X3 direct image sensor (aka Foveon)
View allAll Photos Tagged Sensor
Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
Finally, the temps feel like Spring as 2016's first Honey Bee (for me) visits an awakening Grecian Wildflower in my garden.
Just a simple Architectural style Snapograph taken at Kent UK of some Arches underneath a promenade.
"THANK YOU KINDLY" to anyone who finds this shot good enough to put amongst their "FAVES".
"THANK YOU KINDLY" to anyone who finds this shot good enough to leave a "Comment", I'll do my very best to reply to you individually.
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
I mentioned yesterday that these Infra Red shots are really about the key concepts of composition and light and shade. The surreal effect of IR, especially on living things is dream-like. But the fundamentals of composition become even more important when the image is taken in a point and shoot low resolution sensor camera. As it was in the early days of photography, you need to get the composition right in-camera, and avoid being overawed by the IR effects.
You'll never see a photograph like this blown up to poster size (small post card might be the best size at this resolution), but that doesn't mean it can't still be an interesting shot. One day I'll try this same angle with my pinhole camera. It'll look like something out of the 1840s. I'll have to set up my dark room first.
Had a go at trying for a macro shot of one of these amazing little creatures. It was sitting outside my window ledge. I had good natural light which helped. I think I got as close to the spider as my lens would allow (which is 295 mm from my subject to the sensor of my camera). Worth enlarging.
For example, I said that I was shooting in RAW mainly. True. However, I am just about to reserve one of my cameras for JPEG shots only. This is a JPEG shot done with the old X-Pro1 and a fast Fuji lens. The camera I am preparing for this will be the Fuji X-E2, also an 'old' (second hand) camera, but one with interesting features I am wishing to exploit. In fact, the equally old 16MP sensor is, in my view, one of the best ones Fuji has ever made. We'll see.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
One nice thing about these small sensor digicams is that you hardly have to worry about depth of field for landscapes! I've been really impressed with these things and have had a ton of fun with them so far. Pretty nice to have in a pocket on a hike!
📷 PowerShot G11
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
From the Archives, 12/30/2018, Jackson, NJ
Canon EOS 30D
Tamron 28.0-75.0 mm
ƒ/2.8 28.0 mm 1/25 400
Instagram in Color | Lens Wide-Open
(In Explore on 12/16/2023)
Each slight movement of the Burrowing Owl's head brought significant change to the size of its eye pupils. Anahuac National Wildlife Refuge in Chambers County, Texas.
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
'SALTURN BY THE SEA PIER' - 31st JULY 2024
NIKON P5100 CCD SENSOR CAMERA EDITED IN SNAPSEED ON ANDROID TABLET.
The iconic, sun-caught trolls of Reynisdrangar and the headland of Reynisfjall from beside the rock wall on the black sand beach in front of Vík í Mýrdal. South Iceland.
Archive frame from 2015 inspired by a similar frame I spotted in a gallery and remembered I had something like it on the HD somewhere.
I'd originally discarded the image due to the Fujifilm logo (reversed) reflected back into the sensor by the ND filter. This was an issue with the Fuji XF 14mm f/2.8 (only) that only came to light [sic] on return to Tas. I later tried inking the lettering ring out with matt black paint which improved it a little but sold the lens instead. Pity - remarkably crisp is the XF 14mm. Ruined a whole bunch of shots though. PS has now become my friend ;-)
Fuji X-T1, XF 14mm f/2.8 R, 1.6 secs at f/16, ISO 200. Lee Seven5 Little Stopper.
Having fun with my 100mm f2.8 macro lens on my new full frame 5D mk2. The full frame helps macros out because the 1:1 aspect of the lens becomes just that much bigger because of the bigger sensor. The 21mp certainly helps too. This flake was less than 2mm across, but I was able to zoom right in with the camera resolution.
The weave it's sitting on is the nylon cover of my camera bag.
Friendly Beaches on Tasmania's east coast.
Fortunately the beaches are a part of the stellar Freycinet National Park. Courland Bay on the other side of distant Butlers Point is locked up by rich knobs that get well sh!tty when you walk on THEIR sand (which is a legal right for all Tasmanians). knobs.
Fujifilm X100s, Fujinon 32mm f.2.8, 1/950th sec at f/11, ISO200
Last year I was visiting Flensburg and I took this photo with my old Fujifilm X-T10. Not the most exciting photo (might even be a bit out of focus) but I like the colors and it's a good example of the colors you can get from that old x-trans 2 sensor.
The photo is Creative Commons license: use it for free, but please credit my name and link to my website kristoffertrolle.com
Keywords: Flensburg, harbor, Flensborg, havn, germany, tyskland, deutschland, Hafen, am Wasser, uferpromenade, x-trans 2 colors, Fujifilm X-T10, Fujifilm XF 55-200mm f3.5-4.8 R LM OIS
En esta ocasión un trabajo con la olympus. La saltarina era muy muy pequeña con lo que incluso a 10x y estirando quedaba mucho encuadre vacío.
En esta ocasión olympus omd-em1 con Leica N plan 10x sobre fuelle. Lente de tubo rayona dcr-250mm. 83 disparos a 0.005mm con 0.6 segundos de exposición e iso 200. La diferencia de calidad respecto al sensor sony es evidente en este campo extremo.
The dogs are dueling over the fence, causing the motion sensor lights to come on. Mooky and Kona need to chill. 100 Days of Darkness 8/100.
We were koming back from a wonderful day out in the kar...and I was trying differents settings on the kamera and shooting to a "there's no words to describe it" sunset... and well .. when i get home... and downloaded the piks.. he or she.. this presence was there.. I never saw it when I took the pik...
;)
So this is the concept design for my SHIP to come, hopefully...
The first I tried a few years back wasn't planned enough and the different sections didn't flow nor hold well together. The second one was better but became increasingly difficult to finish due to a complex 3 decks accessible interior...
Now this one is simpler in volume, but I wanted to try using angled panels and a more radical color blocking (even if I still prefer colorful ships, so it's not all grey and white).
The accessible areas (minifig scale) will be limited to the upper deck, with the exception of the access hatch and cargo bay. I don't know how long it will be but I'm aiming at 100 studs for the main panels only (without thrusters and front sensors).
Around the main picture are early designs (upper right and lower left corner) and concept for the technic frame (upper left corner).
By luck, I'll be close to a Lego store next week, I hope to get more greebles and tiles in the appropriate colors.
Tell me if you have suggestions, I want it to be good! And I'm gonna finish this one! Well, first I need to start...
The place we stayed in the beautiful white city of Arequipa had a nice rooftop and we got to observe the sunset there.
People in Arequipa do lots of things on the rooftop - the laundry you do dries so fast in their high altitude dry air, and they often lounge on the rooftop as well. You can observe lounge furniture, canopies for shading, and some people just enjoying the beautiful views surrounded by high mountains, including El Misti.
TAKASPHOTO.COM
|| Flickr || My Website || Facebook || Instagram || Twitter || 500px ||
Thank you for viewing my photograph!
This may or may not be kinda badass. We've got a bunch of varmints here in Lower Alabama, and I'm curious about what skulks around in the night. This thing has 6MP resolution at its best and can be programmed to shoot one to nine shots every time the IR motion sensor is tripped. It also can do video. The flash is supposed to reach out to 50 feet, and from testing in the living room, it's bright as hell.
Too bad it doesn't shoot RAW....
I'm too tired and lazy to strap it to a tree today, but tomorrow we'll see what happens.
Cute little mantis (acromantis formosana) that's just a little too big for the MPE65 (crop sensor). Shot at the minimum magnification of 1:1. 1/200, F11, ISO200, 40D, MPE65, MT24EX, concave diffuser.
More mantis: orionmystery.blogspot.com/2012/03/mantis.html
Pongo esta, por lo poco habitual, que es, que la hembra se estire de este modo. La luz era excepcionalmente dura, pero creo que el sensor de la A9 estuvo a la altura de las circunstancias, espero que os guste.
Taken from a very similar spot as the last image posted, I was frantically adjusting to capture the last bit of light as the sun dipped beneath the horizon. The crowds were dispersing and camera crews moving on, allowing me to finally get to some favorite spots. It seems El Matador beach never disappoints when it comes to beautiful scenery and photographic opportunities.
Also, I'll note exactly why I love my camera: this is a single exposure. The sensor is fantastic at capturing the dynamic range of a scene and maintaining details in the shadows.