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And proudly wearing the yellow and blue, posing in front of a vintage sweet shop on Main Street at Haworth 1940s Weekend.
1960s black-and-white photo showing a street in Tihany, Hungary, with women posing, pedestrians, and the Fogas ABC store.
Vintage 1941 portrait of a Hungarian man in uniform with medal and glasses, taken in Budafok, Hungary. Dr. Gyula Jandó
Leica M6 TTL | Leitz 90mm Summicron Pre-ASPH | Kodak Tri-X @1600 | Kodak HC110b
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
Leica M6 TTL | Leitz Summarit 5cm 1.5 | Ilford Delta 3200 @ 6400 | Kodak HC110b
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
Portrait of Miss Malì
Picture: Davide Morino
Edit: Davide Morino
Outfit, makeup and hairstyle: Miss Malì
Model, MUAH: Miss Diversity
www.facebook.com/Mss.Diversity
Photographer: Hans
Coat: Collectif Clothing
Dress: Stop Staring/ Topvintage
Photographer: Patrick NDK Photography
Hair/Location: Little Shop of Beauty
Dress: Atelier "trotzdem" by Mary Krahe
Assistant: NM photographie
1950s vintage photograph of women sunbathing in swimsuits on a grassy beach in Balatonalmádi, Hungary. Magyary-Kossa Katalin
Chevrolet HHR Panel Van (2006-11) Engine 2000cc ) Ecotec LNF turbo S4
Registration Number FX 60 VZP (Lincoln)
CHEVROLET SET
www.flickr.com/photos/45676495@N05/sets/72157623638181561...
The Chevrolet HHR (Heritage High Roof) is a retro-styled high-roofed, five-door, five-passenger, front-wheel drive, that also comes as a panel van. Designed by Bryan Nesbitt it was launched at the 2005 LA Autoshow, for the 2006 model year. Its design was inspired by the late 1940s and 1950s Chevrolet Advance Design, with prominent squared front wings and a hemispherical grille. Its designer Bryan Nesbitt was also responsible for the design of the earlier Chrysler PT Cruiser. It was built at the Ramos Arizpe, plant Mexico, and was available for sale throughout North America. The HHR was also exported to Japan
The HHR had a cargo-carrying capacity of 62.7 cubic feet all models have a flat load floor, and fold flat passenger seat, with passenger models having a 60/40 split bench rear seat.
The panel van was available 2007-11
Diolch am 91,355,334 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 91,355,334 amazing views, every one is greatly appreciated.
Shot 17.04.2022 Weston Park (Classic Car Show), Weston-under-Lizard, Salop 157-064
back right wheel
-The Mercedes 500K is a sports car built by Mercedes-Benz between 1934 and 1936, and first exhibited at the 1934 Berlin Motor Show. It carried the factory designation W29.
Distinguished from the 500 sedan by the "K" in its name which denoted the kompressor (supercharger) only fitted to the sports cars, it succeeded the Mercedes-Benz 380 which had been introduced only the previous year, using a larger, more powerful engine and more opulent coachwork to meet customers' demands for greater luxury and performance
Predecessor Mercedes-Benz 380
Successor Mercedes-Benz 540K
Layout Front-engine, rear-wheel drive
Engine(s) 5,018 cc straight-8
Transmission(s) 4-speed or optional 5-speed manual
Alle Wagen sind mit einem Achtzylinder-OHV-Reihenmotor mit 5018 cm³ Hubraum und zuschaltbarem Roots-Gebläse ausgestattet.
Die Antriebseinheit liefert 74 kW (100 PS) im Saugbetrieb und mit Kompressor. Teilsynchronisierte Vier- oder Fünfgang-Getriebe leiten die Kraft an die Hinterräder weiter, die an einer schraubengefederten Pendelachse hängt.
Auch die Vorderachse hat Schraubenfedern. Alle vier Räder haben hydraulische Bremsen mit Saugluftunterstützung. Die Wagen erreichen eine Höchstgeschwindigkeit von 160 km/h.
The photo displays the interior of a vintage car. The steering wheel is chrome and the dashboard features gauges. The setting is a garage with natural light coming in.
Toronto, Canada.
Model: Abbey Kelly
Twitter: twitter.com/TheJennire
Instagram (Photographyl): www.instagram.com/jennirenarvaezphotography/
Instagram (Personal): instagram.com/thejennire
TikTok: www.tiktok.com/@thejennire
Model: Miss Diversity
www.facebook.com/Mss.Diversity/
Dress: Sterling Gold
Photographer: Heiko Kalweit
Black-and-white portrait of a young man wearing a military uniform, taken in Békéscsaba, Hungary, in 1937.
1950s sepia-toned photo of a couple near stone ruins in Visegrád, Hungary, capturing timeless outdoor serenity. Magyary-Kossa Katalin
Paris, France - September 2016: French man choosing a book on street market i in Montmartre neighborhood.
Cool cars, cooler outfits, and a whole lot of sunshine at the Classic Car Boot Sale, King’s Cross, Spring 2026.
Strobist info: 1 Canon 580EX inside a car, triggered with Skyport.
© Wojciech Jakubiuk, All rights reserved.
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In a city that has always blurred the line between counterculture and civic space, this flower-covered vehicle feels right at home. Set against a simple black backdrop and grounded by polished marble, the installation channels San Francisco’s long relationship with peace signs, psychedelia, and joyful excess. The form is unmistakable: a compact, forward-facing silhouette transformed into a rolling bouquet, its headlights glowing like friendly eyes beneath a crown of saturated color.
What makes this scene work is its balance. The symmetry is precise and architectural, almost formal, while the materials lean playful—dense florals, neon script, and oversized mushrooms arranged with care rather than chaos. Warm pinks, yellows, and oranges dominate, offset by cool blues in the neon and reflections below. The floor becomes part of the composition, mirroring color and light in a way that rewards slow looking.
This kind of installation feels distinctly San Francisco, where the legacy of the Summer of Love still surfaces in unexpected places, often indoors, often temporary, and often unapologetically sincere. The surrounding plants, holiday lights, and hanging peace symbols frame the scene without overpowering it, allowing the central object to read clearly even at a distance.
Photographed straight-on and centered, the image leans into clarity and graphic strength. It’s less about spectacle than tone: optimistic, slightly surreal, and grounded in the city’s comfort with expressive design. San Francisco doesn’t just preserve its past—it keeps remixing it.