View allAll Photos Tagged Relation
Die Relation Berlin - Rheinland war jahrelang eine feste Leistung der Baureihe 402 . Ab Hamm laufen die beiden Zugteile aus der Bundeshauptstadt Getrennt in Rheinland. Während ICE 942 über Dortmund und Bochum nach Düsseldorf fuhr arbeitete sich ICE 952 über die Wupper nach Köln. An diesem Tag bildete 402 045 diese Leistung und wurde in Wuppertal Unterbarmen abgelichtet.
Auf den ICs der Relation Brüssel - Liege via Namur kommen auf in den Sommerferien zwei und außerhalb der Sommerferien drei umläufen die bekannten einstöckigen Wagen vom Typ M4 zum Einsatz.
Sie befahren wie oben erwähnt zwischen Namur und Flemalle Haute das Fotgene Maaatal wo an vielen Orten direkt an der Maas entlang gefahren wird.
Mitte August verschlung es mich wegen dieser M4 Leistungen ins Maastal und staunte nicht schlecht. Eine M4 Garnitur welche nicht im Sandwich unterwegs ist, eine ehr seltene Angelegenheit im Sommer da man im Sommer ehr eine HLE21 oder 27 vor den Steuerwagen gekuppelt sieht.
Hier schob 2723 ihre 7 M4 als IC 2409 von Brüssel über Namur nach Liege und durchfährt den bei Belgischen Fotografen Bekannten Bahnhof von Engis. Als nächstes wird der Bahnhof von Flemalle Haute erreicht von wo es non Stop nach Liège Guillemins geht.
You can see the spatial relationship between Gehry's LUMA museum (I am standing on the terrace) , the Ecole Nationale Supérieure de la Photographie (the long building, lower right corner) and the historic old town of Arles with the arena and the Rhone river here.
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Tau Lewis’ hands-on process of making is committed to healing personal and collective traumas, especially in relation to histories and lived experiences within the African diaspora. In Symphony, reclaimed clothing and fabrics have been repurposed into an expressive portrait of a “mutable being devoid of gender, that can transmute into blossoms”. A clairvoyant spirit connecting geographies, souls and time, both earthly and ancestral, Symphony has eyes formed of seashells and arms welcoming in an open embrace. Reflecting on non-gendered motherhood and gardens as sources of knowledge and growth, the work envisions a world of radical care, self-reservation and resilience in which joy, freedom and triumphant love are nurtured and shared. --- --- --- canadianart.ca/features/tau-lewis-groundations/
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An icon with an inimitable style, Louise Nevelson is now recognized as one of the major sculptors of the 20th century. Her art is generally discussed in relation to Cubism, Constructivism, Schwitters, the readymade, or the collage practices of the Dada and Surrealist movements. But her sources of inspiration are far broader, and her work invites us to explore an art history where dance and performance—around which the exhibition is structured—play a leading role. Thirty years after her death, her legacy continues to resonate with the young contemporary art scene, even in the world of fashion.
Nevelson's twenty-year study of eurythmy, a method of bodily expression aimed at discovering one's vital force and creative energy, revolutionized her life and work. In 1950, her discovery of Mexico and Guatemala gave a monumental dimension to her work, now imbued with a blend of geometry and magic. Under this dual influence, her environments gradually emerge, becoming monumental, enveloping, totemic, and sacred.
The works are composed of reclaimed wooden objects that she gathers in boxes, before stacking and painting them black, unifying the composition with a monochrome veil. Beyond the synthesis she achieves between pre-Columbian art, Cubism, and the Color Field painting movement, Nevelson envisions a space to be explored rather than a sculpture to be viewed head-on.
source: www.centrepompidou-metz.fr/en/programme/exposition/louise...
THE ROYAL TIDES
Presented during the reactivation of The Royal Tides environment in the exhibition “Louise Nevelson: Atmospheres and Environments” at the Whitney Museum of American Art in 1980, this sculpture illustrates the almost alchemical power of Nevelson’s work, capable of transforming society’s refuse, gleaned from the streets of New York, into works of art. After a decade of experimentation, her gilded wooden walls bear witness to a formal evolution, their arrangement now organized according to a grid pattern that structures the entire construction.
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Icône au style inimitable, Louise Nevelson est aujourd’hui reconnue comme l’une des sculptrices majeures du XXème siècle. Son art est généralement évoqué à l’aune du cubisme, du constructivisme, de Schwitters, du ready-made ou des pratiques du collage des mouvements dada et surréalistes. Mais ses sources d’inspiration sont bien plus vastes et son œuvre invite à évoluer dans une histoire des arts où la danse et la performance – autour desquels l’exposition s’articule – jouent un rôle de premier plan. Trente ans après sa mort, son héritage continue de résonner auprès de la jeune scène contemporaine, jusque dans le monde de la mode.
L’étude pendant vingt ans de l’eurythmie qui enseigne une expression corporelle dont l’objectif était de découvrir sa force vitale et son énergie créatrice révolutionneront la vie et l’œuvre de Nevelson.
En 1950, sa découverte du Mexique et du Guatemala donnera une dimension monumentale à son œuvre, désormais porté par un mélange de géométrie et de magie. Sous cette double influence émergent ses environnements, progressivement monumentaux, enveloppants, totémiques et sacrés.
Les œuvres sont composées d’objets en bois récupérés qu’elle rassemble dans des boîtes, avant de les empiler et de les peindre en noir, unifiant la composition par un voile monochrome. Au-delà de la synthèse qu’elle opère entre l’art pré-colombien, le cubisme ou encore le mouvement de la color field painting, Nevelson imagine un lieu à explorer plutôt qu’une sculpture à regarder frontalement.
source: www.centrepompidou-metz.fr/fr/programmation/exposition/lo...
THE ROYAL TIDES
Présentée lors de la réactivation de l’environnement The Royal Tides dans l’exposition « Louise Nevelson: Atmospheres and Environments » au Whitney Museum of American Art en 1980, cette sculpture illustre la puissance quasi alchimique du travail de Nevelson, capable de transformer les rebuts de la société, glanés dans les rues de New York, en œuvres d’art. Après une dizaine d’années d’expérimentation, ses murs en bois doré témoignent d’une évolution formelle, leur agencement s’organisant désormais selon une trame en grille qui structure l’ensemble de la construction.
the dog was so indifferent...instead the snail was very curious and he climb a little on the paw ...
Auf der Relation (Oldenburg)-Bremen-München kommen überwiegend Züge der Baureihe 402 zu Einsatz.
In Hannover wird den der Zug mit einem Teil aus Hamburg vereinigt. Umgekehrt erfolgt das Prozedere in Nordrichtung.
You don't really need a telephoto zoom lens at the Muriwai Beach gannet colony, but it does help! This one gave me such a quizzical look, lol. When I finally got to see him (or her!) on the large screen, I first was reminded of Beaker from the Muppets...then I decided that Sam the Eagle was a better fit. What do you think?
Rhapsodize here to help you decide!
Début de parcours inhabituel pour ce Paris-Berlin nocturne détourné de son itinéraire classique. L'UM 67596-67603 emmène ce 479 jusqu'à Kehl et passe Presles-en-Brie en Seine-et-Marne. Aujourd'hui, la relation n'existe plus et la caténaire a pris possession des lieux.
15 août 2013, scan de diapo Provia 100F.
Bis Dezember 2011 wurde die KBS 971 von durchgehenden Zügen der Relation Augsburg - Hergatz/Lindau befahren. Auf dem Weg nach Hergatz rollt eine solche Garnitur zwischen Kisslegg und Wangen durch die Hügellandschaft,
I was thinking a lot because some days ago I had my first photo shoot, and I wanted to share with you is that this has no relation my blog or second life but I think the result was good, I want to thank my friend ph convinced me to it then, I must admit that I still feel a little shy with all this, the pictures are inspired by shades of cool from lana del rey song ... hope u like it ... this is the man behind the avatar
Example "document" indicating the ubiquitous nature of asbestos in our everyday lives demonstrated on this vintage asbestos product tag that touts, "Over four-million satisfied customers...".
The asbestos product attached to this tag is but only one of thousands of distinct asbestos consumer goods manufactured over the course of modern manufacturing history. While the commonly accepted estimate of individual asbestos products promoted by industry experts and governmental organizations is usually expressed as, "...over three-thousand...", some limited research indicates the number of distinct asbestos products seems to be at least over ten-thousand, so far (increasing daily by Asian companies).
It is simple to group particular asbestos materials into generic classifications like "Textile" or "Pipe Insulation" and then attempt to quantify product type applications in such a manner. However, not apparently considered in the general "asbestos products estimate" is an accounting of actual discrete asbestos products developed across an expansive list of companies, each with their own separate proprietary product lines. Companies developed their own variations of products with varying amounts of asbestos and other ingredients, thereby making each product distinct from other similar products.
For example, vintage industrial catalogs from some former asbestos manufacturers all document a large variety asbestos-containing products. From just a single company's catalog alone, such as one from Johns-Manville, it describes a diverse collection of several hundred asbestos products that were offered (that's just one company and only its industrial product line; not to mention its commercial, residential, & general consumer products). Using the industrial product example, there were dozens of varieties of asbestos packings and asbestos gasket materials alone, each with its own product name and formulation.
Now theoretically, multiply the number of companies that sold asbestos materials with the number of distinct asbestos products they made.
For extra credit, multiply the above postulated quantity of distinct asbestos products by the amount of worldwide customers that acquired asbestos products, then multiply by the number of repeat purchases and quantities of materials purchased.
In relation to the widespread presence of asbestos in our daily lives, it doesn't take long to sense the notion of the enormous scale asbestos is involved and that its scope may be far underestimated or downplayed.
Die inneralpinen ICs der Relation Graz- Salzburg bzw. Innsbruck ähneln lieber einen REX-Zug als ein hochwertiger Fernverkehrszug, da wegen des akuten Wagenmangels nicht nur der Steuerwegen, sondern auch ein erheblicher Teil des Zuges aus CityShuttle Wagen bestehen; ein InterCityShuttle, könnte man meinen. Daneben gibt es drei Internationale Züge, zwei fährt von Salzburg weiter in Richtung München und Frankfurt, während der Transalpin mit seinem klangvollen Namen von Bischofshofen in Richtung Innsbruck, Alberg und die Schweiz weiterfährt. Am Nachmittag des 20. Jänner erreich gerade 1116.079 mit dem aus Zürich kommenden EC 163 Altenmarkt im Pongau.
Transalpine within the Alps
The inner-Alpine ICs on the Graz-Salzburg or Innsbruck route are more like a REX train than a high-quality long-distance train since due to the acute shortage of cars, not only the control cars but also a significant part of the train consists of CityShuttle cars – well, an InterCityShuttle or what. Besides them, there are also three international trains, two of which continue from Salzburg towards Munich and Frankfurt, while the most illustrious train, called Transalpin, continues from Bischofshofen towards Innsbruck, and the Alberg pass before reaching Switzerland. On the afternoon of January 20th, 1116.079 is about to reach Altenmarkt im Pongau with the EC 163 coming from Zurich.
anuary 2024: the Swordbill Hummingbird, an absolute “must have” target when coming to Ecuador. What a great New Year’s Day gift to capture this stunning and unique bird. It has the longest bill in relation to its body size of any bird in the world. And it simply has to be seen in real life to be believed. And due to the long bill, it doesn’t always capture all of the nectar available, as seen! - West Andes Cloud Forest, Ecuador 🇪🇨
Shawaiz holding his fathers hand with his little hand ... a new stage of my friends life ... Being a father
Another shot in relation to my job.
I took this picture through a small hole in the enclosure adjacent to the dark house, in the farm - PTH Lenggong. We're gathering a group of deer from the farm to carry a herd health program. As wild animals, deer require dark house to allow medical treatment. If not, more deer will die from stress than those we can successfully treat. The deer in this farm live in free ranging system and only brought to the enclosure when absolutely necessary. PTH Lenggong is the largest deer farm in Peninsular Malaysia, fully managed by Department of Veterinary Services. Currently there are over 1000 deer here, bred in farm surrounded by rain forest. Existing species of deer here are of Timorensis, Samba and Axis. As a nucleus farm, this farm is producing deer for deer farmers throughout Malaysia. It is also a point of reference and training for farmers who are interested to learn from the best.
Yep, that's my last name but sadly I have no familial relationship with these historic Millards of Nacogdoches Texas.
Unmistakable. This ridiculous hummingbird has the longest bill in relation to its body size of any bird in the world. In addition to the striking bill, look for the overall muted green body color with a bronzy head. Found in the temperate zone of the Andes from Venezuela to Bolivia, from around 2,500m to 3,500m. Occurs in montane forest and edges, where it uses its bill to feed from long tubular flowers.
This one was photographed in Colombia guided by Neotropic Photo Tours.
It was so nice to walk around the Marina, yesterday afternoon, especially in the warm sunshine and after a large lunch!!
Apologies for my absence in relation to commenting ... currently on vacation and finding it difficult due to spending so much of a wonderful time with our friends
Stay Safe And Healthy Everyone!
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo …. Thanks to you all!
Us.. and how my doxie realy think how our relation is...
I had to shoot a friend with a dog last weekend..
And this was one of the ideas i had..
I wanted to try it self first with my doxie...
So here you go.. my 52 for this week was born ;))
Easy and simple, cos life is busy enough right now!!!
BTW, 5 cookies got killed by her for this worked..
I think my doxie had the most fun ever with steeling them ;))
And i love her typical dachs paws here... there tooooo cute!!!!
She is a standard dachs, so not too tiny ;))
Crested Caracara Pair - I turned down a sideroad exploring a bit and came across these two. I was surprised to see the two of them sitting so close together.
The behaviors of caracaras are considered quite strange in relation to those of other falcons. The bird is often seen walking on the ground in search of prey. In addition to a preference of walking over flying, the birds also create close bonds with their mates. Caracaras are territorial creatures who are year-round landlords of trees and land that they occupy.
Rhythm manifests a peculiar relation between rupture and continuity, between the old and the new. It is also intimately related to an essential ingredient of human life: celebration and ritual. Ritual implies a rhythmic reenacting of primordial realities. Seen from the outside, ritual may look like lifeless repetition. This is why many external observers, incapable of detecting the rhythm that is the soul of the ritual, criticize the rites of others. From the inside, any ritual is at least an anamnesis, a reminiscence, that represents and thus transforms the past into the present: an actual reenactment. How can a christian understand the Eucharist without this sense of rhythm? In linear time the part is part and cannot come back except as psychological commemoration (μυήμη Plato would say) or by an act of pure magic.
-THE RHYTHM OF BEING The Unbroken Trinity Raimon Panikkar The Gifford Lectures
Edinburgh University
“Transcend time in order that you may be.”
-Augustine, In Ioannis Evangelium, tract. 38, n. 10: “Ut ergo tu sis, transcende tempus.”
Not really in relation to these twins here (the reservoir of hope is actually softly diminishing), but with regard to the lens which I got this morning. I had heard of the Samyang 135mm F2 manual lens and its optical qualities. This is one of the first images (done with a tripod, wide-open). Getting the focus right is the issue with this lens, but if you do the results are really promising. I do have excellent Fuji AF lenses and some manual focus lenses that allow me to create a more artistic impression. The Samyang 135mm certainly belongs into this category.
Zweimal täglich fahren die Rýchlik der Relation Praha - Klatovy, auch unter dem Namen "Berounka" bekannt, weiter über Klatovy hinaus bis an die deutsch-tschechischen Grenze nach Železná Ruda-Alžbětín (dt. Bayerisch Eisenstein). Da die Strecke bis dorthin nicht elektrifiziert ist, werden ab Klatovy tschechische Lokomotive der Baureihe 754 vor die Rýchlik gespannt.
Auf dem morgendlichen R16 (R 776) fuhr die 754.019. Sie ist bekannt für ihre besondere Lackierung. Mit ca. 15 Minuten Verspätung hat sie soeben den Bahnhof Zelená Lhota verlassen und steuert nun ihren nächsten Halt in Hamry-Hojsova Stráž. Durch die Verspätung kann man schon einen leichten Seitenschatten erkennen, was ich allerdings nicht schlimm finde. Am Zugschluss sind noch zwei alte Wagen vom Typ B 249 eingereiht. In einem der beiden Wagen habe ich die Fahrt von Zelená Lhota nach Klatovy am offenen Fenster genossen.
-Eleanor Roosevelt.
This quote has no relation whatsoever to the picture. I just found it and thought it was pretty interesting :)
Explored January 21st, 2008 #111
Waiting for a fourth sheep, owner of a ghettoblaster, to arrive and start the party, those sheeps are gonna have a wonderful time, not having to worry about the neighbours.
Featuring:
Lady Rhapsody by Silvan Moon Designs
Kindi by Calico Creations
Candy #3 by K&S poses
Full credits are at Blue's Fantasy!
No relation to the upcoming movie of course. After doing so mostly Homeworld/Peter Elson inspired Microspace. I wanted to do an homage to Studio Nue and Kazutaka Miyatake in particular.
(Re-edit 01/07, thanks Noel Upfield for the explanation)
Life is really nicely done on earth. You can see there the unique and symbiotic relationship between ants and aphids on a gooseberry: ants protect aphids from predators, and aphids produce/secrete drops of honeydew that feeds the ants (they’re addicted to).
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(Réédité le 01/07, merci Noel Upfield pour l’explication)
La vie est vraiment bien faite sur Terre. Ici, vous pouvez voir la relation unique et symbiotique qu’ont les fourmis et les pucerons, sur une groseille à maquereau: les fourmis protègent les pucerons des prédateurs, et les pucerons produisent/sécrètent des gouttes de miellat qui nourrissent les fourmis (elles en raffolent).