View allAll Photos Tagged StudioPortrait

Joni almost 9 years.

She loves being photographed in the studio.

@ The White Space, Fitzroy

Copyright Robert W. Dickinson. Unauthorized use of this image without my express permission is a violation of copyright law.

 

A shot from my low-key and baseball photoshoot with lovely Lane Schwartz on 2/19/23 at Lunatic Lens Studio. Hair and makeup by the very talented Aubrey Foster.

 

A single AB1600 light fired into a gridded 1'x6' Westcott softbox, camera left. Triggered with a Pocket Wizard.

 

Canon 5DS with Canon 85mm f1.4L IS USM lens. ISO 200, f4.5 at 1/200 second.

Another interesting character to sit in front of my camera.

Studio Portrait

Model: Helen Diaz

Another one from the photoshoot in studio. The girl really showed me who's the boss :D

António Mendes Rosa, Portugal, June 2019

 

Persistent URL: www.floridamemory.com/items/show/130300

  

Local call number: HA01254

  

Title: Boy and dog at the gate - Tallahassee

  

Date: CA. 1890

  

Physical descrip: 1 glass photonegative - b&w - 10 x 8 in.

  

Series Title: Harper Collection

  

Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com

   

This studio portrait is marked 'Cruden Studios, Sydney' and features handwritten text reading 'Fred Wilkinson was about 22 or 23".

 

Frederick Wilkinson (1901 - 1975) migrated to Australia from England in 1911. While wokring various jobs in and around central Sydney, Wilkinson acquired a camera and began taking photographs of vessels and harbour scenes. Many of his images were used by commercial photographers for souvenir postcards.

 

The ANMM undertakes research and accepts public comments that enhance the information we hold about images in our collection. This record has been updated accordingly.

 

Photographer: Frederick Garner Wilkinson

 

Object no. 00042345

 

By Cine Studios Nottingham. Looks like 1950s or 60s. They say Nottingham has the prettiest girls in the UK but I'm probably not allowed to say that these days.

Studio Portrait

Model: Monika

My second tintype session. The two that look wrong, are due to the fixer being too cold, therefore not changing it from negative to positive (still interesting though). Another lesson learned! I'm hoping to get one more session in, before hand-in!

M. Shadows of Avenged Sevenfold photographed in Van Nuys, California. August 30, 2007. *** HIGHER RATES APPLY: CALL TO NEGOTIATE *** NO SKIN MAGS / NO TABLOIDS *** © Kevin Estrada / Retna Ltd.....

The light in the stream

Description This is a very relaxed portrait of Lord Armstrong and William Watson Armstrong spending time together.

 

Datec. 1910

 

This image is taken from a larger photographic record held at Northumberland Archives. The set consists of traditional portrait photography from the early 20th century taken by photographer John Worsnop.

 

Our Catalogue Reference: NRO 01449-361

 

This image is from the collections of Northumberland Archives. Feel free to share it within the spirit of the Commons.

 

Please follow the link to view this photograph and many more on our online catalogue.

 

Three Ladies. Studio Portrait. Real Photo Postcard.

 

Unposted.

AZO Triangles Up Stamp Box.

 

Written on reverse:

to: Aunt Emma

from M??? & Clara

wishing you many happy returns of the day.

 

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Mighty like a rose! Self-portrait with dead rose in my teeth.

 

See all ME photos @

www.flickr.com/photos/26563976@N07/albums/72157637777904933

Rita Martin, RPPC, England, C1914

On back of mount "Ralph, Age 2 yrs."

"Doris Titus" ("Litus?")

On front "Ralph Titus"

To see picture in its mount, click here: www.flickr.com/photos/chris-warren-photos/6148499697/

Studio Portrait.

Model: Amanda Swan

Lighting: Jon Gray

portrait. studiolight. nikon d300

A quiet, confident studio portrait captured in monochrome. Seated in reverse on a simple wooden chair, the subject meets the camera with a calm, self-possessed gaze. The minimal styling, soft directional light, and deep shadows strip the image back to essentials—form, expression, and presence.

Black and white treatment emphasises texture and contrast, allowing subtle emotion and posture to carry the narrative. The result is an intimate portrait that feels both modern and timeless, balancing strength with vulnerability.

Unidentified photographer, Miss England 1932, Gwen Stallard

Studio Portrait.

Model: Amanda Swan

Lighting: Jon Gray

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