View allAll Photos Tagged StudioPortrait
People - lovely beautiful people - they give all the time - they give us a gift - a gift to give and to receive - sometimes you can only find it when your eyes are closed.
Hum cartoon music while you look at this. There is a little bit of clown in all of us, but some of us have more than others.
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This year, I joined a local photography guild to force myself into trying things that I have no idea how to do!
Like taking studio portraits of a model!
Last night the club held an in-studio session with a model named Sarah Van Der Valk. Thankfully the much more experienced members of the club know how to set up lights, because I have no idea!
Over two hours, we all took turns photographing Sarah in three different scenarios and outfits, the lights were set up for us and we figured out our camera settings.
So, here is my first official attempt at in-studio model portraits using a combination of flash and constant light.
@latow photographers guild
Thanks The Latow Photographers Guild and Sarah van der Valk
This year, I joined a local photography guild to force myself into trying things that I have no idea how to do!
Like taking studio portraits of a model!
Last night the club held an in-studio session with a model named Sarah Van Der Valk. Thankfully the much more experienced members of the club know how to set up lights, because I have no idea!
Over two hours, we all took turns photographing Sarah in three different scenarios and outfits, the lights were set up for us and we figured out our camera settings.
So, here is my first official attempt at in-studio model portraits using a combination of flash and constant light.
@latow photographers guild
Thanks The Latow Photographers Guild and Sarah van der Valk
Taken at the PhotoPro Expo in the Convention Center of Covington, Kentucky.
I wasn't wild about the background or the way we had to shoot on this setup. The model sat directly in front of a large modifier that had a hole in the middle and four bare light bulbs on the other side. We had to shoot through the hole which struck me as very impersonal and made it difficult to communicate with the model. The light gave a flat look and was somewhat harsh for my taste. The four bulbs created a strange catchlight in the model's eyes. Still, it was a fun experience.
Studio flash with brolly directly in front of and above the model, a hair light directly behind and above the model to provide some separation from the background.
This photo is part of the Australian National Maritime Museum’s William Hall collection. The Hall collection provides an important pictorial record of recreational boating in Sydney Harbour, from the 1890s to the 1930s – from large racing and cruising yachts, to the many and varied skiffs jostling on the harbour, to the new phenomenon of motor boating in the early twentieth century. The collection also includes images of the many spectators and crowds who followed the sailing races.
The Australian National Maritime Museum undertakes research and accepts public comments that enhance the information we hold about images in our collection. If you can identify a person, vessel or landmark, write the details in the Comments box below.
Thank you for helping caption this important historical image.
Object number 00013295
"Melancholia" Self Portrait March 2018. Studio Portrait, 2 light sources (daylight softbox). Captured in October 2017, finished in Maarch 2018.
My first colored portrait photo since years.. and the second colored image as part of my Dark Squares Serie, explore the serie here: www.flickr.com/photos/invasion/sets/72157631679017801
© 2018 Sabine Fischer
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Image is captured with Nikon Z6II and Nikkor 85mm f1.8S lens. Godox AD200 as a key light and Godox V860iii as a fill light.
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