View allAll Photos Tagged Relator
Relating to this 30yearsagotoday tweet
This was Mum doing her performance. I appeared in the chorus of this "production" but I have no photos to prove this. I know I appeared (and solo'd) in the follow-on-show the following year ...
Stuff relating to installing/using a trailer hitch, cargo carriers, trailers, on a Saturn Sky Redline.
28 - coins relating to George Washington. Some of the coins in this collection date back to the 1780s, while one is a 1960 restrike. One interesting specimen is a 1795 Washington grate Halfpenny, which was minted and used in Britain at the time. Grate halfpennies such as this one were minted as a part of a promotion for a fireplace grate manufacturing company. Another pair of interesting specimens are the North Wales Halfpennies. These halfpennies were minted in Birmingham as "evasion tokens", which were basically legal conterfeits. Because counterfeiting in Britain was only illegal for Regal Coinage, counterfeiters could legally produce facsimiles of other coinage as "tokens" which would then be used in place of actual currency. Gift of the Estate of Charles Lark Jr. Images are available at www.flickr.com/photos/scrc/5446172942/. Located in T&E S6 SS2, Box 1. Mss 1984.042.J1-J28
See scrc.swem.wm.edu/index.php?p=collections/controlcard&... for more information about items in the Manuscripts Artifact Collection.
From the collections of the Special Collections Research Center, Earl Gregg Swem Library at the College of William and Mary.
From: creativefeel.co.za/2018/05/chris-soal-orbits-of-relating/
“We think we are liberated by individualism, but in reality we’ve given up so much power. People are so caught up in the nuances of their own personal realm that they’ve lost real civic relationships with one another. We’ve lost that collective power.” – Andrea Zittel
Chris Soal’s artistic practice, is initially concerned with materiality. Specifically thus far, the materiality of objects which are available en mass and utilised daily by millions of people globally and then disposed of. These objects (toothpicks and bottle tops for example) are not only easily attainable, but are so common that they have become invisible to our eyes. They are manufactured for a single utilitarian purpose and are then discarded, once having served their purpose. They hold no value beyond that moment. These objects are manufactured to become debris. They exist on the margins of human existence, and they are indicators of a capitalist system that has a hierarchy of value, in relation to objects, materials, and even people. The choice to use these marginal materials was not immediate however, as the artist himself was entrapped by these very systems of value which he seeks to critique, and initially dismissed toothpicks and bottle tops as “unworthy” material for an artwork.
Chris Soal Soal is interested in the knowledges which are transmitted when bodies come into contact with one another. This is where he sees aesthetic judgment residing; in the world of things, not merely in concepts, emerging as the result of physical experience. It is due to this, that he consciously foregrounds the use of material in the artwork, with the intention of producing physical sensation. The viewer is integral and foremost in mind as the artist engages with the materials. For this body of work, it is the formal dynamism produced by the arrangement and use of toothpicks as a medium, which engages the viewer on a physical level, encouraging a visceral reaction; in some it urges them to recoil. On the other end of the spectrum, some viewers are overcome with a desire to touch the work.
The singular becomes plural. And it is in this plurality that the material begins to transcend itself. It is then in the moment of unveiling, the moment where the object is not only revealed but renewed for the viewer, that the value of it is altered, and thus our understanding of its value in relation to ourselves, changes. In this way the work gains political currency, and the titles become triggers for further contemplation. The artworks utilise form and materiality to reiterate that the viewer is a member of the “polis,” the citizenry; a part of a community.
Titles such as Orbits of relating, A delight in knowing and being known, and Little moments that remind us of ourselves, suggest a communal relating through the use of plural pronouns, read in the voice of the viewer, the first person. This not only suggests the concept of relational collectivity between viewers in the exhibition space, but also allows the artworks to become relatable themselves, by assuming anthropomorphic qualities. The quote by artist Andrea Zittel, whilst only discovered towards the end of the process, encapsulated and vocalised the artist’s desire that the work speak to a common human experience, a reminder which is sorely needed in a global society becoming seemingly evermore fractured.
This exhibition marks Chris Soal’s first solo body of work, to be publicly exhibited, since his graduation show at Wits Art Museum in 2017. It combines the artist’s previous use of bottle tops, as well as pointing into his sporadic forays into cement and rebar as materials, whilst foregrounding this body of work as a material exploration of toothpicks through sculptures, installations, drawing and three-dimensional wall pieces.
Chris Soal was born in South Africa in 1994. He graduated from the University of Witwatersrand with a Bachelor’s in Fine Art (Honours) in 2017. Today he lives and works in Johannesburg. He was awarded the Sculpture category and Overall Award at the PPC Imaginarium in 2018. He was selected as a finalist for the Cassirer Welz Award in 2017, the Wits Young Artist Award in 2016 and 2017, The SA Taxi Art Award in 2016 and the Thami Mnyele Award in 2015. Chris Soal was awarded a residency in 2018 by the South African Foundation for Contemporary Art. This residency was held in Knysna at Entabeni Farm for a duration of six weeks alongside fellow South African artist, Minnette Vari. He has exhibited in group shows at institutions such as Aeroplastics Contemporary in Brussels (2017), Wits Art Museum (2017), Fried Contemporary (2017), Museum of African Design (2016), Assemblage (2016), No End Contemporary (2017, 2018) and Galerie Noko (2016). Chris regularly exhibits at art fairs around Europe with Clifton Boulder Gallery.
Alongside his own artistic practice Chris works as a cinematographer at the Centre for the Less Good Idea, founded by South African-born, internationally renowned artist William Kentridge, and as a contributing writer on art and culture for Bubblegum Club.
Soal’s exhibition Orbits Of Relating will show from 24 May – 23 June 2018 at No End Contemporary Art Space | 60 4th Ave Linden, Johannesburg.
'Win them back' was the theme of Mark's presentation, the crowd could really relate to the strength of keeping existing customers happy with the use of email marketing.
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 479
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). " Ancient Secrets - The Search For The Keys," The Times, Nov. 6, 1931. p. 15 [1/2].
My latest project relates to Camms coaches Nottingham a nod to a long standing company became part of the Nottingham scene for many years. Sadly no longer in business. Some interesting motors and a nice livery too.
I think I'm that blue one leaning to the side. I'm bright and blue with other bright and yellow friends. We're all trying to be happy but it ain't floating.
This is the my ninth sexyletterart — Relator. I was inspired by the song Relator (artist — Scarlett Johansson & Pete Yorn). I have based in my work on the font Lady Rene. Designed by Laura Varsky.
The Panel numbers (or Pier and Face) quoted at the end of each entry relate to the panels dedicated to the Regiment served with. In some instances where a casualty is recorded as attached to another Regiment, his name may alternatively appear within their Regimental Panel (or Pier and Face). Please refer to the on-site Memorial Register Introduction to determine the alternative panel numbers (or Pier and Face) if you do not find the name within the quoted Panels (or Pier and Face).
On 1 July 1916, supported by a French attack to the south, thirteen divisions of Commonwealth forces launched an offensive on a line from north of Gommecourt to Maricourt. Despite a preliminary bombardment lasting seven days, the German defences were barely touched and the attack met unexpectedly fierce resistance. Losses were catastrophic and with only minimal advances on the southern flank, the initial attack was a failure. In the following weeks, huge resources of manpower and equipment were deployed in an attempt to exploit the modest successes of the first day. However, the German Army resisted tenaciously and repeated attacks and counter attacks meant a major battle for every village, copse and farmhouse gained. At the end of September, Thiepval was finally captured. The village had been an original objective of 1 July. Attacks north and east continued throughout October and into November in increasingly difficult weather conditions. The Battle of the Somme finally ended on 18 November with the onset of winter.
In the spring of 1917, the German forces fell back to their newly prepared defences, the Hindenburg Line, and there were no further significant engagements in the Somme sector until the Germans mounted their major offensive in March 1918.
The Thiepval Memorial, the Memorial to the Missing of the Somme, bears the names of more than 72,000 officers and men of the United Kingdom and South African forces who died in the Somme sector before 20 March 1918 and have no known grave. Over 90% of those commemorated died between July and November 1916. The memorial also serves as an Anglo-French Battle Memorial in recognition of the joint nature of the 1916 offensive and a small cemetery containing equal numbers of Commonwealth and French graves lies at the foot of the memorial.
The memorial, designed by Sir Edwin Lutyens, was built between 1928 and 1932 and unveiled by the Prince of Wales, in the presence of the President of France, on 1 August 1932 (originally scheduled for 16 May but due to the death of French President Doumer the ceremony was postponed until August).
The dead of other Commonwealth countries, who died on the Somme and have no known graves, are commemorated on national memorials elsewhere.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [3/3].
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 01
Page: 343
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
All the names relate to The Great War of 1914 – 18. One serviceman served on HMS Bulwark and one was assigned to the Canadian Expeditionary Force, others to the KSLI, Royal Welsh Fusiliers (or 'Welch' and 'Fuzilieers'), Montgomeryshire Yeomanry, Royal Engineers, South Lancashire Regiment, Coldstream Guards and The North Staffordshire Regiment.
Llandrinio is a village near Llanymynech in Powys. Heading south east from Llandrinio towards Crew Green and Shrewsbury, on the right before you come to the bridge over the River Severn, you'll see the Parish Church of St Trinio, St Peter and St Paul.
The Church is “.....a single-chambered structure, retaining architectural features from the Norman period through to the 20th Century. Internally, it has a couple of fragments from one or more early medieval slabs. Supposedly built in the 6th century....”
When you read about the history of the church and village, note the variations in spelling over the years, Trinio, Trunio and Llandrinio, Llantneio and Landrineaw.
For service times and for more information, please see........
Postcard FTP01316_21
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
Backbone Campaign's impressive imagery ensemble for the Vashon Island Strawberry Festival 2013. Our friends and volunteers helped mobilize imagery relating to stopping the Coal Trains and transitioning the Northwest to an Ecotopia and putting a stop to Monsanto's murderous practices of pesticide polluting, Genetic engineering, and save our Prized Pollinators like bees and butterflies.
We had so much fun singing "Do It Now!" chanting:
Stand up, Speak Out
A Beautiful Future, is what we're about
Future Generations, Demand What's Fair
Bountiful Waters, Breathable Air
We LOVE Puget Sound, Leave that coal in the ground
Rise, Cascadia Rise, Protect our water and skies
Salmon and Orca, Cedar and Fir,
Rise, Cascadia Rise
Trains for People, Not for Coal
Leaders of the Future, Claim your role
We need to wake up! We need to wise up!
We need to open our eyes, and do it now, now, now!
We need to build a better future, And we need to start right now!
Hey!, Hey!, Hey!, Hey!
We're on a planet, that has a problem.
We've got to solve it, get involved, and do it now, now, now!
We need to build a better future, And we need to start right now!
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [2/3].
This relates to the topic of humanistic therapy. We became more self aware and accepting of ourselves versus our unconscious thoughts of covid and what if we catch it from a patient that we were working with. We were able to openly talk to each other about whatever was going on in our lives and everyone listened openly. There was no judgment, no-one giving advice, or someone directing our conversation. Everyone just listened to the other and accepted them for who they are with empathy. This increases diversity in Psychology because my friends and I are all of mixed Asian races on a boat in Kauai, Hawaii.
HB632 (Relating to Open Data) requires state departments to make electronic data sets available to the public. The bill also requires the chief information officer (CIO) to develop policies and procedures to implement the Open Data Initiative, and appropriates $100,000 each fiscal year of the biennium to Office of Information Practices (OIP).
HB635 (Relating to Broadband) requires the state and counties to take action in advancing the Hawaii Broadband Initiative within 60 days (for conservation districts, the state must take action within 145 days). The initiative's goal is to provide ultra high-speed Internet access by 2018, and this clear and decisive timeline will reduce uncertainty for broadband companies and serve as an incentive to invest in increased bandwidth.
SB1003 (Relating to Information Technology), another of the administration's bills, authorizes the CIO to conduct security audits and direct remedial actions, as necessary, in the management of the state's cyber security.
The plaquard relates to the stone statues and reads: the builders of the church, Killi and Nilli - in remembrance of all the generations who have built the city of Raisio.
-Not that Raisio, with a population of 50,000, counts as much of a city by international standards...
Relate your content to theirs
- Relate structure
- Relate vocabulary
- Relate context
It is possible!
- Reciprocal Research Network
- Straight fromCMS
Lee Iverson
IMG_0127
My picture relates to my family because my familyloves being outside and spending time with each other. My littlest sister, Mia, loves playing in the water as she is in the picture. My other sister and I love climbing trees and swing up in the leaves. My family loves eating healthy as well.
This photo relates to Erin's by the use of gradients and the pops of color on the subject I like the overall composition of this photo. I used a small aperature to get a deep depth of field and no flash to pick up the natural light of the day.
#love #lovequotes #quotes #quote #life #lifequotes #sad #funnyquotes #relatable #relationship #sadquotes #softgrunge #tumblr #ana #words #depression #gay #indie #lovequote #boyquotes #qotd #bi #follow4follow #depressedquotes #dailyquotes #beautiful #instaquotes #poems #relationships #blackandwhite - i_been_icey
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 321
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This relates to my inquiry because I am using light to create various melancholy pictures to answer the question "How might different types of light convey emotion to one viewing the photo?"
I used a flashlight and a water bottle to take this photo because the water bottle made the light softer than paper would. I put the bottle in front of the flashlight, and pointed it at the model. I then upped the contrast, texture, and clarity in photoshop.
Where ever tamilians in this world are, one name they would relate Tamil Film Music is Illayaraja. It is the mastero's birthday today.
He brought the music lovers to tamil film music when the standard went down a bit and when people started listening to more hindi and english songs.
He made people to relate themselves to his songs. Who would forget his classics ? Starting from Machana Paatheengala from Annakili through Kannae Kalaimaane and to more recent Unna Vida .., he is the absolute master of Tamil Film Music. He stands tall among the music directors tamil cinema has produced. Many will agree to this. And the first thing my friends ask when they go to US is a Illayaraja Music CD.
I have been mesmerised by IR and he still remains my favourite.
There have been many music directors but they cannot satiate the quest for good music of a tamil music fan.
I wish IR comes out with more works like Nothing but Wind. And one more thing I wish is to come out with an album with Vairamuthu penning the lyrics. They rock together.
Happy Birthday Mastero !!
Here I issue a challenge to my Flickr Friends.
Do not delay. Take a picture of you reading a book that is most relatable to you in some way either by story or author or whatever. Some character, some line, some relation to you. Then post your image to my comment thread and explain why or how.
I often find deep meaning and great understaning in Dickinson myself. Maybe it's because she was an obviously depressed recluse?
This is our good friend Moritz. We've travelled together a number of times and everywhere he visits he takes time every day to do a sketch. It's one of the ways he relates and gets comfortable and learns about a new place. Some of us discover a place by walking the streets, dining, buying artifacts, he sketches.
Your employees using an AI time tracker for the first time
clockk.com/memes/surprised-koala-meme-time-tracking-autom...
The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as reported in Foreign Press (1904-2002). "£1.8m project to restore ruins of Pompeii." The Times, Nov 11, 1977, p. 7.
Postcard FTP01316_20
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library