View allAll Photos Tagged Relator
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [1/3].
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Relating to this 30yearsagotoday tweet
This was Mum doing her performance. I appeared in the chorus of this "production" but I have no photos to prove this. I know I appeared (and solo'd) in the follow-on-show the following year ...
28 - coins relating to George Washington. Some of the coins in this collection date back to the 1780s, while one is a 1960 restrike. One interesting specimen is a 1795 Washington grate Halfpenny, which was minted and used in Britain at the time. Grate halfpennies such as this one were minted as a part of a promotion for a fireplace grate manufacturing company. Another pair of interesting specimens are the North Wales Halfpennies. These halfpennies were minted in Birmingham as "evasion tokens", which were basically legal conterfeits. Because counterfeiting in Britain was only illegal for Regal Coinage, counterfeiters could legally produce facsimiles of other coinage as "tokens" which would then be used in place of actual currency. Gift of the Estate of Charles Lark Jr. Images are available at www.flickr.com/photos/scrc/5446172942/. Located in T&E S6 SS2, Box 1. Mss 1984.042.J1-J28
See scrc.swem.wm.edu/index.php?p=collections/controlcard&... for more information about items in the Manuscripts Artifact Collection.
From the collections of the Special Collections Research Center, Earl Gregg Swem Library at the College of William and Mary.
Stuff relating to installing/using a trailer hitch, cargo carriers, trailers, on a Saturn Sky Redline.
Relates to Leeds TOTW: Comfort
Standing and waiting for trains can be a dull process. These teenagers take advantage of a dry floor to await the train's arrival at their comfortable leisure!
Here the benefits of having an 8 Meg Fuji Camera are priceless. This image was taken over 40 yards away in the neighbouring NCP. I didn't even need to venture by the platforms.
From: creativefeel.co.za/2018/05/chris-soal-orbits-of-relating/
“We think we are liberated by individualism, but in reality we’ve given up so much power. People are so caught up in the nuances of their own personal realm that they’ve lost real civic relationships with one another. We’ve lost that collective power.” – Andrea Zittel
Chris Soal’s artistic practice, is initially concerned with materiality. Specifically thus far, the materiality of objects which are available en mass and utilised daily by millions of people globally and then disposed of. These objects (toothpicks and bottle tops for example) are not only easily attainable, but are so common that they have become invisible to our eyes. They are manufactured for a single utilitarian purpose and are then discarded, once having served their purpose. They hold no value beyond that moment. These objects are manufactured to become debris. They exist on the margins of human existence, and they are indicators of a capitalist system that has a hierarchy of value, in relation to objects, materials, and even people. The choice to use these marginal materials was not immediate however, as the artist himself was entrapped by these very systems of value which he seeks to critique, and initially dismissed toothpicks and bottle tops as “unworthy” material for an artwork.
Chris Soal Soal is interested in the knowledges which are transmitted when bodies come into contact with one another. This is where he sees aesthetic judgment residing; in the world of things, not merely in concepts, emerging as the result of physical experience. It is due to this, that he consciously foregrounds the use of material in the artwork, with the intention of producing physical sensation. The viewer is integral and foremost in mind as the artist engages with the materials. For this body of work, it is the formal dynamism produced by the arrangement and use of toothpicks as a medium, which engages the viewer on a physical level, encouraging a visceral reaction; in some it urges them to recoil. On the other end of the spectrum, some viewers are overcome with a desire to touch the work.
The singular becomes plural. And it is in this plurality that the material begins to transcend itself. It is then in the moment of unveiling, the moment where the object is not only revealed but renewed for the viewer, that the value of it is altered, and thus our understanding of its value in relation to ourselves, changes. In this way the work gains political currency, and the titles become triggers for further contemplation. The artworks utilise form and materiality to reiterate that the viewer is a member of the “polis,” the citizenry; a part of a community.
Titles such as Orbits of relating, A delight in knowing and being known, and Little moments that remind us of ourselves, suggest a communal relating through the use of plural pronouns, read in the voice of the viewer, the first person. This not only suggests the concept of relational collectivity between viewers in the exhibition space, but also allows the artworks to become relatable themselves, by assuming anthropomorphic qualities. The quote by artist Andrea Zittel, whilst only discovered towards the end of the process, encapsulated and vocalised the artist’s desire that the work speak to a common human experience, a reminder which is sorely needed in a global society becoming seemingly evermore fractured.
This exhibition marks Chris Soal’s first solo body of work, to be publicly exhibited, since his graduation show at Wits Art Museum in 2017. It combines the artist’s previous use of bottle tops, as well as pointing into his sporadic forays into cement and rebar as materials, whilst foregrounding this body of work as a material exploration of toothpicks through sculptures, installations, drawing and three-dimensional wall pieces.
Chris Soal was born in South Africa in 1994. He graduated from the University of Witwatersrand with a Bachelor’s in Fine Art (Honours) in 2017. Today he lives and works in Johannesburg. He was awarded the Sculpture category and Overall Award at the PPC Imaginarium in 2018. He was selected as a finalist for the Cassirer Welz Award in 2017, the Wits Young Artist Award in 2016 and 2017, The SA Taxi Art Award in 2016 and the Thami Mnyele Award in 2015. Chris Soal was awarded a residency in 2018 by the South African Foundation for Contemporary Art. This residency was held in Knysna at Entabeni Farm for a duration of six weeks alongside fellow South African artist, Minnette Vari. He has exhibited in group shows at institutions such as Aeroplastics Contemporary in Brussels (2017), Wits Art Museum (2017), Fried Contemporary (2017), Museum of African Design (2016), Assemblage (2016), No End Contemporary (2017, 2018) and Galerie Noko (2016). Chris regularly exhibits at art fairs around Europe with Clifton Boulder Gallery.
Alongside his own artistic practice Chris works as a cinematographer at the Centre for the Less Good Idea, founded by South African-born, internationally renowned artist William Kentridge, and as a contributing writer on art and culture for Bubblegum Club.
Soal’s exhibition Orbits Of Relating will show from 24 May – 23 June 2018 at No End Contemporary Art Space | 60 4th Ave Linden, Johannesburg.
Just wanted to relate to you all how important it is in life to cherish every moment God lets you live with your loved ones. For two weeks my father had asked me to take him to a special place he wanted to eat lunch and taste the shrimp in that area. At 81, and in a fairly good health after his last stroke, my father wanted to eat shrimp by the bay. I was busy, doing my every day things and took me two weeks to take him. Once there my father told me the story why he wanted to go to that special place. When he was very young, my grandfather had a factory in the city and shipped his goods all thru the country from that special shipping port. They lived close by and he remembered dearly those moments when his father used to take him there (fishers market down town) and he ate those same shrimps over 70 years ago. He was so happy there, he enjoyed every moment, ate slowly and remembered grandma and grandpa who have longed passed away. He felt close to them and just lived the moment second by second every bite he took was just like being there again 70 years before.
I write this with the deepest pain in my heart, so bad it hearts deeply, as I felt God was telling me he is getting ready to reunite my Dad with my grand parents, let him live again but now forever, those unforgettable moments he carries in his heart for all his life, let him have a well deserved peace and tranquility he has more than earned thru his 80 years of being the best Dad anyone can have, the most amazing example of a brave man, who never gave up to give us all the best any one can give and get.
As I sit here praying to God he lets me reimburse my Dad for all he has given us, I wanted to make it public, and ask any of you out there to take one minute and ask God to keep him with us for as much as he wishes so we can all enjoy him for the last days, months o years of his life he has left. We certainly can’t change the past but can absolutely change the future. God I made my deepest desire to you public in my most sincere hope you hear us all and have mercy upon us. God Bless you all.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). " Ancient Secrets - The Search For The Keys," The Times, Nov. 6, 1931. p. 15 [1/2].
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
I think I'm that blue one leaning to the side. I'm bright and blue with other bright and yellow friends. We're all trying to be happy but it ain't floating.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash with FP1b bulbs and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
April 22, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
This is the my ninth sexyletterart — Relator. I was inspired by the song Relator (artist — Scarlett Johansson & Pete Yorn). I have based in my work on the font Lady Rene. Designed by Laura Varsky.
This product relates to the product evolution that was discussed in lectures. Ever since cell phones have come used in people's daily lives there has always been one major flaw: every phone had a different charger. Long ago one may have thought that the smart thing for cellphone manufactures to do would be to make a requirement that a certain set of cell phones would have to have a certain port for a charger. It has taken many years, but now cell phone designers are finally getting to the point of making universal adapters for their phones. I hope that eventually all cell phone chargers resemble this one. This charger allows for the phone to be charged by a wall outlet by use of the USB port at the bottom of the main part of the charger. The beauty of this is that because the charger uses USB, that same wire can be used to connect the cell phone to the computer. Conversely, if a friend has the same kind of wire, they can also connect it to the main charger in order to charge their phone.
Just read a few quotes by Twyla Tharp and have ordered her book, The Creative Habit, from my library. The quotes relate to the notion that creativity is really a habit, not some mysterious spark found in only a few people. No, it's a routine, a repetition like the holes in my image, a habit, one that we each have the choice to either pursue or not. Here are two of the quotes I read: "If creativity is a habit, then the best creativity is the result of good work habits. They are the nuts and bolts of dreaming." (Twyla Tharp); and "Over time, as the daily routines become second nature, discipline morphs into habit." (Twyla Tharp) So, when I worry about my photos, worry about how I can make them better, make my effort work better, I think I'll try to remember this habit idea and just return to work on a regular basis. I guess it's like successful writers all seem to have a routine - setting aside a block of time each day with a writing goal, say of so many words, and a dedication to doing that every day. It's probably why writers, and other good creative people, are loners. A family just can't handle such a routine from one of their group. There are too many demands on one's time from others. But I guess we have to just insist, to be dedicated, to do it regardless. From this, Tharp suggests, will come creativity.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [3/3].
This photo relates to my travel blog at http://www.heatheronhertravels.com/lunch-at-la-beneficencia-in-valencia/
This photo is licensed under Creative commons for use including commercial on condition that you link back to or credit http://www.heatheronhertravels.com/.
See my profile for more detail.
This relates to my Yell.com blog.
It is here:
www.yell.com/gardens/blog/author/jamesalexandersinclair/
I have another one here:
You are thinking the quote relates to the global economic downturn occurring all around us - it’s actually for a golf industry keynote today!
But it actually relates to both! (My wife thinks the rhyming is kind of hokey. I’m going to run with it anyways!) Later this morning, I’ll be on stage with an opening keynote for the Canadian Golf Superintendents Association of Canada, with a talk on the growth opportunities in the world of golf.
I suspect this might be the last stage keynotes for a bit of time as the global event industry unwinds as a result of the rapid spread of Covid-19, the related economic changes that are underway, and a new era of business uncertainty.
With that in mind, I will be spending my Tuesday in my home broadcast studio, getting it ready for a new era of video leadership keynotes. Stay tuned!
What’s my message? In a time of uncertainty, you’ve got to move quickly into the next phase with the downturn: getting beyond shock and denial and anger of the last two weeks — into acceptance!
The golf industry message today? The same!
Part of my message for these folks - and my message for previous keynotes for the PGA of America & others in the global golf industry - is that in order to innovate within the world of golf, we’ve got to move beyond looking at the doom and gloom stories: courses shutting down, declining participation numbers, less interest by mobile obsessed millennials in a 4-5 hour game.
Stay focused on those stories & you come away convinced there is no future for the sport.
Or … focus on innovation, change, adapting!
Innovations like TopGolf! Webcam’s on par-3’s for that elusive hole-in-one. Using social media as a means to attract parents of young children into the game. Experimenting with new hyper-connected golf clubs for swing analysis and more.
There are lots of opportunities for growth!
The world has changed in a big way - so get moving!
View on Instagram ift.tt/2Te8oPd
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Prof. A. Maiuri ] "Ruins of Pompeii Disintegrating..." The N. Y. Times, Nov. 16, 1955. p. 55 [1/2].
All the names relate to The Great War of 1914 – 18. One serviceman served on HMS Bulwark and one was assigned to the Canadian Expeditionary Force, others to the KSLI, Royal Welsh Fusiliers (or 'Welch' and 'Fuzilieers'), Montgomeryshire Yeomanry, Royal Engineers, South Lancashire Regiment, Coldstream Guards and The North Staffordshire Regiment.
Llandrinio is a village near Llanymynech in Powys. Heading south east from Llandrinio towards Crew Green and Shrewsbury, on the right before you come to the bridge over the River Severn, you'll see the Parish Church of St Trinio, St Peter and St Paul.
The Church is “.....a single-chambered structure, retaining architectural features from the Norman period through to the 20th Century. Internally, it has a couple of fragments from one or more early medieval slabs. Supposedly built in the 6th century....”
When you read about the history of the church and village, note the variations in spelling over the years, Trinio, Trunio and Llandrinio, Llantneio and Landrineaw.
For service times and for more information, please see........
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [2/3].
This relates to the topic of humanistic therapy. We became more self aware and accepting of ourselves versus our unconscious thoughts of covid and what if we catch it from a patient that we were working with. We were able to openly talk to each other about whatever was going on in our lives and everyone listened openly. There was no judgment, no-one giving advice, or someone directing our conversation. Everyone just listened to the other and accepted them for who they are with empathy. This increases diversity in Psychology because my friends and I are all of mixed Asian races on a boat in Kauai, Hawaii.
HB632 (Relating to Open Data) requires state departments to make electronic data sets available to the public. The bill also requires the chief information officer (CIO) to develop policies and procedures to implement the Open Data Initiative, and appropriates $100,000 each fiscal year of the biennium to Office of Information Practices (OIP).
HB635 (Relating to Broadband) requires the state and counties to take action in advancing the Hawaii Broadband Initiative within 60 days (for conservation districts, the state must take action within 145 days). The initiative's goal is to provide ultra high-speed Internet access by 2018, and this clear and decisive timeline will reduce uncertainty for broadband companies and serve as an incentive to invest in increased bandwidth.
SB1003 (Relating to Information Technology), another of the administration's bills, authorizes the CIO to conduct security audits and direct remedial actions, as necessary, in the management of the state's cyber security.
"relating to the motion of material bodies and the forces and energy associated therewith"
A creative outing with my photo club - Inland Empire Photo Club - where we played with light and motion and long exposures to create kinetic art. It was a wonderful, creative evening.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash with FP1b bulbs and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
April 22, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Relate your content to theirs
- Relate structure
- Relate vocabulary
- Relate context
It is possible!
- Reciprocal Research Network
- Straight fromCMS
Lee Iverson
IMG_0127
My picture relates to my family because my familyloves being outside and spending time with each other. My littlest sister, Mia, loves playing in the water as she is in the picture. My other sister and I love climbing trees and swing up in the leaves. My family loves eating healthy as well.
Thomas FTP00727
Relates to 1174, 1175, 1176, 1178, 0573
Fay Thomas Collection
Moses Thomas was a significant figure in the history of the area now known as the City of Whittlesea, Victoria. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Permission to use or share this image is granted provided the orignal URL link is provided along with the image and an acknowledgement to Yarra Plenty Regional Library.
Enquiries: Yarra Plenty Regional Library
#love #lovequotes #quotes #quote #life #lifequotes #sad #funnyquotes #relatable #relationship #sadquotes #softgrunge #tumblr #ana #words #depression #gay #indie #lovequote #boyquotes #qotd #bi #follow4follow #depressedquotes #dailyquotes #beautiful #instaquotes #poems #relationships #blackandwhite - i_been_icey
.
01/11/2004.
AKHIL BHARATIYA V IDYARTHI PARISHAD .
THE REWRITING OF HISTORY .
Friends, .
One of the most contentious issues of the last few years relates to the rewriting of history textbooks by the NDA government and their .
reJection by the UPA government. If there can be any legitimate criticism of the new NCERT textbooks, it can only be that, perhaps owing to the .
pulls and pressures of coalition politics, no real paradigm shift was attempted and no alternative, indigenous vision of Indian history was sought to. . .
be constructed. .
most cursory of glances; for the Supreme Court verdict in September, 2002, that the teaching of religious ideals is not ogainst Indian secularism, .
The charges regarding 'saffronization' -one fails to understand how this term has come to acquire a negative meaning -fall flat at the .
and the fact that Marxist academics talking of 'saffronization' were, in fact, referring only to some factual errors which crept into the new tex1books .
as a result of oversight, and not to any concrete instances of 'saffronization', come as a resounding slap in the face of Marxist propaganda. .
So far as 'distortion' of history -another catchword from the Marxist lexicon -is concerned, any serious student of social sciences .
understands that history is not a body of factual information, but a discipline based on contesting interpretations and approaches to questions of the .
.
past. Every model of historical 'knowledge' is thus only a construct; a way of looking at the past. Any historical narrative based on legitimate .
sources and coherently argued does constitute a valid contribution to historiography. .
However, 'distortions' are possible in the case of school textbooks, for any attempt of selective concealment and projection of facts by an .
ideology having no popular base in order to indoctrinate young minds can be considered nothing but a devious attempt at 'distortion'. Instances .
galore of such attempts can be seen in the old NCERT textbooks. R.S. Sharma's 'Ancient India' talks about 'Aryan migration' -a theory that was .
passed on by imperialist writers to the child people, the Indian Marxists, as 'Aryan invasion' before it got toned down for want of evidence -without .
.
any archaeological evidence, which is indispensable for the study of pre-history, proto-history and early historical societies. All that the theory rests on is a weak philological basis. Even Romila Thapar has now been compelled to accept that there is no conclusive proof of Aryan migration. That beef eating was common in early India is enthusiastically argued, despite the fact that while early literary evidences are often contradictory, the generic term which includes cow, buffalo, bison etc. Nowhere in these excavations have cow bones been conclusively found to establish beef archaeological evidence on beef eating is far from conclusive. The bones, with cut marks, found in different excavations are those of catHe, a eating. While accounting for the rise of heterodoxies, R.S. Sharma takes refuge in economic determinism, arguing that the altered material context -the need to work an iron plough in the middle Gangetic plains and the consequent need to preserve cattle wealth -led to a change in ideology. dialectics of material forces, without mentioning that this is only 'one' philosophical approach to the understanding of societies and 'he'. being a Thus, the simplistic 'base-superstructure' model is used by a Marxist ideologue to convince young minds that historical evolution is a result of the Marxist himself, prefers it over others. This Marxist regime of truth is calculated to create a band of future Marxists-note that history students in DU, JNU, etc. are often Marxists despite the ideology otherwise having only a peripheral presence in India-who have been 'converted' at ayoung .
age! Onlya rewriting ofhistory textbooks can prevent further conversions byMarxist missionaries/ .
The textbooks on medieval India have sought to project the medieval state in India as non-theocratic, ignoring the fact that 'theocracy' Is not the real issue, as far as the medieval state is concerned. For, the basis of state in medieval India was unequivocally Islam, which provided almost all the symbols of state, and provided legitimacy to that state. Numerous instances of temple destructions are rationalized as quests for .
power, wealth and legitimacy from the Ulema, despite the fact that no evidence can show that fanaticism was not a reason for the destruction of .
In dividing the entire political history of modern India into two compartments -'the secular and anti-1mperialisf as counterposed to the.
.. Hindu religious symbols. Nowhere in the Class XII textbook does he .
.
'communal and pro-imperialist' -Bipan Chandra has been guilty of a distortion of the worst kind. mention that there was a profound overlap -right from the grassroots to the level of top leadership -between the Congress and the Hindu Mahasabha, till the Congress, under the influence of the left, chose to break that connection around 1938 Men lil<e Lajpat Rai and Malaviya, to Paying obeisance to the .
name just two, had been actively involved with both the organizations. Since such a dialogue between the supposedly 'secular' and 'communal' Communists, the Modern India textbook makes no mention of their boycott of all Gandhian mass movemenffi and their act of ~botaging the 19~2 .
presupposes the absence of a 'secular-communal' dichotomy, Bipan Chandra's entire model is a fiawed one. .
demand for the formation of an Islamic State, i.e., Pakistan, from 1942 to 1946, would simply collapse the 'secular-communal' model, Prof. Chandra Understanding that any mention of the support offered by the 'secular' CPI to the 'communal' Muslim League over rts .
Quit India Movement. disappear from all history textbooks. If such partisan history writing is not 'distortion', then the word 'distortion' sh0uld itself be given a decent burial. .
has -as have all other 'secular' historians -taken recourse to strategic silence : this glaring evidence ot the CPI's treachery has been made to .
Thus, what is required is a rejection of Marxist history and theconstruction of an alternative, indigenous reading of our national past. .
l.
CENTRAL PAN EL .
I.
PRESIDENT I I.
-.
VICE-PRESIDENTDHANANJAY SINGH -.
GEN-SECRETARY.
ANKITA BHATTACHARJEE -JOINT-SECRETARYPRITISH KUMAR SAHU -Sanskrit Centre .
MANOJPANT sssSISS L RAJEEV NARAYAN ARIJIT RAKSHIT RAKESH RANJAN VIKAS SHARMA BHARTI TANWAR SAURAB JYOTI SARMA.
DZHKHA KARUNA I .
I.
RADHAY SHYAM 'I.
NAVNEET ' .
VIKAS ANANDPUSP RANJAN VIVEK KUMAR OJHA.
SAliSH .
Attend Public Meeting tonight at 9:30 P.M. In the Ganga Mess. .
SPEAKER: MR. MUKHTAR ABBAS NAQVI ~ VANDE MATARAMI Sd/·Ran Vijay Central Campaign Coordinator .
.
Go to Page 878 in the Internet Archive
Title: Chemistry, theoretical, practical, and analytical : as applied and relating to the arts and manufactures
Creator: Muspratt, Sheridan, 1821-1871
Creator: Horsford, Eben Norton, 1818-1893
Publisher: Glasgow ; London [etc.] : W. Mackenzie
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1860
Language: eng
Supplementary matter, by Professor Horsford: pt. 7, p. [1179]-1186
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Postcard FTP01314_60
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
I was relating the story about how i'd recently spat pepsi into my camera by accident and this guy began talking about how useful fizzy black beverages are for loosening tight rusted nuts on agricultural equipment, pour on and leave overnight. It doesn't work so well on cameras tho
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 321
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.