View allAll Photos Tagged Testing
A taxi driver breaks into my frame.
The first impression of this classic lens is outperformed most modern lenses, in terms of B/W photography. The black and white tonality is pleasant and well-balanced.
It's very sensitive to the light source against available lights in the scenes. It seems that the Leica has done the right thing at the beginning and it's brilliant.
The contrast is smooth when the light source is on average level. And the rendition outcome changed dramatically while the lens engaged a scene like this but still a very classic high contrast image.
FYR.
The Summicron M-bayonet 50mm f/2 Rigid Type II(SOMNI 11918) could be the most versatile lens while comparing with 50 AA and 50 Elcan according to the HORATIO TAN@STREET SILHOUETTES.
In the meanwhile, people often suggested that the M-bayonet 50mm f/2 Rigid Type II(SOSIC 11818) is much better than SOMNI 11918. But my understanding is that either SOSTA, SOMNI or SOSIC are all sharing the same optical design with 3 LaK9 elements. Perhaps the coating might be different?
www.streetsilhouettes.com/home/2018/1/27/three-versions-o...
First one of 2012 testing the waters a bit with this one, this spot has been going since the 80's but is that temperamental it's untrue. After finding out the Copperworks is going its time to visit an old friend. Always love this spot trackside high smooth walls. Wanted to paint something a bit more special today but still had a good one.
control of the contrast.
Orwo NP20 plates 6.5x9, Rodinal dev
Ilford Ilfospeed paper 4,35 M, Medium 180 (grain)
@f8 interval 5s
Ilford multigrade dev, economy it can be used at 1:14
Durst M605 + Rodenstock 75/4.5
I'll let you imagine a story for this one. :)
I hope you like it.
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Here's a link to my other Flickr photos/ images:
An impromptu test run of a dress I plan to wear to an upcoming event. No accessories, jewelry or painted nails.Taken 040715.
A 4 minute exposure of a beautiful old barn in Chilliwack, BC.
- stacked IR and Polarizer.
for next time... remember to put the IR filter on top of the polarizer to avoid nasty reflections!?
Ultimately, this was just a test shot with my new Canon 90D in order to configure with ISO settings and all that in low light to dark conditions based on how the camera would perform under such circumstances. Not too bad and a vast improvement compared to the Canon T3.
Metra F59PHi 91 leads the way of a Milwaukee West outbound train as it arrives Itasca, IL.
Class 37 no 37425 powers The Derby to Derby test Train on The early Morning of 14.9.24. Velvia 50 asa.
Automate the observatory with two telescopes is much more difficult than with one.
Here I'm imaging NGC 891 with both telescopes and then the humidity reaches the maximum threshold, so both mounts get parked and the roof is closed.
OK Daisy, time to get his bathroom sparkling clean, Let's find out just how much work you can really do this way. 😘.
OK, maybe the gloves are a bit superfluous....but you can never be too careful. 😜
This was ice pack assisted, but I later discovered you still get B&W up to about 80ish degrees, and the contrast isn't this extreme when above 50 and below 80.
Driven from the front; powered from the rear… A Network Rail test train, comprising Driving Trailer Coach No. 9714, coach No. 62384 and Colas Rail Freight Class 37 diesel-electric locomotive No. 37175, trundles through Kemble en route from Bristol High Level Siding to Swindon on 20th July 2018.
Opened by the Great Western Railway (GWR) in 1882, Kemble served as a busy country junction until the 1960s, serving two branch lines to Cirencester Town and Tetbury. Both lines were closed in April 1964. Today the station offers services to Swindon, London Paddington, Gloucester and Cheltenham Spa.
Thanks for your visit… Any comment you make on my photograph is greatly appreciated and encouraging! But please do not use this image without permission.
baby canadian goose
Added to Pca assignment group on 1/6/13 for Pca assignment 238... Best of the year.
Wit: I think this image is my favorite of the year and is also my most popular on Flickr.
It quickly went viral and struck a chord with many people. I had so much fun over the summer photographing baby geese and swans at my local pond. When this little one exhibited this balancing posture, I knew I had something. I shot at high ISO ... Hence some noise. This photo is in no other groups but Pca.
1/800 f6.3 400mm 70-200 lens with 2x extender iso 1400 canon5dm3
I'd been searching for this photo for several years and stumbled across it the other day in a totally unrelated folder . . . I've posted a few similar shots in the past, but I remembered this one and am happy I found it!
We all test the water in our own way and at our own pace, whether it's finding the courage to be out and about, making lifestyle changes, sharing our truth with friends and family, or just looking deeply within ourselves for answers to questions that sometimes seem unanswerable. Finding our comfort zone can take years - even a lifetime.
I've always found the ocean to be a place that invites contemplation and self-awareness, and I always leave with memories that sustain me. Increasingly, I find less and less reason to distinguish my purpose in life as either TG or non-TG related, but rather as a whole being who can find ways to live in harmony with myself and others, celebrating all that is good and casting off all that is toxic. Not always easy, but a photo sometimes has the power to help us re-focus our priorities.
Of course, my philosophical ramblings aside, this pic probably just shows me a split second after a freezing wave splashed up my thighs! :-)
37611 leads 1Q13 out of Pilning down loop with a 1100 Bristol Temple Meads to Bristol Temple Meads test train via various Bristol area branches and a reversal at Severn Tunnel Junction. 37607 brings up the rear.
This location has now been ruined by the hideous steelwork erected for the electrification scheme
I know I had not been as good as I should have all year. I tend to be grouchy when I want to do art, or when I just want to read or be left alone . . . but anyway, Santa saw fit to bring me a new Nikkor 28-400 lens, which I now need to live up to! :) Shot these from a LONG way away! I am loving this, but it takes some babying, which for me, means diligence with the tripod!
Made for this discussion at It's a Addiction
model : pixabay.com/en/girl-eyes-makeup-sexy-glamor-237871/
Tutorial: www.photoshoptutorials.ws/photoshop-tutorials/photo-manip...
Sculpteur romain : "Tête de satyre" (XVIIe siècle), marbre blanc.
L'expression sur le visage et le tour de tête reproduisent ceux du "Satyre riant" de l'époque d'Hadrien qui, selon Johann Joachim Winckelmann, étudiant en antiquités classiques, était basé en 1763 sur un original de Praxitèle. Dans cette tête, les oreilles pointues, les cheveux hérissés, le profil « non classique » et le sourire dévoilant les dents de la créature témoignent de cette nature sauvage. La tête, dont les traits rappellent le style du Bernin, diffère des représentations classiques des satyres par le traitement plus sophistiqué et subtil du marbre que l'on voit, par exemple, dans le mouvement des cheveux.
Roman sculptor : "Head of a Satyr" (17th century), white marble.
The expression on the face and the turn of the head replicate those of the "Laughing Satyr" herm from the era of Hadrian which Johann Joachim Winckelmann, a student of Classical antiquities, argued in 1763 was based on an original by Praxiteles. In this head, the pointed ears, the hair spiking upwards, the "unclassical" profile and the smile revealing the crature's teeth all testify to this feral nature. The head, whose features recal Bernini's style, differs from the Classical depictions of Satyrs in the room in the more sophisticated and subtle treatment of the marble seen, for instance, in the handling of the hair.