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Santuario (Sv)
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Santuario di Nostra Signora di Misericordia
HDR 5 scatti
Fotocamera: Nikon D300s
Aperture: f/11
Shutter Speed: 10 s
Lente: 8 mm
ISO: 200
Exposure Bias: 0 EV
Flash: Off, Did not fire
Lens: Samyang Fisheye 8mm f3.5 APS-C
GPS Position: Nikon GP-1
Sagra del Fuoco - Recco - Edizione 2024
Festa della Madonna del Suffragio
I festeggiamenti nascono in onore di Nostra Signora del Suffragio, Patrona e Protettrice di Recco. La festa è organizzata dai 7 Quartieri di Recco, Bastia, Collodari, Liceto, Ponte, San Martino, Spiaggia e Verzemma che si sfidano in una due giorni di spettacoli pirotecnici di altissimo livello.
Sito ufficiale:
www.sagradelfuoco.it/index.php?option=com_content&vie...
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Qui una immagine dello spettacolo pirotecnico svoltosi Sabato 7 Settembre 2024 a partire dalle ore 23:00:
Molo di Ponente, esibizione del quartiere Spiaggia curato da Luigi Di Matteo - Sant'Antimo (NA)
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Fire Festival - Recco - 2024 Edition
Festa della Madonna del Suffragio
The celebrations were born in honor of Our Lady of Suffragio, Patron and Protector of Recco. The festival is organized by the 7 Districts of Recco, Bastia, Collodari, Liceto, Ponte, San Martino, Spiaggia and Verzemma who compete in two days of high-level fireworks shows.
Official website:
www.sagradelfuoco.it/index.php?option=com_content&vie...
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Here is an image of the fireworks show that took place on Saturday 7 September 2024 starting at 11:00 pm:
West wharf, performance of the Spiaggia district curated by Luigi Di Matteo - Sant'Antimo (NA)
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5035
La Signora, Rosalyne Kruzchka Lohefalter, 8th of the 11 Fatui Harbingers
Photographer: Florent Joannès
Model: Irina
2023
Santa Clara 2023
Signora Fulvia's passenger side rocker panel popped through with a bit of rust, so the car is at the body shop now having both rocker panels opened up, rust removed, reinforced, rustproofed, closed back up, and repainted.
(dentro per la versione a colori)
La mia gente non ha certo un nome
non si trova sui libri di storia
a volte è perduta, a volte arrabbiata
o allegra o sola o ubriaca.
La mia gente non è originale
non parla con parole strane
ma cammina per strada e sogna e lavora,
confusa e inquieta e contorta.
La mia gente - MCR
Dedicato alla mia gente...
A little homage to Game of Cabot Cove aehm... Game of Thrones.
filippoventuri.net/2016/09/05/angela-lansbury-la-signora-...
foto scattata a zurigo da mio marito...
era giusto che lo citassi.....perchè dice sempre che solo io faccio foto belle lui no...
che le sue non vanno mai bene..ecc
bisogna pur accontentarli qualche volta:))))
non vi dico cosa mi ha appena detto ora:))))
inizia con la s...
as part of ‘it’s really hard’,
Alembic Artists Showcase
Nov 13th & 14th 2015,
Performance Works NW,
Portland, OR
I knew it was going to be a good day from the moment I saw the table and chairs that had been provided for visitors bringing picnics to the Hannah Peschar Sculpture Garden. I sat there for a while and soaked up the atmosphere.
This sculpture, by Jonathan Loxley, is called Signora. The materials are Portuguese tutti frutti marble and Italian white marble.
another evolution of my creature (detail)
visit my websites:
www.barabeke.it (portfolio) ¦ Il Rinascimento (blog)
La Signora, Rosalyne Kruzchka Lohefalter, 8th of the 11 Fatui Harbingers
Photographer: Florent Joannès
Model: Irina
2023
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021: Nemi, torna il mosaico delle navi di Caligola. Recuperato nel 2017, appartamento della signora Helen Costantino Fioratti (moglie di Nereo Fioratti, giornalista - Il Tempo). Corriere Della Sera (11/03/2021) & The Washington Post, USA (08 Dec., 1907): F5. S.v., The New York Times (14/03/2021) & (19/10/2017): C1; L'Espresso (15/09/2011): 194 [in PDF] & The Scientific American (24 July 1906): 1 & 25. wp.me/pbMWvy-1eo
1). ROMA / Museo delle Navi Romane di Nemi - Nemi, torna il mosaico delle navi di Caligola, scomparso dal dopoguerra. Corriere Della Sera (11/03/2021).
BENI CULTURALI - Nemi, torna il mosaico delle navi di Caligola, scomparso dal dopoguerra. Esportato illegalmente in America e restituito all’Italia grazie all’azione dei carabinieri del comando Tutela Patrimonio Culturale, ritrovato in una collezione privata a New York.
Torna in esposizione al Museo delle Navi Romane di Nemi, in provincia di Roma, il mosaico proveniente dalle navi di Caligola, esportato illegalmente in America nel dopoguerra e restituito all’Italia grazie all’azione dei carabinieri del comando Tutela Patrimonio Culturale. Il direttore generale dei Musei, Massimo Osanna ha presentato il mosaico recuperato che ora sarà possibile ammirare nel rispetto delle norme di comportamento anti-Covid 19.
Il mosaico a intarsi marmorei (opus sectile) faceva parte delle decorazioni presenti sulle pavimentazioni delle due navi dell’imperatore Caligola. Proveniente dagli scavi condotti nel 1895 da Eliseo Borghi, fu restaurato con materiali diversi e con integrazioni moderne. L’inserimento in una cornice moderna, presente anche sul retro, non consente più di cogliere i dettagli costruttivi, che possono però essere ricostruiti grazie agli altri frammenti conservati nel Museo. Esportato illegalmente nel dopoguerra, il mosaico è stato restituito al Museo delle Navi Romane grazie all’azione dei Carabinieri del Comando Tutela Patrimonio Culturale che, con la fattiva collaborazione di esperti del settore, hanno individuato il pavimento in una collezione privata a New York, consentendone il sequestro e la riconsegna all’Italia
Il Museo venne costruito tra il 1933 e il 1939 per ospitare due gigantesche navi appartenute all’imperatore Caligola (37-41 d.C.) recuperate nelle acque del lago tra il 1929 e il 1931. È stato quindi il primo Museo in Italia ad essere costruito in funzione del contenuto, due scafi purtroppo distrutti durante un incendio nel 1944. Riaperto nel 1953, il museo venne nuovamente chiuso nel 1962 e infine definitivamente riaperto nel 1988. Nel nuovo allestimento, l’ala sinistra è dedicata alle navi, delle quali sono esposti alcuni materiali, come la ricostruzione del tetto con tegole di bronzo, due ancore, il rivestimento della ruota di prua, alcune attrezzerie di bordo originali o ricostruite (una noria, una pompa a stantuffo, un bozzello, una piattaforma su cuscinetti a sfera).
Sono inoltre visibili due modelli delle navi in scala 1:5 e la ricostruzione in scala al vero dell’aposticcio di poppa della prima nave, su cui sono state posizionate le copie bronzee delle cassette con protomi ferine. L’ala destra è invece dedicata al popolamento del territorio albano in età repubblicana e imperiale, con particolare riguardo ai luoghi di culto; vi sono esposti materiali votivi provenienti da Velletri (S. Clemente), da Campoverde (Latina) da Genzano (stipe di Pantanacci) e dal Santuario di Diana a Nemi, oltre ai materiali provenienti dalla Collezione Ruspoli. All’interno di quest’ala è inoltre possibile ammirare un tratto musealizzato del basolato romano del clivus Virbii, che da Ariccia conduceva al Santuario di Diana. «È un evento importantissimo - spiega il sindaco di Nemi Alberto Bertucci -. Con l’aiuto di Massimo Osanna, capo della direzione Musei del ministero, il mosaico avrà la giusta collocazione in una esposizione permanente al museo delle Navi Romane di Nemi. Una notizia eclatante non solo per gli addetti ai lavori, ma anche un investimento sul turismo e sul patrimonio storico e archeologico».
Fonte / source:
--- Corriere Della Sera (11/03/2021).
roma.corriere.it/notizie/cronaca/21_marzo_11/nemi-torna-m...
2). ROMA / Museo delle Navi Romane di Nemi - Long-Lost Mosaic From a ‘Floating Palace’ of Caligula Returns Home. The New York Times (14/03/2021).
Long-Lost Mosaic From a ‘Floating Palace’ of Caligula Returns Home. A 2,000-year-old artifact that had ended up in the home of a Manhattan antiquities dealer is now in an Italian museum. NYT (14/03/2021).
NEMI, Italy — If stones could speak, the mosaic unveiled recently at an archaeological museum just south of Rome would have quite the tale to tell.
It was crafted in the first century for the deck of one of two spectacularly decorated ships on Lake Nemi that the Emperor Caligula commissioned as floating palaces. Recovered from underwater wreckage in 1895, the mosaic was later lost for decades, only to re-emerge several years ago as a coffee table in the living room of a Manhattan antiques dealer.
“If you look at it from an angle, you can still see traces of a ring from a cup bottom,” said Daniela De Angelis, the director of the Museum of the Roman Ships in Nemi, referring to the piece’s modern use. The mosaic has been installed in the museum next to two other marble fragments salvaged from Caligula’s ships, and was put on display on Thursday.
“For us it’s a great satisfaction today to see the mosaic in this museum,” said Maj. Paolo Salvatori of Italy’s elite art theft squad, whose investigations led to the mosaic’s return. “Bringing back cultural artifacts to their original context” is the ultimate goal of the squad, he said, and the recovery of the mosaic reflected cooperation among the squad, Italy’s cultural authorities and law enforcement in the United States.
Caligula’s rule only lasted from A.D. 37 to 41, but he enthusiastically embraced the trappings of the position, including an opulent residential compound on the Esquiline Hill in Rome, a villa on the southwest shore of Lake Nemi and the two ships.
“They were floating palaces,” whose “aquatic luxury” was likely inspired by a renowned barge used by Antony and Cleopatra on the Nile, said Massimo Osanna, the director general of Italy’s national museums.
Scholars are still unsure whether the ships had a specific purpose, though some have posited that one was used for the worship of the Egyptian goddess Isis. In any case, Caligula didn’t skimp on the ships’ décor, which included mosaics on the walls, intricately inlaid marble floors, decorated fountains and marble columns. Bronze figures decorated the beams, headboards and other wooden parts.
f ancient sources are to be believed, Caligula was a deranged and despotic ruler with a voracious sexual appetite and a vicious streak of cruelty, but modern scholarship has thrown doubt on those accounts.
“There’s a lot of fake news about Caligula,” said Barry Stuart Strauss, a professor of history and classics at Cornell University. “I don’t want to make him out to be a nice guy or something,” he said, because Caligula executed a number of senators, had a sharp tongue and made many enemies. And when Caligula was assassinated in A.D. 41, “it wasn’t difficult to find people who wanted to assassinate him,” Prof. Strauss added. “But we can’t trust the myths.”
With Caligula’s death, the ships were destroyed and sank to the bottom of the lake. Various attempts to raise them over the centuries were unsuccessful, as well as damaging, and the wrecks were repeatedly plundered, Ms. De Angelis said.
In 1895, the antiquarian Eliseo Borghi managed to recover part of the ship’s decorative bounty, including some of the bronze decorations and parts of the marble floor. These items — including the recently returned mosaic, which he had restored using the recently returned mosaic, which he had restored using fragments of ancient marble integrated with modern pieces — were sold to museums in Italy and elsewhere in Europe, as well as to private collectors.
The location of the deck mosaic would have likely remained unknown had it not been for the 2013 presentation in New York of a book by an Italian marble expert, Dario Del Bufalo, on the use of red porphyry in imperial art. He happened to show a photograph of the missing mosaic.
“That’s Helen’s table,” Mr. Del Bufalo recalled one of the attendees exclaiming. Helen turned out to be Helen Costantino Fioratti, president of L’Antiquaire and the Connoisseur, a Manhattan fine art and antiques gallery.
Mr. Del Bufalo said Thursday that he had assisted Italy’s art theft squad in identifying Ms. Fioratti’s mosaic as the section of the marble floor restored by Mr. Borghi. The piece was seized by American authorities in 2017 and returned to Italy. Ms. Fioratti said at the time that she and her husband had bought the mosaic in good faith, in the late 1960s, from a member of an aristocratic family.
“She cared a lot about that table,” Mr. Del Bufalo said Thursday. He said that the marble had been seized because Ms. Fioratti could not prove that it had been legally exported to the United States. She was never charged with any crimes in Italy.
Caligula’s ships were finally recovered between 1929 and 1931, after the lake was drained, an enterprise that exemplified “the highest feat of Italian hydraulic engineering,” said Alberto Bertucci, mayor of Nemi, which is arguably better known for its strawberries than its archaeological heritage.
The Nemi museum was specially designed in the 1930s to house the massive ships — which measured roughly 240 feet long and 78 feet wide — as well as other artifacts dredged up at the time, including fragments of mosaics and brass tiles that covered the roof of a structure on one of the ships.
But on the night of May 31, 1944, the ships were destroyed by a fire that scholars believe was deliberately set by vengeful German troops.
“There was little left afterward because the fire was devastating,” said Ms. De Angelis. But some artifacts survived because they had been sent to Rome for safekeeping.
“The fire in the museum was ignited to destroy, and it did not disappoint,” said the Rev. John McManamon, a visiting scholar at the Institute of Nautical Archaeology at Texas A&M University, who has written a book on the ships that is scheduled to be published next year. Father McManamon’s research backed the conclusions of a 1944 investigative commission which found that “in all likelihood, the fire that destroyed the two ships was caused by a deliberate choice on the part of the German soldiers,” he wrote in an email.
Mr. Bertucci said he had initiated discussions with Italy’s Foreign Ministry about demanding compensation from the German government for the destruction of the ships. Any money received would be used to build scale models of the ships and to “return to humanity what was lost,” he said in an interview this week.
“Today is a very important day,” said Ms. De Angelis at the Thursday unveiling. “Visitors to the museum will find a new addition in its natural place, alongside other marble fragments from the ship, as if it had never been away.”
Fonte / source:
--- The New York Times (14/03/2021).
www.nytimes.com/2021/03/14/world/europe/caligula-mosaic-s...
3). ROMA / NEW YORK CITY - Museo delle Navi Romane di Nemi. "A Remnant From Caligula’s Ship, Once a Coffee Table, Heads Home." The New York Times (19/10/2017): C1.
The ceremonial ships that the Roman Emperor Caligula built to host decadent festivities on Lake Nemi were ornate floating palaces, with pink marble columns and brightly colored mosaic floors. Adorned with gold and gems and bronze friezes of animals, they were the sites of mega-parties that sometimes lasted days, according to historical accounts.
But for much of the past five decades, a four-by-four piece of mosaic flooring from one of the ships has been sitting in a somewhat more prosaic setting, the Park Avenue apartment of an antiques dealer, where it was used as a coffee table, often to hold a vase of flowers and, occasionally, someone’s drinking glass.
Now investigators for the Manhattan district attorney’s office are trying to sort out the journey of the 2,000-year-old piece of Roman history that was once dredged from the lake outside Rome and somehow ended up in a private home in New York City. Last month, prosecutors seized the mosaic, saying they had evidence it had been taken from an Italian museum before World War II. On Thursday evening, the piece was returned to the Italian government at a ceremony, along with two other recently recovered antiquities.
“These items may be beautiful, storied, and immensely valuable to collectors,” the district attorney, Cyrus R. Vance Jr., said in a statement, “but willfully disregarding the provenance of an item is effectively offering tacit approval of a harmful practice that is, fundamentally, criminal.”
The antiques dealer, Helen Fioratti, said she and her husband, Nereo Fioratti, a journalist, had bought the mosaic in good faith in the late 1960s from a member of an aristocratic family. The sale was brokered, she said, by an Italian police official famed for his success in recovering artwork looted by the Nazis.
“It was an innocent purchase,” Ms. Fioratti said in an interview. “It was our favorite thing and we had it for 45 years.”
Ms. Fioratti, who owns L’Antiquaire and the Connoisseur, a noted gallery for antiques from Europe on East 73rd Street, said she did not intend to fight the seizure because of the expense and time it would take. Still, she said she believes she has a legitimate claim to ownership. “They ought to give me the legion of honor for not fighting it,” she said.
No charges had been filed against her on Thursday, though the search warrant said investigators were looking for evidence to support a charge of possession of stolen property.
The square piece of marble flooring — which features a complex geometric pattern made of pieces of green and red porphyry, serpentine and molded glass — dates back to Caligula’s reign, 37-41 A.D., and came from one of three enormous ships that he had built at Lake Nemi, a circular volcanic lake where there was once a temple to Diana, the goddess of the hunt.
Scholars have debated for years whether the barges were purely pleasure craft or might have been floating temples to the goddess. What is certain is they amounted to a haven for the emperor.
“They functioned as artificial floating islands, where the emperor could retreat, being completely separated from the world,” Francesco De Angelis, a professor of art history and archaeology, at Columbia University, said in an email.
After Caligula was assassinated, the ships were sunk, and remained underwater for centuries, despite efforts by divers over the years to retrieve their treasures. Mussolini began draining the lake in 1929 and by 1932, two of the ships had been located and hauled ashore. In 1936, the Fascist government built a museum to display the artifacts, including the complete mosaic and a few other smaller fragments, according to experts. At the end of the war, however, partisans opposed to the government set fire to the museum, which had been used as a bomb shelter, damaging many of the artifacts.
Manhattan prosecutors believe the mosaic was taken from the museum before the fire, because it shows no sign of damage like the other fragments.
The mystery of the mosaic’s whereabouts did not begin to clear until 2013, when an Italian expert on ancient marbles, Dario Del Bufalo, published a monograph about the Roman’s emperor’s use of red porphyry, a blood-colored stone associated with power. To promote his book, Mr. Del Bufalo gave a talk in New York attended by many art historians and dealers. He said he showed the assembled experts a photo of the mosaic that had been taken at a gallery in Rome in the 1960s, a rare sighting of the stolen work.
Ms. Fioratti and her husband had never tried to hide the mosaic, and there were people in the audience who had seen it in their home, Mr. Del Bufalo said in an interview. Reports of its whereabouts in New York eventually reached the ears of the authorities, he said.
It is unclear why it took four years for the investigation to be completed. Earlier this year, Matthew Bogdanos, an assistant district attorney who has spearheaded Mr. Vance’s efforts to recover stolen antiquities, contacted Mr. Del Bufalo to gather evidence. A judge issued a search warrant to seize the piece on Sept. 18.
Mr. Del Bufalo said it matters little who sold the mosaic to Mr. Fioratti, who was a longtime correspondent for Il Tempo newspaper, because he or she could not have passed along good title to a stolen item.
For her part, Ms. Fioratti said she had no papers proving ownership and she could not remember what her husband had paid for the mosaic. She said he had learned about the piece from a friend, who told him the aristocratic family was looking for a buyer.
When the piece arrived at their Park Avenue home, they paid to have a marble frame attached to the square of flooring and then put it on a pedestal in their living room. Over the years, Ms. Fioratti said, curators who visited had told her they were interested in procuring it for their collections. “I could have made a fortune,” she said.
Fonte / source:
--- The New York Times (19/10/2017): C1.
www.nytimes.com/2017/10/19/arts/design/a-remnant-from-cal...
www.flickr.com/photos/imperial_fora_of_rome/6129392755
4). ROMA / Museo delle Navi Romane di Nemi - E` Tornato Caligola - Una Statua grande come quelle di Giove. l'Espresso (15/09/2011): 104 [in PDF] & The Scientific American Supplement Magazine, New York, July 24th, 1906, pp. 1 & 25. wp.me/pPRv6-nk
5). ROMA / Museo delle Navi Romane di Nemi - ROMAN RELICS VANISH; Borghi Collection May Be on Its Way to This Country. GOVERNMENT TO INVESTIGATE Valuable Art Treasures Recovered from Bottom of Lake Nemi Believed to Have Been Secretly Sold to New York Metropolitan Museum -- Italy's Scheme to Recover Other Treasures. The Washington Post (08 Dec., 1907): F5; in:
5.1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021: Roma, Lago di Nemi - Caligola, ritrovata la statua colossale & Nemi, torna il mosaico delle navi di Caligola (1907/2021).
www.flickr.com/photos/imperial_fora_of_rome/albums/721576...
5.2). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021: The Metropolitan Museum of Art & the Monteleone Chariot "La Biga Rapita" – Historical & Contemporary Documentation Relevant to the Controversy between the Metropolitan Museum and the Comune di Monteleone di Spoleto (2008). [2021].
www.flickr.com/photos/imperial_fora_of_rome/albums/721576...
Il segreto delle stelle,-la gravitazione.
Il segreto della terra,-strati di rocce.
Il segreto del suolo,-ricevere il seme.
Il segreto del seme,-il germoglio.
Il segreto dell'uomo,-il seminatore
Il segreto della donna,-il suolo.
Il mio segreto: sotto un tumulo che non troverete mai.
(Edgar Lee Masters, "Antologia di Spoon River", "La Signora Sibley"
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THE secret of the stars-- gravitation.
The secret of the earth-- layers of rock.
The secret of the soil-- to receive seed.
The secret of the seed-- the germ.
The secret of man-- the sower.
The secret of woman-- the soil.
My secret: Under a mound that you shall never find.
(Edgar Lee Masters, "Spoon River Anthology", "Mrs. Sibley")
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textures: “* Fireflies VI *" and “* Merry Xmas 2 *" by pareeerica
Italian postcard by Rizzoli, Milano, 1934-XII. Photo: Novella-Film. Publicity still for La signora di tutti/Everybody's Woman (Max Ophüls, 1934) with Isa Miranda, Tatiana Pavlova and Memo Benassi.
Gabriella Murge, aka famous film star Gaby Doriot (Miranda), is a woman who attracts men like moths, destroying themselves or others. The film opens with a panorama of the film studio where after a frantic search her agent finds her after an attempted suicide. On the operation table Gaby relives her life. Young Gaby makes her music teacher commit suicide, after which she is withdrawn from society by her stern father (Lamberto Picasso). At a party of Roberto Nanni (Enrico/ Federico Benfer), son of wealthy businessman Leonardo Nanni, Roberto and Gaby fall in love. Roberto's handicapped mother Alma (Tatiana Pavlova), fearful of Gaby's reputation, eventually loves her and adopts her as aid. While Roberto is away, Leonardo (Memo Benassi) falls in love with Gaby and takes her to the opera. Fate strikes when Leonardo declares Gaby his love in front of of his villa, while a desperate Alma falls down the stairs in her wheelchair, killing herself.
After a seemingly endless trip to forget the disaster, during which Leonardo ignores business troubles, Gaby is haunted by the memory of the house when they return and flees hysterically. Leonardo is charged with embezzlement and sentenced to prison, while Gaby becomes a big movie star. Once released, Leonardo is stunned by the multiplication of images of Gaby in a cinema foyer, during the premiere of her new film. Chased for his poor attire, he is run over by a car. To avoid scandal, Gaby's entourage calls in Roberto to exonerate her. Gaby realizes she has loved Roberto all along, but is too late, as Roberto married her more modest sister Anna (Nelly Corradi). 'We'll still be together in the film", Roberto says. Gaby realizes she will stay lonesome despite wealth and stardom and commits suicide. The flashback ends with doctors declaring her death and the printing presses stopping to print her film poster.
Source: en.wikipedia.org/wiki/Everybody's_Woman and the film itself.
Isa Miranda (1905–1982) was the only international film star produced by the Italian fascist cinema. In Hollywood she was billed as the ‘Italian Marlene Dietrich’, and played femme fatale roles. Later she became one of the most significant European film actresses during the 1940s and early 1950s.
For more postcards, a bio and clips check out our blog European Film Star Postcards Already over 3 million views! Or follow us at Tumblr or Pinterest.
---- Ms. Rocchina, retired ----
---- la signora Rocchina, pensionata ----
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This is not a report, it can not be it .... all shots are only and slightly connected to each other only because they all are made along the way; they are stolen shots, portraits, still life, all expositions presented in the form of "collection" of photographs pulled out from inside a drawer ....
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Questo non è un report, non può esserlo poichè le foto sono solamente ed esilmente collegate tra loro solo perchè realizzate in strada; sono scatti rubati, ritratti, still life, tutte esposizioni presentate in forma di "collezione" di fotografie tirate fuori da dentro un cassetto....
Da casa mia !
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Voglio fare a voi un dono di una poesia che mio fratello ha scritto dopo il viaggio a Medjugorie, dedicata a tutti voi perchè nelle vostre preghiere vi sia anche la sua famiglia.
A Medjugorie
Afflitto il cuore, ma pieno di speranza.
Madre di Dio, del cielo Regina,
a te veniamo, sul colle* saliamo.
Lento, impervio il cammino, a trovare la via,
ove le rocce son meno appuntite
e ostacolo non sia fatica,
a starti alla fine vicini.
Bella, dolce tu sei, nostra Signora.
Madre di tutti, Regina del cielo.
Dacci la fede, dacci anche la pace.
I cuori illumina, scardina il male,
soli non ci lasciare.
Non ce ne andiamo, divina Signora,
prima, tutto di noi
affidarti vogliamo.
Le nostre angosce, le nostre paure
E grazia a te chiedere, aiuto.
Si che lo puoi, figli tuoi siamo
E non c’è madre
Che, sollecita, in apprensione,
del figlio non vada in soccorso.
Perciò grazie o Maria,
per averci ancora chiamati,
anche se indegni,
ma sempre tuoi figli,
che questa è la tua veste
e tuo solo pensiero.
Giovanni DE SANTIS
*E’ il colle del Podbrdo, dove il 24 giugno 1981 la Madonna è apparsa per la prima volta.
Siamo a Medjugorie, piccolo paese dell’Erzegovina, ormai famoso in tutto il mondo.
_____________________________________________________________________________
ENGLISH
AT MEDJUGORJE
Plagued the heart, but pious hope.
Mother of God, Queen of Heaven,
We come to you, * go up on the hill.
The slow, arduous journey to find His way,
Where the rocks are less sharp
And obstruction is not difficult,
Layers close to the end.
Beautiful, sweet you are, our Lady.
Mother of all, the Queen of Heaven.
Give us the faith, and give us peace.
And shining hearts that may undermine evil,
Do not leave us alone.
Do not go away.
We all rely on you,
Our anxieties, our fears
Grace goes to you as we ask for help.
We are your children
And there's Mother
What, urges, apprehension,
That the child does not go to the rescue.
So thanks to Mary,
For your forgiveness,
Although we are unworthy,
But still your children,
That this is your way
And your only thought.
Giovanni DE SANTIS
* The Apparition Hill where, on June 241981, Our Lady appeared for the first time.
We are in Medjugorje, a small town in Herzegovina, now famous around the world
_______________________________________________________________________________
ESPANOL
Afligido el corazón, pero llleno de esperanza.
Madre de Dios, Reina del Cielo,
Venimos a ti, * sobre el cerro subimos
Lento, y arduo el camino, para encontrar su via.
Donde las rocas son menos agudas
Y los obstáculos no son difíciles,
Recompensa cerca del final.
Hermosa, dulce eres, Virgen María.
Madre de todos, la Reina del Cielo.
Danos la fe, y danos la paz.
Y los corazones ilumina, que el mal puede poner en peligro,
No nos dejen solos.
¡No te vayas.
Todos confiamos en que,
Nuestras angustias, nuestros miedos
Gracia te pedimos, ayuda.
Y no hay madre
Que, solicita, en la aprensión,
del hijo no vaya a su rescate.
Así que gracias a Maria,
obtenemos su perdón,
Aunque somos indignos,
Pero somos tus hijos,
Que este es el camino
Y su único pensamiento.
Giovanni DE SANTIS
_________________________________________________________________________
IN CATALANO
Afligit el cor, però ple d'esperança.
Mare de Déu, Reina del Cel,
Venim a tu, * sobre el turó pugem
Lent, i ardu el camí, per trobar el seu via.
On les roques són menys agudes
I els obstacles no són difícils,
Recompensa prop del final.
Bella, dolça ets, Mare de Déu.
Mare de tots, Reina del Cel.
Dóna'ns la fe, i doneu-nos la pau.
I els cors il.lumina, que el mal pot posar en perill,
No ens deixin sols.
No te'n vagis.
Tots confiem que,
les nostres angoixes, les nostres pors
I gràcia us demanem, ajuda.
I no hi ha mare
Que, sol.licita, en l'aprensió,
del fill no vagi al seu rescat.
Així que gràcies a Maria,
obtenim el seu perdó,
Encara que som indignes,
Però som els teus fills,
Que aquest és el camí
I el seu únic pensament.
-----------------------------------------------------------------------------------------------------------------------------------
PORTOGHESE
eu quero te fazer um presente de um poema meu irmão escreveu depois de sua viagem à Medjugorje, que é dedicado a todos vocês em suas orações, porque há também a sua família.
Em Medjugorje
Atormentado o coração, mas cheio de esperança.
Mãe de Deus, Rainha do Céu,
que cheguemos a vós, * subir no morro.
Jornada, lenta árdua para encontrar o seu caminho,
onde as rochas são menos nítidas
e obstrução não é difícil,
camadas perto do fim.
Bonito, você é doce, Nossa Senhora.
Mãe de todos, a rainha do céu.
Dê-nos a fé, dá-nos a paz também.
Luzes corações, mina o mal,
não nos deixe em paz.
Não vá lá, Ms. Divino,
em primeiro lugar, todos nós
nós confiamos.
Nossas ansiedades, nossos medos
Graça e pedir ajuda.
Sim, pode, nós somos seus filhos
E não há Mãe
O que, insiste, apreensivo,
a criança não vá para o resgate.
Assim, graças a Maria,
chamado para dar-nos ainda,
embora indigno,
mas ainda assim seus filhos,
que este é o seu vestido
e seu único pensamento.
Giovanni DE SANTIS
* E 'o monte de colina das aparições, onde 24 de junho de 1981 Nossa Senhora apareceu pela primeira vez.
Estamos em Medjugorje, uma pequena cidade no Herzegovina, agora famoso em todo o mundo.
I met this beautiful ship, the Lady of the Wind, during my sail trip lastmonth all over Corsica. This was taken in the Gulf of Girolata
La scala dentro la Chiesa di Nostra Signora di Sedlec, un capolavoro bellissimo di Jan Blažej Santini Aichel
Basilika Unserer Lieben Frau zu den Schotten
Benedictine Abbey of Our Dear Lady of the Scots
Abbaye bénédictine de Notre-Dame-aux-Écossais)
Abbazia benedettina di Nostra Signora di Scozia
Abadía Benedictina de Nuestra Señora a los Escocés
Scots Church (Vienna)
Side view of the Freyung with vista to Scots Church, right in white the so-called Schubladkastenhaus (drawer castes house)
The medieval Scots Church
(further pictures you can see by clicking on the link at the end of page!)
The Freyung, seen from the southeast to 1758
Interior of the Church of the Scots
Main entrance to the Scots Church
Monument to Jasomirgott, the founder of the Scottish monastery, on the south-facing exterior wall of the church.
The Scots Church (Basilica of Our Lady to the Scots) is a Roman Catholic parish church in Vienna and at the same time the abbey church of a Benedictine abbey, the Schottenstift. It is located on the Freyung, Viennese 1st district Innere Stadt.
History
The old Scots Church
Already shortly after the foundation of the Vienna Scots monastery by Duke Henry II Jasomirgott in the year 1155, was began with the construction of the Scots church, it was consecrated in 1200 by the Bishop of Passau Wolfger of Erla. From this first, Romanesque church, a three-nave pillar church with an apse, only remnants in the Dark Sacristy and the Romanesque chapel are preserved. In the latter, which today serves as a day chapel, also a Romanesque statue of Mary Our Lady to the Scots (around 1250), the oldest representation of Mary of Vienna, can be found.
When Henry Jasomirgott died in 1177, he was buried according to his wishes in the Scots Church in a high grave (cenotaph). Later, his wife Theodora and his daughter Agnes were laid to him.
After disputes with the Viennese vicar, the Scots obtained as a result of an arbitration award papal delegated judges on 28 August 1265 parochial rights for their Viennese territory, firstly with restrictions on the baptismal and burial rights, from 1269, completely unlimited.
1276 the Scots Church fell victim to a great city fire, and so it was renewed to 1317 in early Gothic style. After an earthquake in 1443 damaged the church, the choir 1446-1469 was gothically redesigned. For this choir was 1469-1475 a large altar created, the so-called Scottish master altar.
Master of the Schotten Altar Vienna
Master of the Schotten Altar Vienna: Flight to Egypt (detail), 1470
The Master of the Vienna Scots Altar or also Vienna Scots Master was an in to 1470 in the Austrian range active painter of the Late Gothic. Because his real name is unknown, he is named after the by him for the Schottenstift (monastery) in Vienna created large wing altar, the so-called "Vienna Scots altar". The Master is considered as one of the most important Dutch or Upper Rhine influenced painter in the Austria of his time. His influence should be gone over his students far beyond the Vienna area. Thus, an altar in the Margaret Church of Medias in Transylvania (Siebenbürgen) is considered to come from his school.
de.wikipedia.org/wiki/Meister_des_Wiener_Schottenaltars
Baroque reconstruction
The collapse of a tower after lightning strike was taken in 1638 by Abbot Johann Walterfinger as a reason firstly the choir and the tower of church completely to overhaul. Here, however, was reduced the length of the church, so that the tower today is not directly connected to the longhouse. The establishment of the barrel-vaulted pilaster church with hinted transept was procured under Abbot Anton Spindler of Hofegg by the architects Andrea Allio the Elder, his cousin Andrea Allio the Younger and Silvestro Carlone. In the course of this new building also the crypt of the Schottenstift was layed out. The new church was on 31th May 1648 consecrated by the Viennese bishop Philipp Friedrich von Breuner.
With the stone carvings was charged the imperial court sculptor and court stonecutter Peter Concorz, sculptor at Freyung. For this purpose, he bought a quarry in Kaisersteinbruch (Lower Austria), according to the contract with Abbot Michael II Schnabel from Heiligenkreuz Abbey. 1651 established the Hofsteinmetzmeister (court stonecutter) Bartholomew Khöll the main entrance of the tower facade. For the niche the sculptor Tobias Kracker created the statue of Mary with child.
The Baroque painter Joachim von Sandrart created for the Scots Church the paintings of the Apostles altar (1652) and the cross altar (1654) as well as the new high altarpiece Heavenly Glory (1671), which today is located in the Prälatensaal (prelate's saloon) of the Schottenstift. Tobias Pock painted the altarpieces of St. Mary's altar, of the Benediktusaltar (both 1651-1655) and of Sebastianaltar (1655-1658) as well as an at the end of the 20th Century again uncovered fresco of the St. Wolfgang (about 1655).
After the second Turkish siege the church was restored again. Since the baroque west towers hardly overtop the facade, there have been plans to increase it - but never got to it. For Ernst Rüdiger von Starhemberg, the defender of Vienna in the Turkish siege which was buried in the crypt of the Scots church, designed Joseph Emanuel Fischer von Erlach to 1725 an epitaph in the church.
Transformations in the 19th and 20 Century
From 1883 to 1887 Abbot Ernest Hauswirth had the church restored and partially remodeled. Except for Benedict and Gregorius altar the Baroque altars were replaced by altars in the neo-Renaissance and neo-Baroque style. It emerged a new high altar after designs of Heinrich Ferstel with a mosaic of Michael Rieser and new ceiling paintings by Julius Schmid. The founder Henry Jasomirgott, who had been reburied several times over the centuries, got in 1901 in the crypt of the Scots church a neo-Roman sarcophagus as yet final resting place.
In 1958 the Scots Church by Pope Pius XII. was raised to the rank of a minor basilica.
Under Abbot Heinrich Ferenczy in the years 1992 to 1994 the choir was accordingly to the liturgical reforms of the 20th Century transformed. The new main altar was placed at the intersection of the two main axes, the ambo before the altar in the center axis of the nave. New built was also a new choir stalls.
Organs
Among the monastery organists who worked at the Scots Church are included Wolfgang Schmeltzl (1550s-years, as schoolmaster), Johann Rasch (1570-1601), the former court organist Georg Piscator (1649-1660), the great Baroque musician Johann Joseph Fux (1696 -1702), Johann Baptist Henneberg (about 1783) and the current St. Pölten organist Louis Lussier (2000-2006). Current Stiftsorganistin (monastery organist) is Zuzana Ferjenčíková (since 2006).
In the wake of the last church renovation two new organs were placed in the Scots Church. Both the choir organ (1994) as well as the main organ (1996 ) were built by the Swiss Organ Manufactory Mathis.
Choir Organ
The choir organ has 20 stops on two manuals and pedal. The instrument was along the lateral choir walls in two parts layed out, on the right is as epistelorgel (epistle organ) the main section with the play table, left as Gospels organ behind an identical prospectus the swellable side section and pedal.
I Hauptwerk C-g3
1 Principal 8'
2 Reed flute 8'
3 Octave 4'
4 Flute 4'
5 Quinte 22/3'
6 Superoctave 2'
7 Mixture V 11 /3'
8 Trumpet 8'
II Brustwerk (swellable) C-g3
9 Holzgedackt 8'
10th Salicional 8'
11th Spitz Flute 4'
12th Nasat 22/3'
13th Waldflöte 2'
14th Third, 13/5'
15th Quinte 11/3'
16th Wood Shelf 8'
tremulant
C- pedal f1
17th Subwoofer 16'
18th Praestantflöte 8'
19th Choir Albass 4'
20th Bassoon 16'
Couplers: II / I, I / P II / P
Main organ
The main organ found nomination in the historic prospect, which had been created for the former organ of Ignaz Kober (1804). The instrument with mechanical play and Registertrakturen (stop actions) with electronic combination system has 49 stops on three manuals and pedal.
I Hauptwerk C -g3
1 Praestant 16'
2 Octave 8'
3 Harmonique Flûte 8'
4 Bourdon 8'
5 Viola di Gamba 8'
6 Octave 4'
7 Spitz Flute 4'
8 Quinte 22/3'
9 Doublet 2'
10th Mixture IV 2'
11th Scharff IV 1'
12th Cornet V 8'
13th Bombard 16'
14th Trompette 8'
II Rückpositiv C -g3
15th Gedackt 8'
16th Quintade 8'
17th Praestant 4'
18th Reed flute 4'
19th Sesquialtera II 22 /3'
20th Octave 2'
21, Waldflöte 2'
22, Larigot 11/3'
23, Cymbals IV 1'
24th Cromorne 8'
tremulant
Swell III C -g3
25th Bourdon 16'
26th Portunalflöte 8'
27th Salicional 8'
28th Voix Céleste 8'
29th Principal 4'
30th Octaviante Flûte 4'
31, Salicet 4'
32nd Nasat 22/3'
33rd Octavin 2'
34th Third, 13/5'
35th Plein Jeu V 22 /3'
36th Harmonique Trompette 8'
37th Basson - Hautbois 8'
38th Voix Humaine 8'
39th Harmonique Clairon 4'
tremulant
C- pedal f1
40th Under 32'
41st Principal 16'
42nd Subwoofer 16'
43rd Octavbass 8'
44th Bourdon 8'
45th Choir Albass 4'
46th Hintersatz V 4'
47th Trombone 16'
48th Prong 8'
49th Clairon 4'
Couplers: II/I, III/I, III/II, I/P II/P III/P
Play Help: Organo Pleno (principals, basic votes, I and P)
Baptisms, weddings, funerals
Among the many people who have been baptized in the Scots church, are included the rococo painter Giovanni Antonio Guardi, the Porzellanmodellierer (porcelain modeler) Anton Grassi and the film director Fritz Lang. In the Scots church have married the portrait painter Frans Luyckx, the Baroque musician Johann Joseph Fux, the stonemason Johann Paul Schilck, the Baroque painter Paul Troger, the musician Franz Anton von Weber and the orientalist Joseph von Karabacek.
In the crypt of the Scots Church lie buried the founder Duke Henry II Jasomirgott, his wife Theodora and his daughter Agnes as well as the defender of Vienna, Count Ernst Rüdiger von Starhemberg, the High Steward Prince Johann Ferdinand of Porcia, the Field Marshal Count Ludwig Andreas von Khevenhüller, the diplomat Count Amadeus Gottlieb Windisch-Graetz, Franz Freiherr (baron) von Lisola and Johann Rudolf Schmid Baron of Schwarzenhorn, the sculptor Johann Jacob Pock and the painter Paul Troger. On the 1751 abandoned Voglsang cemetery next to the Church the painter Frans Luyckx was buried.
For the composer Joseph Haydn, who had initially been buried because of the occupation of Vienna by the French only in all quietness on the Hundsturmer cemetery, was celebrated on 15th June 1809 a great memorial service in the Scots Church, on the occasion was sang Mozart's Requiem.
Il Veliero "Signora del Vento", l'affascinante veliero di 85 metri Che Dal 1962 Solca i mari di Tutto il Mondo. Una breve sosta a Cagliari e domani prima Dell'Alba salpa. Da Lontano Penso Che SI Tratti del Palinuro, uno Poppa bandiera italiana, e poi evidente, nomo Signora del Vento - Roma Una prua Spettacolare e Nessuna bandiera delle quattro Repubbliche Marinare (segno di nave della Marina Militare. Una Corsa A prendere la Macchina fotografica, e Scatti ... Troppo Buia la poppa, nave ancorata ormeggio Che impedisce Uno scatto uno prua ... con sfondo 4 Rimorchiatori. Bella la scaletta ... di accessori .. NEL WS, di Ispirazione "aeronautica" Poi Scafo in alluminio, 25 cabine con letto matrimoniale e bagno , comandante italiano ed Una simpatica signora Tedesca di Equipaggio, Che Porta a bordo Buona birra scaricandola da Nazioni Unite furgone noleggiato. ha la prua Una grande veranda Che Dal salone Danno un'aria da grande vacanza. La Polena La Figura di prua del veliero e opera dei notifi scultori Tedeschi Birgit e Claus Hartmann, Specialisti nell'esecuzione di opere di this Tipo. Per abbinare il Nome precedente della nave "Pace" alla Polena, Gli Hartmann Hanno Scolpito La Figura di Una Giovane fanciulla Che Tiene Nelle Sue mani Una bianca colomba Appunto Simbolo della Pace. Gli Attuali Armatori, Tenuto Conto della Validità della scultura, Hanno giustamente ritenuto di mantenerla also con il Cambio del Nome alla navata.
lousat , delpeoples , Ingvar , Sonata11 , Kofman , jimmj63 , paololg , emilbo , vasilpro ha segnato questa nota utili
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FiloHa iniziato questa discussioneMessaggiAggiornato
Per jimmj63: Carissimo Giacomobaddori12011-05-04 08:21
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Critiche [ Translate ]
Utile Neutro ciakgiak (25728) [ 2011/05/02 13:45 ] Rispondere
Ciao Gianfranco,
Che immagine, La Bellezza della navata e straordinaria, e la Tua foto non e da Menone, l'Atmosfera e Molto suggestiva Grazie ad Nazioni Unite cielo Molto intenso.
Grazie per la bella condivisione.
Cario Un abbraccio
Giorgio
Utile Neutro LOOOK13 (17029) [ 2011/05/02 13:48 ] Rispondere
Bonsoir.
Trés belle immagini, avec une particulière atmosphère grazia à cette brume envahissante.
Le POV est eccellente.
Bravo.
Utile Neutro lousat (41493) [ 2011/05/02 15:25 ] Rispondere
Ciao Gianfranco, Lavoro delle Nazioni Unite di Fino ed estremamente completo, con Tutti i dettagli Visibili nia WS.Ma l'Attenzione SI concentra Silla foto principale, Davvero stupenda, il pov Che hai Scelto ed il cielo have been decisivi per CREARE Una fantastica immagine.Complimenti (Oggi doppi) e Buona giornata, Luciano
Utile Neutro delpeoples (30948) [ 2011/05/02 15:31 ] Rispondere
Ciao caro GF Mi piacciono i velieri, Hanno delle Nazioni Unite grande sensa di Storia e classe. Bellissimo il Taglio, il luogo mi POV diagonale. Ieri sera eravamo when al Darling Harbour con Francio e PHWall, ABBiamo Visto Nazioni Unite veliero cosi. Sono da favola. Grazie per la condivisione e Passa Una bella serata, Un abbraccio Lisa
Utile Neutro Sonata11 (11315) [ 2011/05/02 20:34 ] Rispondere
Ciao Gianfranco,
è un bellissimo, d'immagine e la vista su questa barca. Fantastic foto excecuted, buon POV. Mi piace.
Al il migliore,
Barbara
Utile Neutro Mari63 (4085) [ 2011/05/03 02:42 ] Rispondere
Ciao Gianfranco,
e sapevo Che l'avresti postata su TE. Che meraviglia this veliero e Che nomo! Li Si addice alla perfezione. Ottima l'inquadratura delle Nazioni Unite con cielo drammatico. Eccellente la Qualità.
Ben Fatto.
Ciao Mari
Utile Neutro sabermonajati (5238) [ 2011/05/03 03:43 ] Rispondere
ciao
bella cornice dalla nave è catturato.
è splendida.
per quanto riguarda
la sciabola
Utile Neutro peppe59 (14239) [ 2011/05/03 05:30 ] Rispondere
Ciao Gianfranco,
bellissimo il titolo, quasi SI riferisca ad Nazioni Unite Romanzo di Salgari, incantevole immagine di This page bellissima barca o nave I Colori bassi la rendono Ancora Più Misteriosa.
complimenti e Buona Settimana
peppe
Utile Neutro Danos (60106) [ 2011/05/03 10:56 ] Rispondere
Ciao Gianfranco,
splendida la vista della barca a vela ormeggiata vecchio con il cielo grigio rende la scena ancora più fascinating.I come il POV come la luce eccellente e gestione del colore. Saluti, Danos
Utile Neutro Silvio1953 (77736) [ 2011/05/03 13:31 ] Rispondere
Ciao Gianfranco, fantastico veliero magnificamente ripreso, Splendida la Resa del cielo, luce difficile risolta da gran Campione, bravissimo, ciao Silvio
Utile Neutro jimmj63 (2032) [ 2011/05/03 23:44 ] Rispondi [ + ]
fotografar navi nia Porti e tutt'altro Che facile Dato il generalemente Pesante Rumore d'Intorno. ci sei riuscito bene vista la scarsissima luce Che se e vero Che toglie dettagli Che mi sarebbe piaciuto VEDERE Dà un'atmosfera melanconica e la nave Splendida Buona giornata giacomo
Utile Neutro paololg (30460) [ 2011/05/04 12:30 ] Rispondere
Ciao caro Gianfranco,
This page E la fortuna di chi Abita in Una Importante Città di mare sono Cagliari, ovvero Quella di AVERE queste Piacevoli sorprese ancorate al porto. FORSE uno Causa di romembranze Vecchie Giovanili, considero i velieri le navi Più belle del Mondo, e FORSE ho Ragione. Eccellente immagine, Veramente suggestiva. Peccato Che non hai avuto la possibilita 'di Fotografare la prua, mi sarebbe piaciuto VEDERE La Polena. Stupendo il cielo drammatico. Bravissimo!
Ciao, buon giovedì!
Paolo
Utile Neutro SWEETFREEDOM (13222) [ 2011/05/05 11:39 ] Rispondere
Ciao Gianfranco,
mi luogo l'Atmosfera Creata Dai Colori del cielo e del mare Intorno a this veliero
Ciao
Alessandro
Utile Neutro emilbo (16552) [ 2011/05/05 14:00 ] Rispondere
Gianfranco Allô!
"Signora del Vento" Quel beau et titolo Quelle belle foto. Excellente prise de vue de fin de journée. Le voilier est magnifique et bien présente avec ses stuoie qui s'élèvent devant ce superbe ciel.
Toutes mes Amitiés,
Emilius
Utile Neutro vasilpro (34382) [ 2011/05/08 00:11 ] Rispondere
Ciao GF,
la composizione meravigliosa, veliero imponente, bella atmosfera, bella luce e colori, contrasto molto buono, eccellente POV.
hanno una bella Domenica, Vasilis.
Utile Neutro sunamoon (6251) [ 2011/05/08 09:47 ] Rispondere
Ciao Gianfranco, Espectacular imagen, el estado tormentoso del cielo es muy bueno, me gusta el encuadre y el barco maravilloso! Gracias por compartir! Un saludo, Elena
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Original Text:
n° 2 WORKSHOPS Il veliero " Signora del Vento ", l'affascinante veliero di 85 metri che dal 1962 solca i mari di tutto il mondo. Una breve sosta a Cagliari e domani prima dell'alba salpa. Da lontano penso che si tratti del Palinuro, bandiera a Poppa italiana, poi è evidente, nome Signora del Vento - Roma una prua spettacolare e nessuna bandiera delle 4 Repubbliche Marinare (segno di nave della Marina Militare.