View allAll Photos Tagged StudioPortrait
The last chapter of what the hell's the use. Latest in a series of self-portraits on aging.
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From the first session in my new studio. I'm still trying to learn all about studio photography and lighting obviously so bear with me.
David Long, an auto mechanic from Susanville, California who agreed to sit for a studio portrait taken at the CCSF photography dept.
San Francisco 1972
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Description:This is a photograph of a man with a stiffly waxed moustache, dressed in sporting attire, knickerbockers and a flat cap, carrying a staff.
Date:c. 1910.
This image is taken from a larger photographic record held at Northumberland Archives. The set consists of traditional portrait photography from the early 20th century taken by photographer John Worsnop.
Our Catalogue Reference: NRO 01449-531
This image is from the collections of Northumberland Archives. Feel free to share it within the spirit of the Commons.
Please follow the link to view this photograph and many more on our online catalogue.
Publicity shoot for UK based model and author Nadeem Ahmed, for the launch of his latest book.
Black and white shoot, SOOC.
Paul Shoaway, Umatilla Indian, Washington, 1899
Photographer:
La Roche, Frank
Subjects (LCSH):
Showaway, Paul
Portraits--Washington (State)
Umatilla Indians--Clothing & dress
Digital Collection:
Frank La Roche Photograph Collection
content.lib.washington.edu/larocheweb/index.html
Item Number: LAR130
Persistent URL:
content.lib.washington.edu/u?/laroche,6
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections content.lib.washington.edu/
So lucky to be married to Pete Bristo a professional photographer. www.bristophotography.com Max was super easy to photograph, his studio shoot only took 20 minutes. We had it printed by Loxley Colour, we chose an Alumini frame. Basically a photo printed onto metal. The result is fabulous, now hangs proudly at home.
This photo is part of the Australian National Maritime Museum’s William Hall collection. The Hall collection provides an important pictorial record of recreational boating in Sydney Harbour, from the 1890s to the 1930s – from large racing and cruising yachts, to the many and varied skiffs jostling on the harbour, to the new phenomenon of motor boating in the early twentieth century. The collection also includes images of the many spectators and crowds who followed the sailing races.
The Australian National Maritime Museum undertakes research and accepts public comments that enhance the information we hold about images in our collection. If you can identify a person, vessel or landmark, write the details in the Comments box below.
Thank you for helping caption this important historical image.
Object number 00013292
Description: This is a photograph of an elderly couple taken by John Worsnop at his studio in Rothbury, Northumberland.
Date:c. 1910.
This image is taken from a larger photographic record held at Northumberland Archives. The set consists of traditional portrait photography from the early 20th century taken by photographer John Worsnop.
Our Catalogue Reference: NRO 01449-587
This image is from the collections of Northumberland Archives. Feel free to share it within the spirit of the Commons.
Please follow the link to view this photograph and many more on our online catalogue.
Description:This is a photograph of a young boy dressed up as an executioner taken by John Worsnop at his studio in Rothbury, Northumberland.
Date:c. 1910.
This image is taken from a larger photographic record held at Northumberland Archives. The set consists of traditional portrait photography from the early 20th century taken by photographer John Worsnop.
Our Catalogue Reference: NRO 01449-582
This image is from the collections of Northumberland Archives. Feel free to share it within the spirit of the Commons.
Please follow the link to view this photograph and many more on our online catalogue.
Believe it or not, this wee pup was TERRIFIED when he came in, it took some major psychology and calming, coaxing and a little good timing to get him posing like a pro model.
this was taken in a tiny 1.7m wide store room using shelves to support the 1.5m wide seamless, lights were a 50cm beauty dish (gridded) above, camera left at full power, bare SB28 at 1/4 bounced off white cupboard door as reflector for fill camera right and gridded SB26 at 1/8 high right (on top of a cupboard) all fired by skyports.
This year, I joined a local photography guild to force myself into trying things that I have no idea how to do!
Like taking studio portraits of a model!
Last night the club held an in-studio session with a model named Sarah Van Der Valk. Thankfully the much more experienced members of the club know how to set up lights, because I have no idea!
Over two hours, we all took turns photographing Sarah in three different scenarios and outfits, the lights were set up for us and we figured out our camera settings.
So, here is my first official attempt at in-studio model portraits using a combination of flash and constant light.
@latow photographers guild
Thanks The Latow Photographers Guild and Sarah van der Valk