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A recent trip to Windsor and Runnymede allowed me a bit of time to explore the area a little more, and capture The Jurors.
The Jurors is an artwork by Hew Locke for Runnymede, marking 800 years since the sealing of Magna Carta on the ancient meadow in 1215.
The Jurors is formed of 12 bronze chairs, each decorated with images and symbols relating to past and ongoing struggles for freedom, rule of law and equal rights.
Explore Dec 16, 2015 #66
In 1943 Dutch artist M. C. Escher created a reptile lithograph that depicts a desk on which there is a drawing of a pattern of reptiles. The reptiles come to life and crawl around the desk, over the objects on it and eventually re-enter the drawing.
Escher would love the colors and patterns here! The Common Agama, Red-headed Rock Agama, or Rainbow Agama (Agama agama) is a species of lizard from the Agamidae family, found in most of Subsaharan Africa.
It can often be seen in the heat of the day. In the breeding season, the males develop dramatically colorful markings, the head and neck and tail turning bright orange, and the body dark blue. Outside of the breeding season, the male is a plain brown. The females and juveniles are always more cryptically marked. This lizard can be found climbing rocks and walls. Its primary source of food is insects.
The males are territorial, claiming small to medium patches of land which they defend against other mature males. Juveniles and females reside within the territories unchallenged. The mature males become agitated when confronting each other; nodding vigorously, arching, skipping sideways, and clashing tails. The loser is chased out of the territory.
Fairchild Tropical Botanic Garden, Miami FL
Jumping Spider with the Raynox DCR250
I love jumping spiders, and most commonly capture images of them using my Nikon D610 & Sigma 150mm macro however, lately i have wanted to get images with the spiders a little bit closer but had reached the limits of my macro lens (approx 1:1 magnification). As a result I decided to try the Raynox DCR250 super macro conversion lens which acts as a magnifier for your camera lens. This was my first attempt at capturing an image of a VERY hyperactive jumping spider. The spider was not harmed in the taking of the photo, and I managed to capture about 4 - 5 shots which was focus stacked using Helicon Focus before being processed with Topaz Sharpen, and being more comprehensively edited in Luminar 4 (using AI Structure, and AI Enhance).
There are a few issues with the photo, mainly relating to; 1. How quickly the spider was moving, 2. Depth of field, and 3. Reflections from the lens. The EXIF / shot data was 1/800 sec, f/5.6, ISO 640. LOTS more practice is needed to get used to the tiny depth of field and moving animals (I do microscopy so depth of field is not a major issue, just the movement of the spider creates additional challenges).
<--For those that are interested, All the Socials -->
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St Stephen's Hall stands on the site of the royal Chapel of St Stephen's, where the House of Commons sat until the Chapel was destroyed by the fire of 1834.
The hall closely matches the dimensions of the old Chapel, being 29 metres (95 feet) long and 9 metres (30 feet) wide. Brass studs in the floor mark the former position of the Speaker's Chair and the Table of the House, and two brass tablets in the wall at the opposite end mark the position of the screen which separated the lobby from the Chamber.
St Stephen's Hall was in fact used by the House of Commons on the first day of each session from 1945 to 1950, during the rebuilding of the bombed Commons Chamber. In 1960, the whole Hall was renovated and the war damage repaired.
Statues of famous parliamentarians face one another on either side of the Hall; these include John Hampden, Robert Walpole, William Pitt and Charles James Fox. On either side of the doorways are statues of early Kings and Queens of England.
At the east and west ends of the Hall are two large mosaic panels by R. Anning Bell relating to the founding of the earliest Chapel by King Stephen and its rebuilding by Edward III. The mosaic at the west end, unveiled in 1926, portrays Edward III approving the plans for the Chapel and handing them back to his master mason, Michael of Canterbury, with representatives of medieval craftsmen standing beside him. The panel at the east end depicts St Stephen holding a stone, in allusion to his martyrdom, with King Stephen and Edward the Confessor at his sides, and was unveiled a year earlier.
The paintings on the walls depict various important events in British history, while the ten stained-glass windows, five on either side, depict the arms of various parliamentary cities and boroughs; these were damaged in air raids during the Second Word War and since restored.
A long exposure here relates to the tired weather beaten lighthouse situated at the end of Neist Point on the extreme Western tip of the Isle of Skye.
This iconic landmark is quite dishevelled when you get up close to it. I spent some time exploring this location on a recent trip to the island. This was the best of several attempts at a long exposure shot from the top of the cliffs. The wind was gusting and despite my best efforts to try and keep the tripod and camera steady the wind was winning!
You can make out the Island of Uist in the Outer Hebrides on the far horizon.
Another Image relating to History. This is a statue of Queen Victoria holding her regalia. In the background is an example from the centre of Birmingham of the sort of buildings of visual power that she managed to lead over decades.
This video “MIX 9” is another selection of images, both graphic, design and Photographic. The idea is to show the range of styles and techniques from right across my wide range of styles. It is followed in my Photostream by individual images taken from the video, but shown as single images at full size. These will appear on my photostream spread over the following week.
There are more examples of these Mixes on my portfolio website :-
Tales of history relate that Dinajpur derived its name from Raja Dinaj or Dinaraj, founder of the Dinajpur Rajbari. But others say that after usurping the Ilyas Shahi rule, the famous Raja Ganesh of the early 15th century was the real founder of this house for a brief period. At the end of the 17th century Srimanta Dutta Chaudhury became the zamindar of Dinajpur and after him, his sister's son Sukhdeva Ghosh inherited the property as Srimanta's son had a premature death. Sukhdeva's son Prannath Ray became famous and powerful and began the construction of the famous Kantanagar Nava-Ratna Temple, now known as the Kantajir Mandir, one of the most precious heritage structures.
It is difficult to conceive what the main palace block looked like when it was young and bold. Wild leaves and veins have wrapped the building like octopus tendrils while the skeleton and naked brick structures give a horrid look as the ageing plaster is almost worn out of the walls. In different parts of the building, structural girders are exposed while there is no roof above. Still from his historical study and the remaining ruins, Dr Nazimuddin Ahmed gave a vivid description of the structures in one of his publications published in 1986.
"The imposing façade of the two-storey palace, facing east has a broad frontage of about 150 feet. The central part carrying a 10 feet wide verandah above is projected prominently. The front projection has a series of elegant Ionic columns in pairs with round shafts on the upper floor.
"The parapet is plain except for a curved plaque-wall in the centre, bearing in relief, two elephants standing face to face and holding a crown. Above and below it are some indistinct English letters. On either side of the balcony a broad spiral masonry staircase leads up to the upper storey. The roof of the 15 feet wide balcony collapsed.
"Immediately behind the balcony a large hall (50"X20") originally flagged with white marble stone and flanked by two 10" wide verandahs on the east and west is roofed over with massive iron girders. The lofty 25 feet high roof is in a highly disintegrating condition. On its north there is another smaller (30"X 20") hall and on the south a broad corridor leads to the inner quadrangle of residential quarters."
If the bricks could paint or write the tales of the Rajbari and its inhabitants, what a book could have been written! But with the silent walls, the palace has now grown old and inexpressive. It has faced not only the cruelty of time but also the ravages of nature like the 1897 earthquake that had left it badly damaged. Although the palace was largely rebuilt by Maharaja Sir Girijanath Ray Bahadur, time has not spared it from its claws. It is up to us now whether we would at least let the ruins remain and let our future generations see them and let their imagination flow back to the past and touch our heritage.
other pictures from the set Dinajpur Rajbari .... Discovering the hidden glory
His Golden Touch
One day, as Ovid relates in Metamorphoses XI, Dionysus found that his old schoolmaster and foster father, the satyr Silenus, was missing. The old satyr had been drinking wine and wandered away drunk, to be found by some Phrygian peasants who carried him to their king, Midas (alternatively, Silenus passed out in Midas' rose garden). Midas recognized him and treated him hospitably, entertaining him for ten days and nights with politeness, while Silenus delighted Midas and his friends with stories and songs. On the eleventh day, he brought Silenus back to Dionysus in Lydia. Dionysus offered Midas his choice of whatever reward he wished for. Midas asked that whatever he might touch should be changed into gold.
Midas rejoiced in his new power, which he hastened to put to the test. He touched an oak twig and a stone; both turned to gold. Overjoyed, as soon as he got home, he touched every rose in the rose garden, and all became gold. He ordered the servants to set a feast on the table. Upon discovering how even the food and drink turned into gold in his hands, he regretted his wish and cursed it. Claudian states in his In Rufinem: "So Midas, king of Lydia, swelled at first with pride when he found he could transform everything he touched to gold; but when he beheld his food grow rigid and his drink harden into golden ice then he understood that this gift was a bane and in his loathing for gold, cursed his prayer."
Await and Awaken©
Relate within the same letter of life's law
As easy as a first breath of cherishment galore
Howsoever the day may have begun,
It's course in your hands may still be spun
That door remains open till the day is done
To welcome with opportune resolve life's home run
Call it emotional topiary, your garden, your space
No overnight fantasticism can over-emphasise apace
The quality of being the mirror before sightseeing seen,
Sets the beautified scene so miraculously serene
Renewable, inexhaustible, when finally found it's never lost
That is the feeling of being warmed at the touch of a Sun thawing frost
Two worlds away unite within the same second
As much as the first owes the last over which it is reckoned
Birthdays split the differences as we all move through time at the same pace
Every range of clock face imaginable and none a disgrace
It tells of antiquity within the presence of valour
And speaks a charmed silence which awaits and awakens within flowing candour.
by anglia24
10h45: 24/01/2009
©2009 anglia24
Loup des bois . Gray Wolf
Shot at Parc Omega which is a ten-kilometer nature roadway in Montebello, Quebec.
Sea Princess Scenic Nature, Seals & Fjord Cruise tour out of Northeast Harbor Maine is a great way to see Nature and spectacular views of Mount Desert Island.
Painted in 1999 on Rail box. E to E with some members of the crew and an addition. I believe this was painted with Intel, Logik, Emer and a writer that was put down that night, that wrote Eski/Eskimo. One of those, well if were putting someone down, then we better go and get up together. So that's what we did. I want to say that we first met up at a club or something to start the night off but I can't really remember. I just remember that my piece was just smashed in tight to the end of a crushed car, nineties style. Which means, small pieces and everyone's invited to the party. Which leads me to the real story........ Well, sometimes you learn a lesson in haste when you put someone down without really putting in the effort to see if they make a good fit. I believe this train was done within one week of Eski leaving and going back to her home city, which I think was Seattle(?). Either way, it didn't really matter. I had never seen or heard from her again. I don't know if she still writes or not but all I can say is, make sure you do your due diligence when putting in a crew member. It's one of the most important moves you can make in this game. My crew has had it's share of successes and failures. For the most part, the failures came from not really knowing the character of the person. I look at it like this, any and all that have come and gone from AKB, have been either weak, dishonorable or misinformed about this culture, the graffiti writers code or ethics and how seriously passionate about it, some of us are. We've had people make bad choices that have put us all at risk and others who didn't have the heart to speak up for themselves when they weren't getting the attention they desired or thought they deserved. Either way, you live and you learn and the crew always moves on stronger and with a lesser degree for error. It's unfortunate but it's the way it's got to be. Back in the day, if you were mad cool and had similar interests as some of the crew members, you had a good shot at getting in. Nowadays, it's become like the elite organizations of the military, you have to earn your way in and it's not going to be easy. This is due to how strong our bond is, all the history, plus the bullshit, trials and tribulations that we have endured over the years and how tight we are on a personal level. To most outsiders, we would look like a bunch of disfunctional people that wouldn't have anything in common and couldn't relate to each other on a personal level..... but they don't understand Graffiti culture or the mindset of Graffiti Writers. We all come from different backgrounds, have differing degrees of education, family and social structures and status but we all share one common goal, "To rock the city and represent for AKB". No matter where we are at, or on what type of surface, we have a complete understanding and total control over that inner drive that compells us to get down and paint and represent for our crew. Sure, our families come first but that's why we call ourselves the AKB family. Everything else in life, is just gravy. Good times!
2020 a comin'!
Click on the photo to enjoy it large size.
Kinetic Photograph made with one single long exposure shot, printed straight out of camera.
If you’d like to read more details about how the shot is made see below. And for more of my kinetic photographs here’s my set, "Drawing with Light"
www.flickr.com/photos/motorpsiclist/albums/72157652166665058
Copyright © by John Russell – All Rights Reserved
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
Come by The Lost Unicorn Gallery today at noon and travel through time with Hilaire Beaumont! When I first discovered Hilaire's work a while back I was awestruck by his depiction of periods from the past, specifically his 18th to 19th century scenes. Once a major roleplayer for many years, Hilaire has managed to encompass the roleplaying aspect into most all his pieces. Every picture tells a story and most people can either relate to the scene, are familiar with it or just purely enjoy it. The poses and costumes he uses as well as overall composition, lighting and color all come into play when Hilaire creates one of his amazing scenes. He has made several new, never posted works especially for the show!
Master Lysios (ML) will be singing some classic rock tunes for us during the event!
Come dressed as a character from the past (or future!) and stop by this must see event!
maps.secondlife.com/secondlife/Lost%20Unicorn%20Gallery/1...
**artwork by Hilaire Beaumont
Here is a photo from about this time last year that i've been meaning to post. I haven't been able to get out and shoot many snowy pictures due to work, so I felt I should post this. It's a little bit sad looking back on this photo as the RoadRailer was one of my favorite trains.
The train almost got away from me this day, but I managed to snag one shot of it. Here is a long story detailing what happened.
While out shooting the IC and waiting for A408 with a deathstar leader to finish work in Champaign, I bounced down to the Lafayette District to shoot some NS. After receiving intel on 255's location, I moseyed around looking for spots between Tolono and Homer while shooting other NS trains. After assessing the time I think the train might arrive, I came to the conclusion that I had time to sit in my car at Tolono and look at Facebook and wait for a line-up over the diamond on ATCS. Being my first time out here, I didn't know how stuff worked such as the ATCS tendencies and how fast trains move.
It's now getting to the time where one thinks the train might be close if it hauled absolute ass, but my gut is saying it'll probably be another hour or so. As these thoughts are going through my head, another foamer pulls up next to me. I'm now thinking things will get interesting soon, but who really knows. As I start driving out of Tolono due to boredom, I hear my scanner call out "---55---" and a bunch of static per usual. I'm thinking there is no way it's here this soon. Sure enough as I get out of town, I see a tiny string of white in the distance coming out of Philo towards me at a decent speed.
After shouting a few choice words in my car, I whipped a U-turn and tried to quickly get out of town. This was difficult with low road speeds, many intersections, ice, crossing over two mainlines, and the usual slow drivers. Sure enough as this is happening, the CN lines 255 across the diamond. Now I have no idea where to shoot this. The roads are crappy and the train has no plans to stop. I got to the crossing at CP Dawn and pondered if I should play if safe and settle for what I thought was a crappy shot or move somewhere possibly better. After about 15 seconds of self deliberation, I risked it and hauled ass east. The train was now in my rearview mirror and picking up speed. Shit! I settled for the shot posted and had minimal time to get set up. If I knew the lay of the land better, I probably would've went for the nice shot just west of Sadorus but the train probably would've beaten me to it. This was the only place I felt I could get to. Regardless, it's a shot of a train that no longer exists. The slight sag, snow, and glimmering grain elevators in Tolono are nice additions.
After revisiting this line for 255 a month later and almost going through a similar situation, I learned that the RoadRailer and other NS trains don't play around here and haul ass.
I don't usually post very long play-by-play captions like this, but I know many of you enjoy reading and relating to these adrenaline-rushing situations.
NS 8030
255
NS Lafayette District
Sadorus, IL
1/20/24
I am reposting this message and creation from my December 2019 post
Although this was written in 2019 I knew something big was going to take place on earth in the months ahead.
It is as relevant today as it was back in 2019 because it relates to today in 2021
I underestimated the severity of this message. In saying this I was extremely unsettled for many months and prayed as I knew something was going to happen but I did not know exactly what.
I had endured many months of suffering knowing. Through this process things became crystal clear to me and with that an understanding of the higher picture and ultimately a sense of surrendering to 'what is' and a sense of Peace and Calm came with this, along with so much gratitude for being guided and shown. A blessing and a curse
To add to this, many souls have sacrificed themselves - knowingly and unknowingly to wake up humanity.
We can never know the soul agreement that each of us has made when we birthed into this world.
I am eternally grateful to the many souls who have endured hell on earth, lost their lives to awaken the masses to the reality of this world.
There are many people at this time on earth who are struggling with all that is happening in our world.
I was guided with this message and design back in 2019 - it started many months before it was completed by December of that year.
I hope that this message will bring some understanding and comfort to anyone who is struggling right now.
Despite her name Black Winged Goddess, she does bring a message of Hope and Unity to humanity.
We are living in times of great destruction of the world as we know it, earth changes, fires, floods, earthquakes.
Here alone in Australia we sit in horror at the extent of the fires rampage across the country. Unprecedented fires and weather in the history of our existence (well what is on record)
Whilst horrific - the earth we live on has always been full of cyclic changes.
Ancient cities have been discovered under the sea, we are naive to think that the world as we know it will remain the same.
What continents exist now may no longer exist. What coastline exists now is slowly being swallowed up by the ocean.
Volcanic eruptions are changing the face of the planet as are earthquakes - the list is long.
We cannot stop the force of Mother Nature. We live on a planet that has always endured such destruction.
We have pole shifts taking place - all kinds of catastrophic events happening across the Globe. We are but a spit in the ocean to the wide Galaxies that we know of. Yet we think we are precious in some way.
I cannot help but wonder why I was so drawn to create this "Black Winged Goddess" let alone give her the name of Black Winged Goddess. But I was drawn, my soul was pushing me for weeks with a "slight vision" of what I needed to create. It now makes total sense to me why I was so drawn to create The Black Winged Goddess, given the state of our world and humanity.
My soul as always when I listen guides me with powerful messages and reminds me to just 'be' to accept 'what is'.
We may not like the current state of our world, but it is what it is and all we can do is stay strong within ourselves and hold the power of 'love' in our hearts despite seeing so much being played out on the planet.
Kali (Hindu) - was known as a deity of the Fearsome Demon destroying Goddess who represents death and rebirth - so her name means "Black One".
We can never truly comprehend or understand the power of mother nature - we have abused her for centuries, taken her for granted and she is a living breathing consciousness so powerful that we dare not go up against here.
In recent years we have seen the influence of the feminine energy on earth which for eons has been dominated by the male energy.
So it makes complete sense to me that we are witness to so much destruction on the planet.
We are witness to the destruction of our societies as we know it, breakdown of families, law, politics.
So much of humanity is at war with the 'system', the injustices, and the lack of balance within our society. The homeless, the abused, the forgotten souls, the mental health issues that seem to have become rampant, the rise of Corporate wealth while humanity is trapped in slavery. We have learnt nothing as a humanity over the past how many hundred years?
In order for rebirth, for new growth, a culling needs to take place - hence the energy of the Black Winged Goddess she is both the Destroyer and the Giver of New Life.
We have elected to be here at this time on the planet - despite the suffering we witness or endure - I know at a higher level it is absolutely necessary for real change to take place.
Our world is a very different place to the one we have known - and whilst we have believed we have had a safe and reasonable planet in which to live, the reality is much Evil has existed and people have been brainwashed to the point of being zombies. There has been so much suppression imposed upon humanity even to the extreme of vaccinations and fluoride to our water supply. All of these chemicals act as suppressants to our brain! It has been a deliberate agenda of the existing power on earth. Their agenda has always been to rule, control and suppress the populous.
Humanity is awakening and with this will be uproar, dis - ease, a culling if you like. It is time for humanity to step out of fear and into their true power which is within each and every one of us.
New growth, new beginnings but not before the dismantling of the old - it has to be this way.
These times we are living through were written in history.
So I have created "The Black Winged Goddess" she is available in different styles, inside a Dome with beautiful etched glass or stand alone. She will rotate or can be static.
She is available on MP in the Stand Alone version (rotating) or can be seen in world at my store.
****This POST IS NOT to promote my MP. I will not put my MP link here for this reason. If anyone does not have the money and would like a version of her please send me a notecard in world with your full name and I will happily send one to you. This is NOT about promoting my MP it is about assisting humanity at this time***.
I hope you enjoy and embrace 'The "Black Winged Goddess' and rather be in fear of her - understand she brings 'New Life" but first the old has to die for the new to be born.
How appropriate for a New Year of 2020 fast approaching.
Interestingly and unconsciously I created 4 of these Black Winged Goddesses.
The year 2020 equates to the number 4 in Numerology.
The #4 represents a Universal energy. (see below for a deeper understanding of the #4)
The # 2 - Is the most feminine and often underestimated when it comes to power and strength. She is always gentle, tactful, diplomatic, forgiving and understanding. She likes to keep peace and likes to avoid confrontation. # 2 is the survivor and extremely resilient force. Her shape looks as though she is bent back on a knee with head bowed in humility and service. However when enough pressure is applied to the # 2 energy. Some would perceive her as weak and powerless due to this servitude shape. However never underestimate the power behind #2 because she represents the power (double) #1 who is the all powerful warrior who will shake and destroy no matter what. So #2 brings the balance but never underestimate the power of 2 Energy.
The #4 Energy in more detail
The 4 is without a doubt masculine, reflecting strength and stability. His chief characteristics are dependability, productivity, punctuality and obedience. He is trustworthy, patient, conventional and a traditionalist.
Tend to be rule followers. 4 is the area of sciences, upholding the law (such as Government and the military). The #4 represents Disciplined, systematic, Dependable, Strong. Loyal
Four is the basis of all solid objects. Four points are used in constructing the simplest solid and thus four is the number symbolizing the way of construction. In many religions, four is seen as the number for earth, and representing the four elements, Air Earth, Water and Fire.
At its extreme 4's can tend to overreact to violence.
So 2020 seems to have more challenges ahead and I suspect we will be seeing more uprising across the planet (#2 energy) with totalitarianism (#4 energy) being played out like never before. Perhaps more of what the world has witnessed in Hong Kong this year.
It is as if the two energies Masculine & Feminine are battling against one another. But at the same time, I cannot help but feel and acknowledge UNITY - and this is what I will remain focused upon during the year ahead. We must stand united. We are after all 'one humanity'
We are without doubt living in very challenging times.
May peace be with you!
Copyright December 2019 Chant Lyric
Please share with anyone who you believe may take some comfort during these days - not because I want awards, in fact I do not want awards. This is for humanity and was given to me through the Grace of God
This post is NOT about promoting my MP - she is available there for anyone who wants to purchase her. For anyone who truly feels drawn to her and the strength and comfort she brings to me, and do not have the money to purchase her. Please contact me in world with a notecard, give me your full name and I will happily send her free of charge to you.
My original posts can be seen here www.flickr.com/photos/58903384@N04/49251189433/in/datepos...
www.flickr.com/photos/58903384@N04/49251186488/in/photost...
112 pictures in 2012, #29 Leap Day (any shot to be taken on, or relating to 29th Februari2012)
Explore, Highest position: #132 on Wednesday, March 7, 2012
A decade ago
I never thought I would be
At twenty three
On the verge of spontaneous combustion
Woe-is-me
But I guess that it comes With the territory
An ominous landscape of never ending calamity
I need you to hear
I need you to see
That I have had all I can take
And exploding seems like
A definite possibility to me
So pardon me while I burst into flames
I've had enough of the world
And it's people's mindless games
So pardon me while I burn
And rise above the flame
Pardon me, pardon me
I'll never be the same
Not two days ago
I was having a look
In a book and I saw a picture of a guy fried up above his knees
I said, "I can relate,"
Cause' lately I've been thinking of combustication as a welcomed vacation from
The burdens of the planet earth
Like gravity, hypocrisy, and the perils of being in 3-D
And thinking so much differently
So pardon me while I burst into flames
I've had enough of the world
And it's people's mindless games
So pardon me while I burn
And rise above the flame
Pardon me, pardon me
I'll never be the same
See the picture below this one in my stream? Thats me before I went to work... I go happy thinking each day will be better... this is how I come home.
I like to think I am a fairly good person. I am friendly, I'm trust worthy, I try to be happy and smily even when I'm not, I laugh when I dont even find jokes funny... And yet here I am in a town which is so painful... I cant even begin to explain it. I go to work everyday and I feel like I am back in high school. I have never seen such petty bitchiness in anyone over 16. Im putting up with it but sometimes it just brings me down. I am missing out on wedding dress shopping with my sister, thursday night dinners with my parents and my awesome house I own where I could have a puppy. Plus my stupid stomach. I paid $97 on tablets today... more shit that is meant to help another variation of the same shit I've been on for 1 & half years now.... Woe is me rarara... it hurts sometimes though.
The burning crucifix's relate to local Christian internecine strife. The seventeen crosses remember the seventeen Protestant (Christian) martyrs executed by the Catholic (Christian) Queen Mary (aka "Bloody Mary") a long time ago. There are no racist connotations.
Images taken during the legendary Lewes Bonfire Night Celebrations on 5th of November 2007.
When words become unclear, I shall focus with photographs.
When images become inadequate, I shall be content with silence.
~Ansel Adams
To make someone feel, make someone relate, make someone think - this is the beauty of it all. Making some sort of an impact has and always will be my purpose in why I take photographs.
I believe as photographers, we all have a story to tell of why or how we got into photography.
2006.
A year that dramatically altered my perspective on life and the spark that ignited my passion for photography.
It was during that year, two people who meant the world to me passed away 8 months apart from each other. Never had I anticipated experiencing death at such a rapid rate. Emotional turmoil took over and depression became a part of me. I was no longer the same person, I was filled with denial, pain and sadness. I felt numb to the world and every person in it. I was in a constant battle with my emotions, not knowing where to turn for support in such a difficult time.
For months I had obsessively been glancing at sites that contained photography from Deviant Art photographers. With every picture that came across my eye while scrolling down the pages, a lightning bolt of questions and curiosity struck me: “How can someone capture something so beautiful in such a short amount of time?” The fact that each photograph was unique and held a different view fascinated me. I quickly aspired to experiment with taking pictures. Due to such a powerful curiosity, I'm sure you can imagine the delight that filled me when I got my first camera - a Canon Powershot - as a present for Christmas. Little did I know that what I first deemed as an “experiment” would within time turn into an escape, a passion that would heal me greatly.
I began to feel the world looked so much more beautiful when I looked at it through a camera's viewfinder. Every day I would be out in my backyard taking photographs, and in those moments capturing what surrounded me, I didn't feel pain. I didn't feel sadness. I didn't feel numb - I felt peace. Taking photographs made me rediscover who I was as a person. My camera became my greatest friend who knew all my secrets and witnessed me metamorphosis.
It's hard to believe it's been 3 years.
Being a part of Flickr has been such an uplifting experience for me.
Three years ago, I never would have imagined gaining such inspiration, support and friendship from so many extraordinary people. For that and so much more, I am forever grateful.
Photography is a true saving grace.
I could probably best relate to this as the equivalent of giving your little brother an unplugged video game remote and acting like he's the one who's good at the game.
Probably in an event to keep me more engaged in the US rail scene than I was at the time (looking back 2 months later makes me realise how none of this can be recreated back home), the R'bauers assigned me to choose somewhere for this coal train we were pretty sure was close by.
A quick geeze at Sun Seeker and Google Maps, trying to pinpoint where the late afternoon shadows won't have covered the BNSF Fallbridge Sub. Came to the conclusion that John Day Dam Road may be the best bet.
Up a hill and only a few minutes later, I could see the microscopic coal wagons at Towal moving. An excited shout to the R'bauers, and this bad boy rolls by a few minutes later.
Specifically, a coal train from Spring Creek mine in Montana to the Centralia Power Plant in Washington. From what Lewis' notes lead me to believe, this power station is scheduled for closure later in the year.
6117-9361-6038-6550(r) BNSF C SCMCEC 021 east of Maryhill 22-4-25
... Slightly confused slippers.
While I was shopping for a new computer, after my old one died a death, I found myself some very comfortable slippers. Heavenly in the evenings, as long as Rufus goes out for his last pee at a reasonable time!
Thank you all for your comments relating to Graham. He's much better and has been to see our GP, who changed his meds around a bit, great reesults - so far.
I was having some much needed physio for my back and both legs. Sadly, for some unknown reason the chap has closed his rooms. I staggered up there this afternoon, only to find myself having to stagger back home. 😒
Maybe view large, but thank you for any favourites. :)
So I'm supposed to think like you
in order to relate to you -
my words have got to be just right
to save your precious mind some work.
Instead of seeing where I am,
you're only looking where I'm not,
expecting me to scurry over
Right to where your gaze is fixed.
But I don't want to live in that place,
all pretending, imitating,
guessing what's expected of me
jumping hoops relentlessly
So here's the deal: listen to me,
Try to stretch your minds a little,
Break the mold I can't fit into,
Set communication free.
Dave Spicer
When I was in 9th grade, I started biting my fingernails. It was easy to relate it to the hard times that I had at school, since I found myself stopping whenever I was on holiday, and going right back to damaging my own hands as soon as school started again. I felt so lonely at times, wanting nothing more than to have a best friend by my side.
By the time the school year had finished, I had already decided to move schools. And when September brought along a fresh start at a new school, suddenly my life began to fall into place. I found new friends, didn’t loathe going to school anymore. Finally, I was okay — and yet eight years later I still find myself tearing the skin on my fingers today, sometimes to the point where it hurts to do anything with my hands.
not all good that comes can heal
the wounds we have covered ourselves in
Credits :
Blueberry - Can't Relate - Boots Flat & High Heels @ Main Store
Blueberry - Can't Relate - Fishnet Stockings @ Main Store
Blueberry - Can't Relate - Shorts & Belts @ Main Store
Blueberry - Can't Relate - Tops Alone @ Main Store
Blueberry - Can't Relate - Wrap Around Cardigan @ Main Store
Doe: Gabriella Hair @ Collabor88
Eyes : {S0NG} :: Crow Eyes Gacha - pale blue @ Epiphany
Doe: Monster Backpack (Hold) - Pink Gacha @ Main Store
Romazin - Earrings - Tori @ Sense
Romazin - Necklace - Tori 1 @ Sense
Romazin - Necklace - Tori 2 @ Sense
Romazin - Necklace - Tori 3 @ Sense
MINIMAL - Town Hall Backdrop -flower balcony-MINIMAL - Town Hall Backdrop @ Kustom9
SPELL : Bike -Mushrooms - RARE @ Main Store
ionic : Antique books & iron chair @ Main Store
ionic : Interior plant @ Main Store
ionic : Store Sign (Black & Gold) @ Main Store
ionic : Tea Store Sign @ Main Store
ionic: Fountain (tiled) @ Main Store
from Madras Fruit Stand Decor Gacha @ Main Store
Madras Green Apple Box
Madras Watermelon
Madras Raspberry Basket
Madras Mulberry Basket
Madras Purple Grapes
Madras Green grapes
Madras Cherry Tray
Madras Apple Box
Madras Fruit Table
Madras Banana Box
Madras Pineapple Boat rare
No, this item doesn't relate in any way to Miss Angie the dance instructor; instead, it's for Angie Mengoa, known throughout the whole domain of Flickrdom as Proverbs 31:10. Today is her 21st birthday, and I celebrated the occasion by creating this special screensaver at work, which was used only today and then deleted before I went home. Those are my glasses in the lower right-hand corner. It is proof positive that I thought of my young friend throughout her big day, as this greeting scrolled across my computer screen whenever I left it idle for more than a few minutes.
Angie herself commemorated her birthday with this little masterpiece, so typical of her in that it displays her formidable talent, her remarkable beauty, and her deeply-held religious convictions, all of which essentially define who and what she is. It is so fitting for her to note her 21st birthday with a prayer, as she did here. And as for me, I will keep her in my own prayers always, as well as in my heart and my affections. I admit to being very, very fond of this remarkable young lady.
When you see this, Angie, it will be either very late in the evening on your big day, or the following morning; but either way, I hope your 21st birthday has been just splendid. :-)
Blythe a Day - How to Sell a Haunted House (Bewitched) - 10/1/25
For Sale in Spookytown: Classic Haunted Beauty
About the Property:
Beautiful classic 4 bed 3 bath tri-level in coveted Spookytown. Original fireplaces and staircases. Hard wood flooring throughout. Old creaky windows, attic ghosts, furnace, updated electrical and much more!
Features:
Actual clawfoot tubs
2 ghosts
Secret staircase & door
Creaky floors
Large windows
Attic bats
Real skeletons in the closets
Call Drusilla, our expert relator, for a private tour.
House photo I took on a fall drive and recolored
Daunting Drusilla Blythe
10 July 2021: In recent days the figures relating to the coronavirus pandemic in Belgium have taken a turn for the worse. The number of new infections has been rising for around a week now and yesterday (Friday) the average number of daily hospital admissions rose for the first time in weeks. During the week from 30 June to 6 July an average of 697 people tested positive for the coronavirus. This is 81% up on the figures for the previous week. The total number of patients with COVID-19 that are being cared for in the country’s hospitals stands now at 250. Of those hospitalised 95 are on intensive care wards. The basic reproductive rate for coronavirus in Belgium currently stands at 1.09. Since a large number of people have still not been fully immunized against COVID-19 and since there is no reason to believe that the figures will start falling again in a couple of weeks the situation is very worrying. Belgium is not alone. The number of coronavirus infections is increasing across Europe. In the Netherlands, the number of coronavirus infections is rising sharply, with 6,986 new cases in the past 24 hours. The Dutch government announced yesterday new restrictions to limit the hospitality industry and live events sectors. In summary until a very high % of the population is fully immunized we will need to remain cautious – Bruges, Belgium.
Tell me what you see
You don't see a damn thing
'cause you can't relate to me
You're blinded by our differences
My life makes no sense to you
I'm the persecuted one
You're the red, white and blue
Outlandish - Look into my eyes
__________________________
Ja que tanta gente pediu,ai está a foto.
Triangularity - Relating to entities such as three people, objects, ideas,...…. And Tri... refers to the number 3 an odd number...
For the challenge = triangular shapes, three items on a scarf with three sided shapes,......
2019 05 14_6559.jpgh
From Wikipedia, the free encyclopaedia
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Venetian Renaissance facade and a grand central hall of cast iron construction that rises the full height of the building. This building underwent a major refurbishment and reopened on 29 July 2011 after a three-year, £47 million project to restore and extend the building led by Gareth Hoskins Architects along with the concurrent redesign of the exhibitions by Ralph Appelbaum Associates
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland. As well as the national collections of Scottish archaeological finds and medieval objects, the museum contains artefacts from around the world, encompassing geology, archaeology, natural history, science, technology, art, and world cultures. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display. One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock. A Scottish invention that is a perennial favourite with school parties is The Maiden, an early form of guillotine.
In 2016, the museum had 1.81 million visitors over the year, making it Scotland's most popular visitor attraction during that period.
There are plenty of things I could tell you about this image but what I am going to relate tonight is only going to involve the mistake I made.
One of the risks to habits is that you can come to rely on them overly much. A case in point would be that by an unofficial rule I generally keep my Hasselblad backs loaded with 400 ISO film, one back for color and the other for b&w. When I do load a different speed film in one of my backs I try to make a note because I am so used to 400 speed film in them that I have mis-exposed film before because of mistaken assumption.
Before this latest trip up to the Olympic Peninsula I had been working a lot and photographing only a little. As such by the time I got up there my black and white back was halfway through a roll of film I could not remember loading and so I could not remember which film was in it. Normally no note would mean 400 speed but something in my brain was tickling away that this was not true, that I had loaded something out of the ordinary in terms of film speed in this back.
So what are my options at this point with about six frames left to expose? Well I could trust my habits and expose at 400. I could attempt to second guess motives and backtrack through memory to deduce which film I might have loaded. I could meter somewhere in between. This latter is what I did. I figured the only other speed I would have loaded would have been 100 ISO film. So if I metered at 200 then I would only be wrong by a stop. If it was 100, I would be a stop under and considering that I normally overexpose by habit anyway, all would be ok. If it was 400, then I would be a stop over (or two with my usual overexposure). and film so readily forgives overexposure. Seriously, you can get away with three or four stops over and still produce reasonable images. Additionally I was going to be a bit less choosy with those six frames and try to blow through them quickly so I could confirm the film and if necessary backtrack to re-expose any images.
Thus I set off. Unfortunately it was sunny and clear and conducive to heavy ND shooting so "blowing through" half a roll takes on a slightly different meaning when shooting through 18 stops of neutral density. It took a few hours but I managed, wound the roll and unloaded it... to find a roll of Rollei RPX 25. Umm yeah. So metering for 200, maybe overexposing by design by a stop I was still going to be two stops under. That was a bit disappointing. Usually I defer to the decisions that past-Zeb makes. He often seems to think of things that present-Zeb appreciates. But this time I was wondering what in the heck that past me was thinking by loading a roll of 25 speed film in a camera that usually uses 400 speed and not putting a note on it to warn present-Zeb how to expose it properly. Sheesh.
So I had a bit of a sinking feeling in my stomach, figuring not even the forgiveness of film was going to save me this time. Luckily I was still on the same beach and did backtrack to re-expose the images I felt most strongly about. I debated having the roll pushed when I got back but then the first half had theoretically been exposed accurately and I couldn't really remember what was on it, so I didn't want to push process that stuff, so I just let it go, morbidly curious to see how thin the negs would be. Imagine my surprise when the stuff that came back turned out to be fairly usable... at least some of it. This image for example was metered somewhere around 100 to 200 ISO, which means I probably overexposed it to begin with due to the deep shadows in the frame. But that is ok, I wanted the cliffs to be black anyway.
So what to take from all this? I guess mostly that we all make mistakes. In fact you ought to find opportunities to make mistakes. They keep us sharp, they are opportunities to learn, they sometimes show us things we may not have discovered on our own, they remind us that we are fallible in our decision-making. And I tell you about this one in particular so that you know that I am not above making such silly errors. I tend to curate out most of the images I don't consider worth the time to post or your time to see. I edit down to the good stuff, which really means the stuff that I like for one reason and another. And I think with practice and by limiting how much I post I tend to only share the stuff that is noteworthy for good reasons. But that can easily lead to the mistaken perception that maybe I don't make the same mistakes you make. That I don't screw up my calculations or forget something simple and obvious. Well trust me, I do. And sometimes it works out and sometimes it doesn't. On this case I got lucky, no thanks to my past self.
Hasselblad 500C
Rollei RPX 25
The International Bomber Command Centre (IBCC) a memorial relating the historical impact of and on Bomber Command during the Second World War. Located on Canwick Hill, overlooking the city of Lincoln in Lincolnshire.
The city of Lincoln was selected for the location of the IBCC because 27 RAF Bomber Command stations (over a third of all Bomber Command stations) were based in the county during World War II. The large amount of airfields led to Lincolnshire being nicknamed the "Bomber County".
Located at Canwick Hill, the centre is just under two and half miles from RAF Waddington, which suffered the greatest losses of any Bomber Command station, and close to the former Avro aircraft production facility at Bracebridge Heath. A view of Lincoln Cathedral, a prominent landmark for aircrews, forms an important part of the vista from the centre of the Memorial Spire.
The aim of the IBCC is to tell the personal stories of members of the RAF Bomber Command, ground crew and civilians impacted by the bombing campaigns during the Second World War. The centre will also provide a comprehensive record of the role of Bomber Command's squadrons and to digitally display historical documentation and photographs relating to the activity of Bomber Command.
Within the grounds of the International Bomber Command Centre the Spire Memorial was erected on 10 May 2015. The memorial is a spire, reflecting the connection to Lincoln Cathedral. Created out of Corten A weathering steel, it is based on the dimensions of the wingspan of a Lancaster bomber, being 102ft high and 16ft at the base. The Spire was officially unveiled in October 2015 to an audience of 3,600 guests including 312 Bomber veterans.
The spire is encircled by walls carrying the names of all 57,871 men and women who gave their lives whilst serving in or supporting Bomber Command. This is the only place in the world where all these losses are memorialised.
Information Source:
Reminds me of an empty record rack.
.
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
And to see more of my Kinetic Photographs please visit my set, “Flux Velocity:”
www.flickr.com/photos/motorpsiclist/sets/72157622224677487/
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Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
...relating to the first in comments!
A few things can be described about this. The location is Bingsjö in Sweden, Päckosgården to be more exact. Once the home of a musician...
This year I will try to stay away from the cruising nights and concentrate on this place ;) More to come on that...
Documents relating to the Spanish colonial empire are kept in the Archivo General de Indias in Seville. It is considered to be the most comprehensive and important archive for the Spanish colonial era. The building and archive have been a World Heritage Site since 1987.
The valuable files and documents are of course well protected these days, so that only mock-ups are on the shelves in the rooms that can be visited...
How many of those of you who are parents can relate?
Malaysian Pied Fantail. Singapore Botanic Gardens.
تـقبل آلله طآعـتكم (F)
سوره آلكهف ; alqaree.com/Fares.htm
All rights reserved by © Attirance
Sorry comments that doesn't relate to the photo & copy paste will be deleted.
comment dont just views .
June 05, 2016
Villatic:
[vi-lat-ik]
adjective
1. of or relating to the country or to a farm; rural.
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It's a cool, gray and rainy Sunday here which is perfect for some quality time in the kitchen!
We desperately need the rain, and I really needed to get caught up and ready for the work week ahead by preparing food so the rain is working out just fine for me.
The garden is being watered and I'm not tempted to go sit out in the sun with a good book. Win, win!
I bought a lot of basil plants this week and so I was on the hunt for a recipe that would work for Sweet Sunday, then I got it in my head that I needed scones for the week which narrowed down my search until I came across this!
In the future, I think I would double the basil, lessen the strawberries and maybe throw some jam in the mix for additional flavour, but this reccipe is not a bad starting point!
Recipe:
Ingredients:
3 cups of flour
1/3 cup of sugar
1 teaspoon of salt
2 1/2 teaspoons of baking powder
1/2 teaspoon of baking soda
3/4 cup of unsalted butter, cut into small chunks
1 cup of buttermilk
1 cup chopped of fresh strawberries
1/4 cup of fresh chopped basil
1 tablespoon of buttermilk, for brushing
Brown sugar for sprinkling
Directions:
01. Preheat oven to 400 degrees F.
02. Mix together dry ingredients in a large bowl from flour - baking soda.
03. Add butter and mix using pastry cutter, a knife or your hands, until mixture resembles coarse meal.
04. Add buttermilk and mix until just combined. Fold in strawberries and basil.
05. Lightly dust flour onto work surface. Divide dough in half. Working with one batch at a time, shape dough into 3/4 inch thick circle. Cut into 8 wedges.
06. Lay on baking sheet lined with parchment paper.
07. Repeat with other dough.
08. Brush tops of scones with buttermilk and sprinkle with brown sugar.
09. Bake for 15-20 minutes or until golden brown.
Hope everyone is having a Sweet Sunday!
Click "L" for a larger view.