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Horizontal image plane

D-AIMF - Airbus A380-841 - Lufthansa

MOC: Sensor GTR. A variation of the theme from my previous Supercar - I wanted to see if I could build something a supercar that looked a bit more like it was meant for the road than for the track. Very happy with the result.

Olympus E-500 ( KODAK CCD sensor ) + Olympus Zuiko Digital ED 50mm f/2.0 Macro

  

OLYMPUS DIGITAL CAMERA

agfamatic 100, solaris ferrania 126mm

testfilm

Schumann Haus Leipzig

this in my opinion is the best way to clean your camera sensor by putting it in the washing machine :D My wide angle wasn't even wide enough for this shot!! because I wanted to get more of the washing machine in... im going to coin this type of shot: SIWM (shooting inside a washing machine) please post your versions from inside your machines.

 

View On Black

this is still....yes still in explore www.flickr.com/photos/36766427@N05/4054588030/

The Flickr Lounge-Looking Up

 

We have 3 sets of these on our home.

  

agfa 1035 sensor fomapan 400

the view from our campsite looking south towards bempton cliffs just a few birds can be seen

PLEASE CLICK ON PHOTO FOR FULL SIZED VIEW

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

Photos by the camera

Mixed Media and photographic work from my HUMANBLUR Series

My latest acquisition. Very nice compact camera. Large, bright viewfinder.

 

The Agfa Optima sensor electronic was identical to the Agfa Optima 535 Sensor electronic and — like the Agfa Optima sensor Flash - produced in Portugal.

 

Manufactured in 1982.

Lens: Agfa Solitar 40mm / 1:2.8

Shutter: 1/30 sec. to 1/500

Aperture range: 2.8 to 22

Dimensions: 104 × 70 × 56 mm

Weight: 265 g

Batteries: 3 x alkaline / silver oxide 625G

 

Information retrieved from this website (in German), which also features beautiful photos of all the 1970s Agfa Optima line.

 

Another good read (in English) is the Agfa Optima 1535 page on Alfred's Camera Page.

 

Mixed Media and photographic work from my HUMANBLUR Series

This is the short-range planetary sensor dome. Above the bridge is the stellar array, while long-range sensors are arranged around the navigational deflector, pointing only in the direction of travel.

Agfa Optima 200 Sensor (second version).

German viewfinder camera produced c.1969.

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At this stage I still had not found a way to remove the Topcover (I have by now) so decided to remove the Paratic Shutter.

 

These 4 screws hold it to the Body.

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WARNING :

This image is intended as a reference for the more experienced camera service man. If you have no experience in camera repair please do yourself a favor and send your camera to a professional service shop. It would be a pity to lose a vintage camera in a failed repair attempt !

Made in Germany , 1974-... . For 110 cartridge .

Seen on Flickr EXPLORE - # 376 - September 22, 2017, click here

  

Green trees on a suburban street in the morning sunlight. This picture is straight out from the camera, no processing except darken a the brightness a bit. What I call the magic of the CCD Sensor, no longer used in digital cameras.

 

Made with the Pentax Optio Z-10 point and shoot.

Made in ?? ; 1978 - ... . For 126 cassette . Simple viewfinder camera with fixed focus and aperture . Two shutter speeds . Socket for flipflash flashbulb bar .

Sensors get dirty, it is impossible to change lens and keep them clean...

Mine has to be cleaned two times a year or more.

When you choose smaller apertures, the dirt spots show shamelessly. In one of my last photos, www.flickr.com/photos/henrique_silva/6600173785/, the aperture was f/36 and so every little tiny bit of dirt was showing, I spent a little time in Lightroom cleaning them, but there are still some in the picture... It was urgent to clean the 40D's sensor

 

Again I went trough this delicate process, I use Sensor Scope from Delkin Devices, it works well, it uses a combination of vacuum cleaner and moistened sensor wands to get the job done. Here is a before / after mosaic, it is not completly clean, but in fact there is a compromise between having the sensor damaged or have one or two dust spots...

If you want to know more about the process, I will be happy to answer!

 

Check your sensor for dust!

a - Create a new image in Photoshop or any other application and fill it with white

b - Set your camera to Aperture Priority, ISO100, and aperture to it's minimum f/22 - f/45

c - Set lens focus to Manual, and focus to closest possible

d - Shoot in raw or if in jpeg, turn off special image processing functions

e - Zoom in until the photoshop image fills your camera focusing screen

f - Shoot camera facing the white image on your monitor, and during this exposure, move your camera back and fourth being careful to not to point the lens outside of your white image. You can also zoom in in the image...

g - Process your image, adjust contrast, brightness, clarity, whatever, so that you get a clear view of the dirt spots!

h - Now you can go through the cleaning process - remember that what shows on the bottom of the image will be towards the top of the camera sensor...

i - Repeat the process from a to g and if you are happy with the result, then you are done; otherwise, repeat again... this time I had to make three swab cleanings. It is preferable to clean gently several times than applying to much force.

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Technical Info:

Camera: Canon EOS 40D

Lens: EF-S15-85mm f/3.5-5.6 IS USM

Focal Length: 40 mm

Sensitivity: ISO 100

Exposure: 0,3 sec at f/22

Exposure bias: 0 EV

Exposure Program: Aperture priority

Metering Mode: Pattern

Flash: no flash

GPS

Coordinates:

Altitude:

©Henrique Silva, all rights reserved - no reproduction without prior permission

I have had some dust stuck on my sensor since getting my A7III and sadly the rocket blower couldn't remove it. I usually pay to get my sensor cleaned but decided to give cleaning it myself a try and I'm glad I did.

Dallmeyer f2.5 6.5 wide angle fixed focus

Los 13699 fotogramas restantes se pueden ver acá:

www.vimeo.com/8009734

Y de yapa, un bellísimo collage inspirado en esos fotogramas:

www.flickr.com/photos/anilinamagica/2459653347

Nicolas Ivanoff flying his Hamilton sponsored Edge 540 through the Ascot track in the Round of 14.

eos 500d, tamron 17-50/2.8

CdS exsposure meter

Ultra Sensitive 1º Light-Acceptance Angle

M240 / 50 Summilux

 

Thank you for visiting and viewing.

Jim

 

www.jimservies.com

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No Usage Authorized Without Prior Written Permission.

 

©2015 Jim Servies Photography

All Rights Reserved.

   

with Sony 28-70mm full frame kit lens

El sensor que está en segundo plano es inductivo y detecta cuando el piñón de ataque del prelanzador está en reposo (LED verde) y cuando está accionado (LED rojo). Este único LED está encima del panel de instrumentos al lado del cuenta revoluciones del rotor y se ilumina en verde o rojo según el sensor detecta o no el piñón de ataque. Es un elemento que nos indica que una vez prelanzado, el piñón a descendido completamente y se puede iniciar el despegue al pasar de color rojo a color verde.

- Taken at 1:49 PM on June 07, 2009 - uploaded by ShoZu http://mobypicture.com/?auels6

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

  

Agfa Optima Sensor compact 35mm camera

 

Specifications:-

 

Type: 35mm compact camera

Size: 104 mm x 68 mm x 54 mm (W x H x D)

Image Format: 24 x 36 mm (W x H)

Lens: Agfa Solitar, 40 mm f/2.8

Diaphragm: Automatic f/2.8 to f/22

Focusing: Manual scale pictograms on top of the focus ring/ meter/feet scale on bottom, focusing 3ft/1.09m - infinity

Shutter Speeds: 1/500 second - 15 seconds

Viewfinder: Large direct finder with parallax marks for near focus

Film Loading: Manual

Film Transport: Manual single stroke lever, also used to rewind film when the 'R' button is depressed and turned

Film Speeds: 25 ASA/15 DIN to 500 ASA/28 DIN, selected on a ring around the lens

Flash Contact: Hot shoe, aperture selected manually with flash

Cable Release Socket: On left hand side of the camera body

Tripod Socket: 1/4 in. on right hand side which doubles as camera strap attachment

Battery: 3 V625U batteries, located by opening the camera back

 

photo-analogue.blogspot.com/2011/09/agfa-optima-sensor.html

One of my Fuji X-Pro1 bodies is broken. It will power up, take a few shots, and then shut down. When I try to turn it on, it sometimes gives a message that says to turn the camera off and try turning it on again. I have also noticed a large, diffuse, white defect in the upper right quadrant of the sensor.

 

I later concluded that I had damaged my sensor while shooting a solar eclipse. Rather than repairing the camera, I decided to replace it with a Fuji X-Pro2.

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