View allAll Photos Tagged Standard
Pip is not bothered at all by the fact that my clippers aren't working. I've toyed with the idea of letting him grow out a "donut" mustache and beard, but I'm a little taken aback by the brown tinge his fur is taking on around his nose. What is that about? It's kinda the same color as his tear stains ... so maybe snot stains? Eeewwww ...
info@hialbarsha.com
Holiday Inn Dubai – Al Barsha
P.O.Box 115443, Al Barsha 1,
Sheikh Zayed Road, Dubai, U.A.E
T: +971 4 323 4333
F: +971 4 323 4334
Restauratie verslag BMW Isetta 1956 standard bubble rear window Conrad Willemsen WG Vormgevers DWAC Haps Helmond Restaurierung, Restoration
isetta rote weiss, red white, z molding
Isettablog www.wgvormgevers.nl/isettablog
•BMW Isetta Standard - Motor
BMW Isetta Standard - Engine
•BMW Isetta Standard - Getriebe
BMW Isetta Standard - Gearbox
•BMW Isetta Standard - Vorderachse
BMW Isetta Standard - Front Axle
•BMW Isetta Standard - Hinterachse
BMW Isetta Standard - Read Axle
•BMW Isetta Standard - Fahrgestell
BMW Isetta Standard - Chassis
•BMW Isetta Standard - Karosserie
BMW Isetta Standard - Body
•BMW Isetta Standard - Elektrik
BMW Isetta Standard - Electric equipment
•1956 BMW Isetta 300 'Bubble Window'
From the scrapbook of Jessie and Sarah Vawter. Circa 1889-1897. A collection of cards, advertising cards, and images.
JOHANNESBURG, SOUTH AFRICA - FEBRUARY 12, Warriors celebrate the wicket of Dane Vilas during the Standard Bank Pro20 match between bizhub Highveld Lions and Chevrolet Warriors from Liberty Life Wanderers on February 12, 2010 in Johannesburg, South Africa.
Photo by Lee Warren / Gallo Images
Baguio City, Mountain Province, Philippines
Plebes led by standard bearers who are upperclassmen from The Philippine Military Academy join an ethnic parade during a civic celebration of the city's founding.
"Film d'essai" (test film) of my Foca Standard year 1960.
The camera was loaded with a 36-exposure Fomapan Action 400 film exposed for 250 ISO (that appears to be the nominal sensitivity from published technical data). The expositions were determined using a Minolta Autometer III fitted with a 10° finder for selective measurement privileging the shadow areas.
The camera was equipped with its regular Oplar lens 1:3.5 f=3,5cm and a 1A 36mm push-on filter. The diaphragm value of f/8 was used for the whole film. For some views, distances were checked using a Magnusson laser range-finder.
Rue Bodin, March 11, 2023
69001 Lyon
France
After completion the film was processed with Adox Adonal (= Agfa Rodinal) developper at dilution 1+25 for 6min at 20°C.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
French 35 mm camera Foca model "Standard" manufactured in the OPL (Optique & Précision de Levallois ) factory of Chateaudun, Eure, France, year 1959-1960.
This is the entry model of PF ("Petit Format") OPL Foca camera's with 36 mm screw mount lens. The camera was the evolution and the former Foca PF1 (1 star) with the possibility to interchange lenses with the 36mm OPL screw mount. The regular lens delivered with the Foca Standard was the Oplar 1:3.5 f=3,5 cm, a wide-angle (non retrofocus) lens more easy to use for zone focusing. The PF, as the Standard, had no range finder and was equipped by default with an integrated finder matching the field of the 35 mm lens. The focal shutter is also limited in the range 1/25 to 1/500s . The Foca Standard was a very reliable and endurant camera that was preferred for intensive uses for industry or by the "photo-filmeurs" in the 50 and early 60's.
This specific camera was first purchased in Nîmes, Gard, France, on August 12, 1960 in FOTOCINE shop, rue de la République. The warranty ticket was still conserved in the ever-ready leather bag with the camera. I found a Fuji HR100 negative color film inside exposed to the view 30 or 31.
The camera is not in good condition concerning the shutter curtains that are cracking in the polymer face causing light porosity. The command of the diaphragm is also a bit problematic. By means (that I should not describe) I restored the curtains enough for a test film. I used a Fomapan Action 400 film exposed for 250 ISO. The film was developed in Adox Adonal 1+25 for 6min at 20°C.
During the test session I also used a new laser range finder to determine some object distances. The results indicate that further works are necessary to make the curtains light-tight (the best would be to change them for new ones) and find better spring settings for correct curtains travels at 1/100 and 1/50s.
"Film d'essai" (test film) of my Foca Standard year 1960.
The camera was loaded with a 36-exposure Fomapan Action 400 film exposed for 250 ISO (that appears to be the nominal sensitivity from published technical data). The expositions were determined using a Minolta Autometer III fitted with a 10° finder for selective measurement privileging the shadow areas.
The camera was equipped with its regular Oplar lens 1:3.5 f=3,5cm and a 1A 36mm push-on filter. The diaphragm value of f/8 was used for the whole film. For some views, distances were checked using a Magnusson laser range-finder.
Rue Bodin, March 11, 2023
69001 Lyon
France
After completion the film was processed with Adox Adonal (= Agfa Rodinal) developper at dilution 1+25 for 6min at 20°C.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
French 35 mm camera Foca model "Standard" manufactured in the OPL (Optique & Précision de Levallois ) factory of Chateaudun, Eure, France, year 1959-1960.
This is the entry model of PF ("Petit Format") OPL Foca camera's with 36 mm screw mount lens. The camera was the evolution and the former Foca PF1 (1 star) with the possibility to interchange lenses with the 36mm OPL screw mount. The regular lens delivered with the Foca Standard was the Oplar 1:3.5 f=3,5 cm, a wide-angle (non retrofocus) lens more easy to use for zone focusing. The PF, as the Standard, had no range finder and was equipped by default with an integrated finder matching the field of the 35 mm lens. The focal shutter is also limited in the range 1/25 to 1/500s . The Foca Standard was a very reliable and endurant camera that was preferred for intensive uses for industry or by the "photo-filmeurs" in the 50 and early 60's.
This specific camera was first purchased in Nîmes, Gard, France, on August 12, 1960 in FOTOCINE shop, rue de la République. The warranty ticket was still conserved in the ever-ready leather bag with the camera. I found a Fuji HR100 negative color film inside exposed to the view 30 or 31.
The camera is not in good condition concerning the shutter curtains that are cracking in the polymer face causing light porosity. The command of the diaphragm is also a bit problematic. By means (that I should not describe) I restored the curtains enough for a test film. I used a Fomapan Action 400 film exposed for 250 ISO. The film was developed in Adox Adonal 1+25 for 6min at 20°C.
During the test session I also used a new laser range finder to determine some object distances. The results indicate that further works are necessary to make the curtains light-tight (the best would be to change them for new ones) and find better spring settings for correct curtains travels at 1/100 and 1/50s.
Jazz Next Standard "Fusion/Crossover"
A sweet sweet discography on 70s electric jazz – one that's every bit as cool as the more classic entries in this series! The book's got loads of listings on some of our favorite albums of funky jazz and jazzy soul – plus lots more entries on obscure titles from around the globe, including some excellent rare records from Japan, Europe, and Brazil! The main text is in Japanese – typical for this sort of book – but the listings have more than enough to guide you – including artist, label, and date information – plus hundreds of cover images in full color, which will give you plenty of direction when you're digging for for gems like these. The book features a few longer essays in Japanese on Norman Connors, Azymuth, Roy Ayers, George Duke, and Deodato – which will give you an idea of the focus, even if you can't read the text. Book is 200 pages, with loads of color images! © 1996-2017, Dusty Groove, Inc.
"Film d'essai" (test film) of my Foca Standard year 1960.
The camera was loaded with a 36-exposure Fomapan Action 400 film exposed for 250 ISO (that appears to be the nominal sensitivity from published technical data). The expositions were determined using a Minolta Autometer III fitted with a 10° finder for selective measurement privileging the shadow areas.
The camera was equipped with its regular Oplar lens 1:3.5 f=3,5cm and a 1A 36mm push-on filter. The diaphragm value of f/8 was used for the whole film. For some views, distances were checked using a Magnusson laser range-finder.
Place Bellevue, March 11, 2023
69001 Lyon
France
After completion the film was processed with Adox Adonal (= Agfa Rodinal) developper at dilution 1+25 for 6min at 20°C.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
French 35 mm camera Foca model "Standard" manufactured in the OPL (Optique & Précision de Levallois ) factory of Chateaudun, Eure, France, year 1959-1960.
This is the entry model of PF ("Petit Format") OPL Foca camera's with 36 mm screw mount lens. The camera was the evolution and the former Foca PF1 (1 star) with the possibility to interchange lenses with the 36mm OPL screw mount. The regular lens delivered with the Foca Standard was the Oplar 1:3.5 f=3,5 cm, a wide-angle (non retrofocus) lens more easy to use for zone focusing. The PF, as the Standard, had no range finder and was equipped by default with an integrated finder matching the field of the 35 mm lens. The focal shutter is also limited in the range 1/25 to 1/500s . The Foca Standard was a very reliable and endurant camera that was preferred for intensive uses for industry or by the "photo-filmeurs" in the 50 and early 60's.
This specific camera was first purchased in Nîmes, Gard, France, on August 12, 1960 in FOTOCINE shop, rue de la République. The warranty ticket was still conserved in the ever-ready leather bag with the camera. I found a Fuji HR100 negative color film inside exposed to the view 30 or 31.
The camera is not in good condition concerning the shutter curtains that are cracking in the polymer face causing light porosity. The command of the diaphragm is also a bit problematic. By means (that I should not describe) I restored the curtains enough for a test film. I used a Fomapan Action 400 film exposed for 250 ISO. The film was developed in Adox Adonal 1+25 for 6min at 20°C.
During the test session I also used a new laser range finder to determine some object distances. The results indicate that further works are necessary to make the curtains light-tight (the best would be to change them for new ones) and find better spring settings for correct curtains travels at 1/100 and 1/50s.