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Premier test pour un panoramique 360° en sténopé

f.180, 3 x 15s

 

First test for a panoramic 360 ° pinhole

f.180, 3 x 15s

 

www.facebook.com/jeromedupontphotographie

Testing my 'Gift' MPP Microflex TLR for COLOUR on the Taylor-Hobson 77.5 mm f3.5 'Micronar' lens now it has all been cleaned. I used a half-used cut roll of very old Kodak Gold 400 GPY film rated down to 100 ASA and home-processed in C41 for longer time. Scans had a 'Blue' cast but I corrected in FastStone Image Viewer.

Different series of five photos used for this pano (first take... which were test shots) which I like better than the adjusted shots posted two days ago. This proves my photography is better when I don't know what the hell I'm doing.

Tested my new D7000 today with the 35mm 1.8 lens.

ISO @100

Shutter speed at 100/s

View here for better quality and doesn't cut short.

vimeo.com/18197190

photo: teaser / test for conceptual series.

photo: alex calder

37116 stands in the West yard at Doncaster having arrived with a test train from Derby RTC on 2nd November 2015

testing lightfastness on a sunny window

It started off running nicely to time, but somewhere around Leicester it all went belly-up. Here the train was 89 minutes late. The working, on Sunday 13th May, was 10:00 Derby RTC - Norwich. What was RTC? Something something Centre, obviously ...Rail Traction? In the end I flew to Wikipedia. The Railway Technical Centre at Derby was claimed by British Rail at its opening in the early 1960s as the largest railway research complex in the world. Today, the article avers, "the only facility which is still used for railway research is the moving-model aerodynamic test facility". And, further, "A large part of the site is used as storage and an operating base by LORAM and Network Rail, whose rolling stock on site forms part of Network Rail testing trains. Usual traction on these trains is either Colas Rail class 37s or class 67s". This was one of the test trains then, "top & tailed" by a pair of 37s with the customary yellow coaches ...ex BR Mk IIIs by the look of them. I haven't seen a Class 31 on these trains in recent years: are there any still running?

As part of our Wonderbot project, I am building a small puppet theater in my studio, to experiment with poetic robots and interactive storytelling. Before building out a permanent framework, I am testing a few ideas, to best combine physical objects with digital images and sounds. In this test, the projector is pointing down from the ceiling so that characters can stand in front of the projected image without blocking it. With the projector about five feet away from the back wall, it can beam a backdrop that’s about 4 feet wide by 3 feet high.

 

We are creating a short story around Violet and Indigo, two ‘wonder ducks’ created by Natalina, which we’ve turned into 'poetic robots’. We’re now starting to write a loose script to guide their interactions, with dialog, music, sound effects, props and backdrops. We hope this fairy tale will inspire which features to give these duckbots (e.g.: respond to each other’s calls, approach or avoid one another). Our goal is to capture the best scenes on video and edit it all together into a compelling story at the end of this project. I can’t wait to see how far we can go with this.

 

To track our progress, bookmark our Wonderbots photo album: bit.ly/wonderbot-photos

The 11:11 Network rail test train from Dollands Moor to Derby passes Bearstead powered in the rear by colas rail class 37 37057 ON 23RD jANUARY 2016.

D40 on test train P422 from Waterfall to Sydney Terminal passing through Heathcote

This is a test configuration of my Takahashi FSQ-106ED, a QHY mini guide 'scope with Starlight Xpress Lodestar X2 guide camera, and a finder 'scope the I plan to install in my small observatory that I am remodeling. My new Paramount MYT mount that will carry the above equipment is in my previous photo. The imaging camera is a Starlight Xpress Trius SX-36 with a "Maxi" filter wheel.

 

I would like to put both the guide 'scope/camera and the finder 'scope on the top plate, but doing so uses some of the holes that I need to mount the top plate to the OTA rings. I would have to drill some new holes, and I may do that, but I hate to mar that beautifully machined and anodized plate from PrimaLuce Lab. Stay tuned.

 

Strobist: bare Profoto B1 500 AirTTL bounced from ceiling. Triggered by Profoto AirRemote TTL-C.

I put the LRAD on the HUMVEE & it seems fit on it... should I make a kits include the Avenger & LRAD?

Industar-50 3,5/50

F8,0

You know i was waiting for you.

Testing out the M.Zuiko 7-14mm Pro on a cold morning in Whitehorse. At 7mm, this lens is the equivalent of a 14mm lens on a 35mm camera. That is pretty wide! Here, I shot it wide open at f/2.8 on the OM-D E-M1. It was a very cold morning but the lens performed better than my fingers which rapidly froze up in the chilled air.

 

In this photo, I am looking across the Yukon River towards downtown Whitehorse. That said, the cold mist rising off the river is obscuring most of what would otherwise be visible on the far side of the water. The moon was huge on this morning and is still visible to the middle right of center despite the 7mm focal length.

.Canon eos Rebel T2i 550D Kiss X4

.Buenos Aires - Argentina 2010

Test av redningsvester til sjøredningskorps i Redningsselskapet.

 

Bildet viser oppdrift av Johan J. Petersen med dagens 275 N vest med dobbelt kammer og flasker, sammen med Knut Hveding.

 

Testing Flash - Lounging: Taking inspiration from a new dress, practicing more flash setups. Side lit by 20x120 softboxes with Godox AD200s. 8" reflector with Godox V1p for fill light.

The beautiful model Caprea holds the new Sony A7sII - photo taken hand-held with my Sony NEX-7 with the 24mm Zeiss f1.8 lens at f2.8 and 1/50th; ISO 1600

 

A7sII Video Overheating Test with Caprea: www.youtube.com/watch?v=KSvM_JpVBTk

Test shoot with model/musician Mat, of Mandalay Victory.

Spot the difference. I use canon's DPP for RAW conversion. I recently saw a comment on dpreview that the use of the digital lens optimiser (DLO) can reduce that bugbear of high mag photography, diffraction softening. This sounded a bit unlikely but I decided to test it on a photograph I had just taken. These are crops from a shot taken with my MPE-65 lens (about double the size of a 100% crop). I processed the images with exactly the same processing in DPP and then photoshop but one of them had DLO applied during the raw processing. Can you see any difference ?

Assemblage réalisé avec Photoshop

Photoshop assy

ducking with mum at NT Dunham Massey, Cheshire, UK

Testing new G7X camera in the rain

model: jesse @ premier

styling: crystal delaroche

hair:gigi hammond

mua: rocio cordero

assistant: fredrik lee

 

E 636 117 in testa ad un treno merci in attesa di incrocio alla stazione di Berbenno di Valtellina

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