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Taken by Sarah Balser (sarahbalserphotography.blogspot.com/) for Michael Locklear (michaellocklear.com/) and The Rookie Reporter (therookiereporter.com/).
Media reporter at the arrival of President Barack Obama on Air Force One at Phoenix Sky Harbor Airport in Phoenix, Arizona.
Please attribute to Gage Skidmore if used elsewhere.
A WJLA reporter. Taken during the Welcome Discovery events at the Smithsonian National Air and Space Museum Steven F. Udvar-Hazy Center.
Italian postcard by Emilio Modric Editore, Ancona, no. MX 379. Photo: Reporters Associati. Marcello Mastroianni in Il bell' Antonio / Handsome Antonio (Mauro Bolognini, 1960).
Film actor Marcello Mastroianni (1924-1996) was Italy's favourite leading man since the 1950s, as well as one of the finest actors of European cinema. In his long and prolific career, Mastroianni almost singlehandedly defined the contemporary type of Latin lover, then proceeded to redefine it a dozen times and finally parodied it and played it against type.
Marcello Vincenzo Domenico Mastroianni was born in Fontana Liri, a small village in the Apennines, in 1924. He was the son of Ida (née Irolle) and Ottone Mastroianni, who ran a carpentry shop. Marcello grew up in Turin and Rome. He appeared as an uncredited extra in Marionette (Carmine Gallone, 1939) and later appeared as an extra in Una storia d'amore/Love Story (Mario Camerini, 1942) and I bambini ci guardano/The Children Are Watching Us (Vittorio De Sica, 1944). He worked in his father's carpentry shop, but during World War II, he was put to work by the Germans drawing maps. During 1943–1944, he was imprisoned in a forced-labour camp, but he escaped and hid in Venice. In 1944, Mastroianni started working as a cashier for the film company Eagle Lion (Rank) in Rome. He began taking acting lessons and acted with the University of Rome dramatic group. In the university's production of Angelica (1948), he appeared with Giulietta Masina. His first real film credit was in I Miserabili/Les misérables (Riccardo Freda, 1948) with Gino Cervi. That year, Mastroianni joined Luchino Visconti's repertory company, which brought to Italy a new kind of theatre and novel staging ideas. The young actor played Mitch in A Streetcar Named Desire, Happy in Death of a Salesman, Stanley Kowalski in Visconti's second staging of Streetcar, and roles in Anton Chekhov's Three Sisters and Uncle Vanya. He also acted in radio plays and had his first substantial film role in the comedy Una domenica d'agosto/Sunday in August (Luciano Emmer, 1949). In 1955 Mastroianni co-starred with Vittorio De Sica and Sophia Loren - an actress with whom he would frequently be paired in the years to come - in the screwball comedy Peccato che Sia una Canaglia/Too Bad She's Bad (Alessandro Blasetti, 1955) and later worked with De Sica again on the comedy Padri e Figli/Like Father, Like Son (Mario Monicelli, 1957). His roles gradually increased in importance, but for the most part, both the casts and crews of his projects were undistinguished, and he remained an unknown outside of Italy. Mastroianni permanently sealed his stardom in Italy, playing a timid clerk whose love is not reciprocated by Maria Schell in Le notti bianche/White Nights (Luchino Visconti, 1957). He soon became a major international star, appearing in films like I soliti ignoti/Big Deal on Madonna Street (Mario Monicelli, 1958) with Vittorio Gassman. In this classic crime caper, he displayed a light touch for comedy, playing the exasperated member of an inept group of burglars. In 1960, he played his most famous role as a disillusioned and world-weary tabloid columnist who spends his days and nights exploring Rome's high society in Federico Fellini's La dolce vita/The Sweet Life (1960) with Anita Ekberg. La dolce vita changed the look and direction of Italian cinema. Hal Erickson at AllMovie: "Throughout his adventures, Marcello's dreams, fantasies, and nightmares are mirrored by the hedonism around him. With a shrug, he concludes that, while his lifestyle is shallow and ultimately pointless, there's nothing he can do to change it, and so he might as well enjoy it. Fellini's hallucinatory, circus-like depictions of modern life first earned the adjective 'Felliniesque' in this celebrated movie, which also traded on the idea of Rome as a hotbed of sex and decadence. A huge worldwide success, La Dolce Vita won several awards, including a New York Film Critics Circle award for Best Foreign Film and the Palme d'Or at the Cannes Film Festival."
During the 1960s, Marcello Mastroianni played in many great films and regularly worked with top Italian and French filmmakers. He appeared as the title character in Il bell'Antonio/Bell' Antonio (Mauro Bolognini, 1960) and starred in Michelangelo Antonioni’s masterpiece La notte/The Night (1961), where again his distanced, expressionless demeanour fit perfectly into the film's air of alienation and remote emotionality. He appeared in interesting films like L'assassino/The Assassin (1961, Elio Petri), La Vie Privée/A Very Private Affair (1962, Louis Malle) with Brigitte Bardot, and Cronaca familiare/Family Diary (Valerio Zurlini, 1962) with Jacques Perrin. Mastroianni followed La dolce vita with another signature role for Fellini, that of Fellini’s alter ego, a film director who, amidst self-doubt and troubled love affairs, finds himself in a creative block while making a film in Otto e Mezzo/8½ (Federico Fellini, 1962). The film won two Academy Awards. Mastroianni won the British BAFTA award twice for his roles in the black comedy Divorzio all'Italiana/Divorce, Italian Style (Pietro Germi, 1963) and the deliciously funny three-part sex farce Ieri, oggi, domani/Yesterday, Today, and Tomorrow (Vittorio De Sica, 1963), costarring with Sophia Loren. He and Loren starred together again in the equally amusing sex comedy Matrimonio all'italiana/Marriage Italian Style (Vittorio De Sica, 1964). According to Elaine Mancini on Film Reference, “Mastroianni's masculinity blends perfectly with Loren's exuberant earthy personality” in both these films. While he was to become known for playing Latin lover roles (which he spoofed in Casanova 70 (Mario Monicelli, 1965), his characters often were far more complexly drawn. They were not one-dimensional pretty boys; rather, beneath their handsome exteriors, they were lazy, world-weary, and doubt-ridden. Other films were La decima vittima/The Tenth Victim (Elio Petri, 1965) with Ursula Andress and the Albert Camus adaptation Lo Straniero/The Stranger (Luchino Visconti, 1967) with Anna Karina. Mastroianni won the Best Actor award at the Cannes Film Festival for Dramma della gelosia - tutti i particolari in cronaca/Drama of Jealousy (Ettore Scola, 1970). In 1987, he would win the award again for Oci ciornie/Dark Eyes (Nikita Mikhalkov, 1987). Mastroianni, Dean Stockwell and Jack Lemmon are the only actors to have won the award twice. During the 1970s, Mastroianni continued to work in interesting films by prolific directors like Leo the Last (John Boorman, 1970), Permette? Rocco Papaleo/My Name Is Rocco Papaleo (Ettore Scola, 1971) with Lauren Hutton, Che?/What? (Roman Polanski, 1972) with Sydne Rome and La donna della domenica/The Sunday Woman (Luigi Comencini, 1975) with Jacqueline Bisset. He often worked with controversial director Marco Ferreri at Liza (Marco Ferreri, 1972) with Catherine Deneuve, La Grande Bouffe/Blow Out (Marco Ferreri, 1973), Touche pas à la femme blanche/ Don't Touch the White Woman! (Marco Ferreri, 1974), and Ciao maschio/Bye Bye Monkey (Marco Ferreri, 1978) with Gérard Depardieu. Other interesting films are Così come sei/Stay as You Are (Alberto Lattuada, 1978) with Nastassja Kinski, L'ingorgo - Una storia impossibile/Traffic Jam (Luigi Comencini, 1979) with Annie Girardot, and La terrazza/The Terrace (Ettore Scola, 1980) with Vittorio Gassman. He played against his Latin lover image in Scola’s Una giornata particolare/A Special Day (Ettore Scola, 1977), in which Mastroianni's homosexual and Sophia Loren's oppressed housewife come together on the day in 1938 when Adolph Hitler was cheered on the streets of Rome during his visit to Benito Mussolini. His seemingly detached air was perfectly suited to satire as well, as he demonstrated in films as diverse as the historical drama Allonsanfàn (Paolo and Vittorio Taviani, 1974), and La città delle donne/City of Women (Federico Fellini, 1980).
In the latter stages of his career, Marcello Mastroianni continued to take serious dramatic roles. For instance, he played the senior citizen who simply looks back on his past. In Stanno tutti bene/Everybody's Fine (Giuseppe Tornatore, 1990), he is an elderly man who is absorbed in his memories and who travels through Italy to call on his five adult children. In Oci ciornie/Dark Eyes (Nikita Mikhalkov, 1987), he gives a tour-de-force performance as a once young and idealistic aspiring architect who married a banker's daughter, fell into a lifestyle of afternoon snoozes and philandering, and proved incapable of holding onto what was important to him. His on-screen presence has also been directly linked to his earlier screen characterisations. In Prêt-à-Porter/Ready to Wear (Robert Altman, 1994), he was reunited with Sophia Loren, and at one point in the scenario, she recreated her famous steamy striptease sequence from Yesterday, Today, and Tomorrow. Loren was as beguiling as she had been 30 years earlier, but Mastroianni was no longer the attentive young lover, so Sophia's seductive moves only put him to sleep. Mastroianni's appearance in two of Fellini's final features is especially sentimental. Ginger e Fred/Ginger and Fred (Federico Fellini, 1996) is sweetly nostalgic for its union of Mastroianni and Giulietta Masina, two of the maestro's then-aging but still vibrant stars of the past. In Intervista (Federico Fellini, 1987), he appears as himself with Anita Ekberg, with whom he had starred decades before in La dolce vita. Mastroianni's entrance is especially magical; the sequence in which he and Ekberg (who, he remarks, he has not seen since making La dolce vita) observe their younger selves in some famous clips from that film is wonderfully nostalgic. In 1988, Mastroianni was honoured with a Lifetime Achievement Award at the European Film Awards. He kept appearing in critically acclaimed films like To meteoro vima tou pelargou/The Suspended Step of the Stork (Theodoros Angelopoulos, 1991), in which he was quietly poignant as an obscure man who may have once been an important Greek politician who had disappeared years earlier. Other films were Al di là delle nuvole/Beyond the Clouds (Michelangelo Antonioni, 1995) and Trois vies et une seule mort/Three Lives and Only One Death (Raúl Ruiz, 1996) with Anna Galiena. His final film was Viagem ao Princípio do Mundo/Voyage to the Beginning of the World (Manoel de Oliveira, 1997). Marcello Mastroianni was married to Italian actress Flora Carabella (1926-1999) from 1948 until his death. They had one child together, Barbara. Mastroianni also had a daughter, actress Chiara Mastroianni, with French film star Catherine Deneuve, his longtime lover during the 1970s. Both Flora and Catherine were at his bedside in Paris when he died of pancreatic cancer at the age of 72, as was his partner at the time, author and filmmaker Anna Maria Tatò. According to Christopher Wiegand and Paul Duncan in their book Federico Fellini, when Mastroianni died in 1996, the Fontana di Trevi (Trevi Fountain), which is so famously associated with him due to his role in Fellini's La dolce vita, was symbolically turned off and draped in black as a tribute. His brother Ruggero Mastroianni (1929-1996) was a highly regarded film editor who edited several of Marcello's films directed by Federico Fellini, and appeared alongside Marcello in Scipione detto anche l'Africano/Scipio the African (Luigi Magni, 1971), a comedic take on the once popular Peplum, the sword and sandal film genre. Marcello Mastroianni has held starring roles in about 120 films throughout his long career.
Sources: Elaine Mancini (Film Reference; updated by Rob Edelman), Hal Erickson (AllMovie), Jason Ankeny (AllMovie), Wikipedia and IMDb.
And please check out our blog European Film Star Postcards.
This woman was a TV reporter for NHK who came here from Japan to cover the Chinese New Year celebration here in New York City. I am surprised they came so far to see it! She was really in the spirit of the holiday, dressed up in a Chinese style shirt. She looks beautiful!
KCRA 3 reporter Sharokina Shams covers the story.
More than 2,000 firefighters, friends and family attend a large somber memorial at CSUS Hornet Stadium in Sacramento and Cal Expo, for Sac Metro Firefighter James C. Saunders who suffered a heart attack while working a grass fire, and died October 7, 2010. Saunders is the first firefighter to die in the line of duty in the departments 10 year history.
Note: I back dated the rest of this 43 image set, so not to clutter the top of my stream. Set URL is:
It's a walk at night/
It's a cloud of smoke/
It's a line you wrote/
It's a space in time/
It's a feeling i can't find/
It's a walk at night, it's a dotted/ line...
This combination is not a travel tripod with a total weight of 6 kg .
I use it for table top photography and reproduction work.
The combination is mounted on a sturdy wooden tripod found at the Ghent flea market.
Height wooden tripod 65 cm to 140 cm - Center column length 50 cm.
The center column holds 2X1kg Kettler Dumbell weights.
A vintage Manfrotto Ball Head (H 10 cm) locks or let the column above turn in any direction.
The Manfrotto Super Clamp holds the horizontal column (38 cm to 70 cm) of a vintage Gitzo Reporter.
With this construction the Manfrotto Ball Head 494 (7,5 cm) comes over the table close to the object.
The construction stands beside the table, not between the photographer and the object.
Script:
U.P. Breaking News: K. I. Sawyer Latest KC-135 Emergency Landing/Raising Safety Concerns
The following exclusive information was not reported yet by Upper Peninsula TV stations and other media.
Many safety questions remain and a military plane is officially grounded after an emergency in the skies over Marquette County, Michigan on Tues. July 8, 2014
The emergency landing of a KC-135 refueling tanker is the latest in a series of similar hydraulic incidents involving the aging fleet of Milwaukee's 128th Air Refueling Wing, Upper Peninsula Breaking News has learned.
Veteran Investigative Reporter Greg Peterson has the story:
upperpeninsulabreakingnews.wordpress.com/2014/07/09/u-p-b...
-----
Essentially a flying gas station – this Air National Guard KC-135 is grounded – following an emergency that has happened at least 5 times in the past two years to KC 135 refueling tankers from the 128th Air Refueling Wing in Milwaukee.
That's right – at least 5 times in the past two years – a KC-135 from the 128th has developed hydraulic problems resulting in emergency landings at airports around the Midwest.
The tankers are all about 50 years old.
In fact in June 2013, a reporter for Milwaukee Television station WISN TV-12 investigated a rash of KC-135 emergency landings after hydraulic warning.
Upper Peninsula Breaking News called the 128th's public affairs office to verify this important safety problem.
With overcast skies, the three-member crew of this KC-135 declared a hydraulic emergency:
Chief Don Hutchens, Forsyth Township Volunteer Fire Department:
Emergency officials from across Marquette County responded to the plane's call for help – fearing it might crash while landing – which would have been catastrophic.
The KC -135 was among several planes from the 128th Refueling Wing that have been practicing touch and goes on K.I. Sawyer's long runways.
Now the Marquette County Airport, the once vibrant K.I. Sawyer Air Force Base was a Strategic Air Command base – constantly on alert - with bomber crews ready to fly in moments.
This reporter has had the pleasure of riding on two KC-135 Refueling Tankers – as show in this photo when I worked at WLUC TV-6 in Marquette.
We refueled F-16 Jets over Lake Huron.
Then this reporter became one of only a handful of civilians to ride aboard a B-52 Bomber – this while I did features stories for the Mining Journal newspaper.
I was given this official coin of the Sawyer bomber wing and a patch – after as 12-hour flight that included Fourth of July Parades and an airshow in Grand Rapids.
This reporter hopes the officials at Milwaukee's 128th Air Refueling Wing get to the bottom of this hydraulic issues before there is a tragedy – as the large number of emergencies on this flying gas station is scary to all involved.
Greg Peterson, Upper Peninsula Breaking News
Milwaukee's 128th Air Refueling Wing
Public Affairs Office
414-944-8715
128 HQ/Public Affairs
mailto:128HQ.PublicAffairs@ang.af.mil
Milwaukee's 128th Air Refueling Wing on Facebook
Wikipedia
en.wikipedia.org/wiki/128th_Air_Refueling_Wing
Forsyth Township Volunteer Fire Department; Forsyth Township Police department
www.forsythtwpmi.org/FT%20POLICE%20DEPT.htm
Local News Coverage
abc10up.com/air-national-guard-plane-makes-emergency-land...
www.upmatters.com/story/d/story/news/15079/3fYz_NNJ0kmTs-...
www.uppermichiganssource.com/news/story.aspx?id=1067608
WISN TV-12 Investigation in June 2013:
Emergency landing prompts questions about KC-135 safety
Hydraulic problems lead to 4th in-flight emergency
June 19, 2013
www.wisn.com/news/south-east-wisconsin/milwaukee/emergenc...
www.wisn.com/news/south-east-wisconsin/milwaukee/emergenc...
www.wisn.com/news/south-east-wisconsin/milwaukee/emergenc...
Military plane makes emergency landing in Indiana
www.wisn.com/news/south-east-wisconsin/milwaukee/Military...
A plane from Milwaukee's 128th Air Refueling Wing of the Wisconsin Air National Guard is grounded and undergoing repairs after an in-flight emergency Tuesday.
For the fourth time in two months a KC-135 from Milwaukee makes an emergency landing, this time in Indiana.
The flight crew lost control of the hydraulic system and made an emergency landing in Indiana.
It's the fourth in-flight emergency in recent weeks involving four KC-135 refueling tankers.
Each of the planes is about 50 years old, which has some wondering if the aging aircraft are as safe as they should be.
Upper Peninsula Breaking News
U.P. Breaking News
Gmail:
UpperPeninsulaBreakingNews@gmail.com
Wordpress:
upperpeninsulabreakingnews.wordpress.com
youtube:
www.youtube.com/UPBreakingNews
www.youtube.com/watch?v=tocLjvEslBA
Facebook:
www.facebook.com/UpperPeninsulaBreakingNews
Twitter:
Greg Peterson
@UPBreakingNews
flickr
Media reporters at the arrival of President Barack Obama on Air Force One at Phoenix Sky Harbor Airport in Phoenix, Arizona.
Please attribute to Gage Skidmore if used elsewhere.
Photos by Kevin Gebhardt
Shot from minutes after the Box alarm call at 1:43 am to the fire being struck out at 9:30am.
By Peter Nickeas
Tribune reporter
9:42 a.m. CDT, September 30, 2012
An extra-alarm fire on the Northwest Side early Sunday morning destroyed much of a four-story brick building and brought more than 200 firefighters and paramedics to the scene, according to the Chicago Fire Department.
Crews battled the 5-11 alarm blaze in the 2600 block of West Nelson Street in the Avondale neighborhood for hours until it was finally struck out about 9:30 a.m. Some crews are expected to stay on the scene for much fo the rest of the day.
It's not clear what caused the fire, which started before 2 a.m. and had spread through the top three floors of the multi-use building and caused the north wall and some of the floors to collapse.The blaze also prompted a hazardous material response.
Thick black smoke from the building cast a haze over the neighborhood as the plume drifted south.
Firefighters wedged in between neighboring buildings and the wall predicted its collapse and were warned over fire department radios that it could happen.
When it did, firefighters atop a ladder near a west corner of the building yelled to a dozen firefighters below to watch for the power lines, which shook violently but didn't fall when the brick wall came crashing down.
Fire engines and trucks, along with different types of support vehicles, lined Elston and Belmont avenues and many of the side streets adjacent to the burning building, one of the tallest in a neighborhood of frame homes and commercial buildings.
As of about 8:30 a.m., nobody was injured, according to the fire department. Chicago police blocked traffic to local streets. Flames continued to jump through the roof of the building, even as firefighters lobbed streams of water from different sides.
Onlookers poured out of their homes, sat on porches and walked slowly toward the fire to get a closer look.
"We came out at three – at first I couldn't figure out why the street was closed, we just heard a lot of noise," said Nancy Cervantes, who stood with her 9-year-old grandaughter outside the scene.
"She's never up this early," Cervantes said of her granddaughter Narissa, who alternated between concentrated attention to the fire and jogging back and forth across a parking lot. "I woke her up so she could see this … to see how firemen and policemen all work together, with the table set up (with refreshments) and the gurney (with supplies)."
pnickeas@tribune.com
Twitter: @peternickeas
Taken by Sarah Balser (sarahbalserphotography.blogspot.com/) for Michael Locklear (michaellocklear.com/) and The Rookie Reporter (therookiereporter.com/).
Korea.net Honorary Reporters visited Namhae-gun on a Seafood-Mukbang Famtour
MAY 26, 2023
Namhae-gun, Gyeongsangnam-do
KOCIS(Korean Culture and Information Service)
Official Photographer : KIM SUNJOO
All photographs in the official Flickr account of the Republic of Korea are available only for publication by news organizations and/or for public purposes with proper attribution to the correct source (photographer and organizations mentioned above).
Any distortion to the original meaning of a photograph for provision to a third party through posting and resale, partial reproduction, falsification or use of the photograph with other images is strictly prohibited without the express written permission of the government of the Republic of Korea.
Thank you.
----------------------------------------------------
코리아넷 명예기자단 남해 수산물 먹방 팸투어
2023-05-26
남해군수협위판장
코시스(해외문화홍보원)
김순주
플리커 채널 'Republic of Korea'에 게재되는 대한민국정부 사진은 올바른 저작권 이름 (촬영자 / 상기 명기된 기관)으로 표기한 이후 보도 혹은 공익목적으로 사용하실 수 있습니다.
의미를 왜곡하는 맥락에서 사진을 게시하고 재판매, 부분 복제, 변조 또는 다른 이미지에 통합하는 것과 같은 사진의 모든 수정, 자료를 제3자에게 제공하는 것은 대한민국정부(운영자/저작권자)의 명시적인 허가 없이 금지됩니다.
Taken by Sarah Balser (sarahbalserphotography.blogspot.com/) for Michael Locklear (michaellocklear.com/) and The Rookie Reporter (therookiereporter.com/).
Photo Reporter voila un titre qui fait fantasmer grand nombre de photographes amateurs..
Ceux la même qui pense que ce genre de travail est simple, avec des gros revenus, des accréditations faciles en somme un rêve éveillé.
Mais quelle est la réalité derrière la jolie barrière blanche des aprioris ??
Un métier certes placé sous le signe de la passion mais aussi une réalité plus dure a entendre
Peu son les photo-journalistes qui touchent de façon constante des salaires et qui voient tout leur défraiements pris en charge, la réalité est tout autre………
C’est beaucoup de temps de travail, d’engagement de frais qui comme a la manière du poker peuvent être remboursé ou pas…..
Si tu ne vends pas et bah tu ne manges pas !!!
C’est suivre des manifestations malmené par la police comme par les manifestants eux même
Casse de Matos, agression physique et sans oublier que certain y laisse leur vie comme Lucas Mebrouk Dolega qui suivait la révolution Tunisienne …….
www.parismatch.com/Actu-Match/Monde/Actu/Tunis-Les-dernie...
Alors avant de parler ou de vendre vos photos de manif a 50 euros en pensant c’est génial « car étant que du bonus pour vous car c’est pas votre travail » n’oublier pas que certains vivent et s’investissent tous les jours et pas seulement pour un loisir mais dans un métier……….
Rendons hommage a ces photographes, respectons les et soyons solidaires !!!!!!!!!!!
Reporter photo a title that fantasize many amateur photographers ..
The same ones who think this kind of work is simple, with large incomes, easy accreditations in one word a dream.
But what is the reality behind the pretty white fence of apriorism?
Work under the sign of passion but also a reality was harder to hear
Just a same part of photo-journalists receive fixe salary and who sees all their pocket expenses paid, the reality is quite different ...
It's a lot of work time, commitment fee which, as has the manner of poker can be refunded or not ...
If you don’t sell, you do not eat!!!!
It followed protests roughed up by police as the protesters themselves
Scrap of camera, physical aggression and not forgetting that some can leave their lives as Lucas Mebrouk Dolega that followed the revolution Tunisia.
So before speak or sell your photos to news paper for 50 euros & thinking it's great "because it’s just bonus not your job" don’t forget that some live and invest every day and not just a hobby but in work ...
Pay tribute to these photographers, the respect and stand united !!!!!!!!!!!
MONROVIA - LIBERIA , 2007 :In Monrovia, Liberia a unique form of journalism exists where the news is written out daily on a chalk board for everyone to read as they pass by on the busy main street. Alfred J. Sirleaf first established his chalk board news, " Daily Talk" on May 14th 2000 during the Charles Taylor regime. The innovative journalist saw a need for "straight to the point" reporting that was free and accessible to all. His provocative style of reporting the truth led him to seriously fear for this life and resulted in the Daily Talk being destroyed twice before he finally fled into "exile" in Ghana. As peace returned so did the Daily Talk and today it is one of the most read News Sources in the capital with thousands everyday taking the time to stop as they walk or drive by to get the breaking news. The Daily Talk is not merely a Chalk board standing on the side of the road - Alfred J. Sirleaf has constructed his booth for maximum efficiency. Behind the folding three panel chalk board is a small "News Room". In the News Room he can work on the next set of news while viewers read the current set by means of utilizing a rotating double sided chalk board. On days when the UN are in the headlines, he lets the reader know by putting out a blue helmet. (Photos by : Christopher Herwig )
Arianan soldier hides behind Atropian reporters and takes aim at United States troops. Cadet Leadership Course, June 25th, Photo by Ariana Aubuchon