View allAll Photos Tagged Relation
Ils laissent quelque chose de couleur rouge sur place.
La légende raconte qu'Antonio Gil était un gaucho, travailleur rural et dont une veuve fortunée s'éprit ou eut une relation amoureuse avec lui. Ceci valut à Gil de s'attirer la haine des frères de la veuve et du chef de la police locale, qui avait courtisé cette même femme. Étant donné le danger, Gil laissa le champ libre et s'engagea pour combattre dans la Guerre de la Triple Alliance (1864-1870) contre le Paraguay. Après son retour, il fut recruté par le Parti libéral de Corrientes pour combattre dans la guerre civile contre le parti d'opposition autonomiste, mais Gil déserta.Selon la légende, finalement capturé, il fut pendu par le pied à un caroubier, et tué d'une entaille à la gorge. Gil dit à son bourreau qu'il devrait prier au nom de Gil pour la vie de son fils, qui était très malade ; le bourreau fit ainsi et son fils guérit miraculeusement. Il donna au corps de Gil un enterrement approprié et les personnes qui apprirent le miracle construisirent un sanctuaire qui n'a cessé de grandir jusqu'à aujourd'hui.
ENGLISH :
Along the roads of Argentina, one can also find many small "sanctuaries" of Gauchito Gil, with red flags, ribbons and fabrics. Travellers stop here to pray and give thanks for the supposed miracles. They leave something red on site.
The legend tells that Antonio Gil was a gaucho, rural worker of whom a wealthy widow fell in love and had an affair with him. This earned Gil to attract the hatred of the brothers of the widow and the head of the local police, who had courted the same woman. Given the danger, Gil left the field and pledged to fight in the War of the Triple Alliance (1864-1870) against Paraguay. After his return, he was recruited by the Liberal Party of Corrientes to fight in the civil war against the separatist opposition party, but Gil defected. According to legend, finally captured, he was hanged by the feet to a carob tree, and killed of a gash to the throat. Gil told his executioner that he should pray in the name of Gil for the life of her son, who was very ill; The executioner did so and his son miraculously healed. He gave to Gil body a proper burial and people who heard the miracle built a sanctuary that has grown until today.
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
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#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
[2019. British Greece. Thessaloniki.]
Two men in a small cozy pub in the corner were talking about something. One of them, middle-aged dark haired man in the business suit, took a huge folder with papers and put it on table. The second one, who looked tired a bit, put on his glasses and began to read documents. He looked surprised and a strange smile appeared on his wrinkled fase.
–Sir Stevenson, I don’t understand. This case… It’s not my profile, – elderly man talked indignantly. – You could find more competent specialist in this area. There are many psychiatrists, who studied effect of ACV** neurointerface on a pilot.
–That’s why I’ve chosen you, doctor Lambert, – businessman fetched a sigh. – They see nothing but influence of the machine. They even don’t try to find if the patient was ill before the incident or not.
–So, You’re trying to avoid your responsibility for this destructive tragedy. I see something is hidden here, – Lambert said this in such intonation, that he wasn’t glad to have any relation to this deal. – At first, can you explain me, why this mechanic with dark past took part in testing this prototype?
–You should understand, MechInd has some difficulties now, – Stevenson started to excuse away, it seemed he hided something. – Some generals support MechInd, but that’s not enough. We are out of money. The idea of making fourth generation ACV wasn’t supported by parliament, so none of big corporations wants to invest in this project. That’s why we haven’t got enough people to work and provide security. Our only pilot was slightly injured in a car accident. Several simple checkouts at the testing field were planed that day. Just walking from one marked point to another. And then one mechanic offered his help. He could drive mech enough to do tests. Yes, that was Paul Lebel, who made all this mess.
–But how could he drive this vehicle? Does it require huge training? Some people say that’s as easy as computer game, but I don’t believe that. Or am I wrong? And was it so difficult to find a better certified person? – Doctor continued asking.
–That’s half-true. Interface of modern ACV is simple and obvious, computer can correct even rude mistakes and there are build-in training programs and hints. So if you just want to have a walk at your backyard in ACV, it will take couple of hours or even less to study this. As for our problem, there are so many insane rumors about development of neurointerface. As you know, first generation had serious problems at the beginning. Pilots had hallucinations, delirium after long-time using ACV. It was some kind of addiction to neurointerface. Some of them became mad. It took much time to fix this problem. But it defiantly was fixed. And some time ago new rumors appeared that new ones have the same issue. So, there were not many people who wanted to be test pilot.
–Just rumors?!! – Lambert shouted as loud as he could, so his potential employer flinched. – I don’t see rumors. I see facts. Lebel became insane when he was driving ACV. It wasn’t in the middle of battle. It was calm sunny day. Nothing should worry him. It could be only fault of machine. And you call that rumor?
–Doctor, it seems you didn’t read all the materials, – Stevenson said it calmly and pointed one more folder. – Here is Lebel’s dossier. We haven’t got much information.
Paul Lebel. Name could be false. Age about 20. Born in France. In 2007 he and 11 more children were kidnapped by Islamic terrorists and transported to Afghanistan. He spent there about a mount, after that camp was attacked by another radical group and he could run away. Certain Farid Ursa sheltered him. Two years later Farid was killed by robbers and Lebel joined local guerrillas. He took part in civil war when he was 12 (may be 10). In 2017 he was found injured in the cockpit of destroyed ACV by peacemaker forces. Then he was sent back to France to children’s community. In 2018 Lebel went to British Greece and started to work for MechInd.
–Well, interesting story. So you are looking for connection between his hard childhood and this incident? And new neurointerface isn’t a reason? – Looks like new information made Lambert calm.
–Indeed.
–That’s possible, but I need to talk with Paul to be sure.
–I’m afraid it’s impossible, – Stevenson objected. – Journalists somehow find out some information about his location and a huge crowd appeared near hospital. They wanted revenge. Now Lebel is missing. He escaped from hospital. Or he was kidnapped. We are trying to find him, but there are still no results.
–That’s strange. Something isn’t clear here. Prototype also disappeared, am I right? – doctor was suspicious.
–It’s debris. But sometimes just human mistakes, laziness and stupidity are better explanation than conspiracy. However, Colonel McMillan doesn’t think so. You can talk about this with him if you want. It was a total bedlam just after the incident, nobody knew what to do. We know our competitors spied on our developments. Looks like, they stole debris of Hexham.
–And what’s special in this ACV?
–Everything! Quasi-organic muscles, which can self-repair. Ordinary electro-muscles degrade after some time. Their fibers tear due to stress. Plus combat damage. So muscles should be replaced from time to time. And they’re expensive. New ones can “heal” themselves. Bio computer based AI. Just prototype, but it’s a huge step forward, – there was pride in Stevenson’s words. – Specialist say that one such ACV can fight against 3-5 previous generation vehicles.
–Looks like it’s very, very expensive. So, why you didn’t kept this in secret?
–As I said, it’s matter of finances. Also most people think this project has no future. It can be closed at any moment.
–This incident is very usable for your competitors, don’t you think?
[From the mass media]
[…] That’s an example of criminal negligence. Nobody should give access for such dangerous vehicle without any education. Moreover, the pilot could have psychical illness. And company could find this if they check their stuff better. […] Pilot’s behavior changed, he started responding not clearly. Dispatcher had to notice it. Then the pilot said about hallucinations. But the tests were not interrupted. […] The pilot became insane; he didn’t understand what he was doing. He started to crush everything he saw. An attempt to stop this made him even angrier. […] At the train station he attacked British military forces. 3 APC, 2 ACV and one tank were destroyed. During battle a shell hit train full of toxic chemicals. Fire was started. Then it exploded. An hour later poisonous cloud covered Thessaloniki. Dozens people died, about 1000 were heavily poisoned. […] Hexham was seriously damaged during the battle. Pilot walked 15 miles before ACV shouted down. That’s amazing, but he wasn’t injured. However, his mind was totally broken. He almost nipped off nose of an officer, when British solders tried to arrest him. […]
–Heh, Lebel is a remarkable person, you know, – Doctor was really interested. – I’m not a military expert, but that’s amazing. I know new generation ACV and so on. But he has to be genius to do these things. He had no experience in driving that particular vehicle. Moreover, that was just a prototype without weapon and some systems, am I right? And he alone blew up those tanks and ACVs. It wasn’t just talent. He had to have huge combat experience! Lebel could make fantastic career in British forces. Instead, he is badly paid worker in colony. Maybe he hates all this military stuff because of his childhood. But he works with APCs! I don’t understand!
–All employees say that mechs were his passion. However, he didn’t communicate much with other staff. Most information came from certain Mary Leonis, his friend. Or girl-friend. Even she didn’t know Paul well. But there can be some difficulties. She’s underage, so if you want meet her, you must reach an agreement with her parents. And they are… difficult persons.
–So, that’s a private investigation. Authorities don’t want to interfere.
–Yes. You know the situation. Central government thinks that’s problems of colony. Locals don’t want this headache at all. And even those who support separatists are glad. That’s an occasion to call Britain evil empire one more time. So nobody wants it to be official.
–And nobody cares about the victims. That’s sad. I think I will help you.
*In 2019 Greece is still divided. After WWII Greece is colony of the Great Britain. At the beginning of XXI century the revolution happened. Half or Greece became independent. British Greece is still colony. It’s capital is Thessaloniki.
** ACV – Anthropomorphic Combat Vehicle. Human-like mech. Uses direct link between pilot and machine, called neurointerface for better synchronization and finer and faster control.
Nothing ever exists entirely alone; everything is in relation to everything else. ~Buddha~
Just trying new things.
Taking advantage of some natural light. Sunny in Oregon today.
By total accident I lined the heel up with the edge of the chair perfectly. heh.
Really should have shot this again.
Random fact: These red shoes are my wedding shoes.
Yes, I'm aware that is odd. :) and no, I didn't wear the socks.
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
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Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.
Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.
White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).
White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.
Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.
Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.
Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.
Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.
Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.
Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.
Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.
Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.
Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
This famous structure is located on Church, Court and Parliament Streets in the beautiful City of Hamilton. It is the Seat of Bermuda's Parliament, also called the House of Assembly, oldest British parliament (since 1612) in the New World. The building Houses Bermuda's 36 Members of Parliament in its 21-square miles land area. It is from this building that all Bermuda's laws are enacted. While Bermuda is a British Overseas Territory (similar in certain respects to the United States Virgin Islands), all Bermuda's laws are enacted here, by Bermudian legislators, not in London.
The building was erected in 1819, initially as a four-square Georgian structure, not long after Hamilton, instead of St. George's, became Bermuda's capital. It was deliberately placed then atop the highest ground in the city, not far from the Anglican Cathedral. In 1817, once the building was completed, the British authorities in Bermuda brought out from storage and placed in a prominent place in the building some rather valuable paintings with a unique history. They were paintings captured by British forces who had sailed from Bermuda in 1814 to attack and burn the US Presidential Mansion in Washington DC in relation for the burning by the Americans of the City of York (later, Toronto, in Canada). The latter, having had no further use for them, had put the paintings in a nearby warehouse. The US Presidential Mansion was so badly charred by the fire of the British flames that it became necessary, since then, to both whitewash it and rename it as The White House. When British naval forces, which had commenced the operation from Bermuda in 1814, returned to Bermuda from Washington, they brought with them these portraits of King George III, and his wife, Queen Charlotte. These portraits have hung here, ever since.
To coincide with the Golden Jubilee of Queen Victoria in 1887, it was embellished substantially on its southern ceremonial front, complete with towering arches, very possibly by the Scottish architect William Hay who designed the Anglican Cathedral not far away on Church Street. Bermuda's Westminster style Parliament, referred to locally as the House of Assembly, meets here, upstairs, while the Supreme Court meets on the ground floor. It has 35 elected and paid members for 38,000 registered voters in 21 square miles. (A further 11 are appointed, also paid politicians, in the Senate but for a far lower salary). The total number of Bermuda's legislators is 46, one for every 800 or so registered voters, 14 times the average ratio of legislators to voters in North America and Europe. There are long periods when the House is not in session. The Speaker of the House wears a formal wig and gown, in the British tradition. Visitors may attend in the public gallery.
Credit for the data above is given to the following websites:
www.bermuda-online.org/historichouses.htm
www.google.com/search?q=sessions+house+hamilton+bermuda+h...
www.google.com/search?q=who+was+the+architect+of+the+sess...
bermudianheritagemuseum.com/2022/06/02/the-session-house/
www.bermuda4u.com/sights/sessions-house/
© All Rights Reserved - you may not use this image in any form without my prior permission.
no relation to the european magpie, the australian magpie (gymnorhina tibicen) is a passerine native to australia and southern new guinea. they are accomplished songbirds, fiercely territorial and omnivorous. their closest relatives are the butcherbirds and currawongs.
I always thought these two looked related to each other.
But now, side by side and take away Colette and they don’t look as related as I imagined.
[2019. British Greece. Thessaloniki.]
Two men in a small cozy pub in the corner were talking about something. One of them, middle-aged dark haired man in the business suit, took a huge folder with papers and put it on table. The second one, who looked tired a bit, put on his glasses and began to read documents. He looked surprised and a strange smile appeared on his wrinkled fase.
–Sir Stevenson, I don’t understand. This case… It’s not my profile, – elderly man talked indignantly. – You could find more competent specialist in this area. There are many psychiatrists, who studied effect of ACV** neurointerface on a pilot.
–That’s why I’ve chosen you, doctor Lambert, – businessman fetched a sigh. – They see nothing but influence of the machine. They even don’t try to find if the patient was ill before the incident or not.
–So, You’re trying to avoid your responsibility for this destructive tragedy. I see something is hidden here, – Lambert said this in such intonation, that he wasn’t glad to have any relation to this deal. – At first, can you explain me, why this mechanic with dark past took part in testing this prototype?
–You should understand, MechInd has some difficulties now, – Stevenson started to excuse away, it seemed he hided something. – Some generals support MechInd, but that’s not enough. We are out of money. The idea of making fourth generation ACV wasn’t supported by parliament, so none of big corporations wants to invest in this project. That’s why we haven’t got enough people to work and provide security. Our only pilot was slightly injured in a car accident. Several simple checkouts at the testing field were planed that day. Just walking from one marked point to another. And then one mechanic offered his help. He could drive mech enough to do tests. Yes, that was Paul Lebel, who made all this mess.
–But how could he drive this vehicle? Does it require huge training? Some people say that’s as easy as computer game, but I don’t believe that. Or am I wrong? And was it so difficult to find a better certified person? – Doctor continued asking.
–That’s half-true. Interface of modern ACV is simple and obvious, computer can correct even rude mistakes and there are build-in training programs and hints. So if you just want to have a walk at your backyard in ACV, it will take couple of hours or even less to study this. As for our problem, there are so many insane rumors about development of neurointerface. As you know, first generation had serious problems at the beginning. Pilots had hallucinations, delirium after long-time using ACV. It was some kind of addiction to neurointerface. Some of them became mad. It took much time to fix this problem. But it defiantly was fixed. And some time ago new rumors appeared that new ones have the same issue. So, there were not many people who wanted to be test pilot.
–Just rumors?!! – Lambert shouted as loud as he could, so his potential employer flinched. – I don’t see rumors. I see facts. Lebel became insane when he was driving ACV. It wasn’t in the middle of battle. It was calm sunny day. Nothing should worry him. It could be only fault of machine. And you call that rumor?
–Doctor, it seems you didn’t read all the materials, – Stevenson said it calmly and pointed one more folder. – Here is Lebel’s dossier. We haven’t got much information.
Paul Lebel. Name could be false. Age about 20. Born in France. In 2007 he and 11 more children were kidnapped by Islamic terrorists and transported to Afghanistan. He spent there about a mount, after that camp was attacked by another radical group and he could run away. Certain Farid Ursa sheltered him. Two years later Farid was killed by robbers and Lebel joined local guerrillas. He took part in civil war when he was 12 (may be 10). In 2017 he was found injured in the cockpit of destroyed ACV by peacemaker forces. Then he was sent back to France to children’s community. In 2018 Lebel went to British Greece and started to work for MechInd.
–Well, interesting story. So you are looking for connection between his hard childhood and this incident? And new neurointerface isn’t a reason? – Looks like new information made Lambert calm.
–Indeed.
–That’s possible, but I need to talk with Paul to be sure.
–I’m afraid it’s impossible, – Stevenson objected. – Journalists somehow find out some information about his location and a huge crowd appeared near hospital. They wanted revenge. Now Lebel is missing. He escaped from hospital. Or he was kidnapped. We are trying to find him, but there are still no results.
–That’s strange. Something isn’t clear here. Prototype also disappeared, am I right? – doctor was suspicious.
–It’s debris. But sometimes just human mistakes, laziness and stupidity are better explanation than conspiracy. However, Colonel McMillan doesn’t think so. You can talk about this with him if you want. It was a total bedlam just after the incident, nobody knew what to do. We know our competitors spied on our developments. Looks like, they stole debris of Hexham.
–And what’s special in this ACV?
–Everything! Quasi-organic muscles, which can self-repair. Ordinary electro-muscles degrade after some time. Their fibers tear due to stress. Plus combat damage. So muscles should be replaced from time to time. And they’re expensive. New ones can “heal” themselves. Bio computer based AI. Just prototype, but it’s a huge step forward, – there was pride in Stevenson’s words. – Specialist say that one such ACV can fight against 3-5 previous generation vehicles.
–Looks like it’s very, very expensive. So, why you didn’t kept this in secret?
–As I said, it’s matter of finances. Also most people think this project has no future. It can be closed at any moment.
–This incident is very usable for your competitors, don’t you think?
[From the mass media]
[…] That’s an example of criminal negligence. Nobody should give access for such dangerous vehicle without any education. Moreover, the pilot could have psychical illness. And company could find this if they check their stuff better. […] Pilot’s behavior changed, he started responding not clearly. Dispatcher had to notice it. Then the pilot said about hallucinations. But the tests were not interrupted. […] The pilot became insane; he didn’t understand what he was doing. He started to crush everything he saw. An attempt to stop this made him even angrier. […] At the train station he attacked British military forces. 3 APC, 2 ACV and one tank were destroyed. During battle a shell hit train full of toxic chemicals. Fire was started. Then it exploded. An hour later poisonous cloud covered Thessaloniki. Dozens people died, about 1000 were heavily poisoned. […] Hexham was seriously damaged during the battle. Pilot walked 15 miles before ACV shouted down. That’s amazing, but he wasn’t injured. However, his mind was totally broken. He almost nipped off nose of an officer, when British solders tried to arrest him. […]
–Heh, Lebel is a remarkable person, you know, – Doctor was really interested. – I’m not a military expert, but that’s amazing. I know new generation ACV and so on. But he has to be genius to do these things. He had no experience in driving that particular vehicle. Moreover, that was just a prototype without weapon and some systems, am I right? And he alone blew up those tanks and ACVs. It wasn’t just talent. He had to have huge combat experience! Lebel could make fantastic career in British forces. Instead, he is badly paid worker in colony. Maybe he hates all this military stuff because of his childhood. But he works with APCs! I don’t understand!
–All employees say that mechs were his passion. However, he didn’t communicate much with other staff. Most information came from certain Mary Leonis, his friend. Or girl-friend. Even she didn’t know Paul well. But there can be some difficulties. She’s underage, so if you want meet her, you must reach an agreement with her parents. And they are… difficult persons.
–So, that’s a private investigation. Authorities don’t want to interfere.
–Yes. You know the situation. Central government thinks that’s problems of colony. Locals don’t want this headache at all. And even those who support separatists are glad. That’s an occasion to call Britain evil empire one more time. So nobody wants it to be official.
–And nobody cares about the victims. That’s sad. I think I will help you.
*In 2019 Greece is still divided. After WWII Greece is colony of the Great Britain. At the beginning of XXI century the revolution happened. Half or Greece became independent. British Greece is still colony. It’s capital is Thessaloniki.
** ACV – Anthropomorphic Combat Vehicle. Human-like mech. Uses direct link between pilot and machine, called neurointerface for better synchronization and finer and faster control.
SMC Pentax DA 18-55mm f3.5-5.6 AL WR
This serene photograph captures a tranquil beach scene at sunset, with the sun setting over the calm sea. The composition adheres to the rule of thirds, with the horizon line placed in the lower third of the frame, allowing the sun to dominate the upper third. The leading lines of the shoreline guide the viewer's eye towards the horizon, emphasizing the vastness of the scene.
The color palette is predominantly soft and muted, with warm hues of the sunset transitioning into cooler blues and grays of the sky and sea. The use of light is masterful, with the sun's reflection on the water creating a shimmering golden pathway. The light also casts a gentle glow on the distant mountains and the pebbled beach, enhancing their silhouettes.
Symbolically, the image evokes a sense of peace and contemplation, with the solitary figure in the foreground adding a touch of human presence to the otherwise vast and natural landscape. The figure's small size in relation to the expansive scene emphasizes the individual's insignificance against the grandeur of nature.
The image's composition and use of light are reminiscent of the Romanticism movement, which often emphasized the sublime and the beauty of nature. The photograph's aesthetic quality is very high, with its harmonious balance of colors, gentle lighting, and serene atmosphere creating a visually appealing and emotionally resonant piece.
In terms of artistic movement, this photograph aligns with the principles of Romanticism, emphasizing the beauty and power of nature. The image's composition, use of light, and symbolic elements are all characteristic of Romantic landscape photography. The subjective aesthetic quality of the image is very high, with its serene and contemplative atmosphere making it a visually appealing and emotionally resonant piece.
El casco antiguo de Graz fue declarado Patrimonio de la Humanidad por la Unesco en 1999.
A orillas del río Mur se encuentra una colina llamada Schlossberg, que tiene una altura de 475 metros.
Hace más de 1.000 años se construyó un castillo que dio el nombre a la ciudad (que se deriva de la palabra eslovena gradec, que significa "pequeño castillo"). Desde el año 1125 la colina albergó una impresionante fortaleza. En 1809 Napoleón ordenó destruirla. En dicha colina se edificó en 1560 la Torre del reloj, uno de los símbolos de la ciudad. Entre las diferentes calles que forman parte del distrito Innere Stadt destaca la calle Sporgasse. La calle es más antigua que la ciudad ya que fueron los romanos, los primeros que trazaron una vía que iba desde el valle del río Mur hasta la ciudad romana de Savaria (actual Szombately, en Hungría). Los artesanos que trabajaban en esta calle son los que dieron el nombre a la calle. En la actualidad, la Sporgasse es una calle dedicada al comercio.
es.wikipedia.org/wiki/Casco_histórico_de_Graz
Innere Stadt (German pronunciation: [ˈɪnəʀə ʃtat]) is the 1st district of the Austrian city of Graz, capital of the federal state of Styria. It is the part of the Old Town (in German: Altstadt) containing the Schloßberg and the city park (Stadtpark). The district borders are formed by the Mur river between Radetzkybrücke and Keplerbrücke, the Wickenburggasse, the Glacis, Jakominiplatz and the Radetzkystraße. The district covers an area of 1.16 km² and -as of 2011- has a population of 3,545.
In 1999, the Old Town was declared a UNESCO World Heritage Site.
en.wikipedia.org/wiki/Innere_Stadt_(Graz)
Graz [ˈɡʁaːt͡s] es una ciudad austríaca, capital del estado federado de Estiria (en alemán, Steiermark). Con una población de 269.997 habitantes (1-1-2014) es la segunda ciudad más grande del país. Ciudad universitaria por excelencia, fue nombrada Capital Europea de la Cultura en el año 2003.
Graz está situada a orillas del río Mura al sureste de Austria. Se encuentra a 189 kilómetros de Viena, la capital de país.
La primera mención de la ciudad apareció en un documento escrito por el margrave de Estiria Leopoldo I. En la actualidad no se dispone del original aunque existe una copia del siglo XV.
El último representante de la dinastía Otakar fue Otakar IV de Estiria, margrave de Estiria y duque desde 1180. Otakar no tenía descendencia y había contraído la lepra. En el año 1186 Otakar se reunió con el duque Leopoldo V, de la Casa de Babenberg, en la localidad de Enns donde firmaron el Pacto de Georgenberger mediante el cual Otokar designaba a los Babenberg como sucesores.
En 1379 Graz se convierte en la residencia de los Habsburgo al ser nombrada capital de la Austria interna (en alemán Innerösterreich), territorio que comprendía Estiria, Carintia, Carniola y algunas posesiones en Italia. La estancia de la familia imperial se prolongó hasta 1619.
El 10 de abril de 1797, las tropas francesas hicieron su entrada en Graz por primera vez. Dos días más tarde, Napoleón llegó a Graz, donde permaneció unos días hasta su marcha a Göss, cerca de Leoben. El 14 de noviembre de 1805, el ejército francés, al mando del general Marmont, invadió la ciudad por segunda vez. La ocupación finalizó el 11 de enero de 1806 con la retirada de las tropas galas. El 30 de mayo de 1809 se produjo la tercera incursión de la legión francesa, esta vez bajo las órdenes de MacDonald. El 4 de enero de 1810 los franceses abandonaron Graz definitivamente.
Durante la Segunda Guerra Mundial el 16 % de los edificios fueron destruidos y 1788 personas perdieron la vida como consecuencia de la ofensiva. El casco histórico no se vio afectado por los ataques, a excepción de la Tummelplatz. La estación central y las plantas industriales del sur y el oeste de la ciudad fueron los objetivos de los bombardeos.
En los años posteriores a la proclamación de la independencia del país en 1955, se produjeron muchos de los cambios que conformaron la imagen actual de la ciudad. En el plano cultural destaca la creación de varios festivales. En 1968 se celebró la primera edición del steirische herbst, el festival de arte contemporáneo más antiguo de Europa. En 1985 se inauguró el Styriarte, festival dedicado a la música clásica. Ambos festivales se celebran cada año y son de gran importancia para la capital de Estiria. La fisionomía de Graz va a experimentar sucesivas modificaciones y ampliaciones. Así pues, se construyeron nuevos puentes y en 1972 se abrió la primera zona peatonal. A finales de los años 80 tiene lugar un importante crecimiento de la zona sureste. En 1988, Puntigam fue considerado como distrito independiente de Straßgang, quedando establecidos los diecisiete distritos en los que se divide Graz hoy en día.
En 1993 la ciudad recibió un premio de la organización ecologista Greenpeace. Ese mismo año organizó el Mes de la cultura europeo por encargo de la Unión Europea.
El casco antiguo de Graz fue declarado Patrimonio de la Humanidad por la Unesco en 1999.
Graz cuenta con 4 universidades que reúnen a cerca de 40 000 estudiantes. Es la segunda ciudad universitaria más importante de Austria después de Viena. Uno de cada 7 habitantes de Graz estudia.
Graz (/ɡrɑːts/ GRAHTS, German: [ɡʁaːts]) is the capital of the Austrian province Styria and the second-largest city in Austria after Vienna. On 1 January 2019, it had a population of 328,276 (292,269 of whom had principal residence status). In 2015, the population of the Graz larger urban zone who had principal residence status stood at 633,168. Graz has a long tradition as seat of universities: its six universities have almost 60,000 students. Its historic centre is one of the best-preserved city centres in Central Europe.[5]
For centuries, Graz was more important to Slovenes and Croats, both politically and culturally, than the capitals of Ljubljana, Slovenia and Zagreb, Croatia; it remains influential to this day.[6] In 1999, Graz's historic centre was added to the UNESCO list of World Heritage Sites and in 2010, the site was extended with Eggenberg Palace (German: Schloss Eggenberg). Graz was the Cultural Capital of Europe in 2003 and became a City of Culinary Delights in 2008.
The name of the city, Graz, formerly spelled Gratz, most likely stems from the Slavic gradec, "small castle". Some archaeological finds point to the erection of a small castle by Alpine Slavic people, which over time became a heavily defended fortification. In literary Slovene and Croatian, gradec still means "small castle". The German name 'Graz' first appears in records in 1128.
Graz is situated on the Mur river in southeast Austria. It is about 200 km (120 mi) southwest of Vienna. The nearest larger urban centre is Maribor in Slovenia which is about 50 km (31 mi) away. Graz is the capital and largest city in Styria, a green and heavily forested area.
The oldest settlement on the ground of the modern city of Graz dates back to the Copper Age. However, no historical continuity exists of a settlement before the Middle Ages. During the 12th century, dukes under Babenberg rule made the town into an important commercial center. Later, Graz came under the rule of the Habsburgs and, in 1281, gained special privileges from King Rudolph I.
In the 14th century, Graz became the city of residence of the Inner Austrian line of the Habsburgs. The royalty lived in the Schlossberg castle and from there ruled Styria, Carinthia, most of today's Slovenia, and parts of Italy (Carniola, Gorizia and Gradisca, Trieste).
In the 16th century, the city's design and planning were primarily controlled by Italian Renaissance architects and artists. One of the most famous buildings built in this style is the Landhaus, designed by Domenico dell'Allio, and used by the local rulers as a governmental headquarters.
Karl-Franzens-Universität, also called the University of Graz, is the city's oldest university, founded in 1585 by Archduke Karl II. For most of its existence, it was controlled by the Catholic church, and was closed in 1782 by Joseph II in an attempt to gain state control over educational institutions. Joseph II transformed it into a lyceum where civil servants and medical personnel were trained. In 1827 it was re-instituted as a university by Emperor Franz I, thus gaining the name 'Karl-Franzens Universität,' meaning 'Charles-Francis University.' Over 30,000 students currently study at this university.
The astronomer Johannes Kepler lived in Graz for a short period. There, he worked as a math teacher and was a professor of mathematics at the University of Graz, but still found time to study astronomy. He left Graz to go to Prague when Lutherans were banned from the city.
Ludwig Boltzmann was Professor for Mathematical Physics from 1869 to 1890. During that time, Nikola Tesla studied electrical engineering at the Polytechnic in 1875. Nobel Laureate Otto Loewi taught at the University of Graz from 1909 until 1938. Ivo Andric, the 1961 Nobel Prize for Literature Laureate obtained his doctorate at the University of Graz. Erwin Schrödinger was briefly chancellor of the University of Graz in 1936.
Graz lies in Styria, or Steiermark in German. Mark is an old German word indicating a large area of land used as a defensive border, in which the peasantry is taught how to organize and fight in the case of an invasion. With a strategic location at the head of the open and fertile Mur valley, Graz was often assaulted (unsuccessfully), e.g. by the Hungarians under Matthias Corvinus in 1481, and by the Ottoman Turks in 1529 and 1532. Apart from the Riegersburg Castle, the Schlossberg was the only fortification in the region that never fell to the Ottoman Turks. Graz is home to the region's provincial armory, which is the world's largest historical collection of late medieval and Renaissance weaponry. It has been preserved since 1551, and displays over 30,000 items.
From the earlier part of the 15th century, Graz was the residence of the younger branch of the Habsburgs, which succeeded to the imperial throne in 1619 in the person of Emperor Ferdinand II, who moved the capital to Vienna. New fortifications were built on the Schlossberg at the end of the 16th century. Napoleon's army occupied Graz in 1797. In 1809, the city withstood another assault by the French army. During this attack, the commanding officer in the fortress was ordered to defend it with about 900 men against Napoleon's army of about 3,000. He successfully defended the Schlossberg against eight attacks, but they were forced to give up after the Grande Armée occupied Vienna and the Emperor ordered to surrender. Following the defeat of Austria by Napoleonic forces at the Battle of Wagram in 1809, the fortifications were demolished using explosives, as stipulated in the Peace of Schönbrunn of the same year. The belltower and the civic clock tower, often used as the symbol of Graz, were spared after the people of Graz paid a ransom for their preservation.
Archduke Karl II of Inner Austria had 20,000 Protestant books burned in the square of what is now a mental hospital, and succeeded in returning Styria to the authority of the Holy See. Archduke Franz Ferdinand was born in Graz, in what is now the Stadtmuseum (city museum).
The more recent population figures do not give the whole picture as only people with principal residence status are counted and people with secondary residence status are not. Most of the people with secondary residence status in Graz are students. At the end of 2016 there were 33,473 people with secondary residence status in Graz.
Oceanic climate is the type found in the city, but due to the 0 °C isotherm, the same occurs in a humid continental climate with based in Köppen system (Cfb/Dfb borderline). Wladimir Köppen himself was in town and conducted studies to see how the climate of the past influenced the Continental Drift theory. Due to its position southeast of the Alps, Graz is shielded from the prevailing westerly winds that bring weather fronts in from the North Atlantic to northwestern and central Europe. The weather in Graz is thus influenced by the Mediterranean, and it has more hours of sunshine per year than Vienna or Salzburg and also less wind or rain. Graz lies in a basin that is only open to the south, causing the climate to be warmer than would be expected at that latitude. Plants are found in Graz that normally grow much further south.
Politically, culturally, scientifically and religiously, Graz was an important centre for all Slovenes, especially from the establishment of the University of Graz in 1586 until the establishment of University of Ljubljana in 1919. In 1574, the first Slovene Catholic book [sl] was published in Graz, and in 1592, Hieronymus Megiser published in Graz the book Dictionarium quatuor linguarum, the first multilingual dictionary of Slovene.
The Styrian Slovenes did not consider Graz a German city, but their own, a place to study while living at their relatives' homes and to fulfill one's career ambitions. The student associations in Graz were a crucible of the Slovene identity, and the Slovene students in Graz were more nationally aware than some others. This led to fierce anti-Slovene efforts of German nationalists in Graz before and during World War II.
Many Slovenian Styrians study there. Slovenes are among the professors at the Institute for Jazz in Graz. Numerous Slovenes have found employment there, while being formerly unemployed in Slovenia. For the Slovene culture, Graz remains permanently important due to its university and the Universalmuseum Joanneum archives containing numerous documents from the Slovenian Styria.
A symposium on the relation of Graz and the Slovenes was held in Graz in 2010, at the occasion of the 200th anniversary of the establishment of the first and oldest chair of Slovene. It was established at the Lyzeum of Graz in July 1811 on the initiative of Janez Nepomuk Primic [sl]. A collection of lectures on the topic was published. The Slovenian Post commemorated the anniversary with a stamp.
For the year that Graz was Cultural Capital of Europe, new structures were erected. The Graz Museum of Contemporary Art (German: Kunsthaus) was designed by Peter Cook and Colin Fournier and is situated next to the Mur river. The Island in the Mur is a floating platform made of steel. It was designed by American architect Vito Acconci and contains a café, an open-air theatre and a playground.
The historic centre was added to the UNESCO World Heritage List in 1999 due to the harmonious co-existence of typical buildings from different epochs and in different architectural styles. Situated in a cultural borderland between Central Europe, Italy and the Balkan States, Graz absorbed various influences from the neighbouring regions and thus received its exceptional townscape. Today the old town consists of over 1000 buildings, their age ranging from Gothic to contemporary.
The most important sights in the historic centre are:
Town Hall (Rathaus). The Schlossberg hill, a hill dominating the historic centre (475 m (1,558.40 ft) high), site of a demolished fortress, with views over Graz. The Clock Tower (Uhrturm) is a symbol of Graz, at the top of the Schlossberg hill. The New Gallery (Neue Galerie), a museum of art. The Schlossberg hill funicular (Schlossbergbahn), a funicular railway up the Schlossberg hill. The seat of Styria's provincial parliament (Landhaus), a palace in Lombardic style. It is one of the most important examples of Renaissance architecture in Austria and was built by Italian architect Domenico dell'Allio between 1557 and 1565.
The Armoury (Landeszeughaus) is the largest of its kind in the world.
The Graz Opera House (Opernhaus), the principal venue for opera, ballet, and operetta performances. It is the 2nd largest opera house in Austria.
The Graz Theatre (Schauspielhaus), Graz's principal theatre for productions of plays.
The Cathedral (Dom), a rare monument of Gothic architecture. Once, there were many frescos on the outer walls; today, only a few remain, like the Landplagenbild ("picture of plagues") painted in 1485, presumably by Thomas von Villach. The three plagues it depicts are locusts, pestilence and the invasion of the Turks, all of them striking the town in 1480. It features the oldest painted view of Graz.
The mausoleum of Emperor Ferdinand II next to the cathedral, the most important building of Mannerism in Graz. It includes both the grave where Ferdinand II and his wife are buried, and a church dedicated to St Catherine of Alexandria.
The Castle (Burg), with Gothic double staircase, built between 1438 and 1453 by Emperor Frederick III, because the old castle on the Schlossberg hill was too small and uncomfortable. The castle remained the residence of the Inner Austrian Court until 1619. Today, it serves as residence for the Styrian government.
The Painted House (Gemaltes Haus) in Herrengasse 3. It is completely covered with frescos (painted in 1742 by Johann Mayer).
The Museum of Contemporary Art Graz (Kunsthaus)
The Island in the Mur (Murinsel), an artificial island in the Mur river.
Buildings, inner courtyards (e. g. Early Renaissance courtyard of the Former House of Teutonic Knights in Sporgasse 22) and roofscape of the old town.
The Old Town and the adjacent districts are characterized by the historic residential buildings and churches found there. In the outer districts buildings are predominantly of the architectural styles from the second half of the 20th century.
In 1965 the Grazer Schule (School of Graz) was founded. Several buildings around the universities are of this style, for example the green houses by Volker Giencke and the RESOWI center by Günther Domenig.
Before Graz became the European Capital of Culture in 2003, several new projects were realized, such as the Stadthalle, the Kindermuseum (museum for children), the Helmut-List-Halle, the Kunsthaus and the Murinsel.
When the year drew towards the end and closed with Christmas I started dating someone. We even lasted for the magical seven weeks. It ended this January. I made an island in Second Life with a grave on it. There our relation lies buried cried over by my blue stick man.
Perdu is French for hidden or lost. She lived in France.
I saw Irmak with her friend/relation when she was taking photos of St Johns Church in Cardiff.
To see the portrait of Irmak and others in my project check out my set HERE
No relation to silly movies. The last series was ice. Not long ago, the series was dark so lets jump back to black; I am fading to dark for this shot of the scene stepping back into the atmosphere, all the way through the greys. Including the foreground, I count seven steps to the sky. Holding those steps took some editing work while preserving some shadow detail. This was shot was balanced for the atmosphere in the distance. Well into spring, May was the season of green sprouting grasses and newly leaved trees but only added a kiss of detail late in the evening. What was a great day in May for snapping up the evening. Today, however,we finally got to March and we expect an early spring but then global warming is taking us way off the charts. Today, February hit more than 61 degrees. Thank you Koch brothers for your assistance in warming the globe. The Faux will scream foul but, in reality there were far more record highs than lows this winter here in Kochistan.
I was out shooting the images I could find. I made another loop of the path but the breeze was up a bit and was streaming the grasses to the east. I am out here at Golden Ponds, the Longmont, Boulder County greenbelt and rec area and fortunately, the turn off is only a half-dozen blocks down Hover Street. I wanted to look for possible locations even though the sky had been the pits lately. I wandered the green space and took any evening shots that were available, I shot a few more pictures.
To view more of my images, Sutton Hoo, please click "here" !
Sutton Hoo, near Woodbridge, in the English county of Suffolk, is the site of two 6th- and early 7th-century cemeteries. One contained an undisturbed ship burial, including a wealth of Anglo-Saxon artefacts of outstanding art-historical and archaeological significance, now held in the British Museum in London. Sutton Hoo is of primary importance to early medieval historians because it sheds light on a period of English history that is on the margin between myth, legend, and historical documentation. Use of the site culminated at a time when Rædwald, the ruler of the East Angles, held senior power among the English people and played a dynamic if ambiguous part in the establishment of Christian rulership in England; it is generally thought most likely that he is the person buried in the ship. The site has been vital in understanding the Anglo-Saxon Kingdom of East Anglia and the whole early Anglo-Saxon period. The ship-burial, probably dating from the early 7th century and excavated in 1939, is one of the most magnificent archaeological finds in England for its size and completeness, far-reaching connections, the quality and beauty of its contents, and the profound interest of the burial ritual itself. The initial excavation was privately sponsored by the landowner. When the significance of the find became apparent, national experts took over. Subsequent archaeological campaigns, particularly in the late 1960s and late 1980s, have explored the wider site and many other individual burials. The most significant artefacts from the ship-burial, displayed in the British Museum, are those found in the burial chamber, including a suite of metalwork dress fittings in gold and gems, a ceremonial helmet, shield and sword, a lyre, and many pieces of silver plate from Byzantium. The ship-burial has from the time of its discovery prompted comparisons with the world described in the heroic Old English poem Beowulf, which is set in southern Sweden. It is in that region, especially at Vendel, that close archaeological parallels to the ship-burial are found, both in its general form and in details of the military equipment contained in the burial. Although it is the ship-burial that commands the greatest attention from tourists, two separate cemeteries also have rich historical meaning because of their position in relation to the Deben estuary and the North Sea, and their relation to other sites in the immediate neighbourhood. Of the two grave fields found at Sutton Hoo, one (the "Sutton Hoo cemetery") had long been known to exist because it consists of a group of approximately 20 earthen burial mounds that rise slightly above the horizon of the hill-spur when viewed from the opposite bank. The other, called here the "new" burial ground, is situated on a second hill-spur close to the present Exhibition Hall, about 500 m upstream of the first. It was discovered and partially explored in 2000 during preliminary work for the construction of the hall. This also had burials under mounds, but was not known because these mounds had long since been flattened by agricultural activity. The site has a visitor's centre, with many original and replica artefacts and a reconstruction of the ship burial chamber, and the burial field can be toured in the summer months. There is evidence that Sutton Hoo was occupied during the Neolithic period, circa 3000 BCE, when woodland in the area was cleared by agriculturalists. They dug small pits that contained flint-tempered earthenware pots. Several pits were near to hollows where large trees had been uprooted: the Neolithic farmers may have associated the hollows with the pots. During the Bronze Age, when agricultural communities living in Britain were adopting the newly introduced technology of metalworking, timber-framed roundhouses were built at Sutton Hoo, with wattle and daub walling and thatched roofs. The best surviving example contained a ring of upright posts, up to 30 millimetres (1.2 in) in diameter, with one pair suggesting an entrance to the south-east. In the central hearth, a faience bead had been dropped. The farmers who dwelt in this house used decorated Beaker-style pottery, cultivated barley, oats, and wheat, and collected hazelnuts. They dug ditches that marked the surrounding grassland into sections, indicating land ownership. The acidic sandy soil eventually become leached and infertile, and it was likely that for this reason, the settlement was eventually abandoned, to be replaced in the Middle Bronze Age (1500-1000 BCE) by sheep or cattle, which were enclosed by wooden stakes. During the Iron Age, iron became the dominant form of metal used in the British Isles, replacing copper and bronze. In the Middle Iron Age (around 500 BCE), people living in the Sutton Hoo area grew crops again, dividing the land up into small enclosures now known as Celtic fields. The use of narrow trenches implies grape cultivation, whilst in other places, small pockets of dark soil indicate that big cabbages may have been grown. Such cultivation continued into the Romano-British period, from 43 to around 410. Life for the Britons remained unaffected by the arrival of the Romans. Several artefacts from this period, including a few fragments of pottery and a discarded fibula, have been found. As the peoples of Western Europe were encouraged by the Empire to maximise the use of land for growing crops, the area around Sutton Hoo suffered degradation and soil loss. It was eventually abandoned again and became overgrown.
"From Wikipedia, the free encyclopedia"
Additional information on Tranmer House, can be found "here" !
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
-------
In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
“Relation is the essence of everything that exists.”—Meister Eckhart
“We are all beads strung on the same thread. Each one is different yet all are the same. Love is the essence of God in us all.”—lyrics to a song at MA Center, © MA Center
“You can’t be suspicious of a tree, or accuse a bird or a squirrel of subversion or challenge the ideology of a violet.”—Ron Larson