Beauty Shot
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There's a certain Slant of light,
Winter Afternoons --
That oppresses, like the Heft
Of Cathedral Tunes --
Heavenly Hurt, it gives us --
We can find no scar,
But internal difference,
Where the Meanings, are --
None may teach it -- Any --
'Tis the Seal Despair --
An imperial affliction
Sent us of the Air --
When it comes, the Landscape listens --
Shadows -- hold their breath --
When it goes, 'tis like the Distance
On the look of Death –
Emily Dickinson, poem 258
En plein air and Art Exhibition/1992/; WDK Tarnobrzeg-Polichna, Poland
monotypia, painting-watercolor
oil on canvas, 50x70 cm
www.polacywewloszech.com/2019/03/23/alicja-cieliczka-z-rz...
VNG - videonystagmografia
Auke de Vries (1937) is a well known artist in the Netherlands and abroad. During his lifetime he has realized many monumental commissions.
His sculptures reflect on history and the surroundings, on the flow of rivers and the remnants of industrial areas. They can be huge, but they are always airy. It's a freestyle kind of drawing in space. However, do not underestimate the total weight and the necessary equipment. The small models in his studio have to be realized in full on shipyards and the like.
I have written about his work on several stages in life. This is a recent portrait.
I have been going through the archives to prepare a gift for my sister - a book of photos I have taken of her dogs. This is Nessie as a wee pup.
Nikon Nikkor AIs 85 1.4.
Painter, Comic Artist, Body Builder, Upholsterer, Marker Artist, Pencil Artist, Father, Husband, Country, Believer, Son, Grandson, Brother, Philosopher, Dreamer, Friend, Introspective, and above all an incredibly interesting human being.
Model release signed.
(serie: Gestuno), matita su carta, 29,5x20,5
www.instagram.com/p/DT2_N_xjbE8/?img_index=1
„Let Your Fingers Do the Walking”
A few days ago, I had to say goodbye to my wonderful friend Gulliver. He was incredibly smart, playful, goofy and very affectionate. He made me smile every day for 14 years.
location: garage studio, palma de mallorca (more infos in my blog post: arnds.photos/blog/turn-your-garage-into-a-studio)
year: 2025
camera: fujifilm gfx 100 ii
subject: carolina
Main light: Norman 805 on the left side + 24x36" softbox
Sidelight: 400w tungsten on the right side + yellow gel
Ambient: Canon 580ex at 1/8 power 105mm + green gel hitting a black seamless
ISO 100, f11 1/20sec
working with natural window light in the garage studio, this portrait explores the intersection of architectural geometry and human emotion. the dramatic chiaroscuro aesthetic creates film noir atmosphere while the subject's authentic expression brings warmth to the shadows.
fujifilm gfx 100 ii
garage studio, 2025
AD360ii N with X1T trigger , 27.5 " Octa box diffused , feathered camera right .
NIKON D500 , 24-70 mm f2.8 @ 7.1 , 1/250 , ISO 100 , focal length 70 mm
soft opening. new studio. two lenses, one question: how close can you get before a face becomes landscape? testing the sigma 135mm f/1.4 art on leica sl3 against the sony 135mm f/1.8 gm on a7rv. the verdict will come - blog review and video are in the works. but some answers don’t need pixels or charts. they’re in the pores, the light caught in an iris, the terrain of years written into skin. proximity is not intimacy. intimacy is what remains when you strip away the safe distance. first frames from a new chapter.
review now available under arnds.photos/blog/sigma-135-mm-vs-sony-135mm-gm