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Nico Hulkenberg (GER) Sahara Force India F1 VJM07..
Formula One Testing, Bahrain Test One, Day One, Wednesday 19th February 2014. Sakhir, Bahrain.
Lo que sabemos es una gota de agua; lo que ignoramos es el océano. Isaac Newton
Presiona L: vista de caja de luz
Press L: view in light box
Few images from a test shoot with Elena
You can find her here
www.facebook.com/elenamodeling
You can check my tumblr also
aksu1.tumblr.com
Copyright © 2013 Janne Pietiläinen, All Rights Reserved
Nico Hulkenberg (GER) Sahara Force India F1 VJM07..
Formula One Testing, Bahrain Test One, Day One, Wednesday 19th February 2014. Sakhir, Bahrain.
Estos son mis primeros resultados con una Fujica mini, 35mm half frame. Cargada con película Fuji 400ASA Daylight. Estoy bastante contenta con lo que salio. Espero que guste :)
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These are my first results using a Fujica mini half frame 35mm camera. It was loaded with Fuji 400ASA Daylight film. I'm pretty happy with the results. Hope u like it :)
Just testing the light for a shoot at work. Can anyone read my palm? Part of my photo-a-day project. Day 17.
First test shot with wooden 5x7" (13x18cm) camera
Paper negative with expired Agfa Brovira paper BW1, soft, extra white, glossy baryte paper.
Lens is a P.H. Dallmeyer, London
8 1/2 x 6 1/2 Rapid Rectilinear Patent
N° 23700 made in 1874
www.thedallmeyerarchive.com/Records/Volumes/lensbook2/Rec...
Exposure 1 min. F/16 (Waterhouse stop), mixed indor lights.
The grey card came out about right, so the film speed of the paper is ca. 5 ISO
25. Dezember 2025
I've just taken the plunge and part exchanged the kit lens and the 50mm for the 35mm f/1.8 AF-S one.This is from one of the first pictures I've taken this afternoon. It's been cropped to just concentrate on the detail, and the contrast slightly increased in the standard Windows programme.
Although it was possible to get a similar result with the 50mm, I found the manual focusing on the D5000 a bit of a challenge with the cat. Or the boyfriend. Life is too short for that, and I'd rather concentrate on getting the rest of the photo right. Besides, there's always the manual override...
Back in the era of film camera you'd take a picture like this and might not be sure if you're timing was good enought to get that Test Track car zoomed by, obviously mine was not, Peter really enjoyed this attraction.
I was not sure how this would work out so I just used a prewrapped bar/stem and a saddle I had lying around. The fit was pretty good on a short test so I got some better tape and sort of better saddle
This is more of a technical/experimental post, and I'd like to get viewers' opinions of the resultant image quality and technique.
I've seen more and more people experimenting with digital infrared (IR) photography, so I've be curious to try it myself. Looking at the Digital Infrared group here on flickr, one person mentioned using a long exposure with an IR filter on an unmodified digital SLR. I knew my XTi had an IR blocker over the sensor, so I wasn't sure how this would turn out. I was pleasantly surprised to see the results be close to what seems to be near-IR photography, perhaps not true IR. Especially after running the RAW shot thru Photoshop with an IR b&w layer, it looks similar to what I've seen film IR shots look like.
Your thoughts? What are some of the ways these shots differ from IR or near-IR shots done on IR film or modified/IR-sensitive digital cameras?
Photos, top to bottom, left to right:
* color RAW "infrared" exposure
* b&w (with red "filter") in-camera JPG of the RAW shot
* RAW shot with Photoshop infrared b&w layer, red channel at -20 instead of -40
Technical information:
* Canon Digital Rebel XTi/400D (unmodified)
* Canon EF 28mm/2.8 lens
* Opteka Infrared filter (I think it corresponds to an R72 filter)
* late afternoon (approx 5:30pm) light in late Summer
* manual exposure: 30s at f/4, ISO 100