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Gordonsville, in Orange County, Virginia had a population close to 2000 in 2020, and the town has a large number of architecturally significant structures. Main Street is a delight for house-lovers. This house is at 412 North Main Street. Described as Colonial Revival, this home was constructed circa 1900-1915. The 2-story weather boarded frame house has a complex roof with both gable and hip roofing; the roof covering appears to be metal. The gables visible (front and both sides) have gable returns. A tall external brick chimney on one side is the only visible chimney, although I was unable to view the rear. The four-over-four windows are slender and well-spaced except for a massing of three windows on one side, both top and bottom floors. A porch which extends most of the way across the front façade has turned balusters and roof support posts. There are three entrances to the porch, the wide on in the center and a smaller approach on each side. The house is included in the Gordonsville Historic District, which was added to the National Register of Historic Places October 13, 1983 with reference #83004250.
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I almost missed this shot because of the trees. A few seconds later and they would have disappeared out of sight. I always try to keep from getting people's faces out of respect.
Thanks for taking time to visit my new personal site here:
“A Story Teller" by Cheryl Chan Photography
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flowers brought to the temple in respect to the Gods
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More Temples here: Temples
check out more about Chinese cultures here:
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Just returned from the monkey temple down the road from our place.
Never know what to expect upon arriving and this trip was no different in that respect.
Coming around a corner at the base of the mountain I could hear festive music unlike the other day when all I herd was temple dogs barking and monkeys fighting.
Getting closer I observed workers putting up bleachers and a stage along with canvas shade with plastic chairs common here in Thailand.
Music sounded old Thai and very pleasant to the ears.
Spotted some shade under a big old tree close to where the bananas had been, pulled in and dismounted with camera in hand.
Slowly walked over where some monkeys were devouring a pile of Jack Fruit, found a safe comfortable spot and just started watching.
Seemed to be a number of females young and old, most with new born baby's in tow.
After about 10 minutes I noticed the females were having some kind of dispute among them. Soon it was obvious what was taking place !
Older females were attempting to kidnap the baby's from the younger females, which is only a guess on my part.
Many ideas come into play, sense there was a new Alpha Male ruling the tribe maybe they were trying to kill off the old Alpha's off spring. Maybe they were jealous, maybe I don't really have a clue !
A couple kidnappers ran off into the jungle with a new born never to be seen again. This is real life in the jungle. Brutal at times, Beautiful at others.
This little guy was terrified but reunited with his mom only seconds after this photo, she was only an arms length away and keeping a close eye on him.
Right after arriving the sun broke through the overcast sky and the temperature sky rocketed as did the humidity!
Figured a rain storm was about to take place at any time, so I shot fast.
Didn't take long and a couple of rain drops hit my hat, large like a marble and fast. Stepped back under an over hang of rock and boom sky opened up.
While standing there big vans started pulling in full of Thais here for some type of Buddhist ceremony.
As fast as the rain came it ended but one could see this is only the first of what the sky had in store for us.
Fired off a couple hundred more shots and figured this is good for today as lightning was now starting to make it's presence known in a violent display of noise and light.
Pulled the rain cover over the Think Tank Bag, mounted my ride and headed for home before being caught up in another down pour that was on it's way.
4 clicks from home the sky once again opened up right behind me and started to do it's thing.
Leaned forward, twisted the wick on my scooter and went for it.
Had no choice, rain was right on my heals, falling faster and faster and catching up quickly.
Came flying down the drive way and into the carport just as the whole sky lit up and opened up, close one...;-)
.
Of course WeeNee and The Worm were nice and dry waiting for my return, they both had been stretched out on the steps under cover with out a worry in the world.
For the most part I made it unscathed, slightly wet on the back and top of shoulders, no big deal at all.
Right now it's hard to see the other side of the river it's coming down so hard, monsoon will be here in June.
As for the duct tape, knife, and tape is if I get bit, wrap it and head for help. Knife is for what ever use it needs to be used for.
For the next week or so there will be a number of monkey photos coming, hope your up for it. Thanks in advance ..;-)
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Taken hand held under a triple canopy jungle
D300 Nikon, 70-300VR Nikkor.
Jon&Crew
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Ilford FP 4 Plus 125asa, ontwikkeld Ilford ID 11 1+1 20º 11 min. Leica-M6 TTL 0.72 Rangefinder, Elmarit-M 1:2.8/21mm ASPH.
Thank you everyone for your visit, favorites and comments
Merci à tous pour votre visite, favoris et commentaires
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Leica-M6 TTL 0.72. Elmarit-M 1:2.8/21mm ASPH. Ilford FP 4 plus 125asa.
Developer Ilford ID 11 1+1 20º 11 min.
Nikon Super Coolscan 5000 ED, Film Scanner.
Maastricht Limburg Nederland
The Netherlands.
Avant il faisait Prince Charmant, mais trop chiantes les gonzesses, alors il en a eu marre !
Il est venu me voir et m'a embrassé et depuis je suis sa Princesse, si si, c'est lui qui le dit et lui tout content est redevenu crapaud.
Depuis on est heureux de se retrouver chaque été.
Mais bien sur, il n'y a rien entre nous qu'un profond respect et une grande amitié.
(J'aime les gros crapauds solitaires, j'en ai dans mon jardin, j'en prends soin, je les prends dans mes mains s'il faut les déplacer pour qu'ils ne soient pas blessés quand on jardine...)
DSC07357
A walk from Snake pass to Bleaklow and the Superfortress Crash site to lay some poppies , then onto the Bothy and back to Snake Pass
Photos taken for a friend who is unable to walk with us any longer and wanted to pay his respects to the Aircrew from 1948. Photos taken with respect and no one touched or moved any wreckage. We left poppies and footprints.
Deutschland - Baden-Württemberg - Kaiserstuhl
Alt Vogtsburg
seen from Eichelspitze Observation Tower. In the background you can see the Vosges.
gesehen vom Eichelspitzturm. Im Hintergrund sieht man die Vogesen.
The Kaiserstuhl (German: [ˈkaɪzɐʃtuːl], lit. "Emperor’s Chair") is a range of hills in the state of Baden-Württemberg in southwest Germany with a maximum height of 556.6 metres (1,826 ft). It is of volcanic origin and located in the southwest of the state in the counties of Emmendingen and Breisgau-Hochschwarzwald. In terms of natural regions it is considered to be a part of the Upper Rhine Plain.
Name
The name "Kaiserstuhl" is believed to refer to King Otto III, who held court near Sasbach on 22 December 994. From then on, the whole hill range was called the Königsstuhl – the King’s Chair. In May 996, Otto III was crowned Emperor and the King’s Chair eventually became the Emperor’s Chair – "Kaiserstuhl". Reliable sources mention the name Kaiserstuhl only as early as 1304 and historians thus suppose that the term Kaiserstuhl was not coined until the 13th century.
Geography
Location
The Kaiserstuhl is situated in South Baden, mainly in Breisgau-Hochschwarzwald county or district. However, the smaller northern part belongs to Emmendingen. Within the Upper Rhine Plain it is situated about 16 km northwest of the city of Freiburg, right next to the eastern bank of the Rhine and a short distance west of the Dreisam. It reaches up to 377 metres above the level of the Rhine downstream (179.5 m a.s.l.) from the weir close to Burkheim.
At its greatest extent, from the Michaelsberg near Riegel in the northeast, to the Fohrenberg, by Ihringen in the southwest, the Kaiserstuhl is about 15 km long. Its maximum width is about 12.5 km.
Hills
The hills of the Kaiserstuhl include the following (sorted by height in metres above sea level):
Totenkopf (556.6 m), 1.9 km east of Bickensohl; with the Vogtsburg 1 telecommunication tower and Neunlinden observation tower
Eichelspitze (521.3 m), 2.8 km northwest of Bötzingen
Katharinenberg (492.4 m), 1.3 km southeast of Amoltern
Bisamberg (469.0 m), 1.2 km south of Amoltern
Staffelberg (446.0 m), 1.5 km northwest of Schelingen
Badberg (432.7 m) (protected area), 1.5 km east of Oberbergen
Holzeck (431.9 m), 1.7 km northeast of Ihringen; with tower
Hochbuck (374.8 m), 900 m south of Achkarren
Schlossberg (352.1 m), 500 m northwest of Achkarren; with Höhingen Castle ruins
Böselsberg (340.1 m), 500 m northwest of Wasenweiler
Büchsenberg (283.7 m), 1.3 km west of Achkarren
Geology
The formation of the Kaiserstuhl volcano during the Tertiary was the climax and at the same time the end of volcanic activity in the Upper Rhine Valley Rift. Volcanism started as early as the Cretaceous Period. Volcanic landforms include heavily eroded volcanic vents. The Kaiserstuhl is the only larger volcano from this period in the rift valley. Geologically the Kaiserstuhl can be divided into two parts: the sedimentary and volcanic part. Due to these peculiarities the Kaiserstuhl has been labeled one of the most important national geotopes.
Sedimentary base
The horizontal sedimentary layers forming the eastern third of the Kaiserstuhl date back to the Jurassic and the Tertiary long before the volcanic activity. Important stratigraphic outcrops include the Hauptrogenstein (local oolite) which is found mainly near the village of Riegel and the Pechelbronner Schichten (local Tertiary layers in the South German Scarplands) near Bötzingen. During the formation of the Upper Rhine Plain this part of the Kaiserstuhl sloped less in respect to its surrounding area – and thus appears as a so-called horst. In terms of its geological structure and the sequence of its escarpments, the Kaiserstuhl is comparable to the nearby Tuniberg, Nimberg and also to the Schönberg, which is situated south of the city of Freiburg.
Volcanic activity
Petrologically the volcanic Kaiserstuhl is an alkali-carbonate rock formation. The volcanic rocks making up a large part of the central and western Kaiserstuhl were the result of numerous volcanic eruptions during the Miocene, about 19 to 16 million years ago. They cover parts of the sedimentary base of the eastern Kaiserstuhl, which is why in some places changes in the base’s mineralogical composition occurred. The driving force behind this process of contact metamorphism was an increase in temperature. Due to the alternate eruption of tephra and lava flows from several vents a complex stratovolcano came into existence. Some of the rising magma solidified as volcanic intrusions below the surface – and today forms the central part of the Kaiserstuhl. Laterally rising phonolite magma also intruded into the sedimentary base of the Eastern Kaiserstuhl. Several hundred metres of the original volcano have been eroded.
Volcanic rocks
The entire volcanic Kaiserstuhl consists of rock types that contain feldspathoid minerals and olivine and are undersaturated with SiO2. Most igneous rocks at the surface are leucite-tephrites, with subordinate phonolites, limburgites, and olivine-nephelinites (at the Limberg Mountain near Sasbach), the last of which is rich in xenoliths from the Earth’s mantle. Carbonatite ignimbrite and lapilli are local peculiarities; they can be found in places in the western part of the Kaiserstuhl (Henkenberg near Burkheim, Kirchberg near Oberrotweil).
The subvolcanic and intrusive rocks of the central Kaiserstuhl are plutonic equivalents of the erupted material (essexite, carbonatite and coarse-granular phonolite). Several local terms which do not carry official status with the International Union of Geological Sciences have been used for different varieties of the intrusive rocks. Of major scientific interest is the consolidated carbonatite near Altvogtsburg und Schelingen. It is a quite rare volcanic rock, which crystallized from a carbonate magmatic melt rather than a silicate one. Given its unusual composition for an igneous rock, the magmatic nature of the carbonatite was not proposed for a long time and remained doubtful subsequently. An alternative interpretation was that it was a metamorphically altered sedimentary rock, examples of which can be found nearby. Only in the 1950s and 1960s did research prove that it was a carbonatite; one of the clues was identification of the eruptive carbonatites found in the western part of the Kaiserstuhl. The carbonatite contains the niobium rich pyrochlore; attempts to mine the carbonatite rock for niobium were carried out in the middle of the 20th century, but the amount turned out to be too small to be economical.
Minerals
For a long time the Kaiserstuhl has been known for rare minerals. Examples include the quarries at the Limberg (zeolites), Badberg (carbonatites), Orberg and Fohberg. Well-crystallized minerals can be found predominantly in clefts or cavities in the volcanic rock.
Loess
The Kaiserstuhl is today largely covered by a Quaternary loess layer, a loosely cemented sediment. It is derived from other rocks through erosion and is then transported by the wind. The loess at the Kaiserstuhl – as in all the peripheral areas of the Upper Rhine Valley – was formed during the last Ice Age. Large parts were bare of vegetation and so loess was winnowed out from the Rhine sediments. It was then deposited in the periglacial area (i.e. ice-free, but surrounded by glaciers) at the Kaiserstuhl. The major process active here was frost weathering resulting in crushed rocks. The wind blew strongly, as there was no vegetation that could have moderated it – entraining the lightest material and depositing it at obstacles like the Kaiserstuhl. Deposition took place northeast of the Kaiserstuhl, as the winds blew from the southwest.
The higher the place of sedimentation, the thinner the layer of the sedimented material is. At the Kaiserstuhl the thickness of the loess layer varies between 10 and 40 metres. There are, however, also areas in the southwest where no loess has been deposited. The Northern Limestone Alps are considered the main source of the Kaiserstuhl loess. A rust-coloured band occurs at irregular intervals. It developed as a new material and did not arrive regularly but in phases of different intensities. In a phase of weak sedimentation the material on top weathered – and the calcium carbonate was washed out. It then precipitated further down and formed a particular type of soil horizon, which contains concretions of calcium carbonate.
The Kaiserstuhl loess soils are used for intensive farming, as they offer good aeration, high water storage capacities and good mechanical qualities. Besides, as a result of farming deep narrow ravine-like paths developed.
As the loess developed over time it is, furthermore, significant for flood control. Sponge-like, it absorbs and then gently releases rainfall. This quality is however lost when bulldozers, employed to construct large terraces for viticulture, compress the loess.
Climate
General
The Kaiserstuhl is one of the warmest regions in Germany. The winters are relatively mild for the area, and the summers are warm or even hot, with possible average temperatures of over 20 °C (68 °F) in July and August. Because of its loess covered volcanic soils it is a very good wine-producing region. The climatic situation of the Kaiserstuhl is outstanding in the area. It is rain-shadowed by the Vosges Mountains, under the climatic influence of the Belfort Gap and is characterized by a drier and hotter climate, which one would rather expect not to be typical of the area. Despite this, winters remain cold and dry, and summers wet, in comparison with Mediterranean climate (which instead has a rainfall peak during winter, which can see few frost days, and a dry season in summer).
Meteorological data
The average annual temperature is 9.9 °C (49.8 °F), with 50–60 days with a maximum temperature above 25 °C (77 °F) as well as 60–70 days with a minimum temperature below 0 °C (32 °F). This illustrates a special feature of the Kaiserstuhl: it is characterized by its relatively extreme climate. The average difference between the lowest and the highest average temperatures within one year is 18.5 °C (65.3 °F). The mean precipitation at the Kaiserstuhl is approximately 600–700 millimetres (24–28 in), with about 1,720 hours of sunshine per year.
Flora and fauna
The climate of the Kaiserstuhl also explains the vast richness of thermophile flora and fauna. The Kaiserstuhl is for example one of the places with the largest variety of orchids in Europe – more than 30 species have been recorded. Among the vines wild grape hyacinths sprawl and along acclivities iris plants blossom. Furthermore, sand lizards (lacerta bilineata) and praying mantis (Mantis religiosa) live here – species which mainly occur in the Mediterranean area. (However, according to the latest research results the sand lizard presumably belongs to the allochthonous species of the European green lizard (Lacerta viridis)). The pubescent oak (Quercus pubescens) is a Xerophyte and normally only occurs in Southern Europe, but is also able to survive at the Kaiserstuhl. This species has a disjunct distribution, which means away from its normal habitat. It is a relict of a postglacial warm period where there had been a much warmer climate around the Kaiserstuhl. After the end of the warm period only the named species were able to survive. Besides there is a larger population of the May beetle (Melolontha melolontha). In spite of protests from conservationists the May Beetle is controlled by the use of insecticides.
Changes in landscape
The terrain of the Kaiserstuhl has been altered by the people living there since it was settled. The loam there is strongly susceptible to erosion as a result of soil cultivation, thus terraces had to be added, which were then mostly used as vineyards, as well as fruit growing or for other agricultural uses. As a result, the typical small "patio" hillsides and the streaked loess sunken roads typical of the region came into being.
To start with, it was for this reason that smaller terraces were merged in around 1950, this resulted in large scale reallocation, which turned parts of the original landscape completely upside down.
The phases of this reallocation were:-
Small-scale realignment between 1950 and 1960. At the same time the terrain was generally modified by manual labour with the help of in-house machines. During this time approximately 950 hectares were enclosed by the farmland consolidation authority.
Between 1960 and 1970 the loess slopes were more comprehensively modified, whereby large rectangular terraced areas with corresponding high embankments were made. The terraces were arranged with mountain like slopes so that now only the multiple slope edges are visible from the valley. About 650 hectares of the surface were styled in this way.
The plans to create large-scale terraces made between 1970 and 1976 were executed with the help of heavy machinery, changing the landscape radically. Before the original, naturally formed, depressions had still been visible in the gentle hillsides with only small terraces. Natural and man-made structures existed side by side. However, these small-scale structures were then obliterated completely. Monstrous areas resembling fortresses and entirely incongruous to the region were created. The total wine-growing area of the terraces was 630 ha. As the embankments and other areas exceeded the size of the wine-growing areas, the changes affected more than twice the newly created arable area. The land reforms of Oberrotweil-Oberberg, Ihringen-Abtsweingarten, Eichstetten-Hättlinsberg and Endingen am Kaiserstuhl-Schambach are examples of this phase.
The last phase of wine-growing land reforms was realized between 1976 and 1982. Due, in part, to protests against plans for further large scale terraces the changes were not as radical as the previous phase: the maximum height for embankments was "limited" to 10 m and their shapes were "made smooth and adjusted to the landscape" (Mayer 1986, citation translated). This procedure was, for example, applied to about 330 ha of wine-growing area in Oberbergen-Baßgeige or in Bickensohl-Herrenstück.
From 1977 on, several longer periods of enhanced precipitation caused damage to the embankments. During one week in May 1983 for example, the amount of precipitation was so large that in some areas it was equivalent to one third of the annual average, causing great damage in the modified areas.
The surfaces of the acclivities often slid off together with the vegetation. Former valleys, which had been blocked due to re-allocation, were flushed out. In some terraces dramatic shear failures developed. In addition extensive, devastating frost damage occurred; due to the incline of the mountainside at the surfaces of the acclivities, cold air pockets were formed in which the vines in bloom were frostbitten. Additionally substantial frost damage occurred in the woody part of the vines, especially in the vineyards which were situated in lower regions. In earlier times fruit had mostly been grown here but later this was changed to vineyards.
The activity of the farmland consolidation authority was narrowed to repairing and partly to rescheduling which at least was meant to correct the most severe consequences of the transformations from 1982 on.
Hiking
There are many opportunities for hiking in the Kaiserstuhl. The best known trail is the North-South Trail (check mark: blue rhomb on yellow background) from Endingen across the Katharinenberg and the Totenkopf and the Neunlinden viewing point to Ihringen. From the trail there are panoramic views over the Black Forest, the Upper Rhine Valley and the Vosges.
(Wikipedia)
Der Kaiserstuhl ist ein bis 556,8 m ü. NHN hohes, kleines Mittelgebirge vulkanischen Ursprungs in der Oberrheinischen Tiefebene. Es erhebt sich im Südwesten von Baden-Württemberg (Deutschland), in den Landkreisen Emmendingen und Breisgau-Hochschwarzwald.
Namensdeutung
Seinen Namen hat der Kaiserstuhl vermutlich von König Otto III., der bei Sasbach am 22. Dezember 994 einen Gerichtstag abhielt. Nach diesem Gerichtstag wurde das ganze Gebirge als „Königsstuhl“ bezeichnet. Nachdem Otto III. im Mai 996 zum Kaiser gekrönt worden war, wurde aus dem „Königsstuhl“ der „Kaiserstuhl“. Nachweislich belegt ist die Bezeichnung „Kaiserstuhl“ erst seit 1304. Historiker vermuten, dass der Begriff „Kaiserstuhl“ nicht vor dem 13. Jahrhundert entstand.
Geographie
Lage
Naturräumlich wird der Kaiserstuhl zum Oberrheinischen Tiefland gezählt und stellt dort die Haupteinheit 203 dar. Er befindet sich in Südbaden zum Großteil im Landkreis Breisgau-Hochschwarzwald, der kleine Nordteil gehört zum Landkreis Emmendingen. Innerhalb der Oberrheinischen Tiefebene liegt er etwa 16 km nordwestlich der Großstadt Freiburg, direkt östlich des Rheins und etwas westlich der Dreisam. Er erhebt sich maximal 377,1 m über den Rhein unterhalb (179,5 m) des Stauwehrs bei Burkheim.
In seiner weitesten Ausdehnung vom Michaelsberg bei Riegel im Nordosten bis zum Fohrenberg bei Ihringen im Südwesten ist der Kaiserstuhl rund 15 km lang, seine größte Breite beträgt etwa 12,5 km.
Berge
Zu den Bergen, Erhebungen und deren Ausläufern des Kaiserstuhls gehören – sortiert nach Höhe in Meter (m) über Normalhöhennull[1]:
Totenkopf (556,8 m), 1,9 km östlich von Bickensohl; mit Fernmeldeturm Vogtsburg-Totenkopf und Aussichtsturm Neunlinden
Eichelspitze (521,3 m), 2,8 km nordwestlich von Bötzingen mit dem Eichelspitzturm
Katharinenberg (491,9 m), 1,3 km südsüdöstlich von Amoltern
Bisamberg (469,6 m), 1,2 km südlich von Amoltern
Staffelberg (447,6 m), 1,5 km nordnordwestlich von Schelingen
Badberg (432,7 m) (Naturschutzgebiet), 1,5 km östlich von Oberbergen
Holzeck (431,9 m), 1,7 km nordnordöstlich von Ihringen; mit Sendeturm
Hochbuck (375,2 m), 900 m südlich von Achkarren
Schlossberg (351,9 m), 500 m nordwestlich von Achkarren; mit Burgruine Höhingen
Böselsberg (340,1 m), 500 m nordwestlich von Wasenweiler
Hochberg, (288,7 m), 900 m nordöstlich von Jechtingen
Büchsenberg (283,7 m), 1,3 km westlich von Achkarren
Geologie
Die Entstehung des Kaiserstuhlvulkans im Tertiär stellt sowohl den Höhepunkt als auch den Schlusspunkt der vulkanischen Aktivität im Oberrheingraben dar. Diese begann schon in der Kreidezeit und zeigt sich in zahlreichen, heute tief erodierten Vulkanschloten. Der Kaiserstuhl ist der einzige größere Vulkan aus dieser Zeit im Bereich des Oberrheingrabens. Dieser trifft hier auf den Bonndorfer Graben, der über den Hegau zum Bodensee führt. Gegen Ende des Oligozäns drang Magma empor, erstarrte jedoch noch unter der Erdoberfläche. Erst im Miozän kam es zu einem Durchbruch und zu großflächigen Lavaströmen. Geologisch gesehen lässt sich der Kaiserstuhl in einen sedimentären und einen vulkanischen Teil gliedern. Aufgrund dieser Besonderheiten wurde der Kaiserstuhl als eines der bedeutendsten nationalen Geotope Deutschlands ausgezeichnet.
Sedimentärer Sockel
Die das östliche Drittel bildenden, nahezu horizontal lagernden Sedimentgesteine wurden lange vor der vulkanischen Aktivität zu Zeiten des Juras und Tertiärs gebildet. Wichtige aufgeschlossene stratigraphische Einheiten sind der Hauptrogenstein (hauptsächlich in Riegel) und die Pechelbronner Schichten (in der Gegend von Bötzingen). Dieser Teil des Kaiserstuhls wurde während der Entstehung des Oberrheingrabens weniger stark als seine Umgebung abgesenkt und stellt einen sogenannten Horst dar. Er entspricht im Aufbau und der Schichtenfolge äquivalenten Strukturen im näheren Umkreis, wie dem Tuniberg und Nimberg westlich sowie dem Schönberg südlich von Freiburg im Breisgau.
Vulkanismus
Petrologisch handelt es sich beim vulkanischen Kaiserstuhl um einen Alkaligesteins-Karbonatit-Komplex. Die den Großteil des zentralen und westlichen Kaiserstuhls aufbauenden vulkanischen Gesteine wurden vor rund 19 bis 16 Millionen Jahren im Miozän durch zahlreiche Vulkanausbrüche gebildet. Sie überlagern teilweise den sedimentären Sockel des östlichen Kaiserstuhls, wodurch dieser stellenweise kontaktmetamorph, das heißt durch Einwirkung hoher Temperatur, verändert wurde. Durch abwechselnde Eruption von Tephra und Lavaströmen aus mehreren Schloten bildete sich ein komplexer Schicht- oder Stratovulkan. Emporquellendes Magma erstarrte teilweise als subvulkanische Intrusion im Vulkangebäude und baut heute den Zentralkaiserstuhl auf. Lateral aufsteigende phonolithische Schmelzen drangen auch in den sedimentären Sockel des östlichen Kaiserstuhls. Bis heute wurden durch Erosion mehrere 100 m des ursprünglichen Vulkans abgetragen.
Vulkanische Gesteine
Der gesamte vulkanische Kaiserstuhl besteht aus Foid- und/oder Olivin-führenden, SiO2-untersättigten Gesteinen. Bei den Eruptivgesteinen handelt es sich zum größten Teil um Leucit-Tephrit, untergeordnet auch Phonolith, Limburgit und Olivin-Nephelinit (am Limberg bei Sasbach). Letzterer ist sehr reich an Xenolithen aus dem Erdmantel. Als Besonderheit bei den Eruptivgesteinen sind karbonatitische Ignimbrite und Lapilli zu nennen, die im Westkaiserstuhl an einigen Stellen (Henkenberg bei Burkheim, Kirchberg bei Oberrotweil) aufgeschlossen sind.
Bei den subvulkanischen Intrusionen und Ganggesteinen des zentralen Kaiserstuhls handelt es sich um die Tiefengesteinsäquivalente der Ausbruchsprodukte (Essexit, Karbonatit und grobkörnigerer Phonolith). Für verschiedene Varietäten der Ganggesteine existieren in der Literatur eine Fülle weiterer Bezeichnungen (Alvikit, Hauynophyr, Mondhaldeit, Tinguait, Monchiquit und viele andere), die aber teilweise keine allgemein anerkannten Gesteinsnamen sind. Von großem wissenschaftlichen Interesse ist der bei Altvogtsburg und Schelingen anstehende Karbonatit. Dabei handelt es sich um ein recht seltenes vulkanisches Gestein, das nicht aus einer silikatischen, sondern aus einer karbonatischen Schmelze auskristallisierte. Aufgrund dieses ungewöhnlichen Umstandes wurde die magmatische Natur des Karbonatits lange Zeit nicht erkannt oder in Zweifel gezogen. Alternative Interpretationen gingen von kontaktmetamorph veränderten Sedimentgesteinen aus, die bekanntermaßen in unmittelbarer Nähe zu finden sind. Erst in den 1950er- und 1960er-Jahren gelang es, das Gestein gesichert als Karbonatit zu identifizieren, unter anderem durch das Auffinden der eruptiven Karbonatite im westlichen Kaiserstuhl. Wegen des in ihm auftretenden Niob-Minerals Koppit wurde der Karbonatit in der Mitte des 20. Jahrhunderts versuchsweise bergmännisch abgebaut. Allerdings erwiesen sich die Gehalte als zu gering für eine Nutzung in größerem Umfang.
Minerale
Seit langer Zeit ist der Kaiserstuhl als Fundstelle für zum Teil seltene Minerale bekannt. Besondere Fundstellen sind die Steinbrüche im Limburgit des Limbergs (verschiedene Zeolithe), im Karbonatit am Badberg und Orberg (Koppit) und im Phonolith des Fohbergs und des Kirchbergs (Zeolithe, Wollastonit, Melanit). Überwiegend treten diese als Kluftminerale oder Blasenfüllungen (Mandelstein) auf.
Lössbedeckung
Der Kaiserstuhl ist heute weitgehend von einer quartären Lössschicht bedeckt. Löss ist ein Lockersediment, welches durch Erosion anderer Gesteine entsteht und durch äolischen Transport an seinen Ablagerungsort befördert wird. Der Löss entstand – wie im gesamten Randbereich der Oberrheinebene – während der letzten weitgehend vegetationsfreien Eiszeit durch Auswehung aus dem Rheinschlamm. Die Ablagerung fand im periglazialen (eisfreien, jedoch von Gletschereis umgebenen) Gebiet um den Kaiserstuhl statt. Der Hauptprozess, der in dieser Region stattfindet, ist Frostsprengung von Gestein. Da keine Vegetation vorhanden ist, die den Wind bremsen könnte, weht dieser beständig stark. Er nimmt das leichteste Material mit und lagert es an Hindernissen, beispielsweise dem Kaiserstuhl, wieder ab. Hierbei ist zu beachten, dass die Ablagerung im Lee stattfindet, im Falle des Kaiserstuhls – wo der Wind aus Südwesten wehte – also im Nordosten. Je höher der Sedimentationsort liegt, desto dünner ist die Schicht tatsächlich abgelagerten Materials. Am Kaiserstuhl liegt die Mächtigkeit der Lössschicht zwischen 10 und 40 Metern, es gibt jedoch auch Orte im Südwesten, an denen kein Löss sedimentiert wurde. Der Herkunftsort des Lösses am Kaiserstuhl lag hauptsächlich in den nördlichen Kalkalpen. Auffällig im anstehenden Löss ist ein sich in unregelmäßigen Abständen wiederholender, rostfarbener Streifen. Dieser entsteht durch die phasenweise Anlieferung neuen Materials. Während einer schwachen Sedimentationsphase verwittert das obenauf liegende Material, wobei der Kalk ausgewaschen wird. Hierbei bildet sich Lösslehm. Der ausgewaschene Kalkanteil fällt weiter unten im Bodenprofil wieder aus und bildet den sogenannten Lösskindelhorizont. Zu jedem Ausfällungshorizont gehört deshalb ein Anreicherungshorizont.
Die Lössböden des Kaiserstuhls werden agrarisch intensiv genutzt, da sie eine gute Belüftung bieten und eine hohe Wasserspeicherfähigkeit sowie mechanisch gute Eigenschaften besitzen. Außerdem sind im Zuge der landwirtschaftlichen Nutzung die sogenannten Lösshohlwege entstanden.
Der gewachsene Löss ist zudem für den Hochwasserschutz von Bedeutung, da er starke Niederschläge wie ein Schwamm aufnimmt und dann gleichmäßig wieder abgibt. Durch die Anlage von Großterrassen für den Weinbau am Kaiserstuhl wird der Löss jedoch mit Planierraupen verdichtet und verliert diese Eigenschaft.
Klima
Allgemeines
Klimatisch zählt der Kaiserstuhl zur temperaten (gemäßigten) Klimazone. Durch die in der Oberrheinebene vorherrschende Wärmebegünstigung gehört er jedoch zu den wärmsten Orten Deutschlands mit für Mitteleuropa vergleichsweise milden Wintern und warmen Sommern, die teilweise sogar Durchschnittstemperaturen von über 20 Grad in den Monaten Juli und August aufweisen können. Durch seine mit Löss bedeckten vulkanischen Böden ist er ein sehr gutes Weinanbaugebiet. Die klimatischen Voraussetzungen des Kaiserstuhls heben sich von seiner Umgebung deutlich ab. Er liegt im Regenschatten der Vogesen, im Einfluss der Burgundischen Pforte, und hat somit ein eher trockenes Klima.
Meteorologische Daten
Die Jahresmitteltemperatur beträgt 9,9 °C, wobei sowohl 50 bis 60 Sommertage als auch 60 bis 70 Frosttage zu verzeichnen sind. Dies spiegelt schon ein besonderes Merkmal des Kaiserstuhls wider, denn er zeichnet sich durch recht extreme Klimaverhältnisse aus, was sich besonders in der durchschnittlichen jährlichen Temperaturschwankung von 18,5 °C ausdrückt. Der mittlere Niederschlag auf dem Kaiserstuhl beträgt etwa 600 bis 700 mm, bei jährlich rund 1.720 Stunden Sonnenschein.
Flora und Fauna
Das Klima des Kaiserstuhls erklärt auch die große Fülle an wärmeliebender Flora und Fauna. Beispielsweise ist der Kaiserstuhl einer der Orte mit der größten Orchideenvielfalt in Europa – mehr als 30 Arten wurden registriert. Zwischen den Rebstöcken wuchern wilde Traubenhyazinthen, und an Böschungen blühen Schwertlilien. Außerdem leben hier Bienenfresser, Smaragdeidechsen und Gottesanbeterinnen (Mantis religiosa) – Arten, die ihren Verbreitungsschwerpunkt im mediterranen Bereich haben (nach neuen genetischen Studien handelt es sich bei der Smaragdeidechse allerdings um eine wahrscheinlich allochthone Population der Östlichen Smaragdeidechse). Die Flaumeiche ist ein Xerophyt und kommt sonst vor allem in Südeuropa vor, am Kaiserstuhl kann sie sich jedoch vor allem im Flaumeichenwald am Büchsenberg als Niederwald halten. Diese Arten leben in einem disjunkten Areal, also von ihrem normalen Verbreitungsgebiet abgetrennt. Dies ist ein Relikt einer postglazialen Warmzeit, zu der auch im Gebiet um den Kaiserstuhl ein deutlich wärmeres Klima herrschte. Nach Ende der Warmzeit konnten die genannten Arten nur noch am Kaiserstuhl überleben. Außerdem gibt es am Kaiserstuhl größere Populationen des Maikäfers. Die Art wurde in der Vergangenheit trotz Kritik von Umweltschützern mit Insektiziden bekämpft, so etwa im Jahr 2009. Die Aktion wurde damit begründet, dass der Maikäfer ansonsten existenzbedrohende Schäden in der umliegenden Landwirtschaft auslösen könnte.
Landschaftsveränderung
Die Oberfläche des Kaiserstuhls wurde vom wirtschaftenden Menschen seit dessen Besiedlung verändert. Da Löss infolge der Bodenbearbeitung stark erosionsanfällig ist, mussten Terrassen geschaffen werden, die meist als Rebflächen, teilweise auch für Obst- oder zum Ackerbau genutzt wurden. Dadurch entstanden schon früh die typischen kleinterrassierten Hänge, die zudem von den ebenfalls durch die „Nutzung“ entstandenen Lösshohlwegen durchzogen wurden.
Im Sinne der Flurbereinigung wurde um 1950 damit begonnen, zunächst kleinere Terrassen zusammenzulegen; dies endete in Großumlegungen, welche die ursprüngliche Landschaft in Teilbereichen völlig umgestalteten. Diese Umgestaltung begann zwischen 1950 und 1960 mit kleinräumigen Neuordnungen. Dabei wurde das Gelände meist in Handarbeit bzw. mit Hilfe betriebseigener Maschinen umgestaltet. In dieser Zeit wurden rund 950 ha von den Flurbereinigungsbehörden flurbereinigt.
Zwischen 1960 und 1970 wurden die Lösshänge umfassender umgestaltet, wobei große, tiefe und möglichst rechteckige Terrassenflächen mit entsprechend hohen Böschungen entstanden. Die Terrassen wurden mit bergseitiger Neigung angelegt, so dass jetzt vom Tal aus vielfach nur noch die Kanten sichtbar sind. Auf diese Art entstanden rund 650 ha Rebfläche.
Mit umfassendem Maschineneinsatz wurden die Großterrassenplanungen der Jahre 1970 bis 1976 umgesetzt, die das Landschaftsbild deutlich veränderten. Vor diesen Maßnahmen zeichneten sich in den sanften Hängen, deren Oberflächen von den kleinen Terrassen überprägt waren, noch die ursprünglich natürlich entstandenen Senken ab. Statt diesem Nebeneinander von natürlichen und vom Menschen geschaffenen Strukturen nehmen die Kritiker nun festungsartige und landschaftsfremde Oberflächen wahr, die eine Gesamtgröße von ca. 630 ha Rebfläche bieten. Da die Böschungen und sonstigen Flächen größer waren als die Rebflächen, erstreckte sich die Landschaftsveränderung jeweils auf mehr als das Doppelte der neu geschaffenen nutzbaren Fläche. Beispiele für diese Phase sind die Flurbereinigungen Oberrotweil-Oberberg, Ihringen-Abtsweingarten, Eichstetten-Hättlinsberg und Endingen am Kaiserstuhl-Schambach. Inzwischen war der Großteil der Lösshohlwege durch die Flurbereinigung verschwunden, die zuvor ökologische Nischen speziell für Wildbienen und Vögel gewesen waren.
Die letzte Phase der Rebflurbereinigung erstreckte sich auf die Zeit zwischen 1976 und 1982, in der unter anderem wegen der Proteste gegen die Großterrassenplanungen gemäßigt vorgegangen wurde: Die Böschungshöhen wurden auf maximal 10 m „beschränkt“, der Böschungsverlauf wurde „geschwungen angelegt und der Landschaft angepasst“. Mit diesen Verfahren wurden zum Beispiel in Oberbergen-Baßgeige oder in Bickensohl-Herrenstück rund 330 ha Rebfläche bearbeitet.
Nachdem ab 1977 durch länger anhaltende niederschlagsreiche Perioden Böschungsschäden entstanden waren, fielen in der Pfingstwoche des Jahres 1983 Niederschlagsmengen, die teilweise ein Drittel des Jahresmittels ausmachten. Diese führten in den umgelegten Gebieten zu Schäden: Die Böschungsoberflächen rutschten vielfach mitsamt der Vegetation ab, ehemalige, durch die Umlegungen verschüttete Talzüge wurden ausgeschwemmt, in einzelnen Terrassen entstanden tiefgreifende Grundbrüche. Überdies kam es in den Folgejahren zu Frostschäden. Durch die bergseitige Neigung der Terrassenoberflächen konnten sich Kaltluftseen bilden, in denen die Reben vor allem in der Blüte erfroren.[6] Außerdem entstanden, vor allem in den niedriger gelegenen Rebflächen, in denen zuvor meist Obst angebaut worden war, erhebliche Frostschäden am Holz der Rebbestände.
Die Tätigkeit der Flurbereinigungsbehörden beschränkte sich in der Zeit nach 1982 auf Reparaturarbeiten und partielle Umplanungen, die zumindest die schwersten Folgen der Umgestaltungen korrigieren sollten. Inzwischen hatte man auch begonnen, die verbliebenen Lösshohlwege als Naturdenkmale auszuweisen und sie zu schützen.
Seit 2021 wird auf einer Fläche von etwa einem Hektar Echter Lavendel und Lavandin angebaut. Dank der Wärme und der kalkreichen Böden gedeiht er gut. Zwei der vier Felder liegen in Bischoffingen, wo es auch einen Hofladen gibt und je eines in Königschaffhausen und Burkheim. Auf letzterem wachsen neun verschiedene Sorten.
Wandern
Der bekannteste und „klassische“ Wanderweg ist der Neunlindenpfad (Nord-Süd-Weg); er ist einer von acht Themenpfaden und führt von Endingen über den Katharinenberg und den Totenkopf mit Aussichtsturm Neunlinden nach Ihringen. Von den Wegen bieten sich vielerorts Ausblicke auf den Schwarzwald, die Rheinebene und die Vogesen. Auch der Querweg Schwarzwald–Kaiserstuhl–Rhein führt über den Kaiserstuhl.
Als Wissenschaftlicher Lehrpfad wurde 1977 der Limberg-Weg angelegt. Er umfasst 90 Stationen zu den Themen Geologie und Mineralogie, Geschichte, Naturschutz und Landschaftspflege, Forstwirtschaft, Wein- und Obstbau, Rheinbau und Wasserwirtschaft, sowie Landeskunde.
Die acht Themenpfade wurden 2007 mit einer Gesamtlänge von 140 km eröffnet und in das bestehende Wanderwegenetz des Schwarzwaldvereins (Markierung: gelber Rhombus auf weißem Hintergrund) integriert. Dabei wurde das Wanderwegenetz mit 430 neuen Wegweisern ausgeschildert. Große Tafeln mit einer Übersichtskarte und mit Standortinformationen sind an zentralen Punkten wie zum Beispiel an Bahnhöfen in den von den Themenpfaden verbundenen oder durchlaufenden Ortschaften aufgestellt. Jeder Themenpfad ist durch eine eigene Farbe und ein dem Namen entsprechendes Symbol auf den Eingangsportalen und den Wegweisern optisch gekennzeichnet. Weitere 120 kleinere Thementafeln erläutern entlang der Wanderwege lokale Besonderheiten. Örtliche Pfade, wie zum Beispiel der Brunnenpfad (7 km) in Bötzingen, wurden in das neue Netz der Themenpfade integriert.
Die acht Themenpfade wurden 2010 durch den Kaiserstuhlpfad ergänzt, der als Prädikatswanderweg das Gütesiegel „Qualitätsweg Wanderbares Deutschland“ erhielt. Der 21,7 km lange Kaiserstuhlpfad orientiert sich mit einigen Erweiterungen am Neunlindenpfad (Nord-Süd-Weg) und führt von Endingen durch das Erletal hoch zur Katharinenkapelle, entlang der Naturschutzgebiete Badberg und Haselschacher Buck zum Eichelspitzturm, weiter über den Vogelsang-Pass zum Neunlindenturm, durch den Lößhohlweg Eichgasse nach Bickensohl und über den Kreuzenbuck durch die Lenzengasse nach Ihringen.
(Wikipedia)
Die Eichelspitze ist ein 521,3 m ü. NHN hoher Berg. Er bildet nach dem Totenkopf (556,8 m ü. NHN) die zweithöchste Erhebung des Kaiserstuhls in Baden-Württemberg. Ihr Gipfel liegt am Ostrand dieses Mittelgebirges, nahe dem Treffpunkt der Gemarkungsgrenzen von Eichstetten, Bötzingen und Vogtsburg.
Bruderhäusle und St. Erhardskapelle
Auf dem Gipfel der Eichelspitze hat sich eine spätmittelalterliche, aus Küche und Schlafraum bestehende Eremiten-Einsiedlei mit angrenzender St. Erhards-Kapelle nachweisen lassen. Nach ersten Lesefunden von Hobbyarchäologen fanden die Reste der Gebäude besondere Beachtung, als im Zuge der Errichtung eines provisorischen Aussichtsturmes weitere Funde aus dem 14. bis 16. Jahrhundert zu Tage kamen. Bei der gezielten Grabung vor der Errichtung des heutigen Eichelspitzturmes (Eröffnung im Juli 2006) kamen unter anderem zahlreiche Ofenkacheln, Bruchstücke von Geschirrkeramik, Maultrommeln und eine Ringfibel aus Bronze hinzu, die einen guten Einblick in das alltägliche Leben der vor Ort lebenden Eremiten bieten.
Der Gebäudekomplex war Teil des in Sichtweite, 2,1 km (Luftlinie) entfernt gelegenen St. Petersklosters auf dem Neunlinden-Buck (555 m ü. NHN; Totenkopf-Nebengipfel), das Hesso von Baden-Hachberg einigen Pauliner-Ordensbrüdern 1387 übertrug. Die St. Erhards-Kapelle wird unter anderem 1491 in einem Urbar der Eichstetter Pfarrei erwähnt, das die Einnahmen der kleinen Kirche thematisiert.
Da Eichstetten zur Herrschaft Hachberg gehörte und sich somit schon früh der Reformation anschloss, wurde die Einsiedelei wahrscheinlich in dieser Zeit aufgegeben. Schichten von Ofenbauteilen und Baumaterial lassen auf einen Abbruch des Gebäudes schließen. Von dem einst von einem Graben umgebenen Gebäudekomplex von ungefähr 16 auf 9 Meter (mittels Georadar nachgewiesen) ist heute noch ein Mauerrest von 4 m Breite und 2,5 m Höhe zu sehen. Die bauliche Struktur des Bruderhäusles ist seit der Eröffnung des Fundortes als Bodendenkmal durch eine Lage oberirdischer Granitblöcke nachgebildet.
Eichelspitzturm
Seit Juli 2006 steht auf der Eichelspitze der insgesamt 42,5 Meter hohe Eichelspitzturm, der in einer Gemeinschaftsaktion der Gemeinden Eichstetten, Bötzingen, Bahlingen und Vogtsburg sowie des Fördervereins Eichelspitztum e. V., des Landes Baden-Württemberg und dem Mobilfunkanbieter O2 realisiert wurde. Die Höhe der Besucherplattform beträgt 28 Meter, von dort bietet sich ein guter Rundumblick auf Kaiserstuhl, Schwarzwald und Vogesen.
Besichtigung der Eichelspitze
Die Eichelspitze ist nicht mit dem Auto befahrbar, kann aber über einen als Rundweg konzipierten Geopfad erreicht werden, der im Samengarten der Stiftung Kaiserstühler Garten in Eichstetten startet. Der gut neun Kilometer lange Weg führt in etwa 1,5 Stunden über den alten Eichstetter Steinbruch zum Gipfel. Vom Parkplatz Fohrenbuck (Eichstetten) ist es etwa ein Kilometer Fußmarsch auf die Anhöhe, die Eichelspitze ist auch gut vom Vogelsang-Pass (277 m ü. NHN) zwischen Bötzingen und Vogtsburg zu erreichen.
(Wikipedia)
I had the chance to help Mike Psiaki with the LEGO 10265 Creator Expert Ford Mustang GT, and although he would respect the changes I made to his first prototype while I had it for myself for a few weeks, and later in the process he would listen to my advice 90% of the time, I just couldn’t make him do it in any of the colors I really wanted.
One of the colors was dark red, which I think fits the 1967 Ford “Indian Fire” quite well, then it would have a black hood and white interior, looked ace. The other one l liked a lot, but hardly any brick used in the Mustang exists in that color is olive green, that matches Ford’s “Lime Gold” and looks great with black stripes. The third color in the pool was of course the dark green Mustang, matching Lt. Bullitt’s car. Therefore the first thing I did after I received my copy of the box, I slaughtered it for parts, collected everything I needed in dark green, painted the stuff I didn’t have or that doesn’t exist, and build the car. Except for the color, the grille insert, the ignition wires (I made them with the strings with knob because I wanted eight), and except for some technical changes that I made so I didn’t have to paint too much, my version is built just like the set.
I also changed light gray “chrome” for silver (painted what doesn’t exist), and I probably will get custom chrome from Chrome Block City ( store.bricklink.com/Aurimax#/terms ) just to see how it looks like. Maybe someday in the future when I have nothing to do I will also redo it to Bullitt specs (shifter, no middle consol, woodgrain, proper numberplates, blahblah), for now this does the job, especially because I think that this set feels more like an incredibly good MOC than an official set.
I must admidt, my respected piers work hard to capture an array of different birds, Birds I've never even heard of, beautiful images. But me, I can't stop, and have never tired of shooting these guys. They have been my favorites since childhood. They have an amazing disposition. Their honking is the most beautiful country sound next to running water. So if you see lots of Geese shots well, that's why.
Coyote Hills Regional Park
Fremont, Ca
©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2020 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©
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This photograph was published in an article in 'TIME OUT' magazine entitled: ''15 things to do in Aldeburgh - Fancy a trip to the coast? Find seaside walks, cosy pubs, incredible fish and chips and more great things to do in Aldeburgh, Suffolk '' by Charlie Allenby
"The Scallop", by Maggi Hambling is a sculpture dedicated to Benjamin Britten on the beach at Aldeburgh. The edge of the shell is pierced with the words "I hear those voices that will not be drowned", from 'Peter Grimes', Brittens opera which premiered in 1945 and launched him to international acclaim.
Born in Lowestoft, Suffolk, Britten lived for thirty years in Aldeburgh, where this fantastic, tactile sculpture now resides on the stone beach.
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Photograph taken at 08:03am on April 20th 2012 off Thorpe Road on the pebbled shoreline of Aldeburgh, on the North Sea in the county of Suffolk, England.
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Nikon D7000 Focal length: 20mm Shutter speed: 1/160s Aperture: f/9.0 Iso200 Uncompressed RAW 14-Bit file size L (4928 x 3264) Manual exposure mode Auto white balance Colour space: Adobe RGB
Sigma 10-20mm f/4-5.6 EX DC HSM. UV filter. Nikon GP-1 GPS
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LATITUDE: N 52d 9m 38.22s
LONGITUDE: E 1d 36m 20.58s
ALTITUDE: 5.0m
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HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.2.11 15/03/2018). Nikon Capture NX-D 64bit (Version 1.4.7 15/03/2018). Nikon Picture Control Utility 2 (Version 1.3.2 15/03/2018). Adobe photoshop Elements 8 Version 8.0 64bit.
China, Harbin, City Impressions,… at below -20°C residents during their early morning Taijiquan, respect!!.
Harbin, not only for its special position, but also as the centre of Heilongjiang's political, economic, educational & cultural life, Harbin is described as the pearl beneath the swan's neck. Lying on the east of the Songnen Plain, what is more, Harbin plays a vital role in communications between South & North Asia as well the regions of Europe & the Pacific Ocean.
Harbin was the birthplace of Jin, 1115-1234 & Qing, 1644-1911, Dynasties, the latter of which had a very considerable influence on modern Chinese history.
At the end of the 19th century, Russia built the terminus of the Middle East Railway here. Later, more than 160,000 foreigners from 33 countries migrated to Harbin, promoting the development of a capitalist economy in the city. The economy & culture of Harbin achieved unprecedented prosperity at that time & the city gradually grew into a famous international commercial port. Assimilating external culture, Harbin created its unique & exotic cityscape. The majestic St. Sofia Orthodox Church & Zhongyang Dajie each built in a European style have the effect of bringing you into an 'eastern Moscow'. Even though you are sure to be attracted by various exotic buildings, the Dragon Tower which embodies the wisdom of the Chinese people is a must on your journey.
Besides these rich cultural heritages, Harbin is favoured with beautiful natural scenery. Based on meandering Song Hua River & subject to severe low temperatures in winter, down to -30°C, when I took this Pictures the Temperature varied between -20°C & -26°C but dry air, Harbin boasts a unique ice & snow culture. So, Harbin is also called the "Ice City".
The impressive "Ice & Snow Festival" is the greatest & unusual one in the world, therefor Harbin is also called the "Ice City".
As well the large Siberian Tiger & white tigers research centre, with about 500 tigers & a few other species, does an important work to prevent this species from extinction. The Research centre can be visited, tours in small a bus are available, passing through wide natural, separated, sections, however the focus point is to save the tigers.
👉 One World one Dream,
...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over
11 million visits in my photostream with countless motivating comments
My dad's Army uniform. He was stationed in Berlin Germany in 1946 and witnessed a lot of the clean up and horrors of WWII. He never spoke of it but often threw German words into a conversation. I have also included an atlas of WWII maps, an old Big Ben clock front, rationing stamps and old cameras. His army hat is included.
All respect to the people in the tower who suffered a technical problem with delays and cancellations as result. It didnot bother this Latam Cargo 767 on finals 25R at BRU
Knowing you’ve injured a player after a huge hit can be quite scary. Thankfully the youngster made a full recovery and walked off the field. TREVSTAR, (kneeling left) a rising player in this new aged sport walked off the field and knelt down, and was quickly met by a team mate who comforted him. It was surely a scary moment for him as well. It amazes me his strength and equally his professionalism. After this shot he walked over to the opposing team sidelines and gave the player an equally huge hug. I’m pretty sure we will see this kid in professional sports, he is surely feared in the region.
Random shot from SPARKcon Street Art Fest 2009, Raleigh, NC.
Now this one touched a nerve....being an Army Vet.....I noticed the chain of the dog tags breaking near the top....or being weaved through the flag, either way, this was a touching piece of Art work for me. My thoughts are always with those that gave "all" for their Country....and those currently serving. Thank You!!
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
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Photograph taken at an altitude of Fifty four metres at 12:41pm on a Springtime afternoon on Wednesday 15th June 2022, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
Here we see an adult female Carrion crow (Corvus corone) standing in a passing rain shower in a garden off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
By Paul Williams
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds.
There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had become a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada.
Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five-day dances seeking trance, prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows.
Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god).
The raven appears in almost every skaldic poem describing warfare. Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors.
It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys.
In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow").
Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow-coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it.
This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders.
The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So, let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice).
Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories.
Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old.
The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern.
There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence.
Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1.
That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, intraneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events.
They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans,and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.
Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally.
They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades. Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.
Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Known mostly for my landscape work, Covid-19 changed everything for me photographically speaking thanks to a series of lock downs which naturally impeded my ability to travel. I began to spend more time on my own land, photographing the wildlife, and suddenly those wildlife photographs began to sell worldwide in magazines and books.
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed around mid May 2021 when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food. Naturally I named her Sheryl (Crow).
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. I named him Russell (Crow). By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed.
Sheryl was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first, I used silent mode to reduce the noise, but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames, and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
Russell would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat.
I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy even....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds.
They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with its mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance.
What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from its mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation.
The juvenile also liked to gather up peanuts (monkey nuts) and bury them in the grass. On one occasion I witnessed a pair of rumbunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum. Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time.
In October 2021, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months. The two adults are still here in December and now taking the food that I put out to help all birds survive in the winter months. They also have a pair of Magpies to compete with now.
Late February 2022 and Cheryl and Russell and their youngster are still with me, still dominant in the area and still taking raw chicken, hotdogs, biscuits and fat balls that I put out for them. Today I saw them mating for the first time this year in the tree and the cycle continues.
By October late 2022 the pair had successfully reared a new baby who we nicknamed Baboo, and the other youngster flew the coup. The three now recognised our car returning from weekends away, and were enjoying sausages, hotdogs, raw chicken, fish and especially cheese, but life was hard as they aged with daily morning and evening tussles in the air with invaders and intruders hoping to take their land.
Russell picked up an injury during one fight and hobbled about for a few weeks before fully recovering, though a slight limp remained longterm, but Sheryl was visibly ageing and struggled at times to gain height from a vertical ground take off. I placed a garden chair near the house and she would often jump onto the top and then onto the fence and then the roof in stages.
Baboo became the dominant garden watcher, swooping in to take advantage of the food I put out, though he now faced competition from a gaggle of five or so resident Magpies, Black headed gulls and Herring Gulls which seemed to have adopted the area, and brave enough to snatch food from under his nose and eat on the grass in his presence. The three crows still held on to our garden and the territory and were dominant still into December 2022. They loved cheese, hotdogs, raw chicken, fish fingers and digestive biscuits and also mixed nuts, crusty bread and cakes and fat from steak or gammon plus fish skin from salmon or haddock.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021 (Updated on December 2nd 2022)
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Nikon D850 Focal length 280mm Shutter speed: 1/200s Aperture f/6.3 iso160 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1, 0, 0 (5190k) Colour space: RGB Picture control: (SD) Standard (Sharpening +3 & Clarity +1.00) Active D-Lighting: Auto Vignette Control: Normal High ISO NR: ON (Low)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Zoute Sale - Bonhams
Estimated : € 500.000 - 800.000
Sold for € 1.115.500
Zoute Grand Prix 2022
Knokke - Zoute
België - Belgium
October 2022
"But step back for a minute and work out what makes the Miura so special. In 1966 there was nothing like it. Only racing cars and the obscure little French Bonnet/Matra Djet had mid-mounted engines. Ferrari's road-going mainstay was the traditional front-engined 275 GTB. So when tractor magnate Ferruccio Lamborghini stole the attention of the Geneva Salon crowd with the Miura, people were shocked as much by its audacious mechanical layout as they were by its era-defining and stunningly gorgeous styling." – Classic Cars, July 2004.
Ferruccio Lamborghini's bold challenge to Ferrari had begun in 1964 with the 350GT but it was the arrival of the Miura - arguably the founder of the supercar class - that established Lamborghini as a major manufacturer of luxury sporting cars. Prior to the model's official debut at the 1966 Geneva Salon, Lamborghini cars were respected for their impressive mechanical specifications but they somehow lacked a distinctive persona. All this changed with the arrival of the Miura, named after Don Eduardo Miura, a famous breeder of fighting bulls. The Miura project first surfaced as a rolling chassis displayed at the 1965 Turin Motor Show but was not expected to become a production reality. Nevertheless, by the time of the Geneva Salon the following year, the first completed car was ready for unveiling to an awe-struck press and public.
Writing in his book, Lamborghini (1985), Jean-Marc Sorel had this to say about the Miura's significance: "Thanks to the Miura, Lamborghini made a breakthrough unsurpassed in automotive annals, even reaching the point of worrying Ferrari and Maserati on their own territory, its two powerful neighbours..."
The car's technical specification was breathtaking in its sophistication and complexity. Designed by Gianpaolo Dallara, the Miura carried its transversely mounted engine amidships in a box-section platform chassis, the latter clothed in stunning coupé coachwork styled by Bertone's Marcello Gandini. Like the contemporary 400GT, the Miura used the 4.0-litre version of Lamborghini's Giotto Bizzarrini-designed four-cam V12. With 350bhp available, the Miura was capable of shattering performance, a top speed of 180mph (290km/h) being claimed. Production examples were independently tested at more than 170mph, confirming that the Miura was the world's fastest production car. Perhaps surprisingly, Lamborghini's assessment of demand for its new baby would prove to be way out: instead of the 20 sales expected for the first year of production (1967), they ended up delivering 108 cars.
Early in 1968, after the 125th car had been completed, the steel used in the chassis was increased from 0.9 to 1mm in thickness, while from April that year customers could specify a leather interior. They also had a wide choice of eyeball-popping exterior colours that would be unthinkable on a Ferrari, Maserati or – heaven forbid – an Aston Martin. It all helped to cement the Miura's reputation as the brash new kid on the block.
Initial development had concentrated on chassis strengthening, these improvements being consolidated in the more powerful Miura 'S', for spinto (tuned), introduced in 1968. Production of the original P400 effectively ended when the successor 'S' version was introduced, by which time a little over 470 of these wonderful cars had been produced.
The process of making the Miura faster yet more durable reached its zenith in 1971 with the arrival of the 'SV', for spinto veloce. Apart from the deletion of its distinctive 'eyelash' headlight embellishments and changes to the rear lights, the body remained largely unaltered apart from slightly flared wheelarches shrouding wider tyres. In addition there were cosmetic changes to the interior and a more powerful (around 390bhp) engine to offset the increased weight and rolling resistance, but the main gain was a significant improvement in build quality. There were also major revisions to the front and rear suspension arrangements to improve the handling and accommodate the new 9" Campagnolo wheels. Part way through 1971 a 'split sump' lubrication system was phased in, which used separate reservoirs for the engine and transmission oil. This was necessitated by the final cars' ZF limited-slip differential, which could not share the engine's oil, and brought with it the additional benefit of increase component life and less frequent rebuilds.
The Miura SV was the world's fastest production car when introduced but its arrival coincided with the Countach successor model's announcement. Although the latter was still years from actual production, demand for the Miura slackened inevitably and only 150 SVs had been made when production ceased at the end of 1972. There was also, briefly, a solitary competition version. Brainchild of Lamborghini development engineer Bob Wallace, the latter, known as the 'Jota', featured bodywork crafted in aerospace light alloy, Plexiglas side windows, racing suspension, Campagnolo magnesium wheels and an engine tuned to produce 440bhp. Sadly, this car, chassis number '5084', was destroyed in an accident in 1972.
The Miura we offer was completed in October 1968 as a late P400 with reinforced chassis, and was delivered new to Italy. Its original colour scheme was Bleu Miura (blue) with Gobi (beige) interior, the same as it is today. The Miura's early history is not recorded but at some point it made its way across the Atlantic. By 1985 the car was in the USA in the care of Mr Allen Lawrence Klopp in Pennsylvania. An engineer by training, Mr Klopp carried out a great deal of work on the car during his ownership (1985-2006) and there are copies of extensive invoices for work and servicing carried out during his long custodianship. '3769' remains largely original having undergone only a partial restoration carried out from 1985-1987. While in Mr Klopp's care the Miura averaged around 1,000 miles per year. In May 2005 Mr Klopp sold the car to the current vendor, in whose major private collection where it has been displayed ever since. Re-commissioning will be required before this gorgeous Miura returns to the road following a lengthy period of static display. Invoices on file suggest that the car has only travelled 843 miles in the last 18 years. Accompanying documentation consists of copies of the 2005 bill of sale and Commonwealth of Pennsylvania Certificate of Title in Mr Klopp's name.
Salam / Hi to all my beloved friends..
My old Picture....
Happy Chinese New Year / Gong Xi Fa Chai
Chinese New Year - often called Chinese Lunar New Year although it actually is lunisolar - is the most important of the traditional Chinese holidays. Despite its winter occurrence, in China it is known as "Spring Festival," the literal translation of the Chinese name 春节 (Pinyin: Chūn Jié), owing to the difference between Western and traditional Chinese methods for computing the seasons. The festival begins on the first day of the first month (Chinese: 正月; pinyin: Zhēng Yuè) in the traditional Chinese calendar and ends with Lantern Festival which is on the 15th day. Chinese New Year's Eve, a day where Chinese families gather for their annual reunion dinner, is known as Chú Xī (除夕) or "Eve of the Passing Year."
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Psalm 119:87
They had almost consumed me upon earth, but I forsook not thy precepts. (KJV)
#Respect #Powerful #Lamb #Apologetics #Powerful #PraiseGod #DailyBibleVerse
Built in 1847, The Man Mo Temple is a picturesque tribute to the God of Literature (Man) and the God of War (Mo), both of whom were worshipped by ambitious students looking to succeed in the civil examinations of Imperial China. These involved rigorous systems aimed at finding the best administrative officials for the state.
Joss sticks are a type of incense used in many East Asian and Southeast Asian countries, traditionally burned before a Chinese religious image, idol or shrine. They can also be burned in front of a door, or open window as an offering to heaven, or devas.
Joss stick burning is an everyday practice in traditional Chinese religion. There are many different types of joss sticks used for different purposes or on different festive days. Many of them are long and thin and are mostly colored yellow, red, and more rarely, black.
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- Hummingbird has always believed in creating new and worthy flights for the children and young people of Brazil. YOUNG WARRIORS is just another in the long history of successful flights over the past 20 years....
So why not join us: www.facebook.com/JovensGuerreiros
- Beija-Flor sempre acreditou em criar novos e dignos vôos para as crianças e jovens do Brasil. JOVENS GUERREIROS é apenas mais um na longa história de vôos bem sucedidos nestes últimos 20 anos....
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From 2006 to 2023 the Dennis Head Old Beacon was shrouded in scaffolding as part of its restoration and conservation. You see, it's a scheduled monument and worthy of respect.
That's why just out of shot all that ratty old scaffolding remains in an untidy pile. They even shovelled out centuries of guano and put in mesh to stop the birds from filling it up again.
This whole thing was so mired in bureaucracy that they even needed an application and approval to take down the scaffolding and remove the heritage listing from the keeper's cottage because it was supposed that it was already included in the listing for the tower!
These things are why I wonder if that rusty old chair, these pieces of rotting wood, a lobster pot and that blue plastic sandal inside the ruins of the cottage effectively reflect the true respect held for this treasured monument.
Valletta, Malta
The jury is still out with respect to my final thoughts on the tiny Viltrox 28mm AF lens. I think it's useful for some things, but the image quality is a bit all over the board depending upon lighting conditions. It's a fun lens to 'play with', but I don't think it's living up to expectation on my APS-C camera, at least. I really expected it to be a stronger performer on an APS-C camera based on the reviews I've seen on the 'net. It is the perfect 'normal' focal length for me on APS-C, however, and that's why I'm still trying to see what I can/can't do with it. I'm suspecting there is a lot of copy variation with this cheap lenses.
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I recently got reacquainted with a fellow photographer who I consider a good friend and have a lot of respect for. He has been absent from Flickr for the better part of a year and a half now. It was a pleasant surprise to see him again, and it was good talking to him. He has long been a fellow whose perceptions I respect and admire. He wrote this e-mail for a friend of his, and forwarded it to me because he knew I would appreciate reading it as well. I did and do. And I think it important. I hope he doesn't mind me sharing it, though I will keep him anonymous unless he chooses to reveal himself. It is lengthy, but it is insightful and I suggest taking a moment to read the whole piece. Thanks E for sending this along to me.
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But, somewhere along the way, something changed for me. I've had many friends ask me why I quit, and I usually start the story at the end. I usually start by saying, I still shoot (usually with a holga), but I don't put film in my camera anymore. This usually leads to some very puzzled expressions and I have to back up and tell the story from the beginning. Really, I often carry a camera and wander the streets of Portland like I have for the past few years. But, I don't want to see the results of my shots. What I want, is to see the world. My camera changes the way I do that.
When I was 16, I went to Greece for a three week school trip. I brought my camera and, after shooting some pics at the Parthenon, and on Santorini, I started to realize that I was missing the experience of seeing the places I was visiting because I was so focused on trying to save an image to look at later. I put my camera down and didn't take a single shot of the last two weeks of the trip. Or, the next ten years of my life. I just soaked in the scenes and tried my best to live in the moment.
That changed the way I thought about photography and, for the next 14 years, I never owned a camera. I spent almost a decade immersed in wilderness and outdoor activity, climbing and backpacking in Mexico and throughout the western United States, and I have only a few snapshots, given to me by friends, to record any of the experiences. My move to Portland was a dramatic lifestyle adjustment as well. I decided to see how green the grass really is on the more urban side. I rarely backpack anymore (as my photo stream attests) and I gave up rock climbing completely.
But I've always loved photography. I love it for the art. I love the moods, the way Steven Shore can capture a series of lines and patterns in what superficially appears to be a mundane scene and launches the viewer into a different mental space... Ed Weston, transforming a bell pepper or a thigh into a tonal voyage.... and the incredible work of the people I admire so much on Flickr, each image, an experiment, and each photo stream, a progressive map and tale of discovery. I'm sounding melodramatic again. But, these pictures really have changed the way I view the world. And so I wanted in. I started sharing too.
And I started wandering the streets of Portland, looking with fresh eyes at cracks in the sidewalk, streaks on a wall, buildings and, best of all, people. I saw light, lines, and structures in a way that I hadn't previously seen them. Unlike my days in Greece, trying to capture a snapshot for posterity and thus pulling myself away from a moment, this new way of using the camera had the opposite effect. Now, I was being pulled in. And I started to examine the constantly evolving scenes of my daily walk to work with new appreciation. It's hard not to keep sounding melodramatic. But it's true.
We've never met. At least not face-to-face. And I have no idea if we'd even be friends if we lived a few blocks apart (but I suspect we would). But in your photostream, I found such tremendous inspiration because you constantly capture the things I'm talking about. And, as I aimed my lens at the sidewalk and buildings of Portland, it not only changed the way I would see my own town, through Flickr, it changed the way I would see the world. I had a blurred pigeon, flying past a column, as my desktop background for a year. Because that pigeon was such an awesome example of something I would encounter every day, but would never have thought to capture the art of it like you did. So, on Flickr I found inspiration and a wealth of new art.
Until it became too much. And something changed. At first I liked the attention. No, not just at first, I still like it. When an image hits the explore page, or when I get mail from someone who requests to use an image in a publication, or someone leaves a sincerely flattering comment, or a zillion of them, I like it. And I like to reciprocate. I like being able to tell someone how truly inspirational they are. But the attention doesn't have anything to do with the cracks in the sidewalk. Once again, my reasons for taking pictures started to shift. I wasn't taking snapshots to put in a photo album like I was in Greece when I quit shooting. I was still trying to capture something artistic, and I was still experiencing the moment of the shoot. But the attention of a Flickr page vied for my energy as much as, and sometimes more than, the shoot itself. I started to feel an obligation to produce something. This has an upside, it kept me shooting. But it has a downside as well. If my images didnt get attention I'd get bummed out. And I started to think about "my audience" more. I started to cater my shots to the Flickr folks who were looking at my stream. Steadily my number of contacts grew. I couldn't keep up (which I'm sure you are familiar with) and then, the final straw, was when I realized that I wasn't shooting cracks in the sidewalk anymore. As I was shooting, I was thinking about what might attract attention. My post process became less about my own ideas and visions, and more about trying to speak to an audience that I was rapidly realizing I didn't know. I feel like, on some level, I know you. I know Dan. I know Angie, and Noicework (Allison), and Zeb, and Sati. But I don't know most of the 200-something people on my contact list. But I want to. And so it all spiraled until one day, I took the film out of my holga. I can't say that I don't care about the attention a photographer on Flickr receives. But I can say that it isn't why I started taking pictures again.
So, it wasn't a conscious decision to stop posting images. It was a gradual realization that I actually felt more inspired when I didn't have film in my camera. I don't need the snapshot. I want to see a moment. My camera helps transform the way I do that so I will keep playing with my camera. And, I might start posting images again. I really do love the comments, the feedback, the sharing. But I don't want that to be my reason for shooting pictures.
Anyway, this got long. I've felt like explaining myself for a while now. I still love to quietly surf the pages of Flickr. I love spending hours in the photography section of Powell's Books. And I still love to stop to think about the lighting on the buildings as I walk to work. I'll keep shooting. And on occasion, I'll keep posting. And I hope that people will keep looking. I know I will.
John Mac Giolla Phádraig Leisen
Laurie Sigel
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Is the vulture hovering above Austria? Could also be a turtle.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.