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Another Image relating to History. This is a statue of Queen Victoria holding her regalia. In the background is an example from the centre of Birmingham of the sort of buildings of visual power that she managed to lead over decades.
This video “MIX 9” is another selection of images, both graphic, design and Photographic. The idea is to show the range of styles and techniques from right across my wide range of styles. It is followed in my Photostream by individual images taken from the video, but shown as single images at full size. These will appear on my photostream spread over the following week.
There are more examples of these Mixes on my portfolio website :-
Tales of history relate that Dinajpur derived its name from Raja Dinaj or Dinaraj, founder of the Dinajpur Rajbari. But others say that after usurping the Ilyas Shahi rule, the famous Raja Ganesh of the early 15th century was the real founder of this house for a brief period. At the end of the 17th century Srimanta Dutta Chaudhury became the zamindar of Dinajpur and after him, his sister's son Sukhdeva Ghosh inherited the property as Srimanta's son had a premature death. Sukhdeva's son Prannath Ray became famous and powerful and began the construction of the famous Kantanagar Nava-Ratna Temple, now known as the Kantajir Mandir, one of the most precious heritage structures.
It is difficult to conceive what the main palace block looked like when it was young and bold. Wild leaves and veins have wrapped the building like octopus tendrils while the skeleton and naked brick structures give a horrid look as the ageing plaster is almost worn out of the walls. In different parts of the building, structural girders are exposed while there is no roof above. Still from his historical study and the remaining ruins, Dr Nazimuddin Ahmed gave a vivid description of the structures in one of his publications published in 1986.
"The imposing façade of the two-storey palace, facing east has a broad frontage of about 150 feet. The central part carrying a 10 feet wide verandah above is projected prominently. The front projection has a series of elegant Ionic columns in pairs with round shafts on the upper floor.
"The parapet is plain except for a curved plaque-wall in the centre, bearing in relief, two elephants standing face to face and holding a crown. Above and below it are some indistinct English letters. On either side of the balcony a broad spiral masonry staircase leads up to the upper storey. The roof of the 15 feet wide balcony collapsed.
"Immediately behind the balcony a large hall (50"X20") originally flagged with white marble stone and flanked by two 10" wide verandahs on the east and west is roofed over with massive iron girders. The lofty 25 feet high roof is in a highly disintegrating condition. On its north there is another smaller (30"X 20") hall and on the south a broad corridor leads to the inner quadrangle of residential quarters."
If the bricks could paint or write the tales of the Rajbari and its inhabitants, what a book could have been written! But with the silent walls, the palace has now grown old and inexpressive. It has faced not only the cruelty of time but also the ravages of nature like the 1897 earthquake that had left it badly damaged. Although the palace was largely rebuilt by Maharaja Sir Girijanath Ray Bahadur, time has not spared it from its claws. It is up to us now whether we would at least let the ruins remain and let our future generations see them and let their imagination flow back to the past and touch our heritage.
other pictures from the set Dinajpur Rajbari .... Discovering the hidden glory
Carl Jung rejected many of Freud's theories. Jung expanded on Freud's idea that dream content relates to the dreamer's unconscious desires. He described dreams as messages to the dreamer and argued that dreamers should pay attention for their own good. He came to believe that dreams present the dreamer with revelations that can uncover and help to resolve emotional or religious problems and fears.
Jung wrote that recurring dreams show up repeatedly to demand attention, suggesting that the dreamer is neglecting an issue related to the dream. He believed that many of the symbols or images from these dreams return with each dream. Jung believed that memories formed throughout the day also play a role in dreaming. These memories leave impressions for the unconscious to deal with when the ego is at rest. The unconscious mind re-enacts these glimpses of the past in the form of a dream. Jung called this a day residue. Jung also argued that dreaming is not a purely individual concern, that all dreams are part of "one great web of psychological factors."
Fritz Perls presented his theory of dreams as part of the holistic nature of Gestalt therapy. Dreams are seen as projections of parts of the self that have been ignored, rejected, or suppressed.Jung argued that one could consider every person in the dream to represent an aspect of the dreamer, which he called the subjective approach to dreams. Perls expanded this point of view to say that even inanimate objects in the dream may represent aspects of the dreamer. The dreamer may, therefore, be asked to imagine being an object in the dream and to describe it, in order to bring into awareness the characteristics of the object that correspond with the dreamer's personality.
I think most anyone can relate to a desire to talk to someone we no longer can. For whatever reason, whether it be for estrangement or death, there are some people we wish we could talk to but can't. These are conversations unfinished, ties untethered, connections lost. Sometimes those manifest into conversations we have with ourselves, because that is the only cathartic closure or resolution there is. The morning at dawn when I shot this, I thought of how connected I feel to my grandfather when I'm out alone in nature. How I feel I am sort of with him when I'm surrounded by trees, as if his memory is tied somehow to the tall oaks, redbuds and pines of our Oklahoma landscape. In Native American lore, they believe that when a loved one dies a red fern grows in its place as a symbol of eternity, and the kind of love that transcends time.
Loup des bois . Gray Wolf
Shot at Parc Omega which is a ten-kilometer nature roadway in Montebello, Quebec.
Sea Princess Scenic Nature, Seals & Fjord Cruise tour out of Northeast Harbor Maine is a great way to see Nature and spectacular views of Mount Desert Island.
Come by The Lost Unicorn Gallery today at noon and travel through time with Hilaire Beaumont! When I first discovered Hilaire's work a while back I was awestruck by his depiction of periods from the past, specifically his 18th to 19th century scenes. Once a major roleplayer for many years, Hilaire has managed to encompass the roleplaying aspect into most all his pieces. Every picture tells a story and most people can either relate to the scene, are familiar with it or just purely enjoy it. The poses and costumes he uses as well as overall composition, lighting and color all come into play when Hilaire creates one of his amazing scenes. He has made several new, never posted works especially for the show!
Master Lysios (ML) will be singing some classic rock tunes for us during the event!
Come dressed as a character from the past (or future!) and stop by this must see event!
maps.secondlife.com/secondlife/Lost%20Unicorn%20Gallery/1...
**artwork by Hilaire Beaumont
Can you relate? I got up early because I wanted to photograph some places in town at sunrise. Hoping for warm light and strong shadows.
Almost all the sites I visited had changed into construction sites though and I really got in a bad mood.
I decided to go on since I was there anyway and time can be precious.
Then I saw the light on this window. Diffused by the tree. It's shadows casted on the wall. It instantly changed my mood. I started to photograph other things than planned and got home with a really nice set of photos. You have got to stay open minded.
OLYMPUS DIGITAL CAMERA
Olympus E-300, Zuiko Digital 40–150mm F3.5–4.5
I am reposting this message and creation from my December 2019 post
Although this was written in 2019 I knew something big was going to take place on earth in the months ahead.
It is as relevant today as it was back in 2019 because it relates to today in 2021
I underestimated the severity of this message. In saying this I was extremely unsettled for many months and prayed as I knew something was going to happen but I did not know exactly what.
I had endured many months of suffering knowing. Through this process things became crystal clear to me and with that an understanding of the higher picture and ultimately a sense of surrendering to 'what is' and a sense of Peace and Calm came with this, along with so much gratitude for being guided and shown. A blessing and a curse
To add to this, many souls have sacrificed themselves - knowingly and unknowingly to wake up humanity.
We can never know the soul agreement that each of us has made when we birthed into this world.
I am eternally grateful to the many souls who have endured hell on earth, lost their lives to awaken the masses to the reality of this world.
There are many people at this time on earth who are struggling with all that is happening in our world.
I was guided with this message and design back in 2019 - it started many months before it was completed by December of that year.
I hope that this message will bring some understanding and comfort to anyone who is struggling right now.
Despite her name Black Winged Goddess, she does bring a message of Hope and Unity to humanity.
We are living in times of great destruction of the world as we know it, earth changes, fires, floods, earthquakes.
Here alone in Australia we sit in horror at the extent of the fires rampage across the country. Unprecedented fires and weather in the history of our existence (well what is on record)
Whilst horrific - the earth we live on has always been full of cyclic changes.
Ancient cities have been discovered under the sea, we are naive to think that the world as we know it will remain the same.
What continents exist now may no longer exist. What coastline exists now is slowly being swallowed up by the ocean.
Volcanic eruptions are changing the face of the planet as are earthquakes - the list is long.
We cannot stop the force of Mother Nature. We live on a planet that has always endured such destruction.
We have pole shifts taking place - all kinds of catastrophic events happening across the Globe. We are but a spit in the ocean to the wide Galaxies that we know of. Yet we think we are precious in some way.
I cannot help but wonder why I was so drawn to create this "Black Winged Goddess" let alone give her the name of Black Winged Goddess. But I was drawn, my soul was pushing me for weeks with a "slight vision" of what I needed to create. It now makes total sense to me why I was so drawn to create The Black Winged Goddess, given the state of our world and humanity.
My soul as always when I listen guides me with powerful messages and reminds me to just 'be' to accept 'what is'.
We may not like the current state of our world, but it is what it is and all we can do is stay strong within ourselves and hold the power of 'love' in our hearts despite seeing so much being played out on the planet.
Kali (Hindu) - was known as a deity of the Fearsome Demon destroying Goddess who represents death and rebirth - so her name means "Black One".
We can never truly comprehend or understand the power of mother nature - we have abused her for centuries, taken her for granted and she is a living breathing consciousness so powerful that we dare not go up against here.
In recent years we have seen the influence of the feminine energy on earth which for eons has been dominated by the male energy.
So it makes complete sense to me that we are witness to so much destruction on the planet.
We are witness to the destruction of our societies as we know it, breakdown of families, law, politics.
So much of humanity is at war with the 'system', the injustices, and the lack of balance within our society. The homeless, the abused, the forgotten souls, the mental health issues that seem to have become rampant, the rise of Corporate wealth while humanity is trapped in slavery. We have learnt nothing as a humanity over the past how many hundred years?
In order for rebirth, for new growth, a culling needs to take place - hence the energy of the Black Winged Goddess she is both the Destroyer and the Giver of New Life.
We have elected to be here at this time on the planet - despite the suffering we witness or endure - I know at a higher level it is absolutely necessary for real change to take place.
Our world is a very different place to the one we have known - and whilst we have believed we have had a safe and reasonable planet in which to live, the reality is much Evil has existed and people have been brainwashed to the point of being zombies. There has been so much suppression imposed upon humanity even to the extreme of vaccinations and fluoride to our water supply. All of these chemicals act as suppressants to our brain! It has been a deliberate agenda of the existing power on earth. Their agenda has always been to rule, control and suppress the populous.
Humanity is awakening and with this will be uproar, dis - ease, a culling if you like. It is time for humanity to step out of fear and into their true power which is within each and every one of us.
New growth, new beginnings but not before the dismantling of the old - it has to be this way.
These times we are living through were written in history.
So I have created "The Black Winged Goddess" she is available in different styles, inside a Dome with beautiful etched glass or stand alone. She will rotate or can be static.
She is available on MP in the Stand Alone version (rotating) or can be seen in world at my store.
****This POST IS NOT to promote my MP. I will not put my MP link here for this reason. If anyone does not have the money and would like a version of her please send me a notecard in world with your full name and I will happily send one to you. This is NOT about promoting my MP it is about assisting humanity at this time***.
I hope you enjoy and embrace 'The "Black Winged Goddess' and rather be in fear of her - understand she brings 'New Life" but first the old has to die for the new to be born.
How appropriate for a New Year of 2020 fast approaching.
Interestingly and unconsciously I created 4 of these Black Winged Goddesses.
The year 2020 equates to the number 4 in Numerology.
The #4 represents a Universal energy. (see below for a deeper understanding of the #4)
The # 2 - Is the most feminine and often underestimated when it comes to power and strength. She is always gentle, tactful, diplomatic, forgiving and understanding. She likes to keep peace and likes to avoid confrontation. # 2 is the survivor and extremely resilient force. Her shape looks as though she is bent back on a knee with head bowed in humility and service. However when enough pressure is applied to the # 2 energy. Some would perceive her as weak and powerless due to this servitude shape. However never underestimate the power behind #2 because she represents the power (double) #1 who is the all powerful warrior who will shake and destroy no matter what. So #2 brings the balance but never underestimate the power of 2 Energy.
The #4 Energy in more detail
The 4 is without a doubt masculine, reflecting strength and stability. His chief characteristics are dependability, productivity, punctuality and obedience. He is trustworthy, patient, conventional and a traditionalist.
Tend to be rule followers. 4 is the area of sciences, upholding the law (such as Government and the military). The #4 represents Disciplined, systematic, Dependable, Strong. Loyal
Four is the basis of all solid objects. Four points are used in constructing the simplest solid and thus four is the number symbolizing the way of construction. In many religions, four is seen as the number for earth, and representing the four elements, Air Earth, Water and Fire.
At its extreme 4's can tend to overreact to violence.
So 2020 seems to have more challenges ahead and I suspect we will be seeing more uprising across the planet (#2 energy) with totalitarianism (#4 energy) being played out like never before. Perhaps more of what the world has witnessed in Hong Kong this year.
It is as if the two energies Masculine & Feminine are battling against one another. But at the same time, I cannot help but feel and acknowledge UNITY - and this is what I will remain focused upon during the year ahead. We must stand united. We are after all 'one humanity'
We are without doubt living in very challenging times.
May peace be with you!
Copyright December 2019 Chant Lyric
Please share with anyone who you believe may take some comfort during these days - not because I want awards, in fact I do not want awards. This is for humanity and was given to me through the Grace of God
This post is NOT about promoting my MP - she is available there for anyone who wants to purchase her. For anyone who truly feels drawn to her and the strength and comfort she brings to me, and do not have the money to purchase her. Please contact me in world with a notecard, give me your full name and I will happily send her free of charge to you.
My original posts can be seen here www.flickr.com/photos/58903384@N04/49251189433/in/datepos...
www.flickr.com/photos/58903384@N04/49251186488/in/photost...
112 pictures in 2012, #29 Leap Day (any shot to be taken on, or relating to 29th Februari2012)
Explore, Highest position: #132 on Wednesday, March 7, 2012
It is truly difficult to effectively relate how graceful and ethereal Manta Rays are as they perform their nightly ballet in the warm waters near Kona Hawaii. This image perhaps does the work of hundreds of adjectives in relating the emotion you feel as these massive creatures glide inches from your face.
If you would like to read more about swimming with Mantas and see more photos of this adventure, check-out my blog article: www.firefallphotography.com/swimming-manta-rays-tips-phot...
Have a great day!
Jeff
My Website ¦ Facebook ¦ My Blog ¦ Google+
Explored 9/21/13
I could probably best relate to this as the equivalent of giving your little brother an unplugged video game remote and acting like he's the one who's good at the game.
Probably in an event to keep me more engaged in the US rail scene than I was at the time (looking back 2 months later makes me realise how none of this can be recreated back home), the R'bauers assigned me to choose somewhere for this coal train we were pretty sure was close by.
A quick geeze at Sun Seeker and Google Maps, trying to pinpoint where the late afternoon shadows won't have covered the BNSF Fallbridge Sub. Came to the conclusion that John Day Dam Road may be the best bet.
Up a hill and only a few minutes later, I could see the microscopic coal wagons at Towal moving. An excited shout to the R'bauers, and this bad boy rolls by a few minutes later.
Specifically, a coal train from Spring Creek mine in Montana to the Centralia Power Plant in Washington. From what Lewis' notes lead me to believe, this power station is scheduled for closure later in the year.
6117-9361-6038-6550(r) BNSF C SCMCEC 021 east of Maryhill 22-4-25
The Calling is a public artwork by American artist Mark di Suvero located in O'Donnell Park, which is on the lakefront in Milwaukee, Wisconsin, United States. The artwork was made in 1981-82 from steel I-beams painted an orange-red color. It measures 40 feet in height, and it sits at the end of Wisconsin Avenue in front of the footbridge that leads to the Milwaukee Art Museum. di Suvero's artwork was commissioned by an anonymous donor. It stands tall at 40 feet and is made from steel I-beams, which the artist painted an orange-red color. The sculpture resembles a rising sun, and is colloquially called the Sunburst. It currently sits in O'Donnell Park, next to the Milwaukee County War Memorial building and in front of the Milwaukee Art Museum. When the piece was first commissioned, the Milwaukee Art Museum did not extend to its present location. The sculpture's backdrop consisted of the bluff and Lake Michigan. With the rising sun behind it, The Calling truly captured di Suvero's intent. Milwaukee's downtown lakefront had been a transportation hub since the 19th century. In 1968 the lakefront's railroad passenger depot was torn down. The site was developed into a parking lot and an urban park. In 1980 the Milwaukee Department of City Development decided to place a sculpture in this new urban park, and asked the Milwaukee Art Museum to select an artist to make the piece. The Milwaukee Art Museum chose Mark di Suvero, while an anonymous donor offered to fund the sculpture. Di Suvero's design for The Calling dated back to 1975 when he did some drawings for Emily and Joseph Pulitzer, Jr. The sculpture was never built, but when the artist came to Milwaukee and visited the proposed site for his work, he knew that the strong verticals of The Calling were needed to complement the scale of the bluff and the lake. Since its proposal, The Calling has been fraught with controversy. Community members and politicians have had a problem with the cost, the use of industrial materials, the abstract design, the placement, and the donor's anonymity. Local politicians delayed the building of the sculpture while they debated the sculpture's design, even though the museum owned it. "Gerald Norland, Director of the Art Museum, led the fight for approval throughout most of 1981, presenting its case to eleven separate hearings. Finally, the museum received a favorable vote in the Common Council in January 1982." Di Suvero proceeded to create the sculpture in his New York City studio. Once it was complete, he disassembled The Calling, shipped it to Milwaukee, and directed the reassembly of the piece. It was dedicated in April 1982. A new controversy arose when the Milwaukee Art Museum's Santiago Calatrava-designed new wing opened in 2001. Dissenters advocated that The Calling be moved as it blocked their view of the new art museum. Di Suvero refused to move the sculpture, stating "If you don't want it, take it apart and ship it to me."When questioned whether the sculpture should be moved, Calatrava deferred to di Suvero. He told Milwaukee art critic Whitney Gould several times that he had designed the museum addition to relate to the placement of "The Calling." The sculpture and its placement continue to be a point of contention between art critics and community members alike.
Source: en.wikipedia.org/wiki/The_Calling_(di_Suvero)
Italy, Venice, "Campo Bandiera & Moro o de la Bragora" with a peaceful atmosphere, the square is framed by the church of San Giovanni in Bragora & some beautiful buildings including the Palazzo Gritti-Badoer.
Siting on the benches for a break in the shade of the trees at the square, you can observe the "original fake merchandise" street vendors who are meeting or passing by here. However, while I was sitting here, I did not see once a vendor approaching or harassing anyone on the marketplace.
The origin of the term Bragora is unclear, but relates to the church "San Giovanni in Bragora", located on the square & founded in the early 8th century, Pietro Barbo, 1417-1471, future Pope Paul II & Antonio Vivaldi, 1678 -1741, were baptised in the church.
👉 One World one Dream,
🙏...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over
16 million visits in my photostream with countless motivating comments
Blythe a Day - How to Sell a Haunted House (Bewitched) - 10/1/25
For Sale in Spookytown: Classic Haunted Beauty
About the Property:
Beautiful classic 4 bed 3 bath tri-level in coveted Spookytown. Original fireplaces and staircases. Hard wood flooring throughout. Old creaky windows, attic ghosts, furnace, updated electrical and much more!
Features:
Actual clawfoot tubs
2 ghosts
Secret staircase & door
Creaky floors
Large windows
Attic bats
Real skeletons in the closets
Call Drusilla, our expert relator, for a private tour.
House photo I took on a fall drive and recolored
Daunting Drusilla Blythe
Credits :
Blueberry - Can't Relate - Boots Flat & High Heels @ Main Store
Blueberry - Can't Relate - Fishnet Stockings @ Main Store
Blueberry - Can't Relate - Shorts & Belts @ Main Store
Blueberry - Can't Relate - Tops Alone @ Main Store
Blueberry - Can't Relate - Wrap Around Cardigan @ Main Store
Doe: Gabriella Hair @ Collabor88
Eyes : {S0NG} :: Crow Eyes Gacha - pale blue @ Epiphany
Doe: Monster Backpack (Hold) - Pink Gacha @ Main Store
Romazin - Earrings - Tori @ Sense
Romazin - Necklace - Tori 1 @ Sense
Romazin - Necklace - Tori 2 @ Sense
Romazin - Necklace - Tori 3 @ Sense
MINIMAL - Town Hall Backdrop -flower balcony-MINIMAL - Town Hall Backdrop @ Kustom9
SPELL : Bike -Mushrooms - RARE @ Main Store
ionic : Antique books & iron chair @ Main Store
ionic : Interior plant @ Main Store
ionic : Store Sign (Black & Gold) @ Main Store
ionic : Tea Store Sign @ Main Store
ionic: Fountain (tiled) @ Main Store
from Madras Fruit Stand Decor Gacha @ Main Store
Madras Green Apple Box
Madras Watermelon
Madras Raspberry Basket
Madras Mulberry Basket
Madras Purple Grapes
Madras Green grapes
Madras Cherry Tray
Madras Apple Box
Madras Fruit Table
Madras Banana Box
Madras Pineapple Boat rare
No, this item doesn't relate in any way to Miss Angie the dance instructor; instead, it's for Angie Mengoa, known throughout the whole domain of Flickrdom as Proverbs 31:10. Today is her 21st birthday, and I celebrated the occasion by creating this special screensaver at work, which was used only today and then deleted before I went home. Those are my glasses in the lower right-hand corner. It is proof positive that I thought of my young friend throughout her big day, as this greeting scrolled across my computer screen whenever I left it idle for more than a few minutes.
Angie herself commemorated her birthday with this little masterpiece, so typical of her in that it displays her formidable talent, her remarkable beauty, and her deeply-held religious convictions, all of which essentially define who and what she is. It is so fitting for her to note her 21st birthday with a prayer, as she did here. And as for me, I will keep her in my own prayers always, as well as in my heart and my affections. I admit to being very, very fond of this remarkable young lady.
When you see this, Angie, it will be either very late in the evening on your big day, or the following morning; but either way, I hope your 21st birthday has been just splendid. :-)
Tell me what you see
You don't see a damn thing
'cause you can't relate to me
You're blinded by our differences
My life makes no sense to you
I'm the persecuted one
You're the red, white and blue
Outlandish - Look into my eyes
__________________________
Ja que tanta gente pediu,ai está a foto.
Triangularity - Relating to entities such as three people, objects, ideas,...…. And Tri... refers to the number 3 an odd number...
For the challenge = triangular shapes, three items on a scarf with three sided shapes,......
2019 05 14_6559.jpgh
From Wikipedia, the free encyclopaedia
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Venetian Renaissance facade and a grand central hall of cast iron construction that rises the full height of the building. This building underwent a major refurbishment and reopened on 29 July 2011 after a three-year, £47 million project to restore and extend the building led by Gareth Hoskins Architects along with the concurrent redesign of the exhibitions by Ralph Appelbaum Associates
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland. As well as the national collections of Scottish archaeological finds and medieval objects, the museum contains artefacts from around the world, encompassing geology, archaeology, natural history, science, technology, art, and world cultures. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display. One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock. A Scottish invention that is a perennial favourite with school parties is The Maiden, an early form of guillotine.
In 2016, the museum had 1.81 million visitors over the year, making it Scotland's most popular visitor attraction during that period.
There are plenty of things I could tell you about this image but what I am going to relate tonight is only going to involve the mistake I made.
One of the risks to habits is that you can come to rely on them overly much. A case in point would be that by an unofficial rule I generally keep my Hasselblad backs loaded with 400 ISO film, one back for color and the other for b&w. When I do load a different speed film in one of my backs I try to make a note because I am so used to 400 speed film in them that I have mis-exposed film before because of mistaken assumption.
Before this latest trip up to the Olympic Peninsula I had been working a lot and photographing only a little. As such by the time I got up there my black and white back was halfway through a roll of film I could not remember loading and so I could not remember which film was in it. Normally no note would mean 400 speed but something in my brain was tickling away that this was not true, that I had loaded something out of the ordinary in terms of film speed in this back.
So what are my options at this point with about six frames left to expose? Well I could trust my habits and expose at 400. I could attempt to second guess motives and backtrack through memory to deduce which film I might have loaded. I could meter somewhere in between. This latter is what I did. I figured the only other speed I would have loaded would have been 100 ISO film. So if I metered at 200 then I would only be wrong by a stop. If it was 100, I would be a stop under and considering that I normally overexpose by habit anyway, all would be ok. If it was 400, then I would be a stop over (or two with my usual overexposure). and film so readily forgives overexposure. Seriously, you can get away with three or four stops over and still produce reasonable images. Additionally I was going to be a bit less choosy with those six frames and try to blow through them quickly so I could confirm the film and if necessary backtrack to re-expose any images.
Thus I set off. Unfortunately it was sunny and clear and conducive to heavy ND shooting so "blowing through" half a roll takes on a slightly different meaning when shooting through 18 stops of neutral density. It took a few hours but I managed, wound the roll and unloaded it... to find a roll of Rollei RPX 25. Umm yeah. So metering for 200, maybe overexposing by design by a stop I was still going to be two stops under. That was a bit disappointing. Usually I defer to the decisions that past-Zeb makes. He often seems to think of things that present-Zeb appreciates. But this time I was wondering what in the heck that past me was thinking by loading a roll of 25 speed film in a camera that usually uses 400 speed and not putting a note on it to warn present-Zeb how to expose it properly. Sheesh.
So I had a bit of a sinking feeling in my stomach, figuring not even the forgiveness of film was going to save me this time. Luckily I was still on the same beach and did backtrack to re-expose the images I felt most strongly about. I debated having the roll pushed when I got back but then the first half had theoretically been exposed accurately and I couldn't really remember what was on it, so I didn't want to push process that stuff, so I just let it go, morbidly curious to see how thin the negs would be. Imagine my surprise when the stuff that came back turned out to be fairly usable... at least some of it. This image for example was metered somewhere around 100 to 200 ISO, which means I probably overexposed it to begin with due to the deep shadows in the frame. But that is ok, I wanted the cliffs to be black anyway.
So what to take from all this? I guess mostly that we all make mistakes. In fact you ought to find opportunities to make mistakes. They keep us sharp, they are opportunities to learn, they sometimes show us things we may not have discovered on our own, they remind us that we are fallible in our decision-making. And I tell you about this one in particular so that you know that I am not above making such silly errors. I tend to curate out most of the images I don't consider worth the time to post or your time to see. I edit down to the good stuff, which really means the stuff that I like for one reason and another. And I think with practice and by limiting how much I post I tend to only share the stuff that is noteworthy for good reasons. But that can easily lead to the mistaken perception that maybe I don't make the same mistakes you make. That I don't screw up my calculations or forget something simple and obvious. Well trust me, I do. And sometimes it works out and sometimes it doesn't. On this case I got lucky, no thanks to my past self.
Hasselblad 500C
Rollei RPX 25
The International Bomber Command Centre (IBCC) a memorial relating the historical impact of and on Bomber Command during the Second World War. Located on Canwick Hill, overlooking the city of Lincoln in Lincolnshire.
The city of Lincoln was selected for the location of the IBCC because 27 RAF Bomber Command stations (over a third of all Bomber Command stations) were based in the county during World War II. The large amount of airfields led to Lincolnshire being nicknamed the "Bomber County".
Located at Canwick Hill, the centre is just under two and half miles from RAF Waddington, which suffered the greatest losses of any Bomber Command station, and close to the former Avro aircraft production facility at Bracebridge Heath. A view of Lincoln Cathedral, a prominent landmark for aircrews, forms an important part of the vista from the centre of the Memorial Spire.
The aim of the IBCC is to tell the personal stories of members of the RAF Bomber Command, ground crew and civilians impacted by the bombing campaigns during the Second World War. The centre will also provide a comprehensive record of the role of Bomber Command's squadrons and to digitally display historical documentation and photographs relating to the activity of Bomber Command.
Within the grounds of the International Bomber Command Centre the Spire Memorial was erected on 10 May 2015. The memorial is a spire, reflecting the connection to Lincoln Cathedral. Created out of Corten A weathering steel, it is based on the dimensions of the wingspan of a Lancaster bomber, being 102ft high and 16ft at the base. The Spire was officially unveiled in October 2015 to an audience of 3,600 guests including 312 Bomber veterans.
The spire is encircled by walls carrying the names of all 57,871 men and women who gave their lives whilst serving in or supporting Bomber Command. This is the only place in the world where all these losses are memorialised.
Information Source:
The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".
Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.
Documents relating to the Spanish colonial empire are kept in the Archivo General de Indias in Seville. It is considered to be the most comprehensive and important archive for the Spanish colonial era. The building and archive have been a World Heritage Site since 1987.
The valuable files and documents are of course well protected these days, so that only mock-ups are on the shelves in the rooms that can be visited...
...relating to the first in comments!
A few things can be described about this. The location is Bingsjö in Sweden, Päckosgården to be more exact. Once the home of a musician...
This year I will try to stay away from the cruising nights and concentrate on this place ;) More to come on that...
How many of those of you who are parents can relate?
Malaysian Pied Fantail. Singapore Botanic Gardens.
June 25, 2011.
This is my sister
I'm only getting started. I won't blackout
Thank you so much Meggie for the testimonial :)
I've been thinking for a long while over the topic of meeting new people, and watching the previous ones leave as new ones enter.
Maybe everyone is meant to meet one monster in their lives, the ghost of their past that whispers in the haunting darkness, the one shadow that will never let them go. It awakens in the night, waiting for the hours to tick by so it can press its suffocating weight onto your shoulders. Insomnia keeps your eyes wide open, allowing you to feel the pressure from the shadow.
There's no escaping, because nightmares only materialise in pure silence, when your thoughts are fleeing in hurried bursts from your mind. When the only sound is the jagged edge of your breath catching in the ragged air. When your hands are clenched in tight little grips on the sheets, and you feel an inconsolable sense of grief.
All that you have lost, and the pain you have gone through, slowly collected in that one shadow, all weighing down on you. All the memories. All the recollections. They're all waiting in the dark to come back and haunt you.
Remembering a memory is akin to taking a blurred photograph and putting it in your pocket. You will always remember what happened in that instant, but not too clearly; yet clearly enough to know the general details. And try as you might, you will never be able to change the memory. Because it has already been printed, and it has become a fact of life.
Elysian (E•ly•sian): relating to, or characteristics of heaven or paradise. | Model: @ktmkvi
So I'm finally posting personal work. Took this awhile ago with my friend. I really really wanted to get out and go explore. We decided to go check out these waterfalls by my house & do a shoot. It was super cold. So cold that nobody was even at this park. We climbed down to the base and walked right over the ice. Large portions of the water was frozen so it made it easy getting over by the waterfall. After a while we both started getting cold and packed up.
Because the 's is usually missed off the end of the name, many people call this "Stellar" Sea-lion, which relates to the stars, rather than its discoverer George Wilhelm Steller. It is the largest and most northerly species of Sea-lion on the planet, and sometimes goes by the name of Northern Sea-lion. Males can weigh up to 1000kg, up to four times heavier than females. They are distinguished from the similar California Sea-lions by their tan-coloured coat. The population has plummeted by about 80% over the last fifty years but nobody really knows why. This bellowing adult male was photographed on a haul-out off Ucluelet on the west coast of Vancouver Island but only three animals were present.
They are named after German naturalist George Wilhelm Steller who discovered them on Vitus Bering's expedition to the north Pacific in 1740-41. He also discovered Steller's Eider, Steller's Sea Eagles and Steller's Sea Cow (a manatee that is now extinct), plus Spectacled Cormorant (also now extinct) and described a "Sea Ape" that has to date defied identification.
Two photos today relate to an exhibition at the National Gallery of Australia, Canberra, in 2011. This first one is of a replica poster in our own collection. It is one of the costume designs by Russian artist Léon Bakst (1866-1924) for Sergei Diaghilev's Les Ballet Russes production of Shéhérazade (1910). The music was written by Nikolai Rimsky-Korsakov.
nga.gov.au/exhibition/balletsrusses/default.cfm?MnuID=4&a...
The costume was to be worn by the character Shah Zeman, the brother of the ruler of Persia, in one of the stories from "The Arabian Nights". nga.gov.au/exhibition/balletsrusses/Default.cfm?IRN=74158...
Sergei Diaghilev (1872-1929) was the impresario who founded Les Ballet Russes.
I don't know how that title relates to the picture but it's what came to mind.
And, as always, view large!!!
Also, what is your opinion of getty images? I got a message about it a long time ago inviting me to join but I feel like I don't know enough about it to participate. If anyone could give me more insight about it or, if they are/did use it, what they thought about it. If I do add some of my photos to the sight, I'm afraid of where they will end up..
Sorry, comments that doesn't relate to the photo & copy paste will be deleted.
For a Better Flickr ،،
Facciamo un sondaggio:
-Quanti di voi sanno di essere vivi?
Cazzate! Siete soldatini di plastica in una fangosa guerra in miniatura!
Avanti...quanti di voi pensano di essere vivi,quanti di voi sanno di essere veramente vivi?
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Blueberry - Can't Relate Cardigans & Top
Blueberry - Can't Relate Shorts & Belt
Blueberry - Can't Relate Stockings & Boots
Mainstore : maps.secondlife.com/secondlife/Lenox%20and%20Blueberry/12...
NEW ATTITUDE
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The other major change relating to the Central Connect withdrawals is that the 93 is more-or-less replaced by the LC9. It’s similar but not identical and funded by Leicestershire County Council between Nottingham and Bottesford (despite the vast majority of the route falling within Nottinghamshire).
Since the drivers and vehicles for this route are based out of Grantham, some journeys extend to there, to allow travel on what would otherwise be dead mileage for changeovers. However the Grantham to Bottesford section has even more going on which I’ll delve into at a later time.
Journeys on the LC9 are covered by two individual duties which interwork onto different routes, so it starts off with vehicle ‘A’, then swaps to vehicle ‘B’, and then later on back to ‘A’ again. The route regulars are these YY64 E200s, plus a pair of 75 plate E200 MMCs that originated at Chaserider. The 64 plates are 6cyl and have some poke to them.
Here YY64 GWF turns down Friar Lane, Nottingham, on 2.2.26
Magnus relating the history of the Viking realm of the Southern Isles (ie: the Western Isles of Scotland and I of Man)
Lily Wild lives among a collection of origami flowers which she has come to appreciate in a way that we can't. However, in her own language of love, she sends her thanks to her new friend, Dorothy, who seems to understand the power of plants.
The meaning of the four-petal flower in feng shui often relates to luck, happiness, and prosperity. The four petals are seen as a symbol of perfection and balance, with each petal representing an essential aspect of life: love, health, wealth, and career.
All of us in the Bigg family thank you Nancy, and your lovely Dorothy and Zyanya, for hosting a fantastic month.
🌹🌷💮🌷🌹
The 1890 Empress Flour Mill on Queen Street is category C industrial heritage building, which means that its removal is a permitted activity. There are two plaques on the front of the building, one relating to the 118 year old structure and the other to the 1921 grain silos. With a height of 35 metres the category B listed heritage silos are the town's most prominent landmark. They're still in use and will not be demolished.
Relating to a blog I posted today about how I'm fine taking my clothes off in abandoned buildings yet totally afraid to pose clothed in public view, I went outside to take a photo. Granted, it was just on the corner of my street, but someone even walked by while I was setting up the camera and nothing bad happened! Baby steps. That's what it's all about.