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Test shot of my bench with Ilford's new 4x5 direct positive glossy FB paper. I followed Ilford's suggestion of rating the paper at ISO 3. I only got one shot as I lost the light between shooting the single test shot and developing. I still need more work as this is too much exposure - with direct positive, you have to reduce time to darken as you start at black (it's weird and is going to take some getting used to). I made no corrections!
Speed Graphic, 203mm Kodak Ektar Flash Supermatic f/7.7 lens, ? seconds @ F16, focus around 14'. Developed in old Dektol for 1:30.
Music: Machination Kevin Macleod (http://incompetech.com/)
Shooting Details:
Canon 40D
0.8" exposure @ 5 secs
ISO 200
f3.5
568 images
So this a driving timelaspe I made while testing my recently purchased camera mount that I bought at a photo expo. The mount is called the Fat Gecko from Delkin. It's a mount that uses suction to attach to smooth surfaces. So I wanted to see how well it would handle during normal driving conditions. So this is the result of the test.
I took this timelapse during my drive to pick up family dinner. In the middle of the movie you will see my arms / steering wheel go crazy because I couldn't get into the parking spot so I have to maneuver multiple times to get into the spot (San Diego has some of the smallest parking spots, grrr)
My daughter gave me a blank notebook for Father's Day. I was anxious to try it with various materials. It is Pictostone paper which is made from calcium carbonate instead of wood pulp. It is remarkable stuff. It handled everything I threw at it well including pencil, colored pencil, various inks and markers and crayons and even water soluble media. I was afraid inks and watercolor wouldn't dry well or be slow to dry, but I didn't find it to be a problem. Water soluble media can be re-wet and lifted. It is very smooth and it does not bleed through. It seems to be smear resistant. It is not like any other papers I've tried.
Pictostone - Plain (White) Professional Stone Paper Notebook, Black Hardcover with Leather Feel - Size 5" x 8.25" (13 cm x 21 cm), 240 Pages, 140gsm.
Testing the Nisi V5 Pro Starter Set Filters. 1st time for me to use these type of filters. Hope I can capture something nice in my short 3-day summer family vacation with my in-laws at Sambali Beach Farm, Zambales
Ph: Josefina Alazraki
Styling: Julieta Trillo
Makeup: Mariana Tartavull
Model: Romina (Clump Management)
Testing out a Roll of Adox Colour Implosion film shot at 100 ASA using a Nikon F3HP camera, Nikkor Ai 50mm f/1.4 lens, and SB-16 Flash.
The film (and prints) look this bad on purpose, when shot at 100 ASA, the film has a definite blue cast, shot at 400 ASA, a Red cast. When I picked the film up from the lab, they thought I'd been shooting 30 year old film, rather than new film.
2014-02-05 Adox Colour Implosion 100 i32
Here is a sample image I took using a Canon A640. If you look at "original" size on this, Dan's hair is quite sharp. Compare this against the photo I took of Dan and Emily using the new 40D and you'll see just how soft the 17-55 IS USM image is.
I messed with the contrast very slightly, and bumped the saturation. But NO image sharpening was applied.
At this point, the A640 images are so much sharper than my 40D images that the 17-55 EF-S is headed back to the store to be replaced. Maybe they'll have a better sample of the 17-55? If not, I'll have to see if they have a 17-40 f/4 L or 16-35 f/2.8 L in stock.
A test image from an OM Zuiko 100mm f/2.8 lens.
Olympus OM-10
Zuiko 100mm f/2.8 with yellow filter
Kentmere 100
Kodak Xtol, 1+1, 11:00 @ 20°C
Test av ti redningsflåter sammen med "Seilas" og "Båtliv". Det ble testet to redningsflåter fra hver av merkene Eurovinil, Viking, Zodiac, Plastimo og Arimar.
This is a test of your emergency Visual Information Channel...or VIC...had there been a real emergency more visual information would be given and instructions on where to go for your safety and visual peace of mind would be provided....
VIC...there when you need it !
This weekend I participated in a wine tasting where we didn't compare wines so much as we compared stemware. Glass maker Riedel made a believer out of me. The shape of the glass really impacts the bouquet and taste. As if I wasn't enough of a snob before!
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Boca les tomó un test de sudoración a los jugadores para medir la cantidad de líquida y minerales que pierden en cada práctica y personalizar la hidratación.
I am pretty happy with the finished bag. Next one I will be adding some zippered pockets,just didn't have any zips in coordinating colors.
The River Test is a river in Hampshire, England. It has a total length of 40 miles (64 km) and it flows through downland from its source near Ashe to the sea at the head of Southampton Water. In its upper reaches it is a chalk stream, and is used for fly fishing for trout.
The river is managed by the Environment Agency, whilst the Port of Southampton is the navigation authority for the tidal section below Redbridge.
The River Test has given its name to the Test Valley District, a local government district , and to Southampton Test, a UK Parliament constituency.
The river plays a significant part in Richard Adams' novel Watership Down.
The river rises near the village of Ashe, 10 km to the west of Basingstoke (at grid reference SU 532,498), and flows west through the villages of Overton, Laverstoke, and the town of Whitchurch, before joining with the Bourne Rivulet at Testbourne and turning in a more southerly direction. It then proceeds through the villages of Longparish and Middleton to Wherwell and Chilbolton, where the Rivers Dever and Anton join.[3]
From Chilbolton the river goes through the villages of Leckford, Longstock, Stockbridge and Houghton to Mottisfont and Kimbridge, where the River Dun joins the flow. From here the village of Timsbury is passed, then through the grounds of Roke Manor before reaching the town of Romsey. On the western edge of Romsey, Sadler's Mill, an 18th Century watermill, sits astride the River Test.[4]
South of Romsey, the river passes the country house of Broadlands, and then Nursling that was once the site of a Roman bridge. Finally the river is joined by the River Blackwater and soon becomes tidal, widening out into a considerable estuary that is lined on its northern bank by the container terminals and quays of the Port of Southampton. The Test estuary then meets that of the River Itchen and the two continue to the sea as Southampton Water.[5]
Between Chilbolton and Redbridge, the river was once paralleled by the Andover Canal, which was itself converted to a railway in 1865, and then in turn abandoned. Most traces of the canal have disappeared, although the remains of a stretch can still be seen between Timsbury and Romsey
The river plays a significant part in Richard Adams' novel Watership Down.
After Bigwig leads the break-out from Efrafa, the Watership rabbits are pursued by an Efrafan force led by their Chief, General Woundwort. Hazel carries out a plan devised by Blackberry which leads to their successful escape down the Test on a punt. In the text we are told that this plan would not have been possible on most rivers, but the Test's smooth-flowing, weed-free nature makes it an exception. Shortly afterwards, the punt becomes lodged on a low bridge, and the surviving rabbits are forced to swim under it to get out.
When you own your own dark room one used to run little test before using a full piece of photo paper. Over the years, Dad created hundreds of these. These are few glued onto bristol board.
Photo by Allan Peden
test following repair to wind on clutch. Clutch now operational, lightmeter about 1 stop overexposing
As part of our Wonderbot project, I am building a small puppet theater in my studio, to experiment with poetic robots and interactive storytelling. Before building out a permanent framework, I am testing a few ideas, to best combine physical objects with digital images and sounds. In this test, the projector is pointing down from the ceiling so that characters can stand in front of the projected image without blocking it. With the projector about five feet away from the back wall, it can beam a backdrop that’s about 4 feet wide by 3 feet high.
We are creating a short story around Violet and Indigo, two ‘wonder ducks’ created by Natalina, which we’ve turned into 'poetic robots’. We’re now starting to write a loose script to guide their interactions, with dialog, music, sound effects, props and backdrops. We hope this fairy tale will inspire which features to give these duckbots (e.g.: respond to each other’s calls, approach or avoid one another). Our goal is to capture the best scenes on video and edit it all together into a compelling story at the end of this project. I can’t wait to see how far we can go with this.
To track our progress, bookmark our Wonderbots photo album: bit.ly/wonderbot-photos
Testing flash accessories. These images only make sense if you are flash geek :)
Setup:
SB-600 on shelf camera right about 2 meters away from wall with 1/16 power. Triggered with Nikon CLS. D70s & 10-20mm at 10mm (cropped)
1. Bare SB-600 zoomed to 24mm
2. Bare SB-600 zoomed to 85mm
3. SB-600 with HonlPhoto 1/4 grid. Zoomed to 85mm
4. SB-600 with HonlPhoto 1/8 snoot. Zoomed to 85mm
Zooming the flash head with grid or snoot mainly affected to the strenght of the light spot, not the shape of it.