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The Bay bolete (Boletus badius), is a common edible pored mushroom from Europe and North America. Often considered a poor relation of the Cep (Boletus edulis). The Bay Bolete is common in mixed woodlands in Europe and North America.
Polish name: podgrzybek brunatny
An icon with an inimitable style, Louise Nevelson is now recognized as one of the major sculptors of the 20th century. Her art is generally discussed in relation to Cubism, Constructivism, Schwitters, the readymade, or the collage practices of the Dada and Surrealist movements. But her sources of inspiration are far broader, and her work invites us to explore an art history where dance and performance—around which the exhibition is structured—play a leading role. Thirty years after her death, her legacy continues to resonate with the young contemporary art scene, even in the world of fashion.
Nevelson's twenty-year study of eurythmy, a method of bodily expression aimed at discovering one's vital force and creative energy, revolutionized her life and work. In 1950, her discovery of Mexico and Guatemala gave a monumental dimension to her work, now imbued with a blend of geometry and magic. Under this dual influence, her environments gradually emerge, becoming monumental, enveloping, totemic, and sacred.
The works are composed of reclaimed wooden objects that she gathers in boxes, before stacking and painting them black, unifying the composition with a monochrome veil. Beyond the synthesis she achieves between pre-Columbian art, Cubism, and the Color Field painting movement, Nevelson envisions a space to be explored rather than a sculpture to be viewed head-on.
source: www.centrepompidou-metz.fr/en/programme/exposition/louise...
THE ROYAL TIDES
Presented during the reactivation of The Royal Tides environment in the exhibition “Louise Nevelson: Atmospheres and Environments” at the Whitney Museum of American Art in 1980, this sculpture illustrates the almost alchemical power of Nevelson’s work, capable of transforming society’s refuse, gleaned from the streets of New York, into works of art. After a decade of experimentation, her gilded wooden walls bear witness to a formal evolution, their arrangement now organized according to a grid pattern that structures the entire construction.
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Icône au style inimitable, Louise Nevelson est aujourd’hui reconnue comme l’une des sculptrices majeures du XXème siècle. Son art est généralement évoqué à l’aune du cubisme, du constructivisme, de Schwitters, du ready-made ou des pratiques du collage des mouvements dada et surréalistes. Mais ses sources d’inspiration sont bien plus vastes et son œuvre invite à évoluer dans une histoire des arts où la danse et la performance – autour desquels l’exposition s’articule – jouent un rôle de premier plan. Trente ans après sa mort, son héritage continue de résonner auprès de la jeune scène contemporaine, jusque dans le monde de la mode.
L’étude pendant vingt ans de l’eurythmie qui enseigne une expression corporelle dont l’objectif était de découvrir sa force vitale et son énergie créatrice révolutionneront la vie et l’œuvre de Nevelson.
En 1950, sa découverte du Mexique et du Guatemala donnera une dimension monumentale à son œuvre, désormais porté par un mélange de géométrie et de magie. Sous cette double influence émergent ses environnements, progressivement monumentaux, enveloppants, totémiques et sacrés.
Les œuvres sont composées d’objets en bois récupérés qu’elle rassemble dans des boîtes, avant de les empiler et de les peindre en noir, unifiant la composition par un voile monochrome. Au-delà de la synthèse qu’elle opère entre l’art pré-colombien, le cubisme ou encore le mouvement de la color field painting, Nevelson imagine un lieu à explorer plutôt qu’une sculpture à regarder frontalement.
source: www.centrepompidou-metz.fr/fr/programmation/exposition/lo...
THE ROYAL TIDES
Présentée lors de la réactivation de l’environnement The Royal Tides dans l’exposition « Louise Nevelson: Atmospheres and Environments » au Whitney Museum of American Art en 1980, cette sculpture illustre la puissance quasi alchimique du travail de Nevelson, capable de transformer les rebuts de la société, glanés dans les rues de New York, en œuvres d’art. Après une dizaine d’années d’expérimentation, ses murs en bois doré témoignent d’une évolution formelle, leur agencement s’organisant désormais selon une trame en grille qui structure l’ensemble de la construction.
Rhythm manifests a peculiar relation between rupture and continuity, between the old and the new. It is also intimately related to an essential ingredient of human life: celebration and ritual. Ritual implies a rhythmic reenacting of primordial realities. Seen from the outside, ritual may look like lifeless repetition. This is why many external observers, incapable of detecting the rhythm that is the soul of the ritual, criticize the rites of others. From the inside, any ritual is at least an anamnesis, a reminiscence, that represents and thus transforms the past into the present: an actual reenactment. How can a christian understand the Eucharist without this sense of rhythm? In linear time the part is part and cannot come back except as psychological commemoration (μυήμη Plato would say) or by an act of pure magic.
-THE RHYTHM OF BEING The Unbroken Trinity Raimon Panikkar The Gifford Lectures
Edinburgh University
“Transcend time in order that you may be.”
-Augustine, In Ioannis Evangelium, tract. 38, n. 10: “Ut ergo tu sis, transcende tempus.”
Us.. and how my doxie realy think how our relation is...
I had to shoot a friend with a dog last weekend..
And this was one of the ideas i had..
I wanted to try it self first with my doxie...
So here you go.. my 52 for this week was born ;))
Easy and simple, cos life is busy enough right now!!!
BTW, 5 cookies got killed by her for this worked..
I think my doxie had the most fun ever with steeling them ;))
And i love her typical dachs paws here... there tooooo cute!!!!
She is a standard dachs, so not too tiny ;))
Machrie Moor on the isle of Arran in Scotland is famed for the complex of megalithic monuments that are still visible there. This megalithic bird stone is being used a safe spot from which to survey the landscape that does run out towards the sea. The Moor is visible from sea and the mainland beyond. Any sizeable illumination with fire would produce light enough to signal to others from this landscape with a great concentration of stone built monuments.
The land here being unsuited to grow crops and population not building over and around the stones has left an impressive extensive prehistoric landscape. It can be said that Machrie Moor has six visible Stone Circles which are numbered Machrie Moor 1, 2, 3, 4, 5, and 11. The numbering system includes other than Stone Circle Monuments. In 2026 the results of an archaeological geophysical surveys have announced that there is evidence of a Hidden Circle. The Hidden Circle is formed of 12 pits that could be socket holes for timber, stones. These pits are found at sites including Stonehenge and evidence indicates that wooden structures could have been used before stones were raised and that after significant time the wood was replaced with stones that were possibly sited using the older framework first realised by the timber structure.
We have as humans watched plants and animals grow up from the ground and also seen them fall back and we know that seeds regenerate from out of the Earth and we know that our bodies can be returned to the Earth to assimilate our dead structures just as wild animals and plants return and are reused by the Earth for further creation. We are walking, talking compost that necessitates great production from out of the ground and also the careful return of the life about us into the ground so as to regrow everything that we need. We can see the dew descend and the mist rise embraced about trees. The act of heat and moisture condensing and evaporating is life being released in dew down to the Earth and in mists up to the Skies revealing the path of life engendering moisture. Following such natural paths may have lead to us erecting timber and then stone.
With one timber, or stone focus point we can watch a record the hours of the day and the seasons of the year. With two fixed points we can follow the celestial progression and map the planet Venus giving us access to time recording only bettered by Atomic Clocks. John Harrison to perfect his chronometers sufficient to solve the position of latitude around the globe is said to have used sightings of the planet Venus in relation to his neighbour’s chimney, although this statement has been made historical evidence is not available. Lacking in history the story could have been possible and at least it does as a good story have a valid point to relate about the precision of the procession of Venus that is easily recognised and chartered in our night skies. A whole circle of relatively fixed stones offers timing for several astronomical events and also these Stone Circles could have possibly been constructed for less astronomical reasons? The number of circles show a need for local creations to be accurate in their landscape. Too many seem to have been created just for calendar purposes. Observing the transit of the Sun gives us an accurate record of the Solstice return moment and the balance positions of the Equinoxes. With observations of the Sun it is easy watch the path and to see the return moment when the Sun retraces the same yearly path between the two extremes that it is seen at on the horizon. Sometimes the circles seem to line up accurately the same stars that we can see and there are alignments that we are still on the path to rediscover and to see what inspire the ancient timber and stone circler structures that appear on initial exploration to be path from Earth to the Heavens as the stones naturally take our gaze and focus our perception from their rooted bases up their stone guides all the way to the stars above us.
© PHH Sykes 2026
phhsykes@gmail.com
Machrie Moor Standing Stones
Near Blackwaterfoot, Arran
www.historicenvironment.scot/visit/all/machrie-moor-stand...
History and stories, Machrie Moor Standing Stones
Near Blackwaterfoot, Arran
www.historicenvironment.scot/visit/all/machrie-moor-stand...
Machrie Moor
www.themodernantiquarian.com/site/161/machrie-moor
Machrie Moor
www.themodernantiquarian.com/forum/2/161/17743/194651
Site Name: Machrie Moor 1.
www.megalithic.co.uk/article.php?sid=439
Site Name: Machrie Moor 10 Alternative Name: Moss Farm Road, Machrie X
www.megalithic.co.uk/article.php?sid=1111
Machrie Moor the urban prehistorian
theurbanprehistorian.wordpress.com/tag/machrie-moor/
Arran, Machrie Moor, Trove Scotland
National Record of the Historic Environment (NRHE) ID: 39699
Over 200 digital images
Arran, Machrie Moor 2, Trove Scotland
www.trove.scot/place/39702?tab=images
Fingal’s Cauldron Seat, Machrie Moor, Kilmory, Arran
www.thenorthernantiquarian.org/2014/07/13/fingals-cauldro...
Machrie Moor Stone Circles
Composite made from 2 pictures. Cropped for vertical.
Both shots taken just a minute apart, with the same focal length (400 mm), so the size relation ferry/moon is real. But the moon was already too high in the sky, so I decided to make it a composite image. Shot from the roof of the apartment tower where I lived in Zhuhai.
© All Rights Reserved - you may not use this image in any form without my prior permission.
« Toute relation, tout commerce, crée un tiers, un lieu, dans l’espace clos duquel s’établissent, s’organisent, se jouent, les rapports. » (G.P.)
new website : this, random, RSS | random Flickr | © David Farreny.
Not really in relation to these twins here (the reservoir of hope is actually softly diminishing), but with regard to the lens which I got this morning. I had heard of the Samyang 135mm F2 manual lens and its optical qualities. This is one of the first images (done with a tripod, wide-open). Getting the focus right is the issue with this lens, but if you do the results are really promising. I do have excellent Fuji AF lenses and some manual focus lenses that allow me to create a more artistic impression. The Samyang 135mm certainly belongs into this category.
© Ben Heine || Facebook || Twitter || www.benheine.com
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Taken a few days ago in the South East of Belgium
from the top of a watchtower in the middle of nowhere.
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For more information about my art: info@benheine.com
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Every Step You Take
A poem by Peter S. Quinn
There is always someone who loves you
Though even you won't find out 'fore too late
There is this love that takes control and is all true
And is full of feelings that won't wait
Every step you take must fade away
Even now I'm further, than yesterday
But you could change
My luck and fortune ways
By coming back with dreams
That you have found
And let there be moments
In all the past days
That keeps us together
For always when memories
Are only around
Every step you take...
When nights are lonely
And cold in forgotten dreams
And everything is glinting
Faraway of pleasures it seems
We must be in hopes
And lights in between
For our hope is kept
In a box of a silvery screen
There is always someone who loves you
Though even you won't find out 'fore too late
There is this love that takes control and is all true
And is full of feelings that won't wait
Every step you take must fade away
Even now I'm further, than yesterday
Every step you take...
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The poem appeared on www.poemhunter.com/peter-s-quinn
Waiting for a fourth sheep, owner of a ghettoblaster, to arrive and start the party, those sheeps are gonna have a wonderful time, not having to worry about the neighbours.
The rotation of the Earth, in relation to the fixed stars, remains virtually constant over centuries. Unfortunately, solar time is not regular, as the path of the Earth around the Sun is an ellipse and not a circle, (the Moon also causes monthly irregularities). On any given day of the year, determining the correct time requires additional calculation.
Step 1: Look first at the outside rectangle of the 12 signs of the zodiac and then at the inside roman numerals which are the hours starting at VI (6 am) at the top left. The roman numerals are listed vertically to X (10 am) and then horizontally from XI (11 am) to I (1 pm). The chart continues along the right side of II (2 pm) to V (5 pm). Determine where the gnomon casts a shadow to find the shadow time. The shadow of the gnomon moves in a counterclockwise around the dial face.
Each dash and space between the roman numerals represent 10-minute increments.
Step 2:
Use the chart below the sundial account to obtain Eastern Standard Time if it is currently daylight savings time.
1. Find the current month on the top of the chart. Then find the vertical line corresponding to the closest date.
2. Move your eyes down the curved line and determine which horizontal line is the closest.
3. Trace along that horizontal line to the number columns (between March/April or September/October) and find the number of minutes, between 10 and 40 to add to your shadow time.
No relation to the upcoming movie of course. After doing so mostly Homeworld/Peter Elson inspired Microspace. I wanted to do an homage to Studio Nue and Kazutaka Miyatake in particular.
(Re-edit 01/07, thanks Noel Upfield for the explanation)
Life is really nicely done on earth. You can see there the unique and symbiotic relationship between ants and aphids on a gooseberry: ants protect aphids from predators, and aphids produce/secrete drops of honeydew that feeds the ants (they’re addicted to).
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(Réédité le 01/07, merci Noel Upfield pour l’explication)
La vie est vraiment bien faite sur Terre. Ici, vous pouvez voir la relation unique et symbiotique qu’ont les fourmis et les pucerons, sur une groseille à maquereau: les fourmis protègent les pucerons des prédateurs, et les pucerons produisent/sécrètent des gouttes de miellat qui nourrissent les fourmis (elles en raffolent).
No Relation To Jack The Pumpkin King.
I keep a watchful eye on all the pumpkin patches.
To make sure my subjects grown up to be well round-ish citizens.
[Thankies Razor For The Idea!]
About this Item
Title: Green Monobloc
Type: Digital, Color
Date: 2010
Description: Photo shows a green monobloc chair setting outside a BBQ resturant, with an thin outline of Texas painted behind it
Subject: Chair
Coverage: Texas - Potter County - Amarillo
Relation: High Plains Region
You can also visit my photo blog here : objectifregarder.blogspot.fr
or my Facebook page here : www.facebook.com/pages/Objectif-Regarder
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STOP ISRAEL BARBARITY
We are not stupid!
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NEW CHAPTER, MY FRIENDS (30.06.2010): After removing my website link (more than 1,000), I´ve just received the same message and I´m out of the search lists again. Or this has relation with the message above or has no sense...
I´m not allowed by Flickr to link my personal website.... amazing....! After so many years... Maybe it´s a consequence of the Israel message, I don´t want to think bad, but I don´t believe in coincidences, moreover when lots of user are allowed to. If I continue here is because the great number of friends I´ve meet, but I´m taking advantage of this in order to complain and let you see the kind of injustice that Flickr is doing these days. Let´s see who can be more annoying...
Please visit my profile
This is the kind of things that flickr has to take care of (THIEVES):
mufasa.softarchive.net/works_of_photographer_alonso_diaz....
This is the rules it is supposed I broke: Don’t use Flickr for commercial purposes.
Flickr is for personal use only. If we find you selling products, services, or yourself through your photostream, we will terminate your account. Any other commercial use of Flickr, Flickr technologies (including APIs, FlickrMail, etc), or Flickr accounts must be approved by Flickr. For more information on leveraging Flickr APIs, please see our Services page. If you have other open questions about commercial usage of Flickr, please feel free to contact us.
Where is it said that personal websites are not allowed? I do not do a commercial use of it!!! I´m a economist and work in a saving bank!!
TRUE THANKS TO ALL FOR YOUR SUPPORT, MY FRIENDS. IT´S WHAT MAKES ME THINK TO CONTINUE HERE
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NUEVO CAPÍTULO, AMIGOS (30.06.2010): Después de eliminar el link a mi web (más de 1000!), acabo de recibir el mismo mensaje y me han vuelto a sacar de las listas. O esto tiene algo que ver con el mensaje de arriba o no tiene sentido...
Después de cuatro años no se me permite poner el link a mi web... es increíble! Probablemente es una consecuencia al mensaje de Israel, no creo en las coincidencias y menos cuando muchos usuarios lo hacen. Si continuo por aquí es debido al gran número de amigos que he hecho, pero aprovecharé esto para protestar y hacer ver y protestar por las estupideces que Flickr está haciendo últimamente. Veremos quién molesta más...
Si quieres pasarte por mi web, visita mi perfil, por favor
Este tipo de cosas es lo que flickr debería cuidar (LADRONES DE FOTOS):
mufasa.softarchive.net/works_of_photographer_alonso_diaz....
Esta es la regla que me han dicho que he incumplido: Don’t use Flickr for commercial purposes.
Flickr is for personal use only. If we find you selling products, services, or yourself through your photostream, we will terminate your account. Any other commercial use of Flickr, Flickr technologies (including APIs, FlickrMail, etc), or Flickr accounts must be approved by Flickr. For more information on leveraging Flickr APIs, please see our Services page. If you have other open questions about commercial usage of Flickr, please feel free to contact us.
¿Dónde pone que no se pueden poner enlaces a páginas web personales? No hago uso comercial de ella! Joder, que soy economista y trabajo en una caja de ahorros!
MUCHAS GRACIAS A TODOS POR VUESTRO APOYO, DE VERDAD. ES LA ÚNICA MOTIVACIÓN PARA SEGUIR AQUÍ
None of my photos are HDR or blended images, they are taken from just one shot
Calas de Roche, Conil (Cádiz - Andalucía)
Sony A900 + Carl Zeiss16-35mm
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
"This precisely is the reason why he despairs- not to say despaired- because he cannot consume himself, cannot get rid of himself, cannot become nothing. This is the potentiated formula for despair, the rising of the fever in the sickness of the self."
S.K.
An acrobat of close relation to the golden-winged warbler, the Blue-winged Warbler (Vermivora cyanoptera) wears a black mask and a blue shawl. What a punk! Why is he acrobatic? During breeding season, blue-wings tend to stay in the upper regions of trees, and can often be seen dangling upside down as they glean caterpillars and other insects from leaves. Interestingly, this is one warbler species in which sexual dimorphism isn't all that distinct and the lady and gentleman warblers look nearly identical. Still, the ladies are a bit more drab.
“Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream - making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...”
― Joseph Conrad, Heart of Darkness
in relation to the USA. Not my photo.
A screen capture from --{I forget}.
I’m reading a very good, very new, book about Volodymyr Zelensky, “The Showman”, written by Simon Shuster. 2024.
(Europe is 17 times larger than Ukraine. Europe and the US are about identical in size.)