View allAll Photos Tagged Sensor
Just a quick little doodle.
Wheel-inside-basketball-hoop joint's are totally Tobyhein's idea, I just kinda lifted it.
Gallery (when moderated)
Hay gente que ve macros donde no los hay, a no ser que tengan una cámara con el sensor del tamaño de una black card de Bankia, que todo es posible.
This is a tower located at the summit of Mt. Washington and it has many sensors and tech for the weather observatory.
© 2019 Thousand Word Images by Dustin Abbott
Ahh, I love autumn. I love the colors, the mood, and I also love shooting portraits in autumn. I liked the warm, happy, and unpretentious nature of this portrait. It's nice to see a young autumn beauty just looking happy rather than haughty in a portrait! Some people have been concerned that only the expensive GM lenses will hold up on the 61MP a7RIV, but this inexpensive Samyang AF 85mm F1.4 looks fantastic here even at F1.4. I processed the image through Exposure Software X5 (watch my review here: bit.ly/EX5Review) I used a single Godox AD200 Pro for lighting (review here: bit.ly/AD200ProReview). You can see more coverage on the Sony a7RIV here:
Sony a7RIV Sensor Video: bit.ly/a7RIVPart2
Sony a7RIV Image Galleries: bit.ly/a7RIVig
Samyang AF 85mm Review: bit.ly/AF85mmDA
#photodujour #dustinabbott #dustinabbott.net #photography #2019 #sony #a7riv #a7r4 #sonyalpha #samyang #rokinon #samyangAF1485 #portrait #godox #ad200pro #autumn #autumnbeauty
Technical Info | Sony a7RIV + Samyang AF 85mm F1.4 | Check me out on: My Patreon | Dustin's Website | Instagram | YouTube Channel
Auch im Umkreis der Großstadt Karlsruhe wird die anstrengende Feldarbeit zumeist von Frauen und Männern aus Rumänien erbracht. Ihr Zuhause sind für Wochen einfache Wohncontainer,
das Auto wird in Griffweite eingetütet.
Also in the vicinity of the city of Karlsruhe, the strenuous field work is mostly done by women and men from Romania. For weeks, their homes are simple living containers,
the car is bagged within reach.
Agfa Selectronic S Sensor - Ilford fp4
This is an other picture of our new campaign for next summer.
I took it last week at the upper terrace which is on the top of our office in Varanasi (Benaras).
Anand who is our favourite model is holding a cushion in white linen with an embroidery made of flowers and swirls and matching with the throw in the background.
Visit and join the RED HALO page on Facebook, www.facebook.com/redhalo.in
Join the photographer at www.facebook.com/laurent.goldstein.photography
© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.
Swiss Flight Services Pilatus PC-12 HB-FOZ makes yet another East to West run at FL090 while surveying the UK coastal bay between Littlehampton and Eastbourne
Note the large belly mounted sensor window
276A0626
Sarawak, Malaysia
(Deinopidae: Deinopis)
Using a net held between their front four legs, these spiders lunge downward to ensnare prey from off the ground beneath them. This “forward strike” is sensorially mediated by a massive pair of hypersensitive, night-vision eyes. Deinopids can also intercept flying insects with a “backward strike,” a ballistically rapid, overhead back-twist, that seems not to rely on visual cues. (Stafstrom et al, 2020)
For more info. read this: www.sciencedirect.com/science/article/pii/S0960982220314184
Editing this photo was an exercise in suck. Down with f/22 + crap on the sensor + photos with repeated linear elements.
Riding the bike, however, was fun.
Camera: ATIK 383L+ sensor -30°C with Atik EFW2
Optics: Takahashi FSQ85 ED “BabyQ” with focal reducer
Filters: Baader 36mm
Exposure time (seconds):
SII: 13x1800 bin 1×1
HA: 8x1200 bin 1×1
OIII: 9x1800 bin 1×1
Guiding camera: Starlight Xpress Lodestar on TS-OAG9 off-axis guider
Place: Pesaro (PU) Italy
Date: 05_06/12/2013
Fleeting, yet beautiful
ami shagorer bela
tumi duronto dheu
barey barey shudhu aghat koria jao...
Some of you probably remember that few months ago I bought a Tilt and Shift lens. It took me four months to finally start using it. Thanks to my break =)
Most of you know that TS lenses are mainly used these days to do fun stuff. But I wanted to go beyond that, I wanted to create a theme. I wanted to use subjects not commonly used in TS photography.
If you are not familiar with the TS concept, please read the excellent tutorial in the first link above. In this picture I used tilt only and here the plane of focus is almost perpendicular to the plane of sensor (normally this should be parallel).
Portrait of me beside the Nimbus temperature sensor for NWS records, installed with the help of my National Weather Service supervisor. Cabled sensor sends data to readout console in the house, senses temperatures from -99.9° F to 120.9°.
SCENE THREE
INT-NIGHT-PRISON
The Soul Sleuths are gathered in another cell.
Nica: Okay, the other group is outside now, and we're back inside the prison, on the second floor. We have our motion sensor and touch light deployed. And we've added an old-school candle. (points, and camera follows to the light/detector/lighted candle) And Edi is going to be using the Spectre Detectre in the aisle, and looking into cells, with Philly.
Hammer: (smirks) This should be good.
Philly: (making a cat scratch motion as he passes Hammer) Meow, girlfriend. Come on, Edi, let's show them how to hunt spirits. (Edi takes his arm and they flounce out of the cell)
Rebus: (voice from direction of camera) Maybe we shouldn't split up?
Nica: (grins) This isn't a horror movie.
Rebus: (voice from direction of camera) That's what they say in horror movies.
Hammer: They didn't say they'd be right back, so they'll be fine. (she and Nica chortle)
Nica: Is anyone here who would like to speak to us? (pause) Try to blow out the candle.
Hammer: Is a ghost a who or a what?
Nica: What?
Hammer: Then shouldn't you say, "that would like to speak to us?"
Nica: That's what I asked.
Hammer: No, who's what you asked.
Nica: What?
Hammer: That.
Rebus: (voice from direction of camera) Knock it off. (there's the distant clank of what sounds like a cell door closing)
Nica: Did you hear that?
Hammer: Yes, I said, "that."
Nica: Ha ha, I'm serious. I heard a metal sound.
Hammer: Yeah, sounded like a cell door. One of the Doublemint Twins must have closed a door.
Nica: (into her walkie) Edi? (distant shrieks echo back)
Edi: (on walkie) That wasn't funny.
Philly: (background, on Edi's walkie) I almost peed! (Nica, Hammer, Rebus chortle)
Nica: (into her walkie) Sorry, I just wanted to ask if you heard that noise? A metallic sound?
Edi: (on walkie) Like a cell door closing? Yeah. Why?
Nica: (into her walkie) Did one of you close a door? (there's a pause)
Edi: (on walkie, loud whisper) We thought YOU closed a door!
Nica: (into her walkie) No, we didn't. We thought it was you.
Hammer: (adds) Maybe it was the wind?
Edi: (on walkie, loud whisper) There's no wind down here!
Philly: (background, on Edi's walkie) Maybe we should go back to the group?
Rebus: (voice from direction of camera) I said we shouldn't split up.
Nica: (into her walkie) I'll keep trying to make contact. The two of you keep going until you reach the end of the cellblock then head back.
Philly (on walkie, loud whisper) Says the person in the biggest group!
Hammer: I could go down there, keep them company?
Nica: And leave me alone?
Rebus: (voice from direction of camera) Thanks.
Nica: No offense, Rebus, but Hammer could kick all our asses.
Rebus: (voice from direction of camera) Technically, a ghost wouldn't have an actual ass to kick, so we're on equal footing in the kicking department.
Hammer: I see what you did, there. (into her walkie) Edi. (there are distant shrieks again and she grins) I'm going to come down there and investigate with the two of you.
Edi: (on walkie, loud whisper) Okay. We'll hang out here until you get here.
Hammer: All right, I'm gonna take them walkies, you keep doing what you do, and (pauses) I'll be right back. (grins, exiting the cell with her flashlight turned on, under her chin)
Nica: I hope a ghost bites you in an inconvenient place! (as Hammer's confident footsteps fade) You know, the only reason she's not scared is because she doesn't believe. If a ghost actually showed up--
Rebus: (voice from direction of camera) She'd still be fine.
Nica: (disappointed) Yeah. Yeah, she would. (pause) Okay, let's try again, now that the negative nay-sayer is our of the room, maybe someone will respond. Is there anyone with us, here? If you are here, try to touch the light in the corner of the cell. (points, waits, nothing happens) If anyone is here, can you speak to us?
Rebus: (voice from direction of camera) You know, you've been locked up a long time and Nica's a good looking woman. You could give her a little hug.
Nica: No, you couldn't!
Rebus: (voice from direction of camera) C'mon, a lil' ghosty hug?
Nica: They can hug YOU all they want!
Rebus: (voice from direction of camera) Yeah, okay. I'll take one for the team, if it means making contact.
Nica: (snort/laughs) Better be careful. This is prison. Who knows what kind of contact they'll make.
Hammer: (on walkie) Okay--(Nica gives a short, loud shriek and she hears Hammer, Edi, Philly laugh) I caught up with the Bobbsey Twins, just wanted to let you know.
Nica: (into her walkie) You suck.
Rebus: (voice from direction of camera, sighs) I am going to have SO much editing to do.
Nica: Bailey
Hammer: Arc
Edi: Teddi
Philly: Seth
Rebus: Erebus
This is not a cropped image but full sensor filled.
Its just 0.5 inch in real what you see, with the naked eye its almost impossible to see the red dots in the drops.
Used a macro rail, 24 fotos stacked to get it sharp all the way.
Drosera anglica, commonly known as the English sundew or great sundew, is a carnivorous plant species belonging to the sundew family Droseraceae. It is a temperate species with a generally circumboreal range, although it does occur as far south as Japan, southern Europe, and the island of Kauaʻi in Hawaiʻi, where it grows as a subtropical sundew. It is thought to originate from an amphidiploid hybrid of D. rotundifolia and D. linearis, meaning that a sterile hybrid between these two species doubled its chromosomes to produce fertile progeny which stabilized into the current D. anglica.
Drosera anglica is a perennial herb which forms an upright, stemless rosette of generally linear-spatulate leaves. As is typical for sundews, the laminae are densely covered with stalked mucilaginous glands, each tipped with a clear droplet of a viscous fluid used for trapping insects. The lamina, which is 15–35 millimetres (0.59–1.38 in) long,[5] is held semi-erect by a long petiole, bringing the total leaf size to 30–95 mm. Plants are green, coloring red in bright light. In all populations except those in Kaua'i, D. anglica forms winter resting buds called hibernacula. These consist of a knot of tightly curled leaves at ground level, which unfurl in spring at the end of the dormancy period. The root system is weak and penetrates only a few centimeters, serving mainly as an anchor and for water absorption. Nitrogen is in short supply in bogs and trapping and digesting insects provides an alternate source.
Drosera anglica flowers in the summer, sending up peduncles 6–18 centimetres (2.4–7.1 in). long bearing several white flowers which open individually. Like other sundews, the flowers have five sepals, petals, and stamens. The petals for this species are 8–12 mm long, and the flowers have branched 2-lobed styles.[5] The odorless, nectar-less flowers do not rely on insect pollinators for pollination, rather setting seed well through self-pollination (autogamy).[6] The black ovoid seed forms in a dehiscent capsule and is 1 to 1½ mm long.
One of the largest train stations in the world in terms of number of people getting on/off the trains. That's Shinjuku, Tokyo.
I spent significant time here before leaving for USA - as a matter of fact this is perhaps the town I spent most of my adolescence. I still miss their electronics town instead of Akihabara - their camera products deals are always top-notch and their used cameras in stores like Map Camera are always amazing, to me, the best in the world.
TAKASPHOTO.COM
|| Flickr || My Website || Facebook || Instagram || Twitter || 500px ||
Thank you for viewing my photograph!
With really warm temperatures, our workshop students' cameras were running a little hotter than normal. No, their cameras were not exploding but I did have a little fun with it in this single exposure image captured in Arches National Park.
How I Got The Shot
This is a 20 second single exposure image where I shot for about 15 seconds with the camera locked on the tripod before releasing the camera for the final 5 seconds. During this last 5 seconds, I moved the camera free-hand using the lighted LCD screens to make the smoke.
2020 Workshops Released
2020 events were just recently released so they all have spots available. Check out the exciting events at NightPhotographyWorkshop.com and be sure to use discount code "EARLYBIRD" for a 20% discount on workshop payments through the end of September. Our feedback is great so claim your spot today!
A watch crown is a "small, ribbed KNOB .... usually located at the 3 o'clock position.
The whole scene before crop was less than 23mm across on a 36mm sensor.
If you are pixel peeping - curious about the Raynox 250, don't fret the slight fringing around the "Crown". It probably came from my choice of Lighting (Single Led Panel)
Utrecht (Overvecht), 13 augustus 2021.
DDZ treinstel 7637 is uitgerust met extra remschijven om zo de loopeigenschappen te verbeteren.
Versnellingssensoren registeren het effect (zie inzet)
Om te testen zijn er flinke proefritten gepland zoals vandaag waarbij het stel onderweg is richting Utrecht en moest even bij Utrecht Overvecht stoppen voor sein (en daardoor kon ik een detailplaat maken waarbij men de sensoren en bekabeling ziet)
The black object is a device (i believe) that indicates the change in position of the road surface relative to the bridge pylon. As long as the indicator is within the area of the plate, then by visual inspection the bridge is safe.
Nikon FG-20
Nikon Series E Lens 50mm f/1.8
ExtraFilm.com 200-36, expired 11/2010
Digibase C-41, 3.15 min @ 37.8℃
Canon CanoScan 9000F Mark II
Adobe Photoshop Elements 2019
18_20190808_034-2
Michael Goulian flying the Cirrus sponsored Edge 540 during the Red Bull Air Race Ascot Round of 14.
I know I risked my camera's sensor burning out because of the direct intense sunlight, but I just couldn't pass this shot up. :O
.
Candidate coatings for a new space antenna undergoing testing at ESA’s technical heart in the Netherlands.
“Protective coatings safeguard antennas against temperature extremes or other environmental factors such as ultraviolet radiation,” explains antenna engineer Elena Saenz, performing the testing at ESA’s technical centre in Noordwijk.
“Working with industry, we were asked to evaluate several candidate coatings for the coming MetOp microwave imager – which sounds the atmosphere at various frequencies to gather data on rainfall, water vapour, temperature and clouds.
“The testing needs to measure the radio frequency behaviour of sample coatings across a very wide range of frequencies, from 18.7 GHz up to a maximum 191.3 GHz – checking, for instance, that they do not cause unacceptable signal losses.”
Feed horns send out radio signals to be reflected across the table to the coating and back again, to assess performance.
Two of the candidates proved most promising to coat the carbon-fibre reinforced polymer honeycomb microwave imager antenna. ESA’s antenna test facilities carry out around several of these kind of campaigns annually.
Higher frequencies were tested on the cleanroom tabletop system seen here, while testing for lower frequencies below 50 GHz was undertaken in ESA’s Compact Antenna Test Range, normally used for antenna testing but adaptable for materials testing as well.
Credit: ESA-G. Porter CC BY-SA 3.0 IGO
now and then I miss this remarkable, tiny little lens with which I took this photograph. I wish there were an equivalent to it in 35mm (it was made for APS-C size sensor only) in sharpness, magic, size and weight. Ahhh well.
IMG_3323
NB this was shot with a decentred lens which is very soft on the right side (top here) when used on a crop sensor camera as intended. (The majority of examples of this lens - it's the original 4-5.6 version) seem to have severe decentering where one side of the sensor crop frame is very blurred.) On full frame it came much closer to usability and offered the widest view I have ever seen. With a properly aligned lens, if you were able to find one, you could expect better than this.