X3 direct image sensor (aka Foveon)
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The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
I don't do this style too much, but when I saw this scene, it reminded me of many of the complex graphic art of Emi Yeh . Please check her out, I love all of her works. They remind me of dreams, memories, stream of consciousness vibes~~
horcruxes:
オリンパス : 街拍 : 45mm f/1.8
Do you think you could do me a small favor: If you have enjoyed my photo stream of nonsense, if you could leave a testimonial (like a Yelp! review) at the very bottom of my about me page that would help so much. In return, I would gladly write back a testimonial for your Flickr page as well. And if there is anything specific you want me to mention on your testimonial please send me a message through flickr mail . Testimonials are only available on the desktop version and not the Flickr app TT
Yours Sincerely,
- hbp
digital tip jar: buy me a coffee
I am investing a great part of my domestic quarantine in rummaging through my archives to unearth some forgotten, hopefully worthwhile shot to process. When this bracketing resurfaced from a stray nook of my hard disk, it struck some chords deep in my soul (most assuredly my brain was somehow performing an on-the-fly processing of those rather flattish, unassuming untouched RAW files). For a fleeting, precious moment I felt strongly the heartwarming sensation to be free to hug and cuddle again my wife, Laura, albeit at some indefinite time when Covid-19 will allow us to relish such an invaluable moment. Please do not ask me why on Earth this specific scene stirred this specific emotion inside me, so I will not be forced to admit that I have not the faintest idea. Rather, allow yourself the freedom to feel whatever emotion this scene will stir in your soul. I have got my own gift. I hope that this picture will gift you with the emotion you need most.
This picture comes from a sunrise session at the beautiful meanders of the river Adda, just a handful kilometers downstream the Eastern arm of Lake Como, dating from April 2016. That morning I arrived at the location a lot earlier than the earliest hints of dawn, so I took shooting the river by night - admittedly a whole bunch of utterly worthless bracketings, at least until proven otherwise (never say never). And I did a thing I do only in exceedingly rare occasions: I raised my sensor gain to a maddening 640 ISO. Of course, being used to shoot at a constant 100 ISO, I foolishly forgot to restore the usual setting as the light was growing and took my precious exposure bracketings at such high ISO till 8:00 AM. As a result of this sloppy attitude I had to fight a monster amount of chroma noise (I viscerally hate it)*. I found no way to get decently rid of that noise by using the rich armoury of denoising tools offered by Darktable - quite possibly because of my qualified failure to set them properly in such a demanding situation. Luckily, by mere trial and error, I got an almost decent denoising using DFine 2 and blending the denoised images with the original ones by the LCh Lightness mode (hope that my memory is not deceiving me); this, rather suprisingly, allowed me to retain most of the details while taking the greatest possible advantage of the denoising itself.
Incidentally, this picture has a closely related fellow image in my photostream, Awakenings: the same location, the same morning, just taken some 10 minutes after this one, some 20 meters downstream - ah, and one of the handful of bracketings of that session taken at 100 ISO, after I realized my mistake ;-)
* I am afraid I am being a bit unfair here, because the worthy sensor of my Nikon D5100 is quite less noisy than those of many other APS-x sensor cameras (and the in-camera management of thermal noise on long exposures is really good). The problem is, the less light you get from your subject, the more noise you get in the sensor data, the ISO gain magnifying an unfavourable signal-to-noise ratio. Of course an early, partly cloudy morning shooting session neatly falls into that sort of context.
I have obtained this picture by blending an exposure bracketing [-1.7/0/+1.7 EV] by luminosity masks in the Gimp (EXIF data, as usual, refer to the "normal exposure" shot), then I added some final touches with Nik Color Efex Pro 4 and a selective bit of Orton effect as a final garnish to get the desired ambiance. RAW files has been processed with Darktable. Denoising has been a vexing issue; I got the best results by courtesy of good old DFine 2 and the Gimp.
The G5X with it's little 1 inch sensor doesn't have the dynamic range of my Nikon cameras -but it fits a pocket ,shoots raw ,and is a welcome companion wherever I go..
We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.
We cross dirt roads and highways that mark
the will of some one and then others, who said
I need to see what’s on the other side.
I know there’s something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.
Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,
picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.
Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.
Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need. What if the mightiest word is love?
Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.
In today’s sharp sparkle, this winter air,
any thing can be made, any sentence begun.
On the brink, on the brim, on the cusp,
praise song for walking forward in that light.
- Elizabeth Alexander
- m i n i m a l i s m -
Nikon D7200 (APS-C crop sensor / DX)
NIKKOR*ED 180mm f/2.8 AI-S
ISO200, 180mm, f/2.8, 1/500s (-0.7EV)
(thus 270mm full frame equivalent)
single image, handheld, joyous..
The dogs are dueling over the fence, causing the motion sensor lights to come on. Mooky and Kona need to chill. 100 Days of Darkness 8/100.
Stitch needle with yarn
Hobby theme for MACRO MONDAYS 01/13/19
This is near 1:1 macro, object : sensor
To get the depth of field, it is focus stacked with 24 photos.
JPGs straight out of camera using Nikon's NATURAL colour profile. The old CCD sensors have been said to be more filmic (if not noisier) and this is the Nikon D60, an old DSLR which was first announced back in Jan 2008 (a 15 year old camera)
The 1/2.5" sensor of the Canon PowerShot SD630 I am trying to repair. The gears look ok and I got the lens retracted. I'll try putting it back together tomorrow and see if it works. Wish me luck.
This is a tower located at the summit of Mt. Washington and it has many sensors and tech for the weather observatory.
There is a "Storm Brewing!" Took this shot whilst out with my partner Vicki walking the dogs in a place called New Brighton on the Wirral. Just 10 minutes before this shot is was raining hail stones, you could feel the wind was picking up, buy the time we left it was properly blowing a gale. I did notice when I got home just how dirty my sensor is as I shot this at f22! Going to have to take it to the shop for a sensor clean I think!
This is an other picture of our new campaign for next summer.
I took it last week at the upper terrace which is on the top of our office in Varanasi (Benaras).
Anand who is our favourite model is holding a cushion in white linen with an embroidery made of flowers and swirls and matching with the throw in the background.
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Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.
SPACE EXPLORATION BUGGY :
3D Vidéo on 360° :
www.youtube.com/watch?v=4mhyHcoaHC0
- Various sensors
- Camera High-Tech (various light spectra, zoom, etc.)
- Tools : shovel, hammer, toolbox (between the 2 seats)
- Transmitting horn-parabolic antenna
- Antenna
- Talkie Walkie
- Articulated arm
- 2 manual search tools (behind the driver's seat)
- 2 Fire extinguishers
- Mineral / container box
- Board computer