X3 direct image sensor (aka Foveon)
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Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
AKA chickweed-wintergreen, arctic starflower, metsätähti (fin).
Taken with Canon nFD 50mm F1.4 / Full Frame Sensor / Natural Light / Lightroom.
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
AKA Scentless false mayweed, scentless mayweed, scentless chamomile, wild chamomile, mayweed, false chamomile, Baldr's brow, peltosaunio (fin).
Taken with Canon FD 50mm F3.5 Macro / Full Frame Sensor / Natural Light / Lightroom.
Image 85 in this fun series of the capturing of the BULB capture. This capture is taken at Middle River in Maryland showing the smoothed clouds and smoothed out water surface.
This series allows the viewer to see conditions as they were during the shot, and then the resulting long exposure effect on the water and clouds. It also shows how people moving about 'vanish' from the long exposure.
For this moment in time I am displaying the long exposure taken on the right side (796 seconds long), and the conditions that were during this time can be seen on the capture to the left showing the BULB capture being taken. It was actually pretty interesting watching the sky change tones and colors during that 800 seconds and the resulting combination obtained on the sensor.
Other images in this series can be seen in The Album "If They Could See What We Can See"
Ya comenzó la temporada este año. Hoy he podido ver y fotografiar tres tipos de ellas. Esta como siempre la más grande y difícil de meter dentro del sensor.
Hecha con el P 80mm lente de proyector f.2.8
Saludos.
...............
El odio despierta rencillas;
Pero el amor cubrirá todas las faltas.
AKA Scentless false mayweed, scentless mayweed, scentless chamomile, wild chamomile, mayweed, false chamomile, Baldr's brow, peltosaunio (fin).
Taken with Canon nFD 100mm F4 Macro / Full Frame Sensor / Natural Light / Lightroom.
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
For example, I said that I was shooting in RAW mainly. True. However, I am just about to reserve one of my cameras for JPEG shots only. This is a JPEG shot done with the old X-Pro1 and a fast Fuji lens. The camera I am preparing for this will be the Fuji X-E2, also an 'old' (second hand) camera, but one with interesting features I am wishing to exploit. In fact, the equally old 16MP sensor is, in my view, one of the best ones Fuji has ever made. We'll see.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
Thirty images total for this panorama. Six stitched images horizontally, five images per.
Shot with the flying Hasselblad, aka Mavic Pro. In an attempt to gain a high resolution image with such a small sensor I shoot in Burst Mode. This takes five consecutive images. I then stack these five images and do a median blend which removes almost all the noise in these twilight shots (the sensor does not handle the shadows well at all, very grainy).
I then took the six stacked blended images and stitched together for a cleaner, original Panorama.
Thanks for looking.
20250521 LEICA M9 43
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
This is right at the limits of my equipment so the DoF suffered a bit. A stop more of IBIS help or a better sensor would have worked.
Stars nightsky and either an aiplane or a shooting star at the beach of Aveiro.
The red tint at the right side is produced by the close lightbeams of the lighthouse!
With a population today of about 600 cranes (both in the wild and in captivity), Whooping Cranes are the rarest bird in North America. Notice the leg bands on the individual on the right. Shouldn't (and couldn't) get close, so this photo is the best that extreme telephoto on a small sensor camera can provide. Pond near the Big Tree on Goose Island, north of Rockport, Texas.
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
USA ... ... Arizona. Grand Canyon. Hopi Point ... ... and very hot! I think there will be at least 35 ° C.
A crowd of tourists scattered on the trails is taking photos in rocks, plants and everything that moves.
A myriad of almond eyes with their preposterous tools impress frames with friends, relatives,
unleashing smiles to 32 teeth and scarves fluttering in the light breeze ...
Horizon, dark clouds seem to portend a storm, something quite common though not frequently.
The waters of the Colorado in the valley flow lazy, indifferent, as if waiting ...
Now the clouds seem to have started running, perhaps in memory of Appaloosa, which in times of Pinto
far they have galloped on these wild territories.
The first drops of rain begin to fall and people run for cover in their multicolored tins
for fear of wetting their precious smartphone!
I try and find shelter in a rock and the safety net that marks the paths.
The rain falls abundant. water blades hit the river without scratching it, flashes of bright light illuminate
its surface, the dust rises like a veil to hide the rocks made even redder by the rain.
Seedlings, until a moment before, seemed on the verge of dying, flourished again as if by magic.
It presents an incredible landscape and magnificent!
Snap, snap, snap ...
Each image that is revealed on the sensor is completely different
from the previous one, the Grand Canyon
It turns under my eyes.
Then, with the speed with which they arrived, the clouds go away and, as
swarms of bees, the tourists come back, arms
forward, ready to take new pictures, unaware that he had lost the magic moment to turn into
an unforgettable memory the usual postcards ...
Full writeup here: theastroenthusiast.com/arp-274-from-hubble/
To celebrate my 18th birthday, I decided to process one of my favorite Hubble images! This was taken back in 2009 to celebrate the International Year of Astronomy by WFPC2. Given that it was taken by such a low-sensitivity sensor, this image actually had a whole lot of noise to deal with. I spent a while carefully removing hot pixels and cosmic rays to make the image look better. In case you’re wondering what exactly you’re looking at, here’s a little explanation about the galaxies:
Arp 274 is a system of three galaxies that appear to be partially overlapping in the image, although they may be at somewhat different distances. The spiral shapes of two of these galaxies appear mostly intact. The third galaxy at far left is more compact, but shows evidence of star formation. Two of the three galaxies are forming new stars at a high rate. This is evident in the bright blue knots of star formation that are strung along the arms of the galaxy on the right and along the small galaxy on the left. The largest component is located in the middle of the three. It appears as a spiral galaxy, which may be barred. The entire system resides at about 400 million light-years away from Earth in the constellation Virgo. The colours in this image reflect the intrinsic colour of the different stellar populations that make up the galaxies. Yellowish older stars can be seen in the central bulge of each galaxy. A bright central cluster of stars pinpoint each nucleus. Younger blue stars trace the spiral arms, along with pinkish nebulae that are illuminated by new star formation. Interstellar dust is silhouetted against the starry population. The pair of foreground stars on the right are inside our own Milky Way.
Website: theastroenthusiast.com/
Instagram: www.instagram.com/the_astronomy_enthusiast/
taken with a Olympus EVOLT E 400 from 2006
this is a DSLR with a 10 mega pixel 4/3 sensor from Kodak. this sensor produces film like images
Took an evening walk in our area and saw this sunset at this vantage point. It 's just another regular evening to me. As it was pretty dim, I had to use high ISO and slow down the shutter speed to let more light get into the camera sensor.
This is (the upper floor) of one of two churches of a small semi-alpine village, counting just over 1K inhabitants.
Initially erected in 1414, but later in part rebuild a number of times due to earthquakes, fires and storms and located in a remote, very rural area it still has it all, iconography in gold, oil paintings causally sitting on the floor, rugs, books laying around, even a small organ.
This was mid summer and afternoon, a couple of years ago, very hot outside and I was surprised that the church was even open. I'm not religious and certainly not in favour of ideology generally, but I grew into liking churches, if nothing else but for their historic significance.
Entering was a weirdly intense experience somehow, it was cool inside and felt kind of private; it was obvious that there is literally nothing going on, no mass no tourists no nothing, and the traditional tiled stained glass windows bathed the inside in a warm soft light creating beautiful shadows along the arched sides and ceiling.
I really like how these turned out in the equirectangular projection, and that's why I didn't add the respective tag for Flickr to make it interactive. (Well, Flickr does it anyway :|, ..c'est la vie.)
It was a truly special atmosphere and the silence was magnificent, so I did take my time to enjoy just that (after the panorama work).
Technically this is complete spherical panorama, consisting of 12 individual photos and a equirectangular projection yielded 10580 x 5290px, ~56MP. And I again did it with f/3.5, not sure why, except for one reason, which isn't really a good or necessariy one.
For getting a closer look without jumping into this interactive viewing modality, hit 'L' first and then '+' resp. left mouse button..
Nikon D90 (APS-C crop sensor / DX)
Samyang 8mm f/3.5 UMC FE CSII
ISO320, 8mm, f/3.5, 1/13sec (-0.3EV)
(thus 12mm full frame equivalent)
tripod with panorama head, remote
My first attempt at water drop shots... It's amazing how much dust/dirt you find on your sensor when shooting at f32.. :)
I have to thank my son, the water drop expert here.. I think focusing on the photo only instead of the drop and the photo helped quite a bit...
Thanks for looking!
Seminterrato con massiccia valvola per il controllo di flusso e sensori. Dettaglio. Basement with a massive metallic flow control valve and sensors.Detail. Bologna 2017
The dogs are dueling over the fence, causing the motion sensor lights to come on. Mooky and Kona need to chill. 100 Days of Darkness 8/100.
We were koming back from a wonderful day out in the kar...and I was trying differents settings on the kamera and shooting to a "there's no words to describe it" sunset... and well .. when i get home... and downloaded the piks.. he or she.. this presence was there.. I never saw it when I took the pik...
;)