View allAll Photos Tagged SPACE-TIME
From my photos digitally manipulated...
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way. You may NOT download this image without written permission from iSEEthings, Jeff Fornear.
Encore un petit peu ?
Le 4 Juin 2014, nous sommes un mercredi.
Nous voilà enfin en Italie...
En fin de repas ...une chaise du resto déplacée sur le carrefour d'une place et clic clac ... le jeu d'un espace temps !
un funny subject !
...
On June 4, 2014, we are a Wednesday.
Finally we are in Italy ...
End of the meal ... the restaurant moved a chair on the crossroads of a place and sofa bed ... the set of space-time!
a funny subject
...
The thought of the Masquerade Ball brought Tilly to Venice, in the middle of its Carnival and then back in time, to the French Court of Queen Marie Antoinette.
Tilly has revised the richness and splendor of shapes and colors and wanted to reproduce this with the double and large collar and with wings.
Why wings? Because they represent air and fire at the same time because the draped movement and the colors recall the dance of flames that stand out high in the sky.
The dress is blue, reminiscent of water, as well as the small lights that rise along the body.
And then the earth, in the decorations in the hair and around the hips; both for the colors chosen and for what they represent.
Finally, on the eyes, a mask whose most significant and recurring function is that of a communication tool between men and the divinity, as it allows one to detach oneself from space-time conventions to project oneself into an 'other', divine world , ritual, mystical. The result was meant to be flashy but at the same time elegant and harmonious, just as the 4 elements that allow life in perfect balance and synergy are harmonious.
Godzilla (silver Mecha-Godzilla) showed up in this highly energetic, intricately complex overlay event captured in Lab.
From my photos, digitally enhanced...
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way. You may NOT download this image without written permission from iSEEthings, Jeff Fornear.
www.bkor.nl/beeld/space-time-ii/
“Baljeu volgde tekenlessen in Amsterdam. In 1955 werd hij kubist en ging abstract schilderen. Ook verdiepte hij zich in het werk van Mondriaan. In reliëfs en wandconstructies komen zijn ideeën met betrekking tot constructie naar voren. Vanaf de jaren zestig maakte hij vrijstaande kunstwerken, waarin hij roestvrij staal en plexiglas verwerkte. Spacetime II markeert een episode uit de geschiedenis van het constructivisme in Nederland. Hij was een belangrijke exponent van de abstract geometrische beweging in Nederland na 1945.”
“Het werk is een stapeling kubussen met zwarte ribben, voorzien van beige rechthoekige platen. Het materiaal wordt aangeduid als stalen kokerprofiel en plaat.”
“De kunstenaar presenteert zichzelf hier als realist en utopist: een betere samenleving kan slechts worden gerealiseerd, indien ons inzicht in de dingen klaar en helder is, zo klaar en helder als een wiskundige formule. Space Time getuigt van dat inzicht.”
“Space Time II is een stolling van het verlangen naar rechtvaardigheid; het verlangen naar inzicht in de wijze waarop de werkelijkheid, de natuur en de samenleving zich tot elkaar verhouden.”
“Geometrische abstractie is later door velen verworpen als te afstandelijk. Voor Baljeu gold echter het tegendeel. Hij was een gevoelig idealist die juist door het samengaan van kunst en architectuur een harmonische omgeving wilde creëren. Baljeu is dan ook één van de weinige kunstenaars geweest, die zijn geometrisch abstracte doelstellingen tot het eind toe trouw bleef.”
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Baljeu took drawing lessons in Amsterdam. In 1955, he became a cubist and began painting abstractly. He also delved into the work of Mondrian. His ideas about construction emerge in reliefs and wall structures. From the 1960s onward, he created freestanding artworks incorporating stainless steel and plexiglass. Spacetime II marks an episode in the history of constructivism in the Netherlands. He was a key exponent of the abstract geometric movement in the Netherlands after 1945.
"The work is a stack of cubes with black ribs, fitted with beige rectangular plates. The material is designated as steel box section and sheet."
"The artist presents himself here as a realist and utopian: a better society can only be achieved if our understanding of things is clear and precise, as clear and precise as a mathematical formula. Spacetime bears witness to that understanding."
"Spacetime II is a congealing of the desire for justice; the desire for insight into the way reality, nature, and society relate to each other.”
“Geometric abstraction was later rejected by many as too aloof. For Baljeu, however, the opposite was true. He was a sensitive idealist who sought to create a harmonious environment precisely through the fusion of art and architecture. Baljeu was therefore one of the few artists who remained true to his geometric abstraction goals until the end.”
There was I in the botanic gardens at Puerto de la Cruz, Tenerife, dancing around the Arums…
Of the ten or so shots I took trying to capture good flowers at interesting angles this proved one of the better ones. More dancing was required than you might imagine at least if you want to avoid trampling the flower beds. What they thought of this strange behaviour I can only just imagine.
Black and white images of flowers are a challenge as our appreciation is so colour dependent, but these lilies were mainly white, prompting me to have a go. I love the curves on this one - the main challenge was to get the crop right for balance and focus. I nearly called this one ‘Funnel of Desire’ but thought the better of it, so we are back to physics and the space-time warping effect of gravity…
This was processed mainly in Nik Silver Efex trying to get the detail in the spike and the balance of the tonal weights right. I rather like the result - the curves and the minimalism. A better image than the last peach high key one I think.
Thanks for taking the time to look. I hope you enjoy the image. Happy Donnerstagsmonchrom :)
1. Mystery, 2. Valley of Fire Desert Scape, 3. Desert Storm, 4. Luck be a Lily, 5. Area Closed, 6. Lust, 7. Tricolored Heron Posing, 8. Purple Gallinule,
9. Pucker Up, 10. Juvenile Black Crowned Night Heron, 11. Peekaboo, 12. A Whole Lotta Pink, 13. Flower & Cloud Reunion, 14. Rosie Spoon - Ding Darling, 15. Nothing But Flowers, 16. Goodbye Old Tree,
17. The Road to Nowhere, 18. Waiting for the Sun, 19. Stairway to Heaven, 20. St. Pete Sunset at 10,000 Feet, 21. 2 Parrotheads In Need of Beer, 22. The Causeway Bridge on the Fourth of July, 23. A Miami Fourth of July Celebration - 2007 - 03, 24. Manhã de Carnaval,
25. "I'm Too Sexy", 26. Horseshoe Bend, 27. Farfallone Amoroso, 28. Toadstool Hoodoo, 29. All Things Must Pass, 30. Roseate Spoonbill - Fort De Soto, 31. Nature Mort Vivant - Peppers, 32. The Raptor,
33. Moe, Larry, & Shemp, 34. What's This Crappie Doin' On My Beak?, 35. Bald Eagle, 36. Pug in the Glades, 37. Desire, 38. Medusa in the Space Time Continuum, 39. Rays of Light over Florida Bay, 40. White Ibis,
41. Cape Florida Lighthouse at Dawn, 42. Macaw - Parrot Jungle Island
Created with fd's Flickr Toys.
Quand le temps semble suspendu, un espace temps entre Arras et Marseille.
Les banalités d'un voyage en TGV...
When time seems suspended, a space time between Arras and Marseille.
The trivialities of a trip by TGV ...
This rather stylish pair appeared before my very eyes at Bursledon Brickworks Museum. As you can see, their steam-powered materialisation caused some gentle ripples in the space-time continuum.
Luckily the distortions didn't last too long, although they did make me feel very hungry, and I had to go and buy a sandwich and a cake from the very fine museum refectory soon afterwards. Dimensional warping can do that to you.
Fourteen hand-held exposures representing twenty-four seconds of March 26th, 2019. Shot at the Victorian Brickworks Museum, Bursledon.
This image is included in 4 galleries 1) "INTERPHOTO * TOP FLICKR" curated by Marzetti Gianfranco, 2) "God's Nature" by Suvad Hamzić, 3) "Landscape" by frode_oen and 4) "terrestrial space-time continuum" by Mike Beauregard.
This landscape belongs to the sandstone peak forest landform in Zhangjiajie, Hunan, China. Crustal uplift changed the sedimentary rock stratum into a hilly and mountainous area, then the sandstone was carved by exogenic processes like weathering and erosion into rugged rock pillars.
西海峰林, 位於索溪峪景區的西部。為一盆地型峽谷峰林群，千姿百態，林木蔥蘢茂密，有“峰海”、“林海”之稱。春夏或秋初雨後初晴，則云如浪濤，或湧或翻，或奔或瀉，鋪天蓋地，極為壯觀，譽為“雲海”。三“海”合一即為西海之特色。
Négombo (Sri Lanka) - A une quarantaine de kilomètres au Nord de la capitale Colombo, Négombo plonge le voyageur dans une faille spatio-temporelle, grâce aux « oruwas », des barques de pêche à voile. Ces voiliers à balancier unique, semblent sortis tout droit d’une époque révolue.
Pourtant, ces voiliers traditionnels du Sri Lanka sont toujours utilisés en ce XXIè siècle. Les plus anciens sont en bois de jacquier, mais depuis quelques années, on commence à en construire en fibre de verre. Il est à noter que la voile est en coton. Afin de permettre à l’eau de ruisseler pour ne pas alourdir l’embarcation, elle est enduite d’une mixture végétale, lui donnant cette étrange couleur.
The "oruwas" of Negombo
Negombo (Sri Lanka) - About forty kilometers north of the capital Colombo, Negombo plunges the traveler into a space-time rift, thanks to the "oruwas", sailing fishing boats. These sailboats with a single outrigger seem to come straight from a bygone era.
However, these traditional Sri Lankan sailboats are still used in this 21st century. The oldest are made of jackfruit wood, but in recent years, they have started to be built in fiberglass. It should be noted that the sail is made of cotton. In order to allow water to run off so as not to weigh down the boat, it is coated with a plant mixture, giving it this strange color.
It's on Flickr Explore ⭐ May 25, 2021
Extract from Wikipedia and other sources
The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The Stanza della Segnatura
The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens, representing philosophy, was probably the third painting to be finished there, after La Disputa (Theology) on the opposite wall, and the Parnassus (Literature). The painting is notable for its accurate perspective projection, which Raphael learned from Leonardo da Vinci (who is the central figure of this painting, representing Plato). The rebirth of Ancient Greek Philosophy and culture in Europe (along with Raphael's work) were inspired by Leonardo's individual pursuits in theatre, engineering, optics, geometry, physiology, anatomy, history, architecture and art. This work has long been seen as "Raphael's masterpiece and the perfect embodiment of the classical spirit of the Renaissance.
Aspects of the fresco other than the identities of the figures have also been variously interpreted, but few such interpretations are unanimously accepted among scholars. That the rhetorical gestures of Plato and Aristotle are kinds of pointing (to the heavens, and down to earth) is popularly accepted as likely. However, Plato's Timaeus – which is the book Raphael places in his hand – was a sophisticated treatment of space, time, and change, including the Earth, which guided mathematical sciences for over a millennium. Aristotle, with his four-elements theory, held that all change on Earth was owing to motions of the heavens. In the painting Aristotle carries his Ethics, which he denied could be reduced to a mathematical science. It is not certain how much the young Raphael knew of ancient philosophy, what guidance he might have had from people such as Bramante and whether a detailed program was dictated by his sponsor, Pope Julius II.
Nevertheless, the fresco has even recently been interpreted as an exhortation to philosophy and, in a deeper way, as a visual representation of the role of Love in elevating people toward upper knowledge, largely in consonance with contemporary theories of Marsilio Ficino and other neo-Platonic thinkers linked to Raphael.
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My photographs are © Copyrighted and All Rights Reserved. These photos must NOT be reproduced and/or used in any form of publication, print or on the Internet without my written permission. Please contact me if you would like to use one of my pictures. ____________________________________________________
Detroit, Michigan
Special Merit Award - Photography
11th Annual CityScapes Exhibition
Light Space Time Gallery
Palm Springs, CA
February 2021
Last December we went to the new Stanford Hospital to see a hospitalized friend. The $2 billion seven-story facility includes 368 single-patient rooms, and has been opened in mid November. At the front is a giant buckyball. Buckminsterfullerene is the full name of this molecule, composed of 60 carbon atoms.
From Wikipedia: A buckminsterfullerene has a cage-like fused-ring structure that resembles a soccer ball, made of twenty hexagons and twelve pentagons, with a carbon atom which has one π bond and two single bonds at each corner of the shape to create a universal vertex.
I processed a balanced, a photographic, and an enhanced HDR photo from three RAW exposures, blended them selectively, carefully adjusted the color balance and curves, and desaturated the image. I welcome and appreciate constructive comments.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- ƒ/8.0, 12 mm, 1/15 sec, ISO 400, Sony A7 II, Rokinon 12mm F2.8, HDR, 3 RAW exposures, _DSC4237_8_9_hdr3bal1pho1enh1a.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Worm Hole / Space Time
for sale
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.Raw image, no Photoshop. Very clean. Ultra Quality Assured.
*Larger print formats/mediums available, Just ask.
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In response to Sean aka Redroom Studios: *** This is one image! Not two images pasted together! (a longer reply can be seen below)....(^___^)V
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Yesterday I learned about "the most ridiculous philosophy". *__*
The Greek philosopher Zeno argues that an object cannot occupy two places at the same time. Therefore, at any particular moment during its flight the arrow is in only one place. But to be in one place is to be at rest. So, a flying arrow is actually always still.
This argument was not refuted until the 19th century, by application of the theory of assemblages and the theory of the functions of the real variable, which clarify the nature of space-time continua and of continuous functions.
from Greek Philosopher: Zeno of Elea
THANK YOU VERY MUCH for your kind comments on my former images!
While walking this morning I was witness to a rather large tear in the space-time continuum. No one was injured.
Although it can sometimes come as a bit of a shock, if you are inclined to go rambling in otherworldly places, you should not be surprised to sometimes encounter…well…fellow travelers; some of whom may require your assistance.
This particular individual came hurtling my way - literally out of the blue - in the form of a dull black orb that, coming nearer, took on the appearance of a seriously scuffed bowling ball that emitted a crackling, buzzing, nexus of sounds similar to something one might hear while having their teeth cleaned next chair over from a distressed rattlesnake getting a root canal.
Hovering before my startled eyes, the orb vented a jet of counter-clockwise flowing fibrous substance that resolved into a pulsating, slowly rotating, ribbed corpus; as of a spiral galaxy, contrary to all accepted physical law, emerging from a black hole.
Next a bilious cyclone of material shot down from one side to form a stabilizing appendage, while on the other, similar material spiraled tightly upward in a sparkling translucent cloud that coalesced into a shape at first resembling a cosmic cattle prod, but which I quickly realized was more reminiscent of a levitation wand (similar to those comically primitive versions sometimes seen at raucous social gatherings on Earth, but more apropos to the technologies and space/time considerations of certain other areas of the universe).
And at that point the purpose of the serendipitous encounter was, of course, easily understood.
Having missed the correct connecting space/time tunnel (sometimes referred to as a ‘wormhole’ ) between its version of the multiverse and ours due to a slight but significant miscalculation of the Dark Matter Correction Factor, but more importantly, having neglected to reset its Celestichron to ‘Simulverse’ rather than ‘Chronoverse’, the hapless (and no doubt overaroused) soul had simply become disoriented and confused while on its way to see The Spheres (whose gig - once you have found your way - is everywhere at once, and has neither beginning nor end).
This rookie mistake being easily resolved, the relieved creature (with an exuberant salutary twirl of its wand) soon reassembled and was happily on its way.
(But, {*Oh*} The Spheres! Sort of like music, only so much more!! {*Sigh*} Heavenly!!!)
*in explore
I found this view to be surreal. It felt like I was in an underground location looking through a portal to a different world...
Union Station, Denver
Quand le temps semble suspendu, un espace temps entre Arras et Marseille.
Les banalités d'un voyage en TGV...
When time seems suspended, a space time between Arras and Marseille.
The trivialities of a trip by TGV ...
space/time portal
Arch. Carlo Scarpa,
2 Giu. 1906 - 28 Nov. 1978
è stato uno dei più importanti architetti e designer del xx secolo
Nato a Venezia, ha studiato all' Accademia di Belle Arti della città, e ha collaborato con i più importanti vetrai di Murano, iniziando la sua carriera professionale.
È il 1969 quando Carlo Scarpa riceve da Onorina Tomasin Brion la commissione di un mausoleo, nella campagna di Altivole ai piedi di Asolo, da dedicare alla figura del marito, l'industriale Giuseppe Brion, inventore della Brionvega e tra i padri del design nel mondo dell'elettrodomestico.
Arch. Carlo Scarpa,
2 Giu 1906_ 28 Nov. 1978
he was one of the most important architects and designers of the twentieth century
Born in Venice, he studied at the city's Academy of Fine Arts, and collaborated with the most important Murano glassmakers, starting his professional career.
It was 1969 when Carlo Scarpa received the commission from Onorina Tomasin Brion for a mausoleum, in the countryside of Altivole at the foot of Asolo, to be dedicated to the figure of her husband, the industrialist Giuseppe Brion, inventor of Brionvega and among the fathers of design in the world of the household appliance
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I had a lovely trot around Portland last night with Shetha, Charles, Chris, Ben and Victor. This is the Broadway Bridge, where a truck nearly blew my tripod over as it flew by me, creating an awesome golden line through my shot. Weird, huh? It looks like some crazy special effect--maybe a rift in the space/time continuum (or some suchness).
Daisy macro with added light texture from PicMonkey! HSS! Also, Happy Mother's Day to all the wonderful Mum's out there!
Einstein said that the closer a traveller gets to the speed of light, the more compressed he will seem when viewed by a stationary observer. Looking at these stationary carriages, parked on the Watercress Line in Hampshire, I cannot help but wonder which of us is moving at relativistic speeds? Given that I think I know that the carriages aren't moving, it must be me.
But relativity says that if that were the case, then I would see the carriages in elongated form as they are receding from me. So clearly, something has gone awry with the space-time continuum.
If you don't fancy being compressed, think long and hard before commiting yourself to travel by train, vintage or otherwise.
Stephen Hawking’s A Brief History of Time explains that one travels from the past towards the future in the space-time of one’s expanding universe, without contradicting the thermodynamic, psychological and cosmological arrow of time.
Three millennia earlier Homer sang that all mortals face death (Odyssey book 11).
As we are all time travelers towards the inescapable future of death, religious Faith takes over. Faith chooses to cease caring about the increasing entropy: in God we trust for He is the Way, the Truth, and the Life (John 14, 6). A cemetery is merely a luminous time machine towards Him, as plain and simple as that. God is not limited by any dimension, not even time’s!
📷 Settings:
Canon EOS R5
Canon RF24-105mm F4 L IS USM @ 35 mm
ISO 640 - f/11 - [ 1/40 sec & 1/15 sec ] HDR