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Script version of the main logo for clothing brand Magnetiq Eleven. Originally hand-drawn custom lettering digitized/vectorized for print/embroidery needs. Project developed between November 2010 and February 2011.
Humberstone and Santa Laura Saltpeter Works, Atacama, Chile (2007).
www.youtube.com/watch?v=HotsxQpJfiU
www.youtube.com/watch?v=ODqpfqHU1cM
www.youtube.com/watch?v=Cigjkp_d588
www.youtube.com/watch?v=PdPkw4MsN-o
www.plataformaurbana.cl/archive/2013/04/10/guia-urbana-de...
“Una arquitectura de la negatividad. La modernidad de la arquitectura de las salitreras”, by Max Aguirre; ARQ, n. 57 Zonas áridas / Arid zones, Santiago, julio, 2004, p. 61-63:
www.scielo.cl/scielo.php?script=sci_arttext&pid=S0717...
"Desfibrado de maderas obtenidas desde las oficinas salitreras de Humberstone y Santa Laura en Chile. Un sitio del patrimonio mundial. Defibration wood obtained from the Saltpeter Works Humberstone and santa laura in Chile. World Heritage sites", Rodrigo Ortiz and Robert Blanchette, Madera y Bosques, vol. 20, núm. 3 : 59-68, Otoño 2014:
forestpathology.cfans.umn.edu/pdf/Defibration%20of%20Wood...
www.albumdesierto.cl/ingles/2humber.htm
www.monumentos.cl/consejo/606/w3-propertyvalue-37308.html
www.bbc.com/news/world-latin-america-31090757
www.roughguides.com/article/ghost-town-humberstone-chile/
"La arquitectura moderna en Iquique entre 1930 a 1970", Víctor Valenzuela, Arquitecto Universidad Arturo Prat, Chile. Magíster en Arquitectura Pontificia Universidad Católica de Chile. Académico Escuela de Arquitectura, Universidad Arturo Prat, Chile:
mingaonline.uach.cl/pdf/aus/n11/art02.pdf
"Infraestrutura educativa en Iquique y su aporte al desarrollo urbano y modernidad 1930-1970", by Víctor Valenzuela: revistaca.cl/portada-revista-ca-153/articulos-portada/art...
revistaca.cl/wp-content/uploads/2016/08/153_A9_VValenzuel...
"La travesía del salitre chileno: de la pampa a la tierra holandesa", by Aafke Steenhuis. Traducción desde el holandés de Catalina Ginard Féron (originele titel "Windjammers in Delfzijl"); Editorial Godert Walter, 2003 (ISBN 978 956 282 942 7):
books.google.nl/books?id=w2zalkQufYgC&printsec=frontc...
"Windjammers in Delfzijl: de route van de chilisalpeter", by
Aafke Steenhuis, Boekhandel Uitgeverij Godert Walter, 2003
(ISBN 9080572543, 9789080572546):
books.google.nl/books?id=l1eEZwEACAAJ&dq=windjammers+...
Osvaldo Félix Fernández de Castro Ortúzar in Diccionario Biográfico de Chile 9a Edición 1953: diccionariobiograficodechile.blogspot.nl/search?q=osvaldo...
President Osvaldo (F) de Castro (Ortúzar) in Google Books: www.google.nl/search?tbm=bks&hl=nl&q=osvaldo+de+c...
www.google.cl/search?tbm=bks&hl=nl&q=Osvaldo+de+C...
Nuestro norte... :
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Available to download in the very near future, Sachiko. Inspired by 16th century "French Ronde" script and named after my sweet and very funny Japanese friend. <3
Just as my script is quite a bit blurry in my head at the moment, so is this photo of it. Lovely metaphor. Ok, not really.
I have spent the greater part of the day trapped in a mad cycle of bad reality television and individually wrapped packets of string cheese and matzoh bread, I believe as part of my semi-unconscious desire to avoid writing. I'm a little bit stuck for inspiration, as my script is feeling to me at the moment like a long series of mostly random words, currently strung together for the sole purpose of making me appear to myself as a writer, rather than actually conveying any actual story or message.
Huh. Rather depressing perspective, actually.
So after any number of shows—like Bravo's new "Step Up & Dance" and the UK version of "Make Me A Supermodel"—I went to the gym only to return to this evening's set of "Little People, Big World" and "Jon & Kate Plus 8," mixed in with a handful of "Daily Show" and "Colbert Reports" from last week, a new "Top Gear," and one great episode of In Treatment I watched with Jules. Throw in a few prepackaged snacks and some unleavened bread, and mmmmm... is that the smell of productivity?
No.
And now I'm thumbing rather desperately through Chris Voglers "The Writer's Journey" and Linda Aronson's "Screenwriting Updated," hoping that the artifice of structure will somehow be able to get me back on track. I know it won't, though, as I've finally chosen to let go of structure for structure's sake. "I *will not* rely on structure out of fear!" I say out loud to myself. I'm looking for the organic heartbeat of my story, but alas, the screenplay seems to be lying rather limply on the floor, gasping for breath, I can barely hear its rhythms now; the audience of my mind is crowded around it, watching the spectacle, milling about, wanting to help but not willing to actually step in...
Help! Oh somebody
help me please! Is there a script
doctor in the house?
Blasphemy freehand script, by Cherri Andrews.
Latin Angel studio, London, U.K.
Cherriandrewstattoo@gmail.com
020 8948 5535
As you can tell by the dates in the top-right, this basic script was something I kept referring to as I tried to "steer" how much of the film's plot was conveyed in the trailer. I didn't want it to be too 'wordy', as a lot of the horror is dependent on the characters themselves not knowing what is happening most of the time. I feel this script is a good example of that planning coming into effect (much of this dialogue can still be heard in some form or another in the final trailer).
Script, for the anchors in my office. Some of the things and stuff inside my office that you can usually see.
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Designed by Panos Vassillou, this typeface was designed with connected characters and capitals with calligraphic elements. Bodoni Script Pro is a 3-weight family; each font comes with 725 glyphs, including a large number of alternates, as well as 144 ornaments. www.parachute.gr/fonts.aspx?Sample=1&FontStyleID=&...
Major Butler and Master Warrant Officer Evans present the Canadian Commissioning Script to platoon L0053E at CFLRS, in Saint-Jean-sur-Richelieu, Québec, on 21 February 2023.
Major Butler ainsi que Adjudant-maître Evans, remettent la commission canadienne des officiers au peloton L0053E, à St-Jean-sur-Richelieu, Québec, le 21 Fevrier 2023.
Photo by: Canadian Armed Forces, Multimedia, Canadian Forces Leadership and Recruit School © 2022 MDN/DND CANADA
One of my favourite things about this building is that when you look closely at the intricate decoration on every surface, you realise that it is not just geometric patterns but also Arabic script.
It's the Xia Script texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/10992.html (created by xirja)
To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/
British postcard in the Picturegoer Series, London, no. 1399. Photo: Sam Goldwyn.
Hard-living and hard-drinking American actor Broderick Crawford (1911–1986) was often cast in tough-guy roles. He is best known for his portrayal of politician Willie Stark in All the King's Men (1949) and for his starring role as Chief Dan Matthews in the television series Highway Patrol (1955-1959). In Europe he appeared in some Peplums but also in Federico Fellini’s Il Bidone (1955).
William Broderick Crawford was born in Philadelphia, Pennsylvania, in 1911. His parents were Lester Crawford and Helen Broderick, who were both vaudeville performers, as his grandparents had been. Lester Crawford appeared in films in the 1920s and 1930s, and his mother had a minor career in Hollywood comedies, including a memorable appearance as Madge in the classic musical Top Hat. Young William joined his parents on stage, working for producer Max Gordon. After graduating from high school, Crawford was accepted by Harvard College where he enrolled. However, after only three weeks at Harvard he dropped out to work as a dockworker on the New York docks. Crawford returned to vaudeville and radio, which included a period with the Marx Brothers on the radio comedy show Flywheel, Shyster, and Flywheel (1932-1933). He played his first serious character as a footballer in She Loves Me Not at the Adelphi Theatre, London in 1932. Early in his career, Crawford was stereotyped as a fast-talking tough guy and often played villainous parts. He realized he did not fit the role of a handsome leading man, once describing himself as looking like a "retired pugilist". In 1937, he gained fame as Lennie in John Steinbeck’s Of Mice and Men on Broadway. He moved to Hollywood, and made his film debut in the comedy Eva en Co (John G. Blystone, 1937), in a supporting role to stars Joel McCrea and Miriam Hopkins. Crawford did not play Lennie in the film version of Of Mice and Men (Lewis Milestone, 1939). Lon Chaney Jr. starred in the film version as Lenny. However, Crawford was selected for a supporting role in the successful action/adventure film Beau Geste (William A. Wellman, 1939). He followed this up with another important supporting role as a big but kind-hearted lug in the gangster spoof Larceny, Inc. (Lloyd Bacon, 1942) with Edward G. Robinson.
During World War II, Broderick Crawford enlisted in the United States Army Air Corps. Assigned to the Armed Forces Network, he was sent to Britain in 1944 as a sergeant, he served as an announcer for the Glenn Miller American Band. After the war, his career was first largely limited to B films in supporting or character roles. Nevertheless, he excelled in roles playing villains. In 1949, he reached the pinnacle of his acting career when he was cast in the Film Noir All the King's Men (Robert Rossen, 1949), based on the Pulitzer Prize-winning novel by Robert Penn Warren. He played the ambitious and sometimes ruthless politician Willie Stark, a character inspired by Louisiana politician Huey Long. The film was a huge hit, and Crawford's performance as the bullying, blustering, yet insecure Governor Stark won him the Academy Award for Best Actor. The following year, the actor would star in another hit 'A'-list production, the comedy-drama Born Yesterday (George Cukor, 1950) with William Holden. He was memorable as Judy Holliday's boisterous boyfriend. His Academy Award and larger-than-life persona won him more diverse roles, and he appeared in such varied films as Scandal Sheet (Phil Karlson, 1952), Fritz Lang's Human Desire (1954) and Between Heaven and Hell (Richard Fleischer, 1956). In 1955, Crawford assumed the starring role as Rollo Lamar, the most violent of convicts in Big House, U.S.A. (Howard W. Koch, 1955). In the film, Crawford's character is a hardened convict so violent he commands the obedience of even the most violent and psychotic prisoners in the prison yard, including those portrayed by such famous tough-guy actors as Charles Bronson, Ralph Meeker, and Lon Chaney, Jr.
Broderick Crawford also worked in Europe. He starred opposite Richard Basehart and Giulietta Massina in Federico Fellini's comedy Il bidone/The Swindle (1955). The film follows the exploits of a group of swindlers, focusing on their aging leader Augusto (Crawford), as they go about their ‘business,’ reaping both rewards and consequences. He appeared also in Stanley Kramer's melodrama Not as a Stranger (1955) with Olivia de Havilland, Robert Mitchum and Frank Sinatra. He was rather improbable as a fast-draw outlaw opposite Glenn Ford in the Western The Fastest Gun Alive (Russerll Rouse, 1956). In 1955, television producer Frederick Ziv of ZIV Television Productions offered Crawford the lead role as Dan Mathews in the police drama Highway Patrol (1955–1959), which dramatized law enforcement activities of the California Highway Patrol. ZIV operated on an extremely low budget of $25,000 per episode but Crawford would receive ten percent of the gross receipts per his contract. While the show's scripts were largely fictional, the use of realistic dialogue and Crawford's convincing portrayal of a hard-as-nails police official helped make the show an instant success. Highway Patrol helped revive Crawford's career and cement his 'tough guy' persona, which he used successfully in numerous film and TV roles for the rest of his life. Fed up with the show's hectic shooting schedule, Crawford quit Highway Patrol at the end of 1959 in order to make a film in Europe, and try to get his drinking under control. He appeared as the villain in the Italian-French Peplum (Sword and sandal film) La vendetta di Ercole/Goliath and the Dragon (Vitoria Cottafavi, 1960) with bodybuilder Mark Forest as Hercules/Goliath. Later Crawford also appeared in the Spanish Peplum El Valle de las espadas/The Castilian (Javier Setó, 1963) with Frankie Avalon.
Broderick Crawford's successful run as Dan Mathews in Highway Patrol (1955–1959) earned him some two million dollars under his contract with ZIV. Back from Europe, and having temporarily stopped drinking, Crawford signed to star in King of Diamonds (1961-1962) as diamond industry security chief John King. In 1962, after the end of the series, Crawford returned to acting in European-made films. Between 1962–1970, Crawford appeared in no less than seventeen additional films, though many of them failed to generate much box office success. After 1970, Crawford again returned to television. He played the role of Dr. Peter Goldstone in The Interns (Marvin J. Chomsky a.o., 1970-1971). In 1977, he starred as FBI director J. Edgar Hoover in the TV movie The Private Files of J. Edgar Hoover (Larry Cohen, 1977). He would eventually make a series of guest appearances in several made-for-TV movies. Crawford worked in 140 motion pictures and television series during his career and remained an especially durable presence in television. One of his last roles was as a film producer who is murdered in a 1982 episode of the TV detective series Simon & Simon (Burt Kennedy a.o. , 1981-1989). The actor who played the part of the suspected murderer was Stuart Whitman, who had played the recurring part of Sergeant Walters on Highway Patrol. His final feature film was the Austrian-American production Den Tüchtigen gehört die Welt/The Uppercrust (Peter Patzak, 1982). Throughout his adult life, Crawford was prone to bouts of heavy alcohol consumption, and was known for eating large meals. These habits contributed to a serious weight gain for Crawford during the 1950s. During the filming of Highway Patrol, Crawford's heavy drinking increased. It resulted in several arrests and stops for driving under the influence of alcohol (DUI), which eventually gained him a suspended driving license. Broderick Crawford died following a series of strokes in 1986 at the age of 74 in Rancho Mirage, California. He had been married three times, to actress Kay Griffith (1940–1958; divorced); to Joan Tabor (1962–1967; divorced) and to Mary Alice Moore (1973–1986; his death). He had two sons, Christopher Broderick Crawford (1947-2002) and Kelly Griffith Crawford (1951–2012) from his marriage to Kay Griffith.
Sources: Jon C. Hopwood (IMDb), Wikipedia, and IMDb.
Some people call this "tree graffiti" and even art. It's better described as "Arboreal Script" by some.
Regardless, I like it for it's historical significance. Usually the result of young love, it often last longer than the affection. I've even found some crossed-out!
This is a group of learners from Willowmoore and Benoni high who attended the first part of a two-part workshop on script writing so we can generate new scripts for our drama learners. The facilitators were Mrs Vanessa Bower and Ms Nicola Smithard. We look forward to the rough scripts in October.
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