History:

There are many legends surrounding the Ekenäs Castle and every castle worth its salt has obviously Ekenäs several resident ghosts.

 

One of those eerie legends relating Earl Mauritz Vellingk (1651-1727) who was a general, diplomat, adviser to the Swedish King and Governor General of Bremen-Verden. When Frederick I, King of Sweden ended Vellink in conflict with him as the Earl urged the Holstein throne while the king took a stand for the hannoverska.

King Frederick I chose to show the privy Parliamentary committee documents relating to secret loans Vellink taken in Prussia for the Swedish state's behalf. Vellink arrested and sentenced to lose lives, honor and property. The punishment was changed, however, before it could be implemented and mitigated to imprisonment of Linköping Castle, loss of Vellinks councilor position and his shield of Nobility.

Vellink were never to sit in prison in Linköping, on his way to, he died in Mjölby inn.

 

It is not, however, Earl himself haunting in Ekenäs, but a boy as he let incarcerate in a vaulted cellar. It is said that when problems began to pile up for the count, he was looking up a bunch of important documents, placed them in the heaviest coffin he could find and took the help of a poor shepherd boy to dump the casket in the lake Teden just outside the castle.

 

In order not to let the shepherd boy, whose name was Nils, reveal what happened sounded Vellink turn him into a cellar. From this point on the various stories a bit apart. Some argue that Vellink from the start sounded mura the door to the vault for the boy would die there. Others say instead that the door was not walled up, but the idea was that the boy would eventually be released, but that he had forgotten where (or Vellink arrested and therefore could not return for placing Nils). Eventually Nils died of hunger and cold, and when the corpse eventually found bricked it up to hide what happened. Regardless, Nils became a ghost who still said to haunt Ekenäs.

 

According to legend, one should certainly not try to enter "Nisse's den" because then something bad happen with both Ekenäs Castle and its owner. There are also stories of people who tried not gone far before they hit by acute illness or horrific accidents.

 

www.ekenasslott.se/

His Golden Touch

 

One day, as Ovid relates in Metamorphoses XI, Dionysus found that his old schoolmaster and foster father, the satyr Silenus, was missing. The old satyr had been drinking wine and wandered away drunk, to be found by some Phrygian peasants who carried him to their king, Midas (alternatively, Silenus passed out in Midas' rose garden). Midas recognized him and treated him hospitably, entertaining him for ten days and nights with politeness, while Silenus delighted Midas and his friends with stories and songs. On the eleventh day, he brought Silenus back to Dionysus in Lydia. Dionysus offered Midas his choice of whatever reward he wished for. Midas asked that whatever he might touch should be changed into gold.

 

Midas rejoiced in his new power, which he hastened to put to the test. He touched an oak twig and a stone; both turned to gold. Overjoyed, as soon as he got home, he touched every rose in the rose garden, and all became gold. He ordered the servants to set a feast on the table. Upon discovering how even the food and drink turned into gold in his hands, he regretted his wish and cursed it. Claudian states in his In Rufinem: "So Midas, king of Lydia, swelled at first with pride when he found he could transform everything he touched to gold; but when he beheld his food grow rigid and his drink harden into golden ice then he understood that this gift was a bane and in his loathing for gold, cursed his prayer."

Can you relate? I got up early because I wanted to photograph some places in town at sunrise. Hoping for warm light and strong shadows.

Almost all the sites I visited had changed into construction sites though and I really got in a bad mood.

I decided to go on since I was there anyway and time can be precious.

Then I saw the light on this window. Diffused by the tree. It's shadows casted on the wall. It instantly changed my mood. I started to photograph other things than planned and got home with a really nice set of photos. You have got to stay open minded.

 

OLYMPUS DIGITAL CAMERA

Olympus E-300, Zuiko Digital 40–150mm F3.5–4.5

Another Image relating to History. This is a statue of Queen Victoria holding her regalia. In the background is an example from the centre of Birmingham of the sort of buildings of visual power that she managed to lead over decades.

 

This video “MIX 9” is another selection of images, both graphic, design and Photographic. The idea is to show the range of styles and techniques from right across my wide range of styles. It is followed in my Photostream by individual images taken from the video, but shown as single images at full size. These will appear on my photostream spread over the following week.

 

There are more examples of these Mixes on my portfolio website :-

 

pleech96.wixsite.com/portfolio

 

I think most anyone can relate to a desire to talk to someone we no longer can. For whatever reason, whether it be for estrangement or death, there are some people we wish we could talk to but can't. These are conversations unfinished, ties untethered, connections lost. Sometimes those manifest into conversations we have with ourselves, because that is the only cathartic closure or resolution there is. The morning at dawn when I shot this, I thought of how connected I feel to my grandfather when I'm out alone in nature. How I feel I am sort of with him when I'm surrounded by trees, as if his memory is tied somehow to the tall oaks, redbuds and pines of our Oklahoma landscape. In Native American lore, they believe that when a loved one dies a red fern grows in its place as a symbol of eternity, and the kind of love that transcends time.

-Modest Mouse

The World At Large

Relate all the objects and tell an interesting story or a quote or a kavithai.....

Await and Awaken©

 

Relate within the same letter of life's law

As easy as a first breath of cherishment galore

Howsoever the day may have begun,

It's course in your hands may still be spun

That door remains open till the day is done

To welcome with opportune resolve life's home run

 

Call it emotional topiary, your garden, your space

No overnight fantasticism can over-emphasise apace

The quality of being the mirror before sightseeing seen,

Sets the beautified scene so miraculously serene

Renewable, inexhaustible, when finally found it's never lost

That is the feeling of being warmed at the touch of a Sun thawing frost

 

Two worlds away unite within the same second

As much as the first owes the last over which it is reckoned

Birthdays split the differences as we all move through time at the same pace

Every range of clock face imaginable and none a disgrace

It tells of antiquity within the presence of valour

And speaks a charmed silence which awaits and awakens within flowing candour.

 

by anglia24

10h45: 24/01/2009

©2009 anglia24

112 pictures in 2012, #29 Leap Day (any shot to be taken on, or relating to 29th Februari2012)

 

Explore, Highest position: #132 on Wednesday, March 7, 2012

I could probably best relate to this as the equivalent of giving your little brother an unplugged video game remote and acting like he's the one who's good at the game.

 

Probably in an event to keep me more engaged in the US rail scene than I was at the time (looking back 2 months later makes me realise how none of this can be recreated back home), the R'bauers assigned me to choose somewhere for this coal train we were pretty sure was close by.

 

A quick geeze at Sun Seeker and Google Maps, trying to pinpoint where the late afternoon shadows won't have covered the BNSF Fallbridge Sub. Came to the conclusion that John Day Dam Road may be the best bet.

 

Up a hill and only a few minutes later, I could see the microscopic coal wagons at Towal moving. An excited shout to the R'bauers, and this bad boy rolls by a few minutes later.

 

Specifically, a coal train from Spring Creek mine in Montana to the Centralia Power Plant in Washington. From what Lewis' notes lead me to believe, this power station is scheduled for closure later in the year.

 

6117-9361-6038-6550(r) BNSF C SCMCEC 021 east of Maryhill 22-4-25

I am reposting this message and creation from my December 2019 post

 

Although this was written in 2019 I knew something big was going to take place on earth in the months ahead.

 

It is as relevant today as it was back in 2019 because it relates to today in 2021

 

I underestimated the severity of this message. In saying this I was extremely unsettled for many months and prayed as I knew something was going to happen but I did not know exactly what.

I had endured many months of suffering knowing. Through this process things became crystal clear to me and with that an understanding of the higher picture and ultimately a sense of surrendering to 'what is' and a sense of Peace and Calm came with this, along with so much gratitude for being guided and shown. A blessing and a curse

 

To add to this, many souls have sacrificed themselves - knowingly and unknowingly to wake up humanity.

We can never know the soul agreement that each of us has made when we birthed into this world.

 

I am eternally grateful to the many souls who have endured hell on earth, lost their lives to awaken the masses to the reality of this world.

 

There are many people at this time on earth who are struggling with all that is happening in our world.

 

I was guided with this message and design back in 2019 - it started many months before it was completed by December of that year.

 

I hope that this message will bring some understanding and comfort to anyone who is struggling right now.

 

Despite her name Black Winged Goddess, she does bring a message of Hope and Unity to humanity.

 

We are living in times of great destruction of the world as we know it, earth changes, fires, floods, earthquakes.

 

Here alone in Australia we sit in horror at the extent of the fires rampage across the country. Unprecedented fires and weather in the history of our existence (well what is on record)

 

Whilst horrific - the earth we live on has always been full of cyclic changes.

 

Ancient cities have been discovered under the sea, we are naive to think that the world as we know it will remain the same.

 

What continents exist now may no longer exist. What coastline exists now is slowly being swallowed up by the ocean.

 

Volcanic eruptions are changing the face of the planet as are earthquakes - the list is long.

We cannot stop the force of Mother Nature. We live on a planet that has always endured such destruction.

 

We have pole shifts taking place - all kinds of catastrophic events happening across the Globe. We are but a spit in the ocean to the wide Galaxies that we know of. Yet we think we are precious in some way.

 

I cannot help but wonder why I was so drawn to create this "Black Winged Goddess" let alone give her the name of Black Winged Goddess. But I was drawn, my soul was pushing me for weeks with a "slight vision" of what I needed to create. It now makes total sense to me why I was so drawn to create The Black Winged Goddess, given the state of our world and humanity.

 

My soul as always when I listen guides me with powerful messages and reminds me to just 'be' to accept 'what is'.

 

We may not like the current state of our world, but it is what it is and all we can do is stay strong within ourselves and hold the power of 'love' in our hearts despite seeing so much being played out on the planet.

 

Kali (Hindu) - was known as a deity of the Fearsome Demon destroying Goddess who represents death and rebirth - so her name means "Black One".

 

We can never truly comprehend or understand the power of mother nature - we have abused her for centuries, taken her for granted and she is a living breathing consciousness so powerful that we dare not go up against here.

 

In recent years we have seen the influence of the feminine energy on earth which for eons has been dominated by the male energy.

So it makes complete sense to me that we are witness to so much destruction on the planet.

 

We are witness to the destruction of our societies as we know it, breakdown of families, law, politics.

 

So much of humanity is at war with the 'system', the injustices, and the lack of balance within our society. The homeless, the abused, the forgotten souls, the mental health issues that seem to have become rampant, the rise of Corporate wealth while humanity is trapped in slavery. We have learnt nothing as a humanity over the past how many hundred years?

 

In order for rebirth, for new growth, a culling needs to take place - hence the energy of the Black Winged Goddess she is both the Destroyer and the Giver of New Life.

 

We have elected to be here at this time on the planet - despite the suffering we witness or endure - I know at a higher level it is absolutely necessary for real change to take place.

 

Our world is a very different place to the one we have known - and whilst we have believed we have had a safe and reasonable planet in which to live, the reality is much Evil has existed and people have been brainwashed to the point of being zombies. There has been so much suppression imposed upon humanity even to the extreme of vaccinations and fluoride to our water supply. All of these chemicals act as suppressants to our brain! It has been a deliberate agenda of the existing power on earth. Their agenda has always been to rule, control and suppress the populous.

 

Humanity is awakening and with this will be uproar, dis - ease, a culling if you like. It is time for humanity to step out of fear and into their true power which is within each and every one of us.

 

New growth, new beginnings but not before the dismantling of the old - it has to be this way.

 

These times we are living through were written in history.

 

So I have created "The Black Winged Goddess" she is available in different styles, inside a Dome with beautiful etched glass or stand alone. She will rotate or can be static.

 

She is available on MP in the Stand Alone version (rotating) or can be seen in world at my store.

 

****This POST IS NOT to promote my MP. I will not put my MP link here for this reason. If anyone does not have the money and would like a version of her please send me a notecard in world with your full name and I will happily send one to you. This is NOT about promoting my MP it is about assisting humanity at this time***.

 

I hope you enjoy and embrace 'The "Black Winged Goddess' and rather be in fear of her - understand she brings 'New Life" but first the old has to die for the new to be born.

 

How appropriate for a New Year of 2020 fast approaching.

 

Interestingly and unconsciously I created 4 of these Black Winged Goddesses.

 

The year 2020 equates to the number 4 in Numerology.

 

The #4 represents a Universal energy. (see below for a deeper understanding of the #4)

 

The # 2 - Is the most feminine and often underestimated when it comes to power and strength. She is always gentle, tactful, diplomatic, forgiving and understanding. She likes to keep peace and likes to avoid confrontation. # 2 is the survivor and extremely resilient force. Her shape looks as though she is bent back on a knee with head bowed in humility and service. However when enough pressure is applied to the # 2 energy. Some would perceive her as weak and powerless due to this servitude shape. However never underestimate the power behind #2 because she represents the power (double) #1 who is the all powerful warrior who will shake and destroy no matter what. So #2 brings the balance but never underestimate the power of 2 Energy.

 

The #4 Energy in more detail

 

The 4 is without a doubt masculine, reflecting strength and stability. His chief characteristics are dependability, productivity, punctuality and obedience. He is trustworthy, patient, conventional and a traditionalist.

 

Tend to be rule followers. 4 is the area of sciences, upholding the law (such as Government and the military). The #4 represents Disciplined, systematic, Dependable, Strong. Loyal

 

Four is the basis of all solid objects. Four points are used in constructing the simplest solid and thus four is the number symbolizing the way of construction. In many religions, four is seen as the number for earth, and representing the four elements, Air Earth, Water and Fire.

At its extreme 4's can tend to overreact to violence.

 

So 2020 seems to have more challenges ahead and I suspect we will be seeing more uprising across the planet (#2 energy) with totalitarianism (#4 energy) being played out like never before. Perhaps more of what the world has witnessed in Hong Kong this year.

 

It is as if the two energies Masculine & Feminine are battling against one another. But at the same time, I cannot help but feel and acknowledge UNITY - and this is what I will remain focused upon during the year ahead. We must stand united. We are after all 'one humanity'

 

We are without doubt living in very challenging times.

May peace be with you!

Copyright December 2019 Chant Lyric

 

Please share with anyone who you believe may take some comfort during these days - not because I want awards, in fact I do not want awards. This is for humanity and was given to me through the Grace of God

This post is NOT about promoting my MP - she is available there for anyone who wants to purchase her. For anyone who truly feels drawn to her and the strength and comfort she brings to me, and do not have the money to purchase her. Please contact me in world with a notecard, give me your full name and I will happily send her free of charge to you.

 

My original posts can be seen here www.flickr.com/photos/58903384@N04/49251189433/in/datepos...

www.flickr.com/photos/58903384@N04/49251186488/in/photost...

   

Blythe a Day - How to Sell a Haunted House (Bewitched) - 10/1/25

 

For Sale in Spookytown: Classic Haunted Beauty

 

About the Property:

Beautiful classic 4 bed 3 bath tri-level in coveted Spookytown. Original fireplaces and staircases. Hard wood flooring throughout. Old creaky windows, attic ghosts, furnace, updated electrical and much more!

 

Features:

Actual clawfoot tubs

2 ghosts

Secret staircase & door

Creaky floors

Large windows

Attic bats

Real skeletons in the closets

 

Call Drusilla, our expert relator, for a private tour.

 

House photo I took on a fall drive and recolored

Daunting Drusilla Blythe

 

Happy St. Patricks Day, everyone! We're still not comfortable heading out to packed bars to drink gallons of green beer and dancing the jig as we normally do (NOT), and will have a quieter day. But to celebrate this day, I offer a collage of images relating to a famous Calgarian of Irish descent, Senator Patrick Burns, founder of Burns Meats and other businesses. The photos are of the Burns Building downtown, and the Senator Patrick Burns Memorial Rock Garden. It's a big file, and can be zoomed in nicely on large, pressing (L)

Ladybird, ladybird fly away home,

Your house is on fire and your children are alone,

All except one, and her name is Ann,

And she hid under the warming pan.

 

This traditional Mother Goose verse relates to ladybirds, brightly coloured insects commonly viewed as lucky. The English version has been dated to at least 1744, when it appeared in Tommy Thumb\'s Pretty Songbook Vol. 2. The line, “ladybird, ladybird, fly away home” is apparently a reference for pagans to go underground. “Your house is on fire and your children are gone” (as some versions say) seems to be referring to destruction of pagan temples and the exodus of followers.

 

I have always loved ladybirds, ever since I was a child. I don’t know why. Perhaps the nursery rhyme of ladybirds, the brightly illustrated Ladybird Books I had, or perhaps because I loved the red embroidered labels on my Ladybird Clothing jackets and pants that I used to wear influenced me.

 

This year the Flickr Friends Melbourne Group have decided to have a monthly challenge which is submitted on the 5th of every month. This month’s theme is “Something Beginning with an L”, which was chosen by Jette.

 

I thought that this macro shot of one of my beloved ladybirds on a burgundy Iceberg Rose leaf would be suitable. I do hope you agree.

 

Coccinellidae is a widespread family of small beetles ranging in size from 0.8 to 18 mm. The family is commonly known as ladybugs in North America and ladybirds in Britain and other parts of the English-speaking world. Entomologists prefer the names ladybird beetles or lady beetles as these insects are not classified as true bugs.

 

It is truly difficult to effectively relate how graceful and ethereal Manta Rays are as they perform their nightly ballet in the warm waters near Kona Hawaii. This image perhaps does the work of hundreds of adjectives in relating the emotion you feel as these massive creatures glide inches from your face.

If you would like to read more about swimming with Mantas and see more photos of this adventure, check-out my blog article: www.firefallphotography.com/swimming-manta-rays-tips-phot...

Have a great day!

 

Jeff

My Website ¦ Facebook ¦ My Blog ¦ Google+

  

Explored 9/21/13

Ruben M. Benjamin (1833-1917), an attorney known for litigation relating to railroad regulation, had this Italianate-style house built for him and his wife, Laura, upon their marriage in 1856. The builder, carpenter John L. Routt (1826-1907), would go on to serve as the first and seventh Governor of Colorado from 1876 to 1879, and 1891 to 1893. He also served as Mayor of Denver from 1883 to 1885.

 

Benjamin received his primary education at Kinderhook Academy, New York and in 1853 was graduated from Amherst College with high honors. He was principal of Hopkins Academy at Hadley, Massachusetts, one year and was a student a year later in the Harvard Law School and the next year he was a tutor at Amherst. He arrived in Bloomington in the spring of 1856. In the fall he appeared before Judge (and future Associate Justice of the United States Supreme Court) David Davis at Lincoln, Illinois, for his bar exam. One of the examiners was Abraham Lincoln. He passed the test and later became a close friend of the future 16th U.S. president.

 

Benjamin was a prominent attorney who represented the people in The People vs. Chicago and Alton Railroad. That case was widely considered a benchmark ruling that allowed the government to regulate private enterprises.

 

After Benjamin "retired" from the practice of law, he devoted his time to writing textbooks that were used at many of the most prominent law schools in the country. He also served as a McLean County judge from 1877 to 1886, and served for a time as the dean of the law school faculty at Illinois Wesleyan University in Bloomington.

 

The Ruben M. Benjamin House is listed both by itself and as a contributing property in Bloomington's East Grove Street District. The only other home in the East Grove Street District to have this distinction is the George H. Cox House previously shown in this McLean County series.

 

The East Grove Street District includes 43 houses and apartment buildings, 25 of which are considered contributing buildings. The houses in the district were built between 1855 and 1915 for many of Bloomington's upper middle class residents. Due to a building boom between 1880 and 1900, the then-popular Queen Anne style is the most prevalent in the district. Other popular architectural styles in the district include Greek Revival homes from the 1850s, Italianate homes built between 1860 and 1880, and Arts and Crafts homes built in the 1900s. The district was added to the National Register of Historic Places (NRHP) in 1987.

 

Bloomington is the seat of McLean County. It is adjacent to Normal, and is the more populous of the two principal municipalities of the Bloomington-Normal metropolitan area. Bloomington is home to State Farm Insurance, Country Financial and Beer Nuts. Illinois Wesleyan University is located here, while the neighboring twin city of Normal is home to Illinois State University and Heartland Community College. Bloomington is 135 miles (217 km) southwest of Chicago, and 162 miles (261 km) northeast of St. Louis. The estimated population of Bloomington in 2019 was 77,330, with a metro population of 191,067.

Hi Summer Berries!

Are you ready for a new TSS?

Totally Relatable.

 

We've got 10 packs for you!

 

Brand new tops with Classic Dark & Light color options. Patterns packs with Summer and Tropical color options. Perfect for those beach vibes. And, Waifu Boobies!

 

Updated Can't Relate shorts with 15 Classic Colors, new bleached stars and daisies patterns, and yes, embroidered daisies. (My fav) along with 5 new daisy speckled belt options!

 

We've also got our Venice Vibes FlipFlops in matching summer and tropical patterns!

 

Let's beat the heat together.

maps.secondlife.com/secondlife/Lenox%20and%20Blueberry/24...

 

xoxo

Blue

Credits :

 

Blueberry - Can't Relate - Boots Flat & High Heels @ Main Store

Blueberry - Can't Relate - Fishnet Stockings @ Main Store

Blueberry - Can't Relate - Shorts & Belts @ Main Store

Blueberry - Can't Relate - Tops Alone @ Main Store

Blueberry - Can't Relate - Wrap Around Cardigan @ Main Store

Doe: Gabriella Hair @ Collabor88

Eyes : {S0NG} :: Crow Eyes Gacha - pale blue @ Epiphany

Doe: Monster Backpack (Hold) - Pink Gacha @ Main Store

  

Romazin - Earrings - Tori @ Sense

Romazin - Necklace - Tori 1 @ Sense

Romazin - Necklace - Tori 2 @ Sense

Romazin - Necklace - Tori 3 @ Sense

 

MINIMAL - Town Hall Backdrop -flower balcony-MINIMAL - Town Hall Backdrop @ Kustom9

 

SPELL : Bike -Mushrooms - RARE @ Main Store

ionic : Antique books & iron chair @ Main Store

ionic : Interior plant @ Main Store

ionic : Store Sign (Black & Gold) @ Main Store

ionic : Tea Store Sign @ Main Store

ionic: Fountain (tiled) @ Main Store

 

from Madras Fruit Stand Decor Gacha @ Main Store

Madras Green Apple Box

Madras Watermelon

Madras Raspberry Basket

Madras Mulberry Basket

Madras Purple Grapes

Madras Green grapes

Madras Cherry Tray

Madras Apple Box

Madras Fruit Table

Madras Banana Box

Madras Pineapple Boat rare

 

Ani is a lyrical gangster. Other than the perhaps offensive to some eff word sprinkled generously throughout, the following lyric in context is oh so relatable: "There's a changing constellation of balls as we are playing I see Orion and say nothing".

L I S T E N

 

The International Bomber Command Centre (IBCC) a memorial relating the historical impact of and on Bomber Command during the Second World War. Located on Canwick Hill, overlooking the city of Lincoln in Lincolnshire.

 

The city of Lincoln was selected for the location of the IBCC because 27 RAF Bomber Command stations (over a third of all Bomber Command stations) were based in the county during World War II. The large amount of airfields led to Lincolnshire being nicknamed the "Bomber County".

 

Located at Canwick Hill, the centre is just under two and half miles from RAF Waddington, which suffered the greatest losses of any Bomber Command station, and close to the former Avro aircraft production facility at Bracebridge Heath. A view of Lincoln Cathedral, a prominent landmark for aircrews, forms an important part of the vista from the centre of the Memorial Spire.

 

The aim of the IBCC is to tell the personal stories of members of the RAF Bomber Command, ground crew and civilians impacted by the bombing campaigns during the Second World War. The centre will also provide a comprehensive record of the role of Bomber Command's squadrons and to digitally display historical documentation and photographs relating to the activity of Bomber Command.

 

Within the grounds of the International Bomber Command Centre the Spire Memorial was erected on 10 May 2015. The memorial is a spire, reflecting the connection to Lincoln Cathedral. Created out of Corten A weathering steel, it is based on the dimensions of the wingspan of a Lancaster bomber, being 102ft high and 16ft at the base. The Spire was officially unveiled in October 2015 to an audience of 3,600 guests including 312 Bomber veterans.

 

The spire is encircled by walls carrying the names of all 57,871 men and women who gave their lives whilst serving in or supporting Bomber Command. This is the only place in the world where all these losses are memorialised.

 

Information Source:

en.wikipedia.org/wiki/International_Bomber_Command_Centre

 

The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".

Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.

  

Relatable.

10 July 2021: In recent days the figures relating to the coronavirus pandemic in Belgium have taken a turn for the worse. The number of new infections has been rising for around a week now and yesterday (Friday) the average number of daily hospital admissions rose for the first time in weeks. During the week from 30 June to 6 July an average of 697 people tested positive for the coronavirus. This is 81% up on the figures for the previous week. The total number of patients with COVID-19 that are being cared for in the country’s hospitals stands now at 250. Of those hospitalised 95 are on intensive care wards. The basic reproductive rate for coronavirus in Belgium currently stands at 1.09. Since a large number of people have still not been fully immunized against COVID-19 and since there is no reason to believe that the figures will start falling again in a couple of weeks the situation is very worrying. Belgium is not alone. The number of coronavirus infections is increasing across Europe. In the Netherlands, the number of coronavirus infections is rising sharply, with 6,986 new cases in the past 24 hours. The Dutch government announced yesterday new restrictions to limit the hospitality industry and live events sectors. In summary until a very high % of the population is fully immunized we will need to remain cautious – Bruges, Belgium.

Ely, NV - Nevada Northern Railway Museum - The Executive Director of the Museum, relates the trials, tragedies, and tenacious efforts undertaken by staff and volunteers to restore Nevada Northern 4-6-0 No. 40 back into service. - In 2001, it looked like 40 might be sidelined for good. The Federal Railroad Administration issued new boiler rules and 40 was relegated to the engine house gathering dust. - No one should undertake the rebuilding of a steam locomotive lightly. - In February 2005, locomotive 40's whistle resonates across the Great Basin, repeating an audible announcement that dates to 1910—the Queen is under steam!

 

Check out My Website www.rickwillis-photos.com

Triangularity - Relating to entities such as three people, objects, ideas,...…. And Tri... refers to the number 3 an odd number...

 

For the challenge = triangular shapes, three items on a scarf with three sided shapes,......

 

2019 05 14_6559.jpgh

Homily062021_QuiettheStormu

“Let Us Cross to the Other Side”

 

One phrase in our Gospel reading quickened my heart, because I instantly related to its meaning. It speaks to the big and small decisions we make everyday in our lives. “Let Us Cross to the Other Side” is a statement that we should all relate with. With each event that occurs in our lives we make decisions (big or small)…and a new journey begins. Yes, our lives, are but a series of decisions and events with many endings but ultimately concludes with our death.

 

In this rich and deep Gospel story, Jesus is inviting each of his disciples to travel with him “to the other side.” Each of them freely makes the decision to enter the boat. From the disciples view, they soon discover that they are on rough water. It should be easy for us to relate to their predicament. However, Jesus we are told is asleep on a cushion. In their panic, they wake Jesus up, and state “don’t you care that we are perishing?” With the words from his mouth, Jesus simply says “quiet, peace be still.” All the storms are calmed now…the one they see and the one they feel on the inside. One can imagine Jesus calming saying “what are you afraid of…where is your faith?”

 

How often have we felt this way in the middle of a journey? The storms within our own hearts! How often do we feel the squalls, the uncontrollable emotions that snatches away our peace and clouds our judgement. I have and so have you.

 

Recently, I was traveling to see one of our parishioners. I was stopped at a red light, when the light turned green, I proceeded forward…suddenly I was in the middle of a sudden storm…my car spun around…and my peace was gone. After my daze, I quickly realized how blessed I was…in the spinning of my car…the deadly force of the other car had been swallowed up. A few feet more…and I would have been crushed. I made it to the other side of this event…and I am steal learning things about myself. What did the disciples learn about themselves, as they completed their journey to the other side of the lake? I suspect they had a deeper understanding and a “healthier fear” of the one called Jesus; their constant traveling companion.

 

Like the disciples on the boat, some storms we experience collectively-that would be together. Our Psalm reading, in the context of our shared experience of the pandemic, seems very timely. Is life not like sailing on deep waters where we experience wonder, mystery and fear. Sometimes larger then life events carry us to heaven (rain during a drought or the miracle of a as a vaccine that is available to us all) and sometimes we get carried to the depths-pandemics, droughts, earthquakes and war. What should our collective response be? I quote our Psalm reading…

 

They cried to the LORD in their distress;

from their straits he rescued them,

He hushed the storm to a gentle breeze,

and the billows of the sea were stilled.

 

They rejoiced that they were calmed,

and he brought them to their desired haven.

Let them give thanks to the LORD for his kindness

and his wondrous deeds to the children of men.

 

It appears that we are starting to see the other side of this event we call Covid. It has been a very long journey. As we arrive on this new chore together…we are wondering what the new normal is going to look like. We know that this journey has changed us…it has changed our Church community.

 

Every week we come to church where we are reminded that we do not journey alone. We receive an outward reminder of an inward reality that our God would never abandon us. I am reminded what Jesus said in John 14:27:

 

“Peace- I leave with you; my peace I give to you. Not as the world gives do I give it to you. Do not let your hearts be troubled or afraid.”

 

Jesus always resides with us and in us. In a moment we will physically receive Jesus in the bread…we will consume this bread of life. The sign has been given, Jesus is literally with us. The question now is where will we take Him?

-rc

 

I think the glasses style relates to Fear and Loathing In Las vegas.. Anyone agree?

Reminds me of an empty record rack.

 

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Kinetic: Relating to, caused by, or producing motion.

 

These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.

 

I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.

 

Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.

 

To read more about Kinetic Photography click the Wikipedia link below:

 

en.wikipedia.org/wiki/Kinetic_photography

 

And to see more of my Kinetic Photographs please visit my set, “Flux Velocity:”

 

www.flickr.com/photos/motorpsiclist/sets/72157622224677487/

 

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Albeit supremely risky this is one of my favorite ways to produce abstract photographs.

 

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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.

 

...relating to the first in comments!

 

A few things can be described about this. The location is Bingsjö in Sweden, Päckosgården to be more exact. Once the home of a musician...

 

This year I will try to stay away from the cruising nights and concentrate on this place ;) More to come on that...

Not certain how this relates to Cool Hand Luke, but I have to say that this Great Brown Heron did have a bit of shaking going on while resting in the shallow waters along Horsepen Bayou. Yes, it is a juvenile Great Blue Heron that hasn’t transitioned to the adult blue colors and my Great Brown reference is just another lame attempt at humor. My daughter will tell you that you don’t have to laugh at my jokes. I did like the feather detail.

 

A7R00536ula

EXPLORE 90

 

A Class with Daves: Diptych - Take two related photos and present them side-by-side as a single entity. How the two photos relate is up to you...this one should really test your creativity.

Elysian (E•ly•sian): relating to, or characteristics of heaven or paradise. | Model: @ktmkvi

 

So I'm finally posting personal work. Took this awhile ago with my friend. I really really wanted to get out and go explore. We decided to go check out these waterfalls by my house & do a shoot. It was super cold. So cold that nobody was even at this park. We climbed down to the base and walked right over the ice. Large portions of the water was frozen so it made it easy getting over by the waterfall. After a while we both started getting cold and packed up.

Two photos today relate to an exhibition at the National Gallery of Australia, Canberra, in 2011. This first one is of a replica poster in our own collection. It is one of the costume designs by Russian artist Léon Bakst (1866-1924) for Sergei Diaghilev's Les Ballet Russes production of Shéhérazade (1910). The music was written by Nikolai Rimsky-Korsakov.

nga.gov.au/exhibition/balletsrusses/default.cfm?MnuID=4&a...

 

The costume was to be worn by the character Shah Zeman, the brother of the ruler of Persia, in one of the stories from "The Arabian Nights". nga.gov.au/exhibition/balletsrusses/Default.cfm?IRN=74158...

 

Sergei Diaghilev (1872-1929) was the impresario who founded Les Ballet Russes.

en.wikipedia.org/wiki/Sergei_Diaghilev

Am sure most photographers can relate to this. As soon as I awake, it was straight to the window to see what’s it doing out there. It was about 6:30am and it was light enough to see the clouds were clearing out and there was some blue-sky peeking through as well. I swiftly got dressed, grabbed the camera bag and promptly headed over the scenic spot to shoot Glen Canyon dam with a moody sky behind it. As soon as I got to the spot, I knew it was going to be a remarkable weather day for Photography. The early light along with the moody sky really displayed the colors and details of the rusty brown and earth tone rocks of the desert southwest. Since Mother Nature was being so generous this morning, let’s pop on over to Horseshoe bend and see if I could take advantage of the phenomenal morning light and sky. As I was driving over to the bend, the sun was covered up a bit with a low hanging clouds. But with the speed in which the clouds were moving, it would soon be flooding horseshoe bend and it was a race for me to get there. Barely doing the speed limit, I made my way there and paid for parking. I rapidly geared up again and speed walked my way to the rim of the bend. All the while glancing behind me to see if the sun was going to pop out before I got there. And in a matter of a few steps, Horseshoe bend lit up as if the Sun had a new fresh set of batteries and I was there, speechless. And that was just the start of one of my most memorable days behind my camera. To see and read about more of that spectacular day, jump on over to my blog.

 

For more of my adventure in Arizona, look here

here Antelope Canyon 2.0

This year, the FFF+ monthly challenge of FOTF has changed from 'five images on the fifth' to 'freestyle on the fifth', where each month a member of the group chooses a theme and the image can be a single image, a collage or anything you like as long as it relates to the theme and is uploaded on the fifth of each month.

The theme this month, 'Floating' was chosen by Andrew ( www.flickr.com/photos/ajhaysom/ )

I had a few ideas for the theme that, in the end, I didn't like the results. I even spent some time playing with a bubble wand earlier today! (but it was to windy!)

So I settled on this image from yesterday's visit to the Garden of St. Erth. Using technique in camera to make the bloom appear to be floating.

-

 

-

 

related to there

 

related

 

to there being a spirit

 

of

 

determination

 

however

one

 

relates

 

it t o one

 

in

 

the

 

spirit

 

of integration the understanding is

 

there

 

is more than

 

one

 

in

 

a

state

 

or

 

condition of portrayal by way

 

of

 

separation as this is next from one

 

perspective

 

there is more

 

than

 

one way for integration to

 

be

 

portrayed

 

in

the

 

spirit

 

of

 

determination

 

it has been

 

determined

 

one

 

might

say

 

it

 

is already decided

 

there

 

must be more

 

to

 

it

 

than

 

that we might

 

say

 

n - - - o one finishes

 

that

 

with a flourish related to integration since

 

or

 

as we need to be

 

determined

 

to

 

understand

 

portrayal is directed

 

not

 

to

 

be

just

 

now

 

fully integrated I

 

mean

 

honestly in what

 

direction

 

are

 

we

integrated

 

for

 

now

 

there

 

is a rhetorical - - - environment to the policy of

 

integration

 

in the atmosphere

 

one

 

might

 

say

trust

 

me

 

we can all be familiar - we can all be familiar

 

with

 

the

 

atmosphere

 

one just needs to integrate - one just needs to integrate

 

it

 

portray it as

 

integral

 

to

 

being

directly

 

related

 

somehow

 

or

 

other relate it back to your leader

 

but

 

no

 

but

 

no if only

 

portrayal

 

is directed in

 

the

 

spirit of determination

 

unity

 

has to be in diversity

 

the

 

only

 

thing

 

that can be

 

integrated

 

into one as

 

an

 

element

 

of

portrayal

 

is

 

separation

 

with

 

the understanding portrayal

 

is

 

directed - - - that which is

 

not

 

in

 

any

 

direction is fallacious

 

earth

 

water

 

fire

air

 

ether

 

mind intelligence and

 

time

 

sensitive

 

ego

 

those are the

 

elements

 

that bring direction into play as they

 

are

 

in no way merged like this or

 

suggestive

 

of a great big impactful origin already

 

they

 

are

 

to

be

 

portrayed

 

as the separated energies of

 

the

 

complete whole by

 

way

 

of being complete

 

in

 

and of themselves

 

that

 

is

 

the

 

way to portray unity in

 

diversity

 

-

 

-

-

 

-

 

-

 

-

 

space makes sense

 

ॐ

 

pūrṇam adaḥ pūrṇam idaṁ

pūrṇāt pūrṇam udacyate

 

pūrṇasya pūrṇam ādāya

pūrṇam evāvaśiṣyate

  

light

  

o r

  

one

  

might say the light is

 

complete

 

in and of

 

itself

 

why

 

bother

saying

 

it

 

is has no

 

mass

   

Practically, most humans ears merely relate far less than 20% of truth through listening and our highly regard window of souls, the dependent eyes only sees 60% of absolute truth. Fundamentally, our weakest, disturbant mind render and analyse close to 20% of unrational facts in many circumstances incorrectly.

Sadly, we human being prefer to act 100% according to our unbalance, misery brain chemical signal, our separated left and right brain cell sent out very contradicting wave signal and therefore our final independent heart is determine to react accordingly in final stage. even 90% of great scientist miss out emphasize our critical functionality of heart incorrectly with mistake

In reality with all such complex human senses aid, we can only be less than 90% certain correct at most times as the other negative balance remain 10% was distributed and affect by our much prejudice, emotional core ownership - human solitude heart that stay much farther away from eyes ears and the brain. As a matter of fact, heart, eyes, mind and ears solely function individually and selfishly according to days and night different basically cause by the atmospheric transition of changing light phantom . Is still a mystical to scientist but much connected with your previous Karmathic field records why we are here. To argue, fight and destroy for own justice with the five distratrous senses we own from pass mistake.

 

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Madraza de Granada - Madrasa of Granada

 

Esta calle, llena de historia y de visitantes, arranca en la Gran Vía de Colón, importante arteria que desde finales del siglo XIX permite el paseo por el centro con sus amplias aceras.

 

A nuestra izquierda se levanta un bonito edificio de sillares oscuros, rejerías y farolas: es la antigua Madraza, escuela o universidad coránica que fue fundada por Yusuf I en 1349. Fue en su momento uno de los más bonitos edificios de la ciudad y estaba decorado con atauriques e inscripciones relativas al conocimiento.

En 1500 se destinó a casa del Cabildo y más adelante la fachada se pintó al temple. Ya en el siglo XVIII adquiere la actual apariencia, repleta de detalles barrocos. Del edificio árabe original se conserva la sala de oración con magníficos elementos decorativos. Tras una importante restauración entre 2006 y 2011, ha sido reabierta al público. El edificio, en la actualidad, pertenece a la Universidad de Granada.

 

Casi frente a la Madraza se abre un pequeño ensanchamiento de la calle. Aquí se encuentra uno de los monumentos más importantes de la ciudad: la Capilla Real.

Fundada en 1504 para albergar sus restos, fue fundada por los Reyes Católicos, Isabel y Fernando. Se construyó entre 1505 y 1517, y fue en 1521 cuando los cuerpos de los monarcas fueron trasladados allí por orden de su nieto Carlos I desde la iglesia de San Francisco, en la Alhambra.

 

Se edificó en estilo gótico tardío con toques renacentistas, y si el exterior es espectacular con sus remates de tracerías, enrejados y columnas historiadas, el interior es una auténtica belleza. Una maravillosa reja de hierro separa los sepulcros reales del resto de la capilla. El de los Reyes Católicos, obra de Domenico Fancelli, fue realizado en Italia en mármol de Carrara y tiene forma de tronco de pirámide.

 

Fernando aparece representado con armadura y manto, mientras Isabel lleva un sencillo atuendo y cruza las manos en señal de humildad. El de doña Juana y su esposo, Felipe el Hermoso, sitúa las dos estatuas sobre un lecho sepulcral, innovando en cierta manera respecto al monumento funerario de los monarcas Católicos.

 

www.idayvueltablogdeviajes.com/2014/05/calle-oficios-gran...

es.wikipedia.org/wiki/Madraza_de_Granada

es.wikipedia.org/wiki/Capilla_Real_de_Granada

  

This street, full of history and visitors, starts at the Gran Vía de Colón, an important artery that since the end of the 19th century has allowed visitors to stroll through the centre with its wide pavements.

 

On our left stands a beautiful building of dark ashlars, latticework and street lamps: it is the old Madrasa, a Koranic school or university founded by Yusuf I in 1349. It was once one of the most beautiful buildings in the city and was decorated with atauriques and inscriptions relating to knowledge.

In 1500 it was used as a town hall and later the façade was painted in tempera. In the 18th century it acquired its current appearance, full of Baroque details. The prayer room with its magnificent decorative elements has been preserved from the original Moorish building. After a major restoration between 2006 and 2011, it was reopened to the public. The building now belongs to the University of Granada.

 

Almost opposite the Madrasa is a small widening of the street. Here we find one of the most important monuments in the city: the Royal Chapel.

Founded in 1504 to house their remains, it was founded by the Catholic Monarchs, Isabella and Ferdinand. It was built between 1505 and 1517, and it was in 1521 that the bodies of the monarchs were transferred there by order of their grandson Charles I from the church of San Francisco, in the Alhambra.

 

It was built in late Gothic style with Renaissance touches, and if the exterior is spectacular with its tracery, latticework and historiated columns, the interior is a real beauty. A marvellous iron grille separates the royal tombs from the rest of the chapel. The tomb of the Catholic Monarchs, the work of Domenico Fancelli, was made in Italy in Carrara marble and is shaped like the trunk of a pyramid.

 

Ferdinand is depicted wearing armour and a cloak, while Isabella wears a simple garment and crosses her hands in a sign of humility. The statue of Juana and her husband, Philip the Handsome, places the two statues on a sepulchral bed, which is somewhat innovative with respect to the funerary monument of the Catholic monarchs.

 

www.idayvueltablogdeviajes.com/2014/05/calle-oficios-gran...

en.wikipedia.org/wiki/Madrasa_of_Granada

en.wikipedia.org/wiki/Royal_Chapel_of_Granada

 

Legend relates that in 1127, while King David I was hunting in the forests to the east of Edinburgh during the Feast of the Cross, he was thrown from his horse after it had been startled by a hart. According to variations of the story, the king was saved from being gored by the charging animal when it was startled either by the miraculous appearance of a holy cross descending from the skies, or by sunlight reflected from a crucifix which suddenly appeared between the hart's antlers while the king attempted to grasp them in self-defence. As an act of thanksgiving for his escape, David I founded Holyrood Abbey on the site in 1128.

In the church was preserved, in a golden reliquary, an object said to be a fragment of the True Cross brought by David's mother, St. Margaret, from Waltham Abbey, and known thereafter as the Black Rood of Scotland (the Holyrood (cross)). At the battle of Neville's Cross, in 1346, this precious relic fell into the hands of the English, and it was placed in Durham Cathedral, from where it disappeared at the Reformation.

Sanctuary marker for Holyrood Abbey, Royal Mile, Edinburgh

The abbey was originally served by a community of Augustinian Canons Regular from Merton Priory. The layout of the original church at Holyrood, now known only from excavations, probably came from the 1125 church at the priory. In 1177 the papal legate Vivian held council here. In 1189 the nobles and prelates of Scotland met here to discuss raising a ransom for William the Lion.

The completed building consisted of a six-bay aisled choir, three-bay transepts with a central tower above, and an eight-bay aisled nave with twin towers at its west front. Some scholars believe the high vaults to be sexpartite (though this is not clearly supported by the 17th century illustrations of the interior). Such a design was probably archaic in that period, and difficult to execute or maintain. Evidence of the construction qualitiesof the stonemasons has remained on the S aisle vaults, which are set on an almost square plan of 4.4 m (14 feet), but built relatively roughly, with thin flagstones and not much attention to keeping the vertices straight. They were probably plastered, with exposed thin ribs.

Among the chief benefactors of Holyrood during the four centuries of its existence as a religious house were Kings David I and II; Robert, Bishop of St. Andrews; and Fergus, Lord of Galloway.

Around the abbey was a five mile area of sanctuary, taking in much of Holyrood Park, where debtors and those accused of crimes could appeal to the Bailie of Holyroodhouse for protection. Brass sanctuary stones mark the boundary of the sanctuary on the Royal Mile. Those granted sanctuary would be given lodgings in the buildings around the abbey and obtained the nickname 'Abbey Lairds'.

The Parliament of Scotland met at the abbey in 1256, 1285, 1327, 1366, 1384, 1389 and 1410. In 1326, Robert the Bruce held parliament here, and there is evidence that Holyrood was being used as a royal residence by 1329. The Treaty of Edinburgh–Northampton (1328), which ended the First War of Scottish Independence, was signed by Robert I in the "King's Chamber" at Holyrood in March 1328. The abbey's position close to Edinburgh Castle meant that it was often visited by Scotland's kings, who were lodged in the guest house situated to the west of the abbey cloister. In the mid-15th century, with the emergence of Edinburgh as the main seat of the royal court and the chief city in the kingdom, the Kings of Scots increasingly used the accommodation at Holyrood for secular purposes. James II and his twin brother Alexander, Duke of Rothesay, were born there in October 1430. James was also crowned at Holyrood in 1437 and building works were carried out before his marriage there in 1449. Between 1498 and 1501, James IV constructed a royal palace at Holyrood, adjacent to the abbey cloister.

A corps of guards were instituted at the end of the 15th century to guard the monarch and enforce law and order within the precincts of the palace and Abbey Sanctuary called the High Constables and Guard of Honour of the Palace of Holyroodhouse.

Royal influence over the abbey further increased when in 1538 Robert Stewart, the infant, illegitimate son of James V, was appointed as commendator of Holyrood.

The ruins of the abbey church

During the War of the Rough Wooing, the invading English armies of the Earl of Hertford inflicted structural damage on Holyrood Abbey in 1544 and 1547. Lead was stripped from the roof, the bells were removed, and the contents of the abbey were plundered. In 1559, during the Scottish Reformation, the abbey suffered further damage when a mob destroyed the altars and looted the rest of the church. With the reformation and the end of monastic services, the east end of the abbey church became redundant. In 1569, Adam Bothwell, the commendator of Holyrood, informed the General Assembly of the Church of Scotland that the east end was in such a state of disrepair that the choir and transept should be demolished. This was done the following year, retaining only the nave, which by then was serving as the parish church of the burgh of Canongate. Between 1570 and 1573 an east gable was erected, closing the east end of the former nave, all but two of the windows in the nave were blocked up, the royal tombs were removed to a new royal burial vault in the south aisle and the old east end was demolished.

The abbey was extensively remodelled in 1633 for the coronation of Charles I.

In 1686, James VII established a Jesuit college within Holyrood Palace. The following year, the Protestant congregation was moved to the new Kirk of the Canongate, and the abbey was converted into a Roman Catholic Chapel Royal and the chapel of the Order of the Thistle. The abbey church was remodelled according to the plans of James Smith, and was fitted with elaborate thrones and stalls for the individual Knights of the Thistle, carved by Grinling Gibbons. However, in 1688, following the Glorious Revolution, the Edinburgh mob broke into the abbey, entered the Chapel Royal and desecrated the royal tombs.

The association of the church with these events and the absence of a royal court left the building out of public interest. The ageing timber roof trusses were replaced by stone vaults and outer stone slabs in 1758-60 by the architect John Douglas and the stonemason James McPherson. However this proved to be a disastrous change. The excessive weight of the stone could not be supported by the walls. The strength of stone vaults depends on the containment of their thrusts, which the decayed flying buttresses could not contain any more, and a small movement can cause severe deformation and collapse. It took six years for the deformation to become alarming. This forced the Barons of the Exchequer (the administrators of the Palace) to close the church on safety grounds in 1766, following inspection by William Mylne.

On 2 December 1768 the roof collapsed in two stages, leaving the abbey as it currently stands, a roofless ruin.

The restoration of the abbey has been proposed several times since the 18th century – in 1835 by the architect James Gillespie Graham as a meeting place for the General Assembly of the Church of Scotland and, in 1906, as a chapel for the Knights of the Thistle – but both proposals were rejected.

The 1890 Empress Flour Mill on Queen Street is category C industrial heritage building, which means that its removal is a permitted activity. There are two plaques on the front of the building, one relating to the 118 year old structure and the other to the 1921 grain silos. With a height of 35 metres the category B listed heritage silos are the town's most prominent landmark. They're still in use and will not be demolished.

 

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Gondrani caves the lost wilderness. the place without the story,s of the lost past ,house of the Spirits. Many local legends are associated with the town. One relates the story of a king and his daughter,named Badiul Jamal, during the reign of king Solomon, who was haunted by demons. Many heroes came to free her and failed, but eventually Prince Saif-ul-Muluk killed the demons and freed her.

 

Location:Gondrani Caves, Lasbella, Blochistan ,Pakistan

Empyrean: relating to heaven or the sky. Austin Texas 4/11/24

Macro Mondays 22/04/19 theme.Bottle Cap

 

I found this bottle and stopper years ago on a rifle range and assumed the war grade on the cap referred to the substance inside but I have now found out it relates to the stopper itself.The screw stopper is made from vulcanite which is rubber that through the process of heating (vulcanisation) at 115 degrees Celsius and with sulphur and linseed oil added produced a durable hard rubber material.During the 2nd World War rubber was in short supply due to the Japanese invasion of Malaya and Dutch East Indies. Due to the need for rubber for gas masks, gaskets, tires and thousands of other military uses the humble stopper was made of poorer quality materials with less rubber than pre-war examples and marked War Grade.In other examples there is also a dip in the top which saved even more rubber.

hatchfive.wordpress.com/2015/06/08/war-grade-beer-bottle-...

 

[polska wersja niżej]

 

This photo relates to the flood in Gdańsk, about which I have written here, but I think I will rewrite the story again and provide a better view on the story background.

It's one of trains diverted from electrified mainline into secondary diesel route: originally nigh train no. 38209 from Kraków Płaszów to Koszalin. SU46-039 on the train head yet in original paint scheme from Żagań depot. After the diesel - here "cold" originally employed to this train EP07-338. The train is passing Gdańsk Osowa station entering two-track section towards Gdynia. July 11, 2001.

Photo by Jarek / Chester

 

9 lipca 2001 roku w Gdańsku to był całkiem ładny dzień, przynajmniej taki się zaczął i trwał do południa. Koło niego nadciągnęły ciemne chmury, zapowiadając kolejną letnią gwałtowną burzę. Jak spadały pierwsze krople deszczu, nikt nie przeczuwał, że w ciągu popołudnia na miasto lunie dwa razy więcej wody, niż w całym typowym lipcu. Każdy metr kwadratowy przyjął prawie 130 litrów, a tylko między 15 i 17 spadło, a w zasadzie dosłownie polało się strumieniem z nieba 90 litrów na metr kwadratowy. Ulice leżące na zboczach moreny dennej falistej, bo miasto to nie tylko wybrzeże, ale i morenowe pagórki, zamieniły się w dna potoków spływających w dół. No a w dole, głównie na południu, u brzegu płaskiego terenu ujścia Wisły zaczęło tworzyć się jezioro.

Wpływająca od południa z Kaszub niewielka Radunia przerwała w paru miejscach kanał, w którym biegła i zalała południowa część miasta, dzielnice od Oruni (dolnej), przez Lipce do Świętego Wojciecha. Powódź dotknęła też nasypy linii kolejowej, uszkadzając torowisko w paru miejscach. Pod wodą były też tory samego Gdańska Głównego. Ruch kolejowy między Pruszczem Gdańskim (a w zasadzie Tczewem) i Gdańskiem na kilka dni zamarł.

Ponieważ jednak mówimy o czasach, gdy kolej była jedna, wielka i niepodzielna (choć podzielona na sektory), naprędce wypracowano rozwiązanie, które w dzisiejszych czasach byłoby nie do pomyślenia - skierowano objazdem wszystkie dalekobieżne pociągi pasażerskie na trasy objazdowe. I tak pociągi z Gdyni w kierunku Bydgoszczy jechały starą Magistralą Węglową przez Kościerzynę i Wierzchucin i dalej na Łódź, czy Katowice. Pociągi w kierunku Malborka i dalej Olsztyna czy Warszawy jechały zaś przez Kościerzynę, Bąk, Czersk i dalej "Ostbahnem" do Tczewa, gdzie powracały na normalne trasy. Oczywiście na trasach objazdowych zastosowanie miała trakcja spalinowa, a elektrowozy ciągnące pociągi nie zostawały odczepiane (oprócz paru wyjątków) i odbywały podróż "na zimno" na objazdach.

Z punktu widzenia podróżnego te objazdy to rozwiązanie tylko po części rozsądne - dzisiaj zapewne wprowadzono by komunikację autobusową od Tczewa do Gdyni, przez co nastąpiłoby wydłużenie jazdy może sumarycznie o godzinę. Wtedy, przez wprowadzone objazdy, pociągi doznawały kilkugodzinnych opóźnień, a całkiem niedawna likwidacja niektórych stacji na "węglówce" drastycznie pogorszyła przepustowość dwutorowej linii. Z drugiej strony, pasażer w kuszetce, czy sypialnym z głębi kraju na Hel, dotarł do celu podróży w tym samym łóżku, tyle, że 3-6 godzin później.

Sytuacja awaryjna trwała parę dni, po czym przywrócono ruch po głównej linii, z pewnymi ograniczeniami (ograniczenie prędkości w miejscach podmycia nasypu). Jeszcze parę dni po przywróceniu ruchu część pociągów towarowych kursowała niezelektryfikowanym objazdem z uwagi na problemy z przepustowością.

Na zdjęciu SU46-039, jeszcze w oryginalnych żagańskich szatach, z nocnym pociągiem 38209 z Krakowa Płaszowa do Koszalina, opuszcza stację w Gdańsku Osowie. Za dieslem - elektrowóz oryginalnie ciągnący nocnego "kuriera" - EP07-338. 11 lipca 2001 roku.

Fot. Jarek / Chester

 

Magnus relating the history of the Viking realm of the Southern Isles (ie: the Western Isles of Scotland and I of Man)