View allAll Photos Tagged Shift
I was shot in the eye with a paintball gun when I was 14 years old. I am very lucky that I did not end up blind. Instead, my pupil shifted position in my iris, and my sight isn't as good as it used to be.
went for a picnic at Kuching, Sarawak, Borneo's most picturesque island. they have this area just for people to set up bonfires and a small table was set up for ppl to just sit around and have a meal or light a ciggie
Experimentando um programa na Net para edição de imagem que reproduz o estiloTilt-shift.
(Estilo de fotografia conhecida como “tilt and shift” refere-se ao uso de movimentos de câmara em câmaras de formato pequeno ou médio e por vezes refere-se ao uso de picagem/inclinação (tilt) para limitação da profundidade de campo, produzindo fotografias de objetos e cenários reais mas que ficam parecidos com miniaturas e maquetes. A expressão também é usada quando a profundidade de campo é simulada por pós-produção digital. O nome deriva do uso de lentes tilt-shift que normalmente são empregues na produção óptica do mesmo efeito.
“Tilt-shift” de facto engloba dois tipos de movimento: rotação do plano óptico da objectiva em relação ao plano de filmagem, designado por tilt, e o movimento em paralelo da lente relativamente ao plano de imagem designado por shift.
O Tilt é usado para controlar a orientação do plano de focagem e assim a parte de imagem que aparece bem definida; é uma aplicação do princípio de Scheimpflug. Shift é usado para ajustar a posição do objecto na área de imagem sem mover a câmara para trás; é utilizado para evitar a convergência de linhas paralelas como por exemplo a fotografia de arranha-céus
A primeira lente desenvolvida especialmente para produzir este efeito foi a Canon TS35mm f/2.8 S.S.C em 1973. In: pt.wikipedia.org/wiki/Tilt-shift)
Fácil de usar, gostei do efeito
Shift the way you think and you'll find beauty every step you take!
Project Soul Pancake: Beauty in the Bland
This shot was taken, editted and posted with my HTC incredible S
Various pictures taken using my DIY tilt-shift lens and processed in Lightroom 4 using Matt Kloskowski's 'Tonal Contrast' preset
Just a quick T/S edit of Lytfyre's image Eaton Centre
This photo was so perfect for a T/S I couldn't resist.
As part of the Power Shift 2011 Conference, thousands joined the polluter protest at the White House, the U.S Chamber of Commerce, and at the headquarters of dirty energy industries.
Over 5,000 young climate leaders joined AFL-CIO President Richard Trumka, Cherri Foytlin of Gulf Change, and 350.org co-founder Bill McKibben at a polluter protest in front of the White House this Monday. They demanded that the President and Congress stand up to Big Polluters, protect the Clean Air Act, and make corporate polluters like BP pay for their pollution.
Photo Credit: Shadia Fayne Wood
Tried to do tilt shift from the 24th floor of the Hyatt Regency Chicago.
Note: My images are posted here for your personal viewing pleasure only. All Rights are Reserved. Please contact me if you are interested in using this image for any reason, or if you would like to purchase a Photographic Print.
Thank You.
For their end of the year exposition called “SHIFT” the graduating photography students from AKV|st. Joost needed a catalogue. This catalogue; which was handed out at the 2014 exposition; formed the base for a number of additional promotional tools. Next to a general story each student’s graduation project was introduced with a number of images and a brief description.
The shape-shifter _____ is a mover. ___ runs wild and moves freely between gender and age. ___ can take on different forms and are more ______________ than a human.
___ can take on the shape of ____________. Allowing ____________ to meet ___ without ______________ language _________ sense. As _______________ eyes are not __________ and therefore _______ no face – only a kind of gentle mirror. ___ fur is long, soft and rough.
___ work and ____________ is _____ physical and not. It´s _______ or ________, mostly both at the same time. _________ center ___ all ______ movements grow from here ______ believes that if you know _____________ you can move in every direction you want – ___________________.
________ emerges from a core of trust – sharing balance and shifting weight ________. In _____________ body and mind are connected and if torn or never made, ___ wants to help __ the healing _______ of these connections. To grow and to deepen the wires, nerve ends and emotions. ___________________ flexibility and strength.
Life is evershifting - we are waves - I am wave - I am sorrow - I am strong - I am weak - I am the letting go and the giving in.
_______________________________________________________________________at least I try.
Sisters Academy Staff by Sisters Hope
photo: I diana lindhardt
Photographs are free to use with the credits as formulated above displayed visibly.
This session is a continuation of my project to take baseline photographs of the current landscape in the Eden Landing Ecological Reserve’s Phase II project area. This next phase of salt pond restoration is located just south of Phase I, incorporating the area between Old Alameda Creek and the Alameda Creek Flood Control Channel. The area is currently dominated by diked ponds that are remnants of over a century of salt production. Over the next few years, many of these ponds will become connected to the tides while others will be managed with muted tidal flow as avian habitat.
For this photo session, I launched the camera cradle under a Sutton 16 from the site of the Alvarado Salt Works. The waters (E7) around the salt works ruins were quite low and I spent a bit of time taking photographs of a modest brine puddle while waiting for the wind to fill in. After a while, I shifted up to the Sutton 30 and started a walk southward toward Salt Pond E6C. This afforded a chance to photograph the renewed levees separating Salt Ponds E7, E6, E5, E4, and E6C. It looks like these levees have been reinforced with imported fill and they make for a well-graded, easy path to hike. In my previous outing, I had been taken with the tricolor scene when capturing e7 (blue), E5 (orange), and E4 (green) in the same photograph, so I worked on getting good coverage of this.
After arriving at the E5 / E6C levee, I headed east to walk around Salt Pond E6C. By this time the winds had grown a bit strong for the Sutton 30, so I was glad to be walking a bit downwind. I took more photos of the sanguine E6C landscape and the duck ponds to its east. After turning south along the duck ponds, I was able to end the session with views of Salt Ponds E4C and E5C, which were largely drained of water. By the time I reached the southern end of E6C, the Sutton 30 was beating me up in the fresh breeze so I called it a day and used the ratcheting block to haul my gear down. It was then an easy hike upwind back to the Alvarado Salt Works, where I arrived just as the sun set.
I am taking these documentary photographs under a Special Use Permit from the California Department of Fish & Wildlife. Kite flying is prohibited over the Eden Landing Ecological Reserve without a Special Use Permit.
Strobist Info: White shoot-through umbrella behind the camera, assistant with silver umbrella shading the model from the harsh sun camera left.
This marks the return of my tilt and shift lens, I hadn't used it for ages, but a couple of images from "Lighting for Portrait Photography" inspire me to dig it out and use it on a shoot that I was assisting on. I tilted the lens as far as it would go and set it to f2.8 so that I could just put the plane of focus through the model's eyes. I deliberately burnt out the background and also overexposed the foreground a little. Huy, very kindly held up a silver brolly to put the model in the shade so that she wouldn't squint in the bright sun and it also allowed me to control the foreground and background simultaneously.
I did make a mistake with the tilt on this series, I put the plane of focus through the eyes and down to the ground, which meant that in some of the images there were sometimes things in focus that shouldn't have been, like the car, I should have put it into the sky.