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Schachblume
Schachbrettblume
Just love those magical flowers
i am so happy to have them around me...
i wish you a wonderful sunday
A Vintage Vision - Fort Washington, Philadelphia, PA - USA (Sony a7 Mark II - Sony G 50mm F2.5 Compact Lens)
Seen on a Fotowalk with a Flickr Friend in Munich.
Shot with the Sony A7 Mark 2 and the Leitz/Leica Elmarit 2.8/135mm.
Please press L to enlarge.
If you want to know a little bit more about me as a Photographer:
Seen during a Morning Walk in the Historic City of Berne, Switzerland.
Shot with Sony A7 Mii and the Zeiss Batis 1.8/85mm at F=1.8.
If you want to know a little bit more about me as a Photographer:
Punishment Happens - Mt Airy, Philadelphia, PA - USA (Sony a7 Mark II - Sony G 50mm F2.5 Compact Lens)
There are days when you´re on the right time on the right place. This was defnitely one of those moments.
Used Tools:
Sony A7II
Canon EF 70-200/2.8 L IS II
One Outtake of the Afternoon Series I shot at Lake Hackensee, Bavaria. First I decided not to present it, but I did change my Mind. The Reflection in the Water is not too bad!
Shot with the Sony A7 Mark 2 (ILCE-7M2) and the Zeiss Batis 1.8/85.
How I Remember You - Mt Airy, Philadelphia - USA (Sony a7 Mark II - Voigtlander 110mm F2.5 APO Macro + Atomos Shinobi External Monitor)
Seen in Munich, SIEMENS Headquarters Courtyard.
Shot with Sony A7 Mii and the Meyer-Optik-Görlitz Trioplan 2.8/100 neo at F=2.8.
If you want to know a little bit more about me as a Photographer:
I just came back from a 4 hours Fotowalk through the City of Munich. It is the Advent Season and this is a very good Time to take Nightshots on some of the Christmas Markets. I took 4 Lenses with me: the Leitz/Leica SUMMILUX 1.4/50, the Leitz/Leica SUMMILUX 1.4/75, the Leitz/Leica ELMARIT 2.8/135 and the MOG Trioplan 2.8/100 neo.
This Shot is taken with the Sony a7 Mark 2 and the MOG Trioplan 2.8/100 neo. I do plan to issue one of those Photos every Day till Christmas. So today this is # 1.
I hope you will enjoy!!
Garland Gate - Mt Airy, Philadelphia - USA (Sony a7 Mark II - Voigtlander 110mm F2.5 APO Macro + Atomos Shinobi External Monitor)
Seen on a Nature Hike in "Fränkische Schweiz" (Frankonian Switzerland). Looks like a Lost Place (the Cobwebs etc.), but there is still a Key in the Door Lock!!
Shot with the Sony A7 Mii and the Leitz/Leica SUMMILUX-M 1.4/50.
Press L to enlarge!
If you want to know a little bit more about me as a Photographer:
Green Leaf After Rain - Mt Airy, Philadelphia, PA - USA (Sony a7 Mark II - Voigtlander 110mm F2.5 APO Macro + Atomos Shinobi External Monitor)
I'm back! Hopefully I will start upload and favorite your beautiful photos soon :) just need to rest after holiday in Thailand and visiting friends...
Seen in the BMW Museum, Munich, Germay. Taken with Sony A7 Mark 2 and the Sony FE 16-35mm F4 ZA OSS.
aufstehehen,
sollten wir uns darüber freuen,
wie schön es ist zu leben -
zu atmen, zu denken,
zu geniessen,
zu lieben.
Marc Aurel
Staircase in the Munich Documentation Center for the History of National Socialism.
Shot with the Sony Alpha 7 Mark 2 and the FE 16-35mm F4 ZA OSS at F=4.
On 1 May 2015, the new Munich Documentation Centre for the History of National Socialism opened as a place of education and remembrance documenting and addressing the crimes of the Nazi dictatorship and their origins, manifestations and consequences right up to the present day.
As the place where the NSDAP was founded, Munich is associated more than any other German city with the rise of National Socialism. The former ‚Capital of the Movement’ played a pioneering role in the establishment of the Nazi regime of terror and was home to the Nazi party apparatus.
The Documentation Centre has been built on the site of the former ‚Brown House’, once the headquarters of the National Socialist German Workers’ Party (NSDAP). The new construction is designed to be an open and lively forum of information and discussion.
The permanent exhibition documents the history of National Socialism in Munich, the city’s special role in the Nazi system of terror and Munich’s difficulties in confronting its past after 1945. As well as the permanent exhibition, there are also a series of special exhibitions, a learning centre, a varied programme of events and various educational resources.
The central principle underlying the exhibition and the Documentation Centre’s educational concept being to acknowledge, learn about and understand the history of this location. The key questions that the Documentation Centre poses to visitors are: “What does this have to do with me?” and “Why should this still concern me today?”
The initiative to build a Munich Documentation Centre came from committed citizens of Munich. The construction costs, amounting to 28.2 million euros, were shared equally by the City of Munich, the State of Bavaria and the German Federal Government. The State of Bavaria has made the site available, and the City of Munich will bear the operating costs.
Counterpoint at the historical site
In April 2008 the Munich City Council commissioned the department of urban development to advertise a competition for the realisation of a Documentation Centre for the History of National Socialism. A specification of the competition was to submit an architectural concept which concerned itself with the special historic significance of the site. The building's architecture and the design of the outdoor area were to mark the fundamental break with the site's history and to the former Nazi buildings in the neighbourhood (today's school of music and theatre, for instance).
Visual connection with surrounding topography
The design by Georg Scheel Wetzel Architekten won the competition. The jury justified its selection of the concept of the Berlin architects from an urban development and design viewpoint as an 'excellent response to the task set with its own unmistakeable identity'. The cube marks the perpetrator site without a reference to the 'Brown House'. The louvered windows enable varied visual connections with the building relics of the Nazi era, so the authentic sites become part of the documentation.
The highest quality of exposed white concrete
In addition to its cubic, compact form the architecture of the new building is strongly determined by the material: the fine, exposed white concrete characterises both the exterior and the interior. The building is in stark contrast with its environment. The facades consist of light, closed surfaces and dark, partly cross-storey window areas.
Seen in the BMW Museum, Munich, Germay. Taken with Sony A7 Mark 2 and the Sony FE 16-35mm F4 ZA OSS.
Seen on yesterday´s Fotowalk with in Munich.
Shot with the Sony A7 Mark 2 and the Leitz/Leica Elmarit 2.8/135mm.
Please press L to enlarge.
If you want to know a little bit more about me as a Photographer:
Ortigueira. A Coruña. Spain.
Su encanto está en sus vistas que van desde el cabo Estaca de Bares hasta el cabo Ortegal.
Seen on today´s Fotowalk with F. Linkerhand in Munich.
Shot with the Sony A7 Mark 2 and the Leitz/Leica Elmarit 2.8/135mm.
Please press L to enlarge.
If you want to know a little bit more about me as a Photographer:
Angel's Hair - Mt Airy, Philadelphia - USA (Sony a7 Mark II - Voigtlander 110mm F2.5 APO Macro + Atomos Shinobi External Monitor + Some fast work with a scissors)
The common blackbird (Turdus merula) is a species of true thrush. It is also called the Eurasian blackbird (especially in North America, to distinguish it from the unrelated New World blackbirds), or simply the blackbird where this does not lead to confusion with a similar-looking local species. It breeds in Europe, Asiatic Russia, and North Africa, and has been introduced to Australia and New Zealand. It has a number of subspecies across its large range; a few of the Asian subspecies are sometimes considered to be full species. Depending on latitude, the common blackbird may be resident, partially migratory, or fully migratory
BMW Museum, Munich, Germany. Shot with the Sony A7 Mark 2 and the Sony FE 16-35mm F4 ZA OSS.
On a Fotowalk with Stadt_Kind.
First of all, thanks for stopping by. Please do consider the following:
1. Just fave this pic if you like it
2. Only write a comment if you want to, not when you have to
3. If you decide to follow me, please only if you like my pics and you want to see more of them. Otherwise it makes no sense for both of us.
Taken out of hand with my Sony A7II and the Sony FE 85/1.4 GM
Visit me on:
Instagram // 500px // Facebook // iStock by Getty // My Website
Thank you all so much for your comments & faves.
The Night You Took Me Away - Mt Airy, Philadelphia - USA (Sony a7 Mark II - Voigtlander 110mm F2.5 APO Macro + Atomos Shinobi External Monitor)
Taken outside the BMW World in Munich. Guess i´m loosing my bokeh...
Used Tools:
Sony A7M2
SEL1635z
Visit me on:
Instagram // 500px // Facebook // iStock by Getty
Seen during a Morning Walk in the Historic City of Berne, Switzerland.
Shot with Sony A7 Mii and the Zeiss Batis 1.8/85mm at F=1.8.
If you want to know a little bit more about me as a Photographer:
www.cvisuali.org/photographer-interviews-117.html
BORN IN TIME (written by Bob Dylan)
In the lonely night,
In the stardust of a pale moonlight,
I think of you in black and white
When we were made of dreams.
I walked alone through the shaky streets,
Listening to my heart beat
In the record-breaking heat
When we were born in time.
Just when I thought you were gone, you came back
Just when I was ready to receive you.
You were smooth, you were rough,
You were more than enough.
Ah babe, why did I ever leave you
Or believe you?
In the rising curve,
Where the ways of nature will test every nerve,
I took you close and got what I deserve
When we were born in time.
Just when I knew who to thank, you went blank
Just as the firelight was gleaming.
You were snow, you were rain,
You were stripes and you were plain.
Oh babe, can it be you've been scheming
Or was I dreaming?
In the hills of mystery,
In the foggy web of destiny,
You're still so deep inside of me
When we were born in time.