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Just as my script is quite a bit blurry in my head at the moment, so is this photo of it. Lovely metaphor. Ok, not really.
I have spent the greater part of the day trapped in a mad cycle of bad reality television and individually wrapped packets of string cheese and matzoh bread, I believe as part of my semi-unconscious desire to avoid writing. I'm a little bit stuck for inspiration, as my script is feeling to me at the moment like a long series of mostly random words, currently strung together for the sole purpose of making me appear to myself as a writer, rather than actually conveying any actual story or message.
Huh. Rather depressing perspective, actually.
So after any number of shows—like Bravo's new "Step Up & Dance" and the UK version of "Make Me A Supermodel"—I went to the gym only to return to this evening's set of "Little People, Big World" and "Jon & Kate Plus 8," mixed in with a handful of "Daily Show" and "Colbert Reports" from last week, a new "Top Gear," and one great episode of In Treatment I watched with Jules. Throw in a few prepackaged snacks and some unleavened bread, and mmmmm... is that the smell of productivity?
No.
And now I'm thumbing rather desperately through Chris Voglers "The Writer's Journey" and Linda Aronson's "Screenwriting Updated," hoping that the artifice of structure will somehow be able to get me back on track. I know it won't, though, as I've finally chosen to let go of structure for structure's sake. "I *will not* rely on structure out of fear!" I say out loud to myself. I'm looking for the organic heartbeat of my story, but alas, the screenplay seems to be lying rather limply on the floor, gasping for breath, I can barely hear its rhythms now; the audience of my mind is crowded around it, watching the spectacle, milling about, wanting to help but not willing to actually step in...
Help! Oh somebody
help me please! Is there a script
doctor in the house?
Blasphemy freehand script, by Cherri Andrews.
Latin Angel studio, London, U.K.
Cherriandrewstattoo@gmail.com
020 8948 5535
As you can tell by the dates in the top-right, this basic script was something I kept referring to as I tried to "steer" how much of the film's plot was conveyed in the trailer. I didn't want it to be too 'wordy', as a lot of the horror is dependent on the characters themselves not knowing what is happening most of the time. I feel this script is a good example of that planning coming into effect (much of this dialogue can still be heard in some form or another in the final trailer).
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Script, for the anchors in my office. Some of the things and stuff inside my office that you can usually see.
Nikon F4 with Fuji Superia 400 negative film. Processed with negfix script.
December visit to MIA with my father and family.
UPDATE: YOU CAN NOW GET THE FULL PERM MAPS FROM MY INWORLD SHOP OR ON XSTREET.
Finally normalised and finished the font I started last year, and built various scripted items using them, I instantly saw the need to make a script version, completed this in 2 days thanks to the focussing power of pain and the taming of the b-spline :)
You can buy individual (mod/transfer) letters inworld here. Not available on xstreet.
Builders and jewelery makes contact me for options to include these letters in your builds, look great small on emblems, logos, personalised jewelery.
It's the Xia Script texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/10992.html (created by xirja)
To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Jan Hendrix (Holanda, 1949)
Serigrafía sobre papel nepalés
Adquisición 1998-1999 y donación del artista 2007
1996-2007
Museo Universitario Arte Contemporaneo 2008
The Incomparable Script Ohio - in this case four of them (one is off the photo to the left) - performed by the Ohio State Marching Band and that Ohio State Marching Band Alumni.
I'm still alive but I'm barely breathing
Just prayed to a God that I don't believe in
'Cause I got time while she got freedom
'Cause when a heart breaks, no it don't breakeven
Her best days will be some of my worst
She finally met a man that's gonna put her first
While I'm wide awake she's no trouble sleeping
'Cause when a heart breaks, no it don't breakeven, even, no
What am I suppose to do
When the best part of me was always you and
What am I suppose to say
When I'm all choked up and you're okay
I'm falling to pieces, yeah
I'm falling to pieces
They say bad things happen for a reason
But no wise words gonna stop the bleeding
'Cause she's moved on while I'm still grieving
And when a heart breaks, no it don't breakeven, even, no
This is a group of learners from Willowmoore and Benoni high who attended the first part of a two-part workshop on script writing so we can generate new scripts for our drama learners. The facilitators were Mrs Vanessa Bower and Ms Nicola Smithard. We look forward to the rough scripts in October.
The past three days have been a hard long slog of 14 hour days marking my way through 160 exam scripts.
But today I marked the last of the first year batch of exam papers and now I've only 50 courseworks to mark.
I find this time of year a real struggle tbh... it's not the length of the working day, it's more about ensuring consistency in marking and not letting the concentration down for a second.
As repetitive as marking is, it's not a brain dead activity, you need to keep your wits about you.
Original script for "The Goddess Speaks.", a multi-dimensional modern/ classic club performance that opened at Shelter, 564 West Fulton, on July 13, 1990