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This is the unsuccessful attempt of making a panorama of "Sea Pink" by the swiss artist Marcus Moser.
THIS SCULPTURE DOES NOT EXIST IN REALITY, ONLY IN THE MIND OF "PANORAMA MAKER".
I still think of it as a happy coincidence. When I stitched 2 photos of the Ray Ban sunglasses in my program PANORAMA MAKER it failed! The programme 'PANORAMA MAKER' was unable to analyze the scene, but it produced a wonderful prototype of sunglass for Cyclopes.
The Ray Ban sunglass is in fact A SCULPTURE by the swiss artist MARCUS MOSER. The sculpture is in 4 by 6 meters.
Please see the next photo in my photostream to see the photo I intended to create.
Lolxury!
It is needless to say, NIKKOR 14-24 is the greatest wide-angle lens of the century, it is sharper than ever before. Look at gentle yellow line on the bottom of the chart, this lens never merge any other lines.
But how about Canon? The chart tell all. Perhaps Canon cares only big white cannons. Please don't forget wide-angles which I loved. Anyway Canon win only PC-E vs TS-E. I feel the L letter is cursed. Look at 17-40/4! This cheap lens beats 16-35/2.8 II. lol They cannot make grading either.
I like 24mm. I like sharpness. I want to know which is best. GANREF have many lens data but these are different ratio and I cannot compare directory. So I picked up these data and combine them on Illustrator CS4. They are using DxO analyzer for Blur measurement. Believe it or not this is actually measured by optical device, not someone's eye.
Dear Canon, I know you are busy for make money, but please make a decent wide-angle zoom lens, and hopefuly I want to see Canon's 14-24 by any chance. The glass is always sharper on the other side but this is too much.
I used to have 16-35/2.8 II once but I sold my copy because it was too crap. Now I have only 2,8/21, 14-24/2.8, TS-E24/3.5 II. I don't have EF zoom so I should add 17-40/4 I guess, it is cheaper and lighter, at least it is better than 16-35/2.8 II except slow abit.
Bodies?
They said 5D2 has been used to measure the lens of the Canon and Sigma. D700 for Nikon, respectively.
What does BxU stand for? How can you compare different body?
DxO labs explain here.
"BxU is covariant to rescaling, changes of resolution, etc… This means that it is possible to compare BxUs from digital cameras having different numbers of pixels, different sensor-pixel sizes, different sensor sizes, ..."
So this chart will helps you when you believe DxO labs is reliable and BxU is a science. If not, just ignore this chart.
GANREF pages
- EF 17-40mm f/4L USM (@24mm) 750 USD
- EF 24-105mm f/4L IS USM (@24mm) 1,149.95 USD
- EF 16-35mm f/2.8L II USM (@24mm) 1,499 USD
- EF 24-70mm f/2.8L USM (@24mm) 1,359 USD
- EF 24mm f/2.8 339.95 USD
- EF 24mm f/1.4L II USM 1,699 USD
- TS-E 24mm f/3.5L II 2,199 USD
- Ai AF-S Zoom-Nikkor ED 17-35mm F2.8D (@22mm, not 24mm) 1,764.95 USD
- AF-S NIKKOR 14-24mm f/2.8G ED (@24mm) 1,829.95 USD
- AF-S NIKKOR 24-70mm F2.8G ED (@24mm) 1,779 USD
- Ai AF Nikkor 24mm F2.8D 359.95 USD
- PC-E NIKKOR 24mm f/3.5D ED 1,989.95 USD
- 12-24mm F4.5-5.6 EX DG ASPHERICAL / HSM (@24mm) 859 USD
How to see Ganref's chart:
Green line: center
Red line: average center
Orange line: average peripheral
Blue line: average whole surface
I am using Blue one.
If you have any requests, please comment here.
This is the short-range planetary sensor dome. Above the bridge is the stellar array, while long-range sensors are arranged around the navigational deflector, pointing only in the direction of travel.
My latest acquisition. Very nice compact camera. Large, bright viewfinder.
The Agfa Optima sensor electronic was identical to the Agfa Optima 535 Sensor electronic and — like the Agfa Optima sensor Flash - produced in Portugal.
Manufactured in 1982.
Lens: Agfa Solitar 40mm / 1:2.8
Shutter: 1/30 sec. to 1/500
Aperture range: 2.8 to 22
Dimensions: 104 × 70 × 56 mm
Weight: 265 g
Batteries: 3 x alkaline / silver oxide 625G
Information retrieved from this website (in German), which also features beautiful photos of all the 1970s Agfa Optima line.
Another good read (in English) is the Agfa Optima 1535 page on Alfred's Camera Page.
Pretty goddess modeling the new Sony AR7 ! Swimsuit Bikini Model Goddess Shooting Stills (Sony AR7 with 35mm F/2.8 Carl Zeiss Lens) & Video (Sony NEX6) at the same time with the 45surfer philosophy bracket! I use it on every shoot, as there is so much beauty in the world and so little time! :) Writing a book on it! :)
The awesome news is that 2014 will bring us all the 45SURF goddesses and pro surfers Kelly Slater & Alana Blanchard in 4K Motion thanks to the new Sony 4K Handycam FDR-AX100 announced today at the CES! 4K video is gonna rock:
As I’m headed down to Australia to shoot the men’s and women’s Pro Surfing Quicksilver Pro, Roxy Pro, and Ripcurl Pro, I’m psyched that Sony will be releasing their new 4K camera–the Sony 4K Handycam FDR-AX100! The Sony 4K FDR-AX100 will be replacing the 1080p camcorders and NEX cameras in the below configurations, shooting 4K vidoe alongside my Sony A7r and Nikon D800E’s which I use for stills:
45surfer.wordpress.com/2014/01/07/extreme-stills-motion-s...
Here's some video shot at the same time as stills using a Sony A7R for the video camera--in a couple months this will be 4K video as soon as they ship the Sony 4K Handycam FDR-AX100 to me:
www.youtube.com/watch?v=RiOMrZIEzg8
www.youtube.com/watch?v=Y7gq_gCk0jE
Shot with the Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens with the B W 77mm XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating filter. I always, always shoot with a CP filter--even on cloudy days!
Enjoy the pretty goddesses and all the best on your epic hero's journey!
Modeling the black & gold & American flag "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
The goddess was tall, thin, fit, and gorgeous beach goddesses! A blond and a brunette with long, long silky hair! Poseidon would approve! If he were shooting them, he'd want to capture simultaneous photographic stills and video at the same time too.
Best on your hero's journey from Johnny Ranger McCoy! :)
Falling in love with the full frame 36 megapixel e mount Sony A7R! The models make pretty photographers. :)
Nikon D800 and 70-200 mm F 2.8 lens photoshoot of beautiful redhead Swimsuit Bikini Model Goddess with Pretty Blue Eyes and wavy blond hair.
Here is some awesome video I shot at the same time as the stills with the Sony Alpha NEX 6 camera with the 16-50 mm power zoom kit lens for nex6 e mount cameras bracketed to my Nikon D800:
www.youtube.com/watch?v=CYfDWw7w1uk
www.youtube.com/watch?v=sZ8v2zzItis
Combine the shallow-depth-of-field with Sony NEX-6 latest face-tracking auto focus, and you can see how the moving video keeps the model's pretty blue eyes in focus, while blurring the background! The Sony Alpha NEX 6 has much better bokeh than the cameras I have been using! :)
She was tall, thin, fit, toned, defined, and beautiful! Pretty blue eyes and firery red hair!
Modeling the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Bikini!
Nikon D800E Photographs of a Beautiful Sandy-Blonde/Brunette Swimsuit Bikini Model shot with the new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
The books behind the pretty goddess on the Malbu bluff and surfboard are The Decline and Fall of the Roman Empire by Edward Gibbon, Homer's Iliad, Homer's Odyssey, Shakespeare, and Herman Melville's Moby Dick! My favorite books! Will have some video of the pretty model reading them beside a campfire soon.
They're all collectors editions! My books cost as much as my surfboards!
And for those who always ask, I shoot in RAW! Always! :)
Sensors get dirty, it is impossible to change lens and keep them clean...
Mine has to be cleaned two times a year or more.
When you choose smaller apertures, the dirt spots show shamelessly. In one of my last photos, www.flickr.com/photos/henrique_silva/6600173785/, the aperture was f/36 and so every little tiny bit of dirt was showing, I spent a little time in Lightroom cleaning them, but there are still some in the picture... It was urgent to clean the 40D's sensor
Again I went trough this delicate process, I use Sensor Scope from Delkin Devices, it works well, it uses a combination of vacuum cleaner and moistened sensor wands to get the job done. Here is a before / after mosaic, it is not completly clean, but in fact there is a compromise between having the sensor damaged or have one or two dust spots...
If you want to know more about the process, I will be happy to answer!
Check your sensor for dust!
a - Create a new image in Photoshop or any other application and fill it with white
b - Set your camera to Aperture Priority, ISO100, and aperture to it's minimum f/22 - f/45
c - Set lens focus to Manual, and focus to closest possible
d - Shoot in raw or if in jpeg, turn off special image processing functions
e - Zoom in until the photoshop image fills your camera focusing screen
f - Shoot camera facing the white image on your monitor, and during this exposure, move your camera back and fourth being careful to not to point the lens outside of your white image. You can also zoom in in the image...
g - Process your image, adjust contrast, brightness, clarity, whatever, so that you get a clear view of the dirt spots!
h - Now you can go through the cleaning process - remember that what shows on the bottom of the image will be towards the top of the camera sensor...
i - Repeat the process from a to g and if you are happy with the result, then you are done; otherwise, repeat again... this time I had to make three swab cleanings. It is preferable to clean gently several times than applying to much force.
.
...::::...
.
Technical Info:
Camera: Canon EOS 40D
Lens: EF-S15-85mm f/3.5-5.6 IS USM
Focal Length: 40 mm
Sensitivity: ISO 100
Exposure: 0,3 sec at f/22
Exposure bias: 0 EV
Exposure Program: Aperture priority
Metering Mode: Pattern
Flash: no flash
GPS
Coordinates:
Altitude:
©Henrique Silva, all rights reserved - no reproduction without prior permission
The dust on my CMOS..easily seen against a blue sky! See NOTEs on screen..
Clean guy here!
www.flickr.com/groups/1759159@N24/discuss/721576667846499...
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Hatte ich folgendes nicht schon an anderer Stelle geschrieben?
1. Beim Filmtransport verschwindet der belichtete Film hinter einer Klappe, so ist er bei versehentlichem Öffnen geschützt.
2. Man spult den Film mit dem Schnellschalthebel zurück, nachdem man vorher einen Umschaltknopf betätigt hat!
3. Die Auslösung über den roten Sensor-Punkt ist wirklich sehr sanft und erschütterungsfrei.
Richtig! Diese drei exklusiven Merkmale der Selectronic Sensor findet man später wieder in den genial designten Optima-sensor-electronic-Modellen.
Der äußerliche Unterschied fällt natürlich sofort ins Auge. Die Selectronic sensor hatte die recht konventionelle, für die damalige Zeit aber moderne sachliche Form der Optima 500 fortgesetzt. Ein großer Erfolg war die die Selectronic nicht, aber das Innenleben hatte sich so bewährt, dass es mit kleinen Abwandlungen für die Optima Sensor electronic übernommen wurde.
Während aber die neuen Optimas einen voll programmierten Paratronic-Verschluss besaßen (man hatte keinen Einfluss auf Belichtungszeit und Blende), war die Selectronic sensor ein Zeitautomat: Die Blende wird vorgewählt, die Zeit dazu wird von der Kamera errechnet und eingestellt. Beide Werte sieht man im Sucher. Dieses System gefällt mir viel besser.
Es gab noch die Selectronic "S", die mit dem Vierlinser Solinar statt mit dem Dreilinser Apotar ausgerüstet war und außerdem einen Messsucher besaß.
Die Selectronic kostete 1971 349,- DM, die Selectronic S 449,- DM.
Made in ?? ; 1978 - ... . For 126 cassette . Simple viewfinder camera with fixed focus and aperture . Two shutter speeds . Socket for flipflash flashbulb bar .
I have had some dust stuck on my sensor since getting my A7III and sadly the rocket blower couldn't remove it. I usually pay to get my sensor cleaned but decided to give cleaning it myself a try and I'm glad I did.
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology?ref=hl
Nikon D800E Photos of a Gorgeous Blond Bikini Model Goddess in Gold 45 Revolver Swimsuit with wavy-blond hair and pretty blue eyes! Pretty, pretty smile! A tall, thin, fit, classic California beach babe! Please share the exalted goddess with your friends.
Here is some epic video I shot at the same time as the stills with the Sony Alpha NEX 6 camera with the 50 mm F/1.8 prime lens for nex6 e mount cameras bracketed to my Nikon D800E (cool bokeh!):
www.youtube.com/watch?v=8uUXm05lv_o (Sony NEX-6 with F/1.8 50mm Prime Nice Bokeh!)
www.youtube.com/watch?v=aqVXRPAN0MQ (Sony NEX-6 with F/1.8 50mm Prime Nice Bokeh!)
www.youtube.com/watch?v=PrAZEcBZxUQ (Nikon D800E with 70-200mm F/2.8 Nikkor LEns)
www.youtube.com/watch?v=f9phCXhm-bg (Sony NEX-6 with F/1.8 50mm Prime Nice Bokeh!)
www.youtube.com/watch?v=gsQcSnPd2Uk (Sony NEX-6 with F/1.8 50mm Prime Nice Bokeh!)
With the black 45surf surfboard! It gets hot in the sand in the sun! Wearing a leather Buffalo Nickel Cowboy Hat! :)
Combine the shallow-depth-of-field with Sony NEX-6's latest face-tracking auto focus, and you can see how the moving video keeps the model's pretty blue eyes in focus, while blurring the background! The Sony Alpha NEX 6 has much better bokeh than the cameras I have been using! :)
She was tall, thin, fit, toned, defined, and beautiful!
Modeling the Gold 45 Revolver(TM) Gold'N'Virtue(TM) American Flag Bikini! Stars & Stripes Forever! :)
Nikon D800E Photographs of a Beautiful Sandy-Blonde/Brunette Swimsuit Bikini Model shot with the new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens with the B W 77mm XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating filter. I always, always shoot with a CP filter--even on cloudy days!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
Reading some of the Great Books of Hero's Journey Mythology! Homer's Iliad and Odyssey, Melville's Moby Dick, and Shakespeare's Hamlet!
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
This is to compare 10 MP sensors in a digital SLR (DSLR) and a point and shoot (P&S) camera. I have tried to keep everything on equal footing with no unequal cropping of the original images. Both images were taken at the equivalent of 75 mm from about 1,000 feet away. View this FULL SIZE here: farm1.static.flickr.com/171/476181751_dae004f4a5_o.jpg and scroll through the image to compare the resolution at various points of the images. After you click on the link, you will have to mouse over the image to get a magnifying glass icon. Click while holding the magnifying glass over the image and you will be able to view it full size.
To me, the P&S sensor practically looks like an impressionist painting compared to the DSLR sensor. This is also the "large size" P&S sensor, as most are using the smaller 1/2.5" (5x4 mm) sensor.
See www.flickr.com/photos/samfeinstein/1928154854/ for a sharpened version.
Los 13699 fotogramas restantes se pueden ver acá:
Y de yapa, un bellísimo collage inspirado en esos fotogramas:
M240 / 50 Summilux
Thank you for visiting and viewing.
Jim
No Usage Authorized Without Prior Written Permission.
©2015 Jim Servies Photography
All Rights Reserved.
St. John, Washington. Population 526. Street scene on Sunday morning, 9:30 a.m. This is a state highway I was standing in the middle of. I stood there for a few minutes to compose this shot, took the picture, walked back to the sidewalk, decided to cross back over the street and all this without one car coming through town.
My husbands sister and her husband own a house in this small town. We stayed here for 2 nights and let me say that it is dark and quiet in the middle of the night! We got up Sunday morning and walked to the local cafe, which would be just behind and to the left of this shot. 16 ounce cup of coffee and 16 ounce hot chocolate to go = $2. Now there is a deal that can't be beat!
While we were at the cafe, we began to visit with a couple who were having breakfast. They are farmers, living out of town a bit. It was fun to talk to them and hear their life in this small town. Their kids have grown and moved away to the west side of the state. This is not a prosperous area, in terms of people having lots of money, but I'd have to say that it is indeed prosperous in it's quality of people. Everyone we encountered, all 10 of them, smiled and waved at us. Made for a nice Sunday morning.
Agfa Optima Sensor compact 35mm camera
Specifications:-
Type: 35mm compact camera
Size: 104 mm x 68 mm x 54 mm (W x H x D)
Image Format: 24 x 36 mm (W x H)
Lens: Agfa Solitar, 40 mm f/2.8
Diaphragm: Automatic f/2.8 to f/22
Focusing: Manual scale pictograms on top of the focus ring/ meter/feet scale on bottom, focusing 3ft/1.09m - infinity
Shutter Speeds: 1/500 second - 15 seconds
Viewfinder: Large direct finder with parallax marks for near focus
Film Loading: Manual
Film Transport: Manual single stroke lever, also used to rewind film when the 'R' button is depressed and turned
Film Speeds: 25 ASA/15 DIN to 500 ASA/28 DIN, selected on a ring around the lens
Flash Contact: Hot shoe, aperture selected manually with flash
Cable Release Socket: On left hand side of the camera body
Tripod Socket: 1/4 in. on right hand side which doubles as camera strap attachment
Battery: 3 V625U batteries, located by opening the camera back
One of my Fuji X-Pro1 bodies is broken. It will power up, take a few shots, and then shut down. When I try to turn it on, it sometimes gives a message that says to turn the camera off and try turning it on again. I have also noticed a large, diffuse, white defect in the upper right quadrant of the sensor.
I later concluded that I had damaged my sensor while shooting a solar eclipse. Rather than repairing the camera, I decided to replace it with a Fuji X-Pro2.
Testing Minolta's Alpha 7D/Maxxum 7D. A 6.1 megapixel DSLR from 2004 with a CCD sensor. Lens used was a Minolta Maxxum 28-135mm f4.5 zoom. I think these images are surprisingly good for a 16 year old digital kit.
Olympus E-500 ( KODAK CCD sensor ) + Olympus Zuiko Digital ED 50mm f/2.0 Macro
OLYMPUS DIGITAL CAMERA
After great demand and lots of encouragement from friend photographers, the result of this very work intensive project is finally available. Please check your respective amazon online store.
The paperback version is recommended over the kindle version
Content:
This book is unique, in that it focuses on greatly improving photography skills, both for amateurs and professionals, by understanding the image sensor & camera operation and the impact of parameters changes on image quality.
Are you one of those photographers who continuously fights excessive image noise when shooting birds-in-flight, a photographer who would like to understand why certain camera and lens settings do a great job and others don’t, or, are you a photographer who fails in creating top quality images, independent of the circumstances? Then stop looking, because you have found your comprehensively written expert guide, created by image sensor specialist George F. Vittman, PhD, who has worked with world-renowned specialists in the field since the mid-1980ies, and who is also an outstanding and award-winning photographer.
Without going into too much technical detail, this book introduces the basic image sensor operation, and it devotes a large fraction to the study of visible image noise. What is noise caused by, what is its dependence on the 3 camera exposure parameters, shutter time, lens aperture and ISO-value, how does post-processing affect noise, and most importantly, how can the image noise be minimized under different circumstances. Besides image noise, this book also reveals little known secrets regarding auto-focus, camera operation and optics, and it gives image sensor based recommendations for a camera choice in the different fields of photography.