Inszenierung und Raum: Martin Zistler
Text: Martin Fritz
Premiere: Dienstag, 5. Juli 2016, 20:00 Uhr
Weitere Vorstellungen:
Donnerstag, 7. Juli, 19:00 Uhr (!)
Freitag, 8. Juli, 20:00 Uhr
Samstag, 9. Juli, 20:00 Uhr
Achtung begrenzte Zuschauer_innenzahl, Reservierung über freiestheater.at/produktion/emma oder +43 664 1129285
Eine Produktion im Rahmen des Tiroler Dramatikerfestivals 2016.
Layout/Graphik Flyer: (c) Carmen Sulzenbacher