Hyderabad (Listeni/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh. Occupying 625 square kilometres along the banks of the Musi River, it has a population of about 6.8 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres, much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar - predating the city's founding - north of the city centre.

 

Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.

 

Relics of Qutb Shahi and Nizam rule remain visible today, with the Charminar - commissioned by Muhammad Quli Qutb Shah - coming to symbolise Hyderabad. Golconda fort is another major landmark. The influence of Mughlai culture is also evident in the city's distinctive cuisine, which includes Hyderabadi biryani and Hyderabadi haleem. The Qutb Shahis and Nizams established Hyderabad as a cultural hub, attracting men of letters from different parts of the world. Hyderabad emerged as the foremost centre of culture in India with the decline of the Mughal Empire in the mid-19th century, with artists migrating to the city from the rest of the Indian subcontinent. While Hyderabad is losing its cultural pre-eminence, it is today, due to the Telugu film industry, the country's second-largest producer of motion pictures.

 

Hyderabad was historically known as a pearl and diamond trading centre, and it continues to be known as the City of Pearls. Many of the city's traditional bazaars, including Laad Bazaar, Begum Bazaar and Sultan Bazaar, have remained open for centuries. However, industrialisation throughout the 20th century attracted major Indian manufacturing, research and financial institutions, including Bharat Heavy Electricals Limited, the National Geophysical Research Institute and the Centre for Cellular and Molecular Biology. Special economic zones dedicated to information technology have encouraged companies from across India and around the world to set up operations and the emergence of pharmaceutical and biotechnology industries in the 1990s led to the area's naming as India's "Genome Valley". With an output of US$74 billion, Hyderabad is the fifth-largest contributor to India's overall gross domestic product.

 

HISTORY

TOPONYMY

According to John Everett-Heath, the author of Oxford Concise Dictionary of World Place Names, Hyderabad means "Haydar's city" or "lion city", from haydar (lion) and ābād (city). It was named to honour the Caliph Ali Ibn Abi Talib, who was also known as Haydar because of his lion-like valour in battles. Andrew Petersen, a scholar of Islamic architecture, says the city was originally called Baghnagar (city of gardens). One popular theory suggests that Muhammad Quli Qutb Shah, the founder of the city, named it "Bhaganagar" or "Bhāgnagar" after Bhagmati, a local nautch (dancing) girl with whom he had fallen in love. She converted to Islam and adopted the title Hyder Mahal. The city was renamed Hyderabad in her honour. According to another source, the city was named after Haidar, the son of Quli Qutb Shah.

 

EARLY AND MEDIEVAL HISTORY

Archaeologists excavating near the city have unearthed Iron Age sites that may date from 500 BCE. The region comprising modern Hyderabad and its surroundings was known as Golkonda ("shepherd's hill"), and was ruled by the Chalukya dynasty from 624 CE to 1075 CE. Following the dissolution of the Chalukya empire into four parts in the 11th century, Golkonda came under the control of the Kakatiya dynasty from 1158, whose seat of power was at Warangal, 148 km northeast of modern Hyderabad.

 

The Kakatiya dynasty was reduced to a vassal of the Khilji dynasty in 1310 after its defeat by Sultan Alauddin Khilji of the Delhi Sultanate. This lasted until 1321, when the Kakatiya dynasty was annexed by Malik Kafur, Allaudin Khilji's general. During this period, Alauddin Khilji took the Koh-i-Noor diamond, which is said to have been mined from the Kollur Mines of Golkonda, to Delhi. Muhammad bin Tughluq succeeded to the Delhi sultanate in 1325, bringing Warangal under the rule of the Tughlaq dynasty until 1347 when Ala-ud-Din Bahman Shah, a governor under bin Tughluq, rebelled against Delhi and established the Bahmani Sultanate in the Deccan Plateau, with Gulbarga, 200 km west of Hyderabad, as its capital. The Bahmani kings ruled the region until 1518 and were the first independent Muslim rulers of the Deccan.

 

Sultan Quli, a governor of Golkonda, revolted against the Bahmani Sultanate and established the Qutb Shahi dynasty in 1518; he rebuilt the mud-fort of Golconda and named the city "Muhammad nagar". The fifth sultan, Muhammad Quli Qutb Shah, established Hyderabad on the banks of the Musi River in 1591, to avoid the water shortages experienced at Golkonda. During his rule, he had the Charminar and Mecca Masjid built in the city. On 21 September 1687, the Golkonda Sultanate came under the rule of the Mughal emperor Aurangzeb after a year-long siege of the Golkonda fort. The annexed area was renamed Deccan Suba (Deccan province) and the capital was moved from Golkonda to Aurangabad, about 550 km northwest of Hyderabad.

 

MODERN HISTORY

In 1713 Farrukhsiyar, the Mughal emperor, appointed Asif Jah I to be Viceroy of the Deccan, with the title Nizam-ul-Mulk (Administrator of the Realm). In 1724, Asif Jah I defeated Mubariz Khan to establish autonomy over the Deccan Suba, named the region Hyderabad Deccan, and started what came to be known as the Asif Jahi dynasty. Subsequent rulers retained the title Nizam ul-Mulk and were referred to as Asif Jahi Nizams, or Nizams of Hyderabad. The death of Asif Jah I in 1748 resulted in a period of political unrest as his sons, backed by opportunistic neighbouring states and colonial foreign forces, contended for the throne. The accession of Asif Jah II, who reigned from 1762 to 1803, ended the instability. In 1768 he signed the treaty of Masulipatnam, surrendering the coastal region to the East India Company in return for a fixed annual rent.

 

In 1769 Hyderabad city became the formal capital of the Nizams. In response to regular threats from Hyder Ali (Dalwai of Mysore), Baji Rao I (Peshwa of the Maratha Empire), and Basalath Jung (Asif Jah II's elder brother, who was supported by the Marquis de Bussy-Castelnau), the Nizam signed a subsidiary alliance with the East India Company in 1798, allowing the British Indian Army to occupy Bolarum (modern Secunderabad) to protect the state's borders, for which the Nizams paid an annual maintenance to the British.

 

Until 1874 there were no modern industries in Hyderabad. With the introduction of railways in the 1880s, four factories were built to the south and east of Hussain Sagar lake, and during the early 20th century, Hyderabad was transformed into a modern city with the establishment of transport services, underground drainage, running water, electricity, telecommunications, universities, industries, and Begumpet Airport. The Nizams ruled their princely state from Hyderabad during the British Raj.

 

After India gained independence, the Nizam declared his intention to remain independent rather than become part of the Indian Union. The Hyderabad State Congress, with the support of the Indian National Congress and the Communist Party of India, began agitating against Nizam VII in 1948. On 17 September that year, the Indian Army took control of Hyderabad State after an invasion codenamed Operation Polo. With the defeat of his forces, Nizam VII capitulated to the Indian Union by signing an Instrument of Accession, which made him the Rajpramukh (Princely Governor) of the state until 31 October 1956. Between 1946 and 1951, the Communist Party of India fomented the Telangana uprising against the feudal lords of the Telangana region. The Constitution of India, which became effective on 26 January 1950, made Hyderabad State one of the part B states of India, with Hyderabad city continuing to be the capital. In his 1955 report Thoughts on Linguistic States, B. R. Ambedkar, then chairman of the Drafting Committee of the Indian Constitution, proposed designating the city of Hyderabad as the second capital of India because of its amenities and strategic central location. Since 1956, the Rashtrapati Nilayam in Hyderabad has been the second official residence and business office of the President of India; the President stays once a year in winter and conducts official business particularly relating to Southern India.

 

On 1 November 1956 the states of India were reorganised by language. Hyderabad state was split into three parts, which were merged with neighbouring states to form the modern states of Maharashtra, Karnataka and Andhra Pradesh. The nine Telugu- and Urdu-speaking districts of Hyderabad State in the Telangana region were merged with the Telugu-speaking Andhra State to create Andhra Pradesh,with Hyderabad as its capital. Several protests, known collectively as the Telangana movement, attempted to invalidate the merger and demanded the creation of a new Telangana state. Major actions took place in 1969 and 1972, and a third began in 2010. The city suffered several explosions: one at Dilsukhnagar in 2002 claimed two lives; terrorist bombs in May and August 2007 caused communal tension and riots; and two bombs exploded in February 2013. On 30 July 2013 the United Progressive Alliance (UPA) government of India declared that part of Andhra Pradesh would be split off to form a new Telangana state, and that Hyderabad city would be the capital city and part of Telangana, while the city would also remain the capital of Andhra Pradesh for no more than ten years. On 3 October 2013 the Union Cabinet approved the proposal, and in February 2014 both houses of Parliament passed the Telangana Bill. With the final assent of the President of India in June 2014, Telangana state was formed.

 

GEOGRAPHY

TOPOGRAPHY

Situated in the southern part of Telangana in southeastern India, Hyderabad is 1,566 kilometres south of Delhi, 699 kilometres southeast of Mumbai, and 570 kilometres north of Bangalore by road. It lies on the banks of the Musi River, in the northern part of the Deccan Plateau. Greater Hyderabad covers 625 km2, making it one of the largest metropolitan areas in India. With an average altitude of 542 metres, Hyderabad lies on predominantly sloping terrain of grey and pink granite, dotted with small hills, the highest being Banjara Hills at 672 metres. The city has numerous lakes referred to as sagar, meaning "sea". Examples include artificial lakes created by dams on the Musi, such as Hussain Sagar (built in 1562 near the city centre), Osman Sagar and Himayat Sagar. As of 1996, the city had 140 lakes and 834 water tanks (ponds).

 

CLIMATE

Hyderabad has a tropical wet and dry climate (Köppen Aw) bordering on a hot semi-arid climate (Köppen BSh). The annual mean temperature is 26.6 °C; monthly mean temperatures are 21–33 °C. Summers (March–June) are hot and humid, with average highs in the mid-to-high 30s Celsius; maximum temperatures often exceed 40 °C between April and June. The coolest temperatures occur in December and January, when the lowest temperature occasionally dips to 10 °C. May is the hottest month, when daily temperatures range from 26 to 39 °C; December, the coldest, has temperatures varying from 14.5 to 28 °C.

 

Heavy rain from the south-west summer monsoon falls between June and September, supplying Hyderabad with most of its mean annual rainfall. Since records began in November 1891, the heaviest rainfall recorded in a 24-hour period was 241.5 mm on 24 August 2000. The highest temperature ever recorded was 45.5 °C on 2 June 1966, and the lowest was 6.1 °C on 8 January 1946. The city receives 2,731 hours of sunshine per year; maximum daily sunlight exposure occurs in February.

 

CONSERVATION

Hyderabad's lakes and the sloping terrain of its low-lying hills provide habitat for an assortment of flora and fauna. The forest region in and around the city encompasses areas of ecological and biological importance, which are preserved in the form of national parks, zoos, mini-zoos and a wildlife sanctuary. Nehru Zoological Park, the city's one large zoo, is the first in India to have a lion and tiger safari park. Hyderabad has three national parks (Mrugavani National Park, Mahavir Harina Vanasthali National Park and Kasu Brahmananda Reddy National Park), and the Manjira Wildlife Sanctuary is about 50 km from the city. Hyderabad's other environmental reserves are: Kotla Vijayabhaskara Reddy Botanical Gardens, Shamirpet Lake, Hussain Sagar, Fox Sagar Lake, Mir Alam Tank and Patancheru Lake, which is home to regional birds and attracts seasonal migratory birds from different parts of the world. Organisations engaged in environmental and wildlife preservation include the Telangana Forest Department, Indian Council of Forestry Research and Education, the International Crops Research Institute for the Semi-Arid Tropics (ICRISAT), the Animal Welfare Board of India, the Blue Cross of Hyderabad and the University of Hyderabad.

 

ADMINISTRATION

COMMON CAPITAL OF TELANGANA AND ANDHRA PRADESH

According to the Andhra Pradesh Reorganisation Act, 2014 part 2 Section 5: "On and from the appointed day, Hyderabad in the existing State of Andhra Pradesh, shall be the common capital of the State of Telangana and the State of Andhra Pradesh for such period not exceeding ten years. After expiry of the period referred to in sub-section, Hyderabad shall be the capital of the State of Telangana and there shall be a new capital for the State of Andhra Pradesh."

 

The same sections also define that the common capital includes the existing area designated as the Greater Hyderabad Municipal Corporation under the Hyderabad Municipal Corporation Act, 1955. As stipulated in sections 3 and 18 of the Reorganisation Act, city MLAs are members of Telangana state assembly.

 

LOCAL GOVERNMENT

The Greater Hyderabad Municipal Corporation (GHMC) oversees the civic infrastructure of the city's 18 "circles", which together encompass 150 municipal wards. Each ward is represented by a corporator, elected by popular vote. The corporators elect the Mayor, who is the titular head of GHMC; executive powers rest with the Municipal Commissioner, appointed by the state government. The GHMC carries out the city's infrastructural work such as building and maintenance of roads and drains, town planning including construction regulation, maintenance of municipal markets and parks, solid waste management, the issuing of birth and death certificates, the issuing of trade licences, collection of property tax, and community welfare services such as mother and child healthcare, and pre-school and non-formal education. The GHMC was formed in April 2007 by merging the Municipal Corporation of Hyderabad (MCH) with 12 municipalities of the Hyderabad, Ranga Reddy and Medak districts covering a total area of 625 km2. In the 2009 municipal election, an alliance of the Indian National Congress and Majlis-e-Ittehadul Muslimeen formed the majority. The Secunderabad Cantonment Board is a civic administration agency overseeing an area of 40.1 km2, where there are several military camps. The Osmania University campus is administered independently by the university authority.

 

Law and order in Hyderabad city is supervised by the governor of Telangana. The jurisdiction is divided into two police commissionerates: Hyderabad and Cyberabad, which are again divided into four and five police zones respectively. Each zone is headed by a deputy commissioner.

 

The jurisdictions of the city's administrative agencies are, in ascending order of size: the Hyderabad Police area, Hyderabad district, the GHMC area ("Hyderabad city") and the area under the Hyderabad Metropolitan Development Authority (HMDA). The HMDA is an apolitical urban planning agency that covers the GHMC and its suburbs, extending to 54 mandals in five districts encircling the city. It coordinates the development activities of GHMC and suburban municipalities and manages the administration of bodies such as the Hyderabad Metropolitan Water Supply and Sewerage Board (HMWSSB).

 

As the seat of the government of Telangana, Hyderabad is home to the state's legislature, secretariat and high court, as well as various local government agencies. The Lower City Civil Court and the Metropolitan Criminal Court are under the jurisdiction of the High Court. The GHMC area contains 24 State Legislative Assembly constituencies, which form five constituencies of the Lok Sabha (the lower house of the Parliament of India).

 

UTILITY SERVICES

The HMWSSB regulates rainwater harvesting, sewerage services and water supply, which is sourced from several dams located in the suburbs. In 2005, the HMWSSB started operating a 116-kilometre-long water supply pipeline from Nagarjuna Sagar Dam to meet increasing demand. The Telangana Southern Power Distribution Company Limited manages electricity supply. As of October 2014, there were 15 fire stations in the city, operated by the Telangana State Disaster and Fire Response Department. The government-owned India Post has five head post offices and many sub-post offices in Hyderabad, which are complemented by private courier services.

 

POLLUTION CONTROL

Hyderabad produces around 4,500 tonnes of solid waste daily, which is transported from collection units in Imlibun, Yousufguda and Lower Tank Bund to the dumpsite in Jawaharnagar. Disposal is managed by the Integrated Solid Waste Management project which was started by the GHMC in 2010. Rapid urbanisation and increased economic activity has also led to increased industrial waste, air, noise and water pollution, which is regulated by the Telangana Pollution Control Board (TPCB). The contribution of different sources to air pollution in 2006 was: 20–50% from vehicles, 40–70% from a combination of vehicle discharge and road dust, 10–30% from industrial discharges and 3–10% from the burning of household rubbish. Deaths resulting from atmospheric particulate matter are estimated at 1,700–3,000 each year. Ground water around Hyderabad, which has a hardness of up to 1000 ppm, around three times higher than is desirable, is the main source of drinking water but the increasing population and consequent increase in demand has led to a decline in not only ground water but also river and lake levels. This shortage is further exacerbated by inadequately treated effluent discharged from industrial treatment plants polluting the water sources of the city.

 

HEALTHCARE

The Commissionerate of Health and Family Welfare is responsible for planning, implementation and monitoring of all facilities related to health and preventive services. As of 2010–11, the city had 50 government hospitals, 300 private and charity hospitals and 194 nursing homes providing around 12,000 hospital beds, fewer than half the required 25,000. For every 10,000 people in the city, there are 17.6 hospital beds, 9 specialist doctors, 14 nurses and 6 physicians. The city also has about 4,000 individual clinics and 500 medical diagnostic centres. Private clinics are preferred by many residents because of the distance to, poor quality of care at and long waiting times in government facilities, despite the high proportion of the city's residents being covered by government health insurance: 24% according to a National Family Health Survey in 2005. As of 2012, many new private hospitals of various sizes were opened or being built. Hyderabad also has outpatient and inpatient facilities that use Unani, homeopathic and Ayurvedic treatments.

 

In the 2005 National Family Health Survey, it was reported that the city's total fertility rate is 1.8, which is below the replacement rate. Only 61% of children had been provided with all basic vaccines (BCG, measles and full courses of polio and DPT), fewer than in all other surveyed cities except Meerut. The infant mortality rate was 35 per 1,000 live births, and the mortality rate for children under five was 41 per 1,000 live births. The survey also reported that a third of women and a quarter of men are overweight or obese, 49% of children below 5 years are anaemic, and up to 20% of children are underweight, while more than 2% of women and 3% of men suffer from diabetes.

 

DEMOGRAPHICS

When the GHMC was created in 2007, the area occupied by the municipality increased from 175 km2 to 625 km2. Consequently, the population increased by 87%, from 3,637,483 in the 2001 census to 6,809,970 in the 2011 census, 24% of which are migrants from elsewhere in India, making Hyderabad the nation's fourth most populous city. As of 2011, the population density is 18,480/km2. At the same 2011 census, the Hyderabad Urban Agglomeration had a population of 7,749,334, making it the sixth most populous urban agglomeration in the country. The population of the Hyderabad urban agglomeration has since been estimated by electoral officials to be 9.1 million as of early 2013 but is expected to exceed 10 million by the end of the year. There are 3,500,802 male and 3,309,168 female citizens - a sex ratio of 945 females per 1000 males, higher than the national average of 926 per 1000. Among children aged 0–6 years, 373,794 are boys and 352,022 are girls - a ratio of 942 per 1000. Literacy stands at 82.96% (male 85.96%; female 79.79%), higher than the national average of 74.04%. The socio-economic strata consist of 20% upper class, 50% middle class and 30% working class.

 

ETHNIC GROUPS, LANGUAGE AND RELIGION

Referred to as "Hyderabadi", residents of Hyderabad are predominantly Telugu and Urdu speaking people, with minority Bengali, Gujarati (including Memon), Kannada (including Nawayathi), Malayalam, Marathi, Marwari, Odia, Punjabi, Tamil and Uttar Pradeshi communities. Hadhrami Arabs, African Arabs, Armenians, Abyssinians, Iranians, Pathans and Turkish people are also present; these communities, of which the Hadhrami are the largest, declined after Hyderabad State became part of the Indian Union, as they lost the patronage of the Nizams.

 

Telugu is the official language of Hyderabad and Urdu is its second language. The Telugu dialect spoken in Hyderabad is called Telangana, and the Urdu spoken is called Dakhani. English is also used. A significant minority speak other languages, including Hindi, Marathi, Odia, Tamil, Bengali and Kannada.

 

Hindus are in the majority. Muslims are present throughout the city and predominate in and around the Old City. There are also Christian, Sikh, Jain, Buddhist and Parsi communities and iconic temples, mosques and churches can be seen. According to the 2001 census, Hyderabad district's religious make-up was: Hindus (55.41%), Muslims (41.17%), Christians (2.43%), Jains (0.43%), Sikhs (0.29%) and Buddhists (0.02%); 0.23% did not state any religion.

 

SLUMS

In the greater metropolitan area, 13% of the population live below the poverty line. According to a 2012 report submitted by GHMC to the World Bank, Hyderabad has 1,476 slums with a total population of 1.7 million, of whom 66% live in 985 slums in the "core" of the city (the part that formed Hyderabad before the April 2007 expansion) and the remaining 34% live in 491 suburban tenements. About 22% of the slum-dwelling households had migrated from different parts of India in the last decade of the 20th century, and 63% claimed to have lived in the slums for more than 10 years. Overall literacy in the slums is 60–80% and female literacy is 52–73%. A third of the slums have basic service connections, and the remainder depend on general public services provided by the government. There are 405 government schools, 267 government aided schools, 175 private schools and 528 community halls in the slum areas. According to a 2008 survey by the Centre for Good Governance, 87.6% of the slum-dwelling households are nuclear families, 18% are very poor, with an income up to ₹20000 (US$300) per annum, 73% live below the poverty line (a standard poverty line recognised by the Andhra Pradesh Government is ₹24000 (US$360) per annum), 27% of the chief wage earners (CWE) are casual labour and 38% of the CWE are illiterate. About 3.72% of the slum children aged 5–14 do not go to school and 3.17% work as child labour, of whom 64% are boys and 36% are girls. The largest employers of child labour are street shops and construction sites. Among the working children, 35% are engaged in hazardous jobs.

 

NEIGHBOURHOODS

The historic city established by Muhammad Quli Qutb Shah on the southern side of the Musi River forms the "Old City", while the "New City" encompasses the urbanised area on the northern banks. The two are connected by many bridges across the river, the oldest of which is Purana Pul ("old bridge"). Hyderabad is twinned with neighbouring Secunderabad, to which it is connected by Hussain Sagar.

 

Many historic and tourist sites lie in south central Hyderabad, such as the Charminar, the Mecca Masjid, the Salar Jung Museum, the Nizam's Museum, the Falaknuma Palace, and the traditional retail corridor comprising the Pearl Market, Laad Bazaar and Madina Circle. North of the river are hospitals, colleges, major railway stations and business areas such as Begum Bazaar, Koti, Abids, Sultan Bazaar and Moazzam Jahi Market, along with administrative and recreational establishments such as the Reserve Bank of India, the Telangana Secretariat, the Hyderabad Mint, the Telangana Legislature, the Public Gardens, the Nizam Club, the Ravindra Bharathi, the State Museum, the Birla Temple and the Birla Planetarium.

 

North of central Hyderabad lie Hussain Sagar, Tank Bund Road, Rani Gunj and the Secunderabad Railway Station. Most of the city's parks and recreational centres, such as Sanjeevaiah Park, Indira Park, Lumbini Park, NTR Gardens, the Buddha statue and Tankbund Park are located here. In the northwest part of the city there are upscale residential and commercial areas such as Banjara Hills, Jubilee Hills, Begumpet, Khairatabad and Miyapur. The northern end contains industrial areas such as Sanathnagar, Moosapet, Balanagar, Patancheru and Chanda Nagar. The northeast end is dotted with residential areas. In the eastern part of the city lie many defence research centres and Ramoji Film City. The "Cyberabad" area in the southwest and west of the city has grown rapidly since the 1990s. It is home to information technology and bio-pharmaceutical companies and to landmarks such as Hyderabad Airport, Osman Sagar, Himayath Sagar and Kasu Brahmananda Reddy National Park.

 

LANDMARKS

Heritage buildings constructed during the Qutb Shahi and Nizam eras showcase Indo-Islamic architecture influenced by Medieval, Mughal and European styles. After the 1908 flooding of the Musi River, the city was expanded and civic monuments constructed, particularly during the rule of Mir Osman Ali Khan (the VIIth Nizam), whose patronage of architecture led to him being referred to as the maker of modern Hyderabad. In 2012, the government of India declared Hyderabad the first "Best heritage city of India".

 

Qutb Shahi architecture of the 16th and early 17th centuries followed classical Persian architecture featuring domes and colossal arches. The oldest surviving Qutb Shahi structure in Hyderabad is the ruins of Golconda fort built in the 16th century. The Charminar, Mecca Masjid, Charkaman and Qutb Shahi tombs are other existing structures of this period. Among these the Charminar has become an icon of the city; located in the centre of old Hyderabad, it is a square structure with sides 20 m long and four grand arches each facing a road. At each corner stands a 56 m-high minaret. Most of the historical bazaars that still exist were constructed on the street north of Charminar towards Golconda fort. The Charminar, Qutb Shahi tombs and Golconda fort are considered to be monuments of national importance in India; in 2010 the Indian government proposed that the sites be listed for UNESCO World Heritage status.

 

Among the oldest surviving examples of Nizam architecture in Hyderabad is the Chowmahalla Palace, which was the seat of royal power. It showcases a diverse array of architectural styles, from the Baroque Harem to its Neoclassical royal court. The other palaces include Falaknuma Palace (inspired by the style of Andrea Palladio), Purani Haveli, King Kothi and Bella Vista Palace all of which were built at the peak of Nizam rule in the 19th century. During Mir Osman Ali Khan's rule, European styles, along with Indo-Islamic, became prominent. These styles are reflected in the Falaknuma Palace and many civic monuments such as the Hyderabad High Court, Osmania Hospital, Osmania University, the State Central Library, City College, the Telangana Legislature, the State Archaeology Museum, Jubilee Hall, and Hyderabad and Kachiguda railway stations. Other landmarks of note are Paigah Palace, Asman Garh Palace, Basheer Bagh Palace, Errum Manzil and the Spanish Mosque, all constructed by the Paigah family.

 

ECONOMY

Hyderabad is the largest contributor to the gross domestic product (GDP), tax and other revenues, of Telangana, and the sixth largest deposit centre and fourth largest credit centre nationwide, as ranked by the Reserve Bank of India (RBI) in June 2012. Its US$74 billion GDP made it the fifth-largest contributor city to India's overall GDP in 2011–12. Its per capita annual income in 2011 was ₹44300 (US$670). As of 2006, the largest employers in the city were the governments of Andhra Pradesh (113,098 employees) and India (85,155). According to a 2005 survey, 77% of males and 19% of females in the city were employed. The service industry remains dominant in the city, and 90% of the employed workforce is engaged in this sector.

 

Hyderabad's role in the pearl trade has given it the name "City of Pearls" and up until the 18th century, the city was also the only global trading centre for large diamonds. Industrialisation began under the Nizams in the late 19th century, helped by railway expansion that connected the city with major ports. From the 1950s to the 1970s, Indian enterprises, such as Bharat Heavy Electricals Limited (BHEL), Nuclear Fuel Complex (NFC), National Mineral Development Corporation (NMDC), Bharat Electronics (BEL), Electronics Corporation of India Limited (ECIL), Defence Research and Development Organisation (DRDO), Hindustan Aeronautics Limited (HAL), Centre for Cellular and Molecular Biology (CCMB), Centre for DNA Fingerprinting and Diagnostics (CDFD), State Bank of Hyderabad (SBH) and Andhra Bank (AB) were established in the city. The city is home to Hyderabad Securities formerly known as Hyderabad Stock Exchange (HSE), and houses the regional office of the Securities and Exchange Board of India (SEBI). In 2013, the Bombay Stock Exchange (BSE) facility in Hyderabad was forecasted to provide operations and transactions services to BSE-Mumbai by the end of 2014. The growth of the financial services sector has helped Hyderabad evolve from a traditional manufacturing city to a cosmopolitan industrial service centre. Since the 1990s, the growth of information technology (IT), IT-enabled services (ITES), insurance and financial institutions has expanded the service sector, and these primary economic activities have boosted the ancillary sectors of trade and commerce, transport, storage, communication, real estate and retail.

 

Hyderabad's commercial markets are divided into four sectors: central business districts, sub-central business centres, neighbourhood business centres and local business centres. Many traditional and historic bazaars are located throughout the city, Laad Bazaar being the prominent among all is popular for selling a variety of traditional and cultural antique wares, along with gems and pearls.

 

The establishment of Indian Drugs and Pharmaceuticals Limited (IDPL), a public sector undertaking, in 1961 was followed over the decades by many national and global companies opening manufacturing and research facilities in the city. As of 2010, the city manufactured one third of India's bulk drugs and 16% of biotechnology products, contributing to its reputation as "India's pharmaceutical capital" and the "Genome Valley of India". Hyderabad is a global centre of information technology, for which it is known as Cyberabad (Cyber City). As of 2013, it contributed 15% of India's and 98% of Andhra Pradesh's exports in IT and ITES sectors and 22% of NASSCOM's total membership is from the city. The development of HITEC City, a township with extensive technological infrastructure, prompted multinational companies to establish facilities in Hyderabad. The city is home to more than 1300 IT and ITES firms, including global conglomerates such as Microsoft (operating its largest R&D campus outside the US), Google, IBM, Yahoo!, Dell, Facebook, and major Indian firms including Tech Mahindra, Infosys, Tata Consultancy Services (TCS), Polaris and Wipro. In 2009 the World Bank Group ranked the city as the second best Indian city for doing business. The city and its suburbs contain the highest number of special economic zones of any Indian city.

 

Like the rest of India, Hyderabad has a large informal economy that employs 30% of the labour force. According to a survey published in 2007, it had 40–50,000 street vendors, and their numbers were increasing. Among the street vendors, 84% are male and 16% female, and four fifths are "stationary vendors" operating from a fixed pitch, often with their own stall. Most are financed through personal savings; only 8% borrow from moneylenders. Vendor earnings vary from ₹50 (75¢ US) to ₹800 (US$12) per day. Other unorganised economic sectors include dairy, poultry farming, brick manufacturing, casual labour and domestic help. Those involved in the informal economy constitute a major portion of urban poor.

 

CULTURE

Hyderabad emerged as the foremost centre of culture in India with the decline of the Mughal Empire. After the fall of Delhi in 1857, the migration of performing artists to the city particularly from the north and west of the Indian sub continent, under the patronage of the Nizam, enriched the cultural milieu. This migration resulted in a mingling of North and South Indian languages, cultures and religions, which has since led to a co-existence of Hindu and Muslim traditions, for which the city has become noted. A further consequence of this north–south mix is that both Telugu and Urdu are official languages of Telangana.[164] The mixing of religions has also resulted in many festivals being celebrated in Hyderabad such as Ganesh Chaturthi, Diwali and Bonalu of Hindu tradition and Eid ul-Fitr and Eid al-Adha by Muslims.

 

Traditional Hyderabadi garb also reveals a mix of Muslim and South Asian influences with men wearing sherwani and kurta - paijama and women wearing khara dupatta and salwar kameez. Muslim women also commonly wear burqas and hijabs in public. In addition to the traditional Indian and Muslim garments, increasing exposure to western cultures has led to a rise in the wearing of western style clothing among youths.

 

LITERATURE

In the past, Qutb Shahi rulers and Nizams attracted artists, architects and men of letters from different parts of the world through patronage. The resulting ethnic mix popularised cultural events such as mushairas (poetic symposia). The Qutb Shahi dynasty particularly encouraged the growth of Deccani Urdu literature leading to works such as the Deccani Masnavi and Diwan poetry, which are among the earliest available manuscripts in Urdu. Lazzat Un Nisa, a book compiled in the 15th century at Qutb Shahi courts, contains erotic paintings with diagrams for secret medicines and stimulants in the eastern form of ancient sexual arts. The reign of the Nizams saw many literary reforms and the introduction of Urdu as a language of court, administration and education. In 1824, a collection of Urdu Ghazal poetry, named Gulzar-e-Mahlaqa, authored by Mah Laqa Bai - the first female Urdu poet to produce a Diwan - was published in Hyderabad.

 

Hyderabad has continued with these traditions in its annual Hyderabad Literary Festival, held since 2010, showcasing the city's literary and cultural creativity. Organisations engaged in the advancement of literature include the Sahitya Akademi, the Urdu Academy, the Telugu Academy, the National Council for Promotion of Urdu Language, the Comparative Literature Association of India, and the Andhra Saraswata Parishad. Literary development is further aided by state institutions such as the State Central Library, the largest public library in the state which was established in 1891, and other major libraries including the Sri Krishna Devaraya Andhra Bhasha Nilayam, the British Library and the Sundarayya Vignana Kendram.

 

MUSIC AND FILMS

South Indian music and dances such as the Kuchipudi and Kathakali styles are popular in the Deccan region. As a result of their culture policies, North Indian music and dance gained popularity during the rule of the Mughals and Nizams, and it was also during their reign that it became a tradition among the nobility to associate themselves with tawaif (courtesans). These courtesans were revered as the epitome of etiquette and culture, and were appointed to teach singing, poetry and classical dance to many children of the aristocracy. This gave rise to certain styles of court music, dance and poetry. Besides western and Indian popular music genres such as filmi music, the residents of Hyderabad play city-based marfa music, dholak ke geet (household songs based on local Folklore), and qawwali, especially at weddings, festivals and other celebratory events. The state government organises the Golconda Music and Dance Festival, the Taramati Music Festival and the Premavathi Dance Festival to further encourage the development of music.

 

Although the city is not particularly noted for theatre and drama, the state government promotes theatre with multiple programmes and festivals in such venues as the Ravindra Bharati, Shilpakala Vedika and Lalithakala Thoranam. Although not a purely music oriented event, Numaish, a popular annual exhibition of local and national consumer products, does feature some musical performances. The city is home to the Telugu film industry, popularly known as Tollywood and as of 2012, produces the second largest number of films in India with the largest number being produced by Bollywood. Films in the local Hyderabadi dialect are also produced and have been gaining popularity since 2005. The city has also hosted international film festivals such as the International Children's Film Festival and the Hyderabad International Film Festival. In 2005, Guinness World Records declared Ramoji Film City to be the world's largest film studio.

 

ART AND HANDICRAFTS

The region is well known for its Golconda and Hyderabad painting styles which are branches of Deccani painting. Developed during the 16th century, the Golconda style is a native style blending foreign techniques and bears some similarity to the Vijayanagara paintings of neighbouring Mysore. A significant use of luminous gold and white colours is generally found in the Golconda style. The Hyderabad style originated in the 17th century under the Nizams. Highly influenced by Mughal painting, this style makes use of bright colours and mostly depicts regional landscape, culture, costumes and jewellery.

 

Although not a centre for handicrafts itself, the patronage of the arts by the Mughals and Nizams attracted artisans from the region to Hyderabad. Such crafts include: Bidriware, a metalwork handicraft from neighbouring Karnataka, which was popularised during the 18th century and has since been granted a Geographical Indication (GI) tag under the auspices of the WTO act; and Zari and Zardozi, embroidery works on textile that involve making elaborate designs using gold, silver and other metal threads. Another example of a handicraft drawn to Hyderabad is Kalamkari, a hand-painted or block-printed cotton textile that comes from cities in Andhra Pradesh. This craft is distinguished in having both a Hindu style, known as Srikalahasti and entirely done by hand, and an Islamic style, known as Machilipatnam that uses both hand and block techniques. Examples of Hyderabad's arts and crafts are housed in various museums including the Salar Jung Museum (housing "one of the largest one-man-collections in the world"), the AP State Archaeology Museum, the Nizam Museum, the City Museum and the Birla Science Museum.

 

CUISINE

Hyderabadi cuisine comprises a broad repertoire of rice, wheat and meat dishes and the skilled use of various spices. Hyderabadi biryani and Hyderabadi haleem, with their blend of Mughlai and Arab cuisines, have become iconic dishes of India. Hyderabadi cuisine is highly influenced by Mughlai and to some extent by French, Arabic, Turkish, Iranian and native Telugu and Marathwada cuisines. Other popular native dishes include nihari, chakna, baghara baingan and the desserts qubani ka meetha, double ka meetha and kaddu ki kheer (a sweet porridge made with sweet gourd).

 

MEDIA

One of Hyderabad's earliest newspapers, The Deccan Times, was established in the 1780s. In modern times, the major Telugu dailies published in Hyderabad are Eenadu, Andhra Jyothy, Sakshi and Namaste Telangana, while the major English papers are The Times of India, The Hindu and The Deccan Chronicle, and the major Urdu papers include The Siasat Daily, The Munsif Daily and Etemaad. Many coffee table magazines, professional magazines and research journals are also regularly published. The Secunderabad Cantonment Board established the first radio station in Hyderabad State around 1919. Deccan Radio was the first radio public broadcast station in the city starting on 3 February 1935, with FM broadcasting beginning in 2000. The available channels in Hyderabad include All India Radio, Radio Mirchi, Radio City, Red FM and Big FM.

 

Television broadcasting in Hyderabad began in 1974 with the launch of Doordarshan, the Government of India's public service broadcaster, which transmits two free-to-air terrestrial television channels and one satellite channel. Private satellite channels started in July 1992 with the launch of Star TV. Satellite TV channels are accessible via cable subscription, direct-broadcast satellite services or internet-based television. Hyderabad's first dial-up internet access became available in the early 1990s and was limited to software development companies. The first public internet access service began in 1995, with the first private sector internet service provider (ISP) starting operations in 1998. In 2015, high-speed public WiFi was introduced in parts of the city.

 

EDUCATION

Public and private schools in Hyderabad are governed by the Central Board of Secondary Education and follow a "10+2+3" plan. About two-thirds of pupils attend privately run institutions. Languages of instruction include English, Hindi, Telugu and Urdu. Depending on the institution, students are required to sit the Secondary School Certificate or the Indian Certificate of Secondary Education. After completing secondary education, students enroll in schools or junior colleges with a higher secondary facility. Admission to professional graduation colleges in Hyderabad, many of which are affiliated with either Jawaharlal Nehru Technological University Hyderabad (JNTUH) or Osmania University (OU), is through the Engineering Agricultural and Medical Common Entrance Test (EAM-CET).There are 13 universities in Hyderabad: two private universities, two deemed universities, six state universities and three central universities. The central universities are the University of Hyderabad, Maulana Azad National Urdu University and the English and Foreign Languages University. Osmania University, established in 1918, was the first university in Hyderabad and as of 2012 is India's second most popular institution for international students. The Dr. B. R. Ambedkar Open University, established in 1982, is the first distance learning open university in India.

 

Hyderabad is also home to a number of centres specialising in particular fields such as biomedical sciences, biotechnology and pharmaceuticals, such as the National Institute of Pharmaceutical Education and Research (NIPER) and National Institute of Nutrition (NIN). Hyderabad has five major medical schools - Osmania Medical College, Gandhi Medical College, Nizam's Institute of Medical Sciences, Deccan College of Medical Sciences and Shadan Institute of Medical Sciences - and many affiliated teaching hospitals. The Government Nizamia Tibbi College is a college of Unani medicine. Hyderabad is also the headquarters of the Indian Heart Association, a non-profit foundation for cardiovascular education.

 

Institutes in Hyderabad include the National Institute of Rural Development, the Indian School of Business, the Institute of Public Enterprise, the Administrative Staff College of India and the Sardar Vallabhbhai Patel National Police Academy. Technical and engineering schools include the International Institute of Information Technology, Hyderabad (IIITH), Birla Institute of Technology and Science, Pilani – Hyderabad (BITS Hyderabad) and Indian Institute of Technology, Hyderabad (IIT-H) as well as agricultural engineering institutes such as the International Crops Research Institute for the Semi-Arid Tropics (ICRISAT) and the Acharya N. G. Ranga Agricultural University. Hyderabad also has schools of fashion design including Raffles Millennium International, NIFT Hyderabad and Wigan and Leigh College. The National Institute of Design, Hyderabad (NID-H), will offer undergraduate and postgraduate courses from 2015.

 

SPORTS

The most popular sports played in Hyderabad are cricket and association football. At the professional level, the city has hosted national and international sports events such as the 2002 National Games of India, the 2003 Afro-Asian Games, the 2004 AP Tourism Hyderabad Open women's tennis tournament, the 2007 Military World Games, the 2009 World Badminton Championships and the 2009 IBSF World Snooker Championship. The city hosts a number of venues suitable for professional competition such as the Swarnandhra Pradesh Sports Complex for field hockey, the G. M. C. Balayogi Stadium in Gachibowli for athletics and football, and for cricket, the Lal Bahadur Shastri Stadium and Rajiv Gandhi International Cricket Stadium, home ground of the Hyderabad Cricket Association. Hyderabad has hosted many international cricket matches, including matches in the 1987 and the 1996 ICC Cricket World Cups. The Hyderabad cricket team represents the city in the Ranji Trophy - a first-class cricket tournament among India's states and cities. Hyderabad is also home to the Indian Premier League franchise Sunrisers Hyderabad. A previous franchise was the Deccan Chargers, which won the 2009 Indian Premier League held in South Africa.

 

During British rule, Secunderabad became a well-known sporting centre and many race courses, parade grounds and polo fields were built. Many elite clubs formed by the Nizams and the British such as the Secunderabad Club, the Nizam Club and the Hyderabad Race Club, which is known for its horse racing especially the annual Deccan derby, still exist. In more recent times, motorsports has become popular with the Andhra Pradesh Motor Sports Club organising popular events such as the Deccan 1/4 Mile Drag, TSD Rallies and 4x4 off-road rallying.

 

International-level sportspeople from Hyderabad include: cricketers Ghulam Ahmed, M. L. Jaisimha, Mohammed Azharuddin, V. V. S. Laxman, Venkatapathy Raju, Shivlal Yadav, Arshad Ayub and Noel David; football players Syed Abdul Rahim, Syed Nayeemuddin and Shabbir Ali; tennis player Sania Mirza; badminton players S. M. Arif, Pullela Gopichand, Saina Nehwal, P. V. Sindhu, Jwala Gutta and Chetan Anand; hockey players Syed Mohammad Hadi and Mukesh Kumar; rifle shooters Gagan Narang and Asher Noria and bodybuilder Mir Mohtesham Ali Khan.

 

TRANSPORT

The most commonly used forms of medium distance transport in Hyderabad include government owned services such as light railways and buses, as well as privately operated taxis and auto rickshaws. Bus services operate from the Mahatma Gandhi Bus Station in the city centre and carry over 130 million passengers daily across the entire network. Hyderabad's light rail transportation system, the Multi-Modal Transport System (MMTS), is a three line suburban rail service used by over 160,000 passengers daily. Complementing these government services are minibus routes operated by Setwin (Society for Employment Promotion & Training in Twin Cities). Intercity rail services also operate from Hyderabad; the main, and largest, station is Secunderabad Railway Station, which serves as Indian Railways' South Central Railway zone headquarters and a hub for both buses and MMTS light rail services connecting Secunderabad and Hyderabad. Other major railway stations in Hyderabad are Hyderabad Deccan Station, Kachiguda Railway Station, Begumpet Railway Station, Malkajgiri Railway Station and Lingampally Railway Station. The Hyderabad Metro, a new rapid transit system, is to be added to the existing public transport infrastructure and is scheduled to operate three lines by 2015. As of 2012, there are over 3.5 million vehicles operating in the city, of which 74% are two-wheelers, 15% cars and 3% three-wheelers. The remaining 8% include buses, goods vehicles and taxis. The large number of vehicles coupled with relatively low road coverage - roads occupy only 9.5% of the total city area - has led to widespread traffic congestion especially since 80% of passengers and 60% of freight are transported by road. The Inner Ring Road, the Outer Ring Road, the Hyderabad Elevated Expressway, the longest flyover in India, and various interchanges, overpasses and underpasses were built to ease the congestion. Maximum speed limits within the city are 50 km/h for two-wheelers and cars, 35 km/h for auto rickshaws and 40 km/h for light commercial vehicles and buses.

 

Hyderabad sits at the junction of three National Highways linking it to six other states: NH-7 runs 2,369 km from Varanasi, Uttar Pradesh, in the north to Kanyakumari, Tamil Nadu, in the south; NH-9, runs 841 km east-west between Machilipatnam, Andhra Pradesh, and Pune, Maharashtra; and the 280 km NH-163 links Hyderabad to Bhopalpatnam, Chhattisgarh. Five state highways, SH-1, SH-2, SH-4, SH-5 and SH-6, either start from, or pass through, Hyderabad.

 

Air traffic was previously handled via Begumpet Airport, but this was replaced by Rajiv Gandhi International Airport (RGIA) (IATA: HYD, ICAO: VOHS) in 2008, with the capacity of handling 12 million passengers and 100,000 tonnes of cargo per annum. In 2011, Airports Council International, an autonomous body representing the world's airports, judged RGIA the world's best airport in the 5–15 million passenger category and the world's fifth best airport for service quality.

 

WIKIPEDIA

I've been meaning to do a series of portraits based on significant experiences and memories. My first one (this one, although I may attempt to redo it later on) is about my many years of solitude. When I was a teenager, my social anxiety started to kick in. I had no idea what was happening and found it really difficult relating to my friends when it came to our experiences with socializing. All my friends were hearing and I was the only Deaf one and I found it tough at times. When the social anxiety kicked in, it was just way too much to handle. Teen angst, puberty, drugs, social anxiety = nervous breakdown. It got so bad to the point where I couldn't do anything, I could barely leave the house without having an anxiety attack. Everything was terrifying. The bus. The bank. Grocery stores. Anywhere I felt like I was trapped with people = bad times.

 

I spent about 5 years focused on staying isolated. It was as if I knew I needed some "downtime" to eventually move on (nevermind that it took me uh 5 years of downtime). I went on medication for a few years. Focused on things that made me happy, even though people would try to pressure me into going out and being "a normal person" I mostly just ignored people and focused on art. This is when I discovered my love for fibre arts. I also became obsessed with the internet, experimenting with graphic and web design (a website dedicated to the teens from Days of Our Lives anyone?!), and that was my outlet for socialization for a long while. I actually look back quite fondly to this time of my life. It was when I started to listen to myself and do what I felt was right instead of forcing myself to do things that felt wrong and would leave me feeling miserable.

 

I still and probably always will still struggle with social anxiety but instead of desperately trying to deny that part of me and thinking that "if I just force myself..." things would be different, now I just listen to it. When it starts to get worse, it usually just means I need some time to myself and focus on art. I always come out stronger.

 

BTW: I was so tired last night when I posted this that I forgot how I wanted to give credit to where it's due. Inspiration for this project comes from: (a friend)Rebecca Hall's drawing, Shel Silverstein's A Light in the Attic, and ambird's Vanity Series.

The raccoon (/rəˈkuːn/ or US: /ræˈkuːn/ ⓘ, Procyon lotor), also spelled racoon[3] and sometimes called the common raccoon to distinguish it from the other species, is a mammal native to North America. It is the largest of the procyonid family, having a body length of 40 to 70 cm (16 to 28 in), and a body weight of 5 to 26 kg (11 to 57 lb). Its grayish coat mostly consists of dense underfur, which insulates it against cold weather. Three of the raccoon's most distinctive features are its extremely dexterous front paws, its facial mask, and its ringed tail, which are themes in the mythologies of the indigenous peoples of the Americas relating to the animal. The raccoon is noted for its intelligence, as studies show that it is able to remember the solution to tasks for at least three years. It is usually nocturnal and omnivorous, eating about 40% invertebrates, 33% plants, and 27% vertebrates.

 

The original habitats of the raccoon are deciduous and mixed forests, but due to their adaptability, they have extended their range to mountainous areas, coastal marshes, and urban areas, where some homeowners consider them to be pests. As a result of escapes and deliberate introductions in the mid-20th century, raccoons are now also distributed across central Europe, the Caucasus, and Japan.

 

In Europe, the raccoon is included since 2016 in the list of Invasive Alien Species of Union concern (the Union list).[4] This implies that this species cannot be imported, bred, transported, commercialized, or intentionally released into the environment in the whole of the European Union.[5]

 

Though previously thought to be generally solitary, there is now evidence that raccoons engage in sex-specific social behavior. Related females often share a common area, while unrelated males live together in groups of up to four raccoons in order to maintain their positions against foreign males during the mating season and against other potential invaders. Home range sizes vary anywhere from 3 ha (7.4 acres) for females in cities, to 5,000 ha (12,000 acres) for males in prairies. After a gestation period of about 65 days, two to five young known as "kits" are born in spring. The kits are subsequently raised by their mother until dispersal in late fall. Although captive raccoons have been known to live over 20 years, their life expectancy in the wild is only 1.8 to 3.1 years. In many areas, hunting and vehicular injury are the two most common causes of death.

 

Etymology

 

The mask of a raccoon is often interrupted by a brown-black streak that extends from forehead to nose.[6]

Names for the species include the common raccoon,[7] North American raccoon,[8] and northern raccoon.[9] In various North American native languages, the reference to the animal's manual dexterity, or use of its hands is the source for the names.[10] The word raccoon was adopted into English from the native Powhatan term meaning 'animal that scratches with its hands', as used in the Colony of Virginia. It was recorded on John Smith's list of Powhatan words as aroughcun, and on that of William Strachey as arathkone.[11] It has also been identified as a reflex of a Proto-Algonquian root *ahrah-koon-em, meaning '[the] one who rubs, scrubs and scratches with its hands'.[12] The word is sometimes spelled as racoon.[13]

 

In Spanish, the raccoon is called mapache, derived from the Nahuatl mapachtli of the Aztecs, meaning '[the] one who takes everything in its hands'.[14]

 

Its Latin name literally means 'before-dog washer'.[15] The genus Procyon was named by Gottlieb Conrad Christian Storr.[10] The animal's observed habit of "washing" or "dowsing" (see below) is the source of its name in other languages.[16][17] For example, the French "raton laveur" means "washing rat".

 

The colloquial abbreviation coon is used in words like coonskin for fur clothing and in phrases like old coon as a self-designation of trappers.[18][19] In the 1830s, the United States Whig Party used the raccoon as an emblem, causing them to be pejoratively known as "coons" by their political opponents, who saw them as too sympathetic to African-Americans. Soon after that the term became an ethnic slur,[20] especially in use between 1880 and 1920 (see coon song), and the term is still considered offensive.[21] Dogs bred to hunt raccoons are called coonhound and coon dog.[22]

 

Taxonomy

 

Skins of P. lotor and P. cancrivorus

 

Skulls of P. lotor and P. cancrivorus

In the first decades after its discovery by the members of the expedition of Christopher Columbus, who were the first Europeans to leave a written record about the species, taxonomists thought the raccoon was related to many different species, including dogs, cats, badgers and particularly bears.[23] Carl Linnaeus, the father of modern taxonomy, placed the raccoon in the genus Ursus, first as Ursus cauda elongata ('long-tailed bear') in the second edition of his Systema Naturae (1740), then as Ursus Lotor ('washer bear') in the tenth edition (1758–59).[24][25] In 1780, Gottlieb Conrad Christian Storr placed the raccoon in its own genus Procyon, which can be translated as either 'before the dog' or 'doglike'.[26][27] It is also possible that Storr had its nocturnal lifestyle in mind and chose the star Procyon as eponym for the species.[28][29]

 

Evolution

Based on fossil evidence from Russia and Bulgaria, the first known members of the family Procyonidae lived in Europe in the late Oligocene about 25 million years ago.[30] Similar tooth and skull structures suggest procyonids and weasels share a common ancestor, but molecular analysis indicates a closer relationship between raccoons and bears.[31] After the then-existing species crossed the Bering Strait at least six million years later in the early Miocene, the center of its distribution was probably in Central America.[32] Coatis (Nasua and Nasuella) and raccoons (Procyon) have been considered to share common descent from a species in the genus Paranasua present between 5.2 and 6.0 million years ago.[33] This assumption, based on morphological comparisons of fossils, conflicts with a 2006 genetic analysis which indicates raccoons are more closely related to ringtails.[34] Unlike other procyonids, such as the crab-eating raccoon (Procyon cancrivorus), the ancestors of the common raccoon left tropical and subtropical areas and migrated farther north about 2.5 million years ago, in a migration that has been confirmed by the discovery of fossils in the Great Plains dating back to the middle of the Pliocene.[35][33] Its most recent ancestor was likely Procyon rexroadensis, a large Blancan raccoon from the Rexroad Formation characterized by its narrow back teeth and large lower jaw.[36]

 

Subspecies

 

A Torch Key raccoon (P. l. incautus) in Cudjoe Key, Florida. Subspecies inhabiting the Florida Keys are characterized by their small size and very pale fur.

 

Female raccoon of the Vancouver Island subspecies at Sidney, British Columbia, with characteristic dark fur

As of 2005, Mammal Species of the World recognizes 22 subspecies of raccoons.[37] Four of these subspecies living only on small Central American and Caribbean islands were often regarded as distinct species after their discovery. These are the Bahamian raccoon and Guadeloupe raccoon, which are very similar to each other; the Tres Marias raccoon, which is larger than average and has an angular skull; and the extinct Barbados raccoon. Studies of their morphological and genetic traits in 1999, 2003 and 2005 led all these island raccoons to be listed as subspecies of the common raccoon in Mammal Species of the World's third edition. A fifth island raccoon population, the Cozumel raccoon, which weighs only 3 to 4 kg (6.6 to 8.8 lb) and has notably small teeth, is still regarded as a separate species.[38][39][40][41]

 

The four smallest raccoon subspecies, with a typical weight of 1.8 to 2.7 kg (4.0 to 6.0 lb), live along the southern coast of Florida and on the adjacent islands; an example is the Ten Thousand Islands raccoon (Procyon lotor marinus).[42] Most of the other 15 subspecies differ only slightly from each other in coat color, size and other physical characteristics.[43][44] The two most widespread subspecies are the eastern raccoon (Procyon lotor lotor) and the Upper Mississippi Valley raccoon (Procyon lotor hirtus). Both share a comparatively dark coat with long hairs, but the Upper Mississippi Valley raccoon is larger than the eastern raccoon. The eastern raccoon occurs in all U.S. states and Canadian provinces to the north of South Carolina and Tennessee. The adjacent range of the Upper Mississippi Valley raccoon covers all U.S. states and Canadian provinces to the north of Louisiana, Texas and New Mexico.[45]

 

The taxonomic identity of feral raccoons inhabiting Central Europe, Causasia and Japan is unknown, as the founding populations consisted of uncategorized specimens from zoos and fur farms.

 

Description

Physical characteristics

 

Lower side of front paw with visible vibrissae on the tips of the digits

 

Skeleton

 

Skull with dentition: 2/2 molars, 4/4 premolars, 1/1 canines, 3/3 incisors

 

Baculum or penis bone

 

Female genitourinary system

 

Male genitourinary system

Head to hindquarters, raccoons measure between 40 and 70 cm (16 and 28 in), not including the bushy tail which can measure between 20 and 40 cm (7.9 and 15.7 in), but is usually not much longer than 25 cm (9.8 in).[71][72][73] The shoulder height is between 23 and 30 cm (9.1 and 11.8 in).[74] The body weight of an adult raccoon varies considerably with habitat, making the raccoon one of the most variably sized mammals. It can range from 2 to 26 kg (4.4 to 57.3 lb), but is usually between 5 and 12 kg (11 and 26 lb). The smallest specimens live in southern Florida, while those near the northern limits of the raccoon's range tend to be the largest (see Bergmann's rule).[75] Males are usually 15 to 20% heavier than females.[76] At the beginning of winter, a raccoon can weigh twice as much as in spring because of fat storage.[77][78][79] The largest recorded wild raccoon weighed 28.4 kg (63 lb) and measured 140 cm (55 in) in total length, by far the largest size recorded for a procyonid.[80][81]

 

The most characteristic physical feature of the raccoon is the area of black fur around the eyes, which contrasts sharply with the surrounding white face coloring. This is reminiscent of a "bandit's mask" and has thus enhanced the animal's reputation for mischief.[82][83] The slightly rounded ears are also bordered by white fur. Raccoons are assumed to recognize the facial expression and posture of other members of their species more quickly because of the conspicuous facial coloration and the alternating light and dark rings on the tail.[84][85][86] The dark mask may also reduce glare and thus enhance night vision.[85][86] On other parts of the body, the long and stiff guard hairs, which shed moisture, are usually colored in shades of gray and, to a lesser extent, brown.[87] Raccoons with a very dark coat are more common in the German population because individuals with such coloring were among those initially released to the wild.[88] The dense underfur, which accounts for almost 90% of the coat, insulates against cold weather and is composed of 2 to 3 cm (0.79 to 1.18 in) long hairs.[87]

 

The raccoon, whose method of locomotion is usually considered to be plantigrade, can stand on its hind legs to examine objects with its front paws.[89][90] As raccoons have short legs compared to their compact torso, they are usually not able either to run quickly or jump great distances.[91][92] Their top speed over short distances is 16 to 24 km/h (9.9 to 14.9 mph).[93][94] Raccoons can swim with an average speed of about 5 km/h (3.1 mph) and can stay in the water for several hours.[95][92] For climbing down a tree headfirst—an unusual ability for a mammal of its size—a raccoon rotates its hind feet so they are pointing backwards.[96][92] Raccoons have a dual cooling system to regulate their temperature; that is, they are able to both sweat and pant for heat dissipation.[97][98]

 

Raccoon skulls have a short and wide facial region and a voluminous braincase. The facial length of the skull is less than the cranial, and their nasal bones are short and quite broad. The auditory bullae are inflated in form, and the sagittal crest is weakly developed.[99] The dentition—40 teeth with the dental formula:

3.1.4.2

3.1.4.2

—is adapted to their omnivorous diet: the carnassials are not as sharp and pointed as those of a full-time carnivore, but the molars are not as wide as those of a herbivore.[100] The penis bone of males is about 10 cm (3.9 in) long and strongly bent at the front end,[101][102] and its shape can be used to distinguish juvenile males from mature males.[103][104][105] Seven of the thirteen identified vocal calls are used in communication between the mother and her kits, one of these being the birdlike twittering of newborns.[106][107][98]

 

Senses

The most important sense for the raccoon is its sense of touch.[108][109][110] The "hyper sensitive"[109] front paws are protected by a thin horny layer that becomes pliable when wet.[111][112] The five digits of the paws have no webbing between them, which is unusual for a carnivoran.[113] Almost two-thirds of the area responsible for sensory perception in the raccoon's cerebral cortex is specialized for the interpretation of tactile impulses, more than in any other studied animal.[114] They are able to identify objects before touching them with vibrissae located above their sharp, nonretractable claws.[89][110] The raccoon's paws lack an opposable thumb; thus, it does not have the agility of the hands of primates.[110][112] There is no observed negative effect on tactile perception when a raccoon stands in water below 10 °C (50 °F) for hours.[115]

 

Raccoons are thought to be color blind or at least poorly able to distinguish color, though their eyes are well-adapted for sensing green light.[116][117][118] Although their accommodation of 11 dioptre is comparable to that of humans and they see well in twilight because of the tapetum lucidum behind the retina, visual perception is of subordinate importance to raccoons because of their poor long-distance vision.[119][120][121] In addition to being useful for orientation in the dark, their sense of smell is important for intraspecific communication. Glandular secretions (usually from their anal glands), urine and feces are used for marking.[122][123][124] With their broad auditory range, they can perceive tones up to 50–85 kHz as well as quiet noises, like those produced by earthworms underground.[125][126]

 

Intelligence

Zoologist Clinton Hart Merriam described raccoons as "clever beasts", and that "in certain directions their cunning surpasses that of the fox". The animal's intelligence gave rise to the epithet "sly coon".[127] Only a few studies have been undertaken to determine the mental abilities of raccoons, most of them based on the animal's sense of touch. In a study by the ethologist H. B. Davis in 1908, raccoons were able to open 11 of 13 complex locks in fewer than 10 tries and had no problems repeating the action when the locks were rearranged or turned upside down. Davis concluded that they understood the abstract principles of the locking mechanisms and their learning speed was equivalent to that of rhesus macaques.[128]

 

Studies in 1963, 1973, 1975 and 1992 concentrated on raccoon memory showed that they can remember the solutions to tasks for at least three years.[129] In a study by B. Pohl in 1992, raccoons were able to instantly differentiate between identical and different symbols three years after the short initial learning phase.[129] Stanislas Dehaene reports in his book The Number Sense that raccoons can distinguish boxes containing two or four grapes from those containing three.[130] In research by Suzana Herculano-Houzel and other neuroscientists, raccoons have been found to be comparable to primates in density of neurons in the cerebral cortex, which they have proposed to be a neuroanatomical indicator of intelligence.[131][132]

 

Behavior

Social behavior

 

Eastern raccoons (P. l. lotor) in a tree: The raccoon's social structure is grouped into what Ulf Hohmann calls a "three-class society".

 

California raccoon (P. l. psora) climbing a tree in Lower Klamath National Wildlife Refuge

 

Baby raccoon chatter

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Studies in the 1990s by the ethologists Stanley D. Gehrt and Ulf Hohmann suggest that raccoons engage in sex-specific social behaviors and are not typically solitary, as was previously thought.[133][134] Related females often live in a so-called "fission-fusion society"; that is, they share a common area and occasionally meet at feeding or resting grounds.[135][136] Unrelated males often form loose male social groups to maintain their position against foreign males during the mating season—or against other potential invaders.[137] Such a group does not usually consist of more than four individuals.[138][139] Since some males show aggressive behavior towards unrelated kits, mothers will isolate themselves from other raccoons until their kits are big enough to defend themselves.[140]

 

With respect to these three different modes of life prevalent among raccoons, Hohmann called their social structure a "three-class society".[141] Samuel I. Zeveloff, professor of zoology at Weber State University and author of the book Raccoons: A Natural History, is more cautious in his interpretation and concludes at least the females are solitary most of the time and, according to Erik K. Fritzell's study in North Dakota in 1978, males in areas with low population densities are solitary as well.[142]

 

The shape and size of a raccoon's home range varies depending on age, sex, and habitat, with adults claiming areas more than twice as large as juveniles.[143] While the size of home ranges in the habitat of North Dakota's prairies lie between 7 and 50 km2 (3 and 20 sq mi) for males and between 2 and 16 km2 (1 and 6 sq mi) for females, the average size in a marsh at Lake Erie was 0.5 km2 (0.19 sq mi).[144] Irrespective of whether the home ranges of adjacent groups overlap, they are most likely not actively defended outside the mating season if food supplies are sufficient.[145] Odor marks on prominent spots are assumed to establish home ranges and identify individuals.[124] Urine and feces left at shared raccoon latrines may provide additional information about feeding grounds, since raccoons were observed to meet there later for collective eating, sleeping and playing.[146]

 

Concerning the general behavior patterns of raccoons, Gehrt points out that "typically you'll find 10 to 15 percent that will do the opposite" of what is expected.[147]

 

Diet

Though usually nocturnal, the raccoon is sometimes active in daylight to take advantage of available food sources.[148][149] Its diet consists of about 40% invertebrates, 33% plant material and 27% vertebrates.[150] Since its diet consists of such a variety of different foods, Zeveloff argues the raccoon "may well be one of the world's most omnivorous animals".[151] While its diet in spring and early summer consists mostly of insects, worms, and other animals already available early in the year, it prefers fruits and nuts, such as acorns and walnuts, which emerge in late summer and autumn, and represent a rich calorie source for building up fat needed for winter.[152][153]

 

Contrary to popular belief, raccoons only occasionally eat active or large prey, such as birds and mammals. They prefer prey that is easier to catch, specifically crayfish, insects,[154] fish, amphibians and bird eggs.[155] Raccoons are virulent predators of eggs and hatchlings in both birds and reptile nests, to such a degree that, for threatened prey species, raccoons may need to be removed from the area or nests may need to be relocated to mitigate the effect of their predations (i.e. in the case of some globally threatened turtles).[156][157][158][159][160] When food is plentiful, raccoons can develop strong individual preferences for specific foods.[78] In the northern parts of their range, raccoons go into a winter rest, reducing their activity drastically as long as a permanent snow cover makes searching for food difficult.[161]

 

Dousing

 

Captive raccoons often douse their food before eating.

One aspect of raccoon behavior is so well known that it gives the animal part of its scientific name, Procyon lotor; lotor is Latin for 'washer'. In the wild, raccoons often dabble for underwater food near the shore-line. They then often pick up the food item with their front paws to examine it and rub the item, sometimes to remove unwanted parts. This gives the appearance of the raccoon "washing" the food. The tactile sensitivity of raccoons' paws is increased if this rubbing action is performed underwater, since the water softens the hard layer covering the paws.[109][162] However, the behavior observed in captive raccoons in which they carry their food to water to "wash" or douse it before eating has not been observed in the wild.[163][164] Naturalist Georges-Louis Leclerc, Comte de Buffon, believed that raccoons do not have adequate saliva production to moisten food thereby necessitating dousing, but this hypothesis is now considered to be incorrect.[162][163][165][166] Captive raccoons douse their food more frequently when a watering hole with a layout similar to a stream is not farther away than 3 m (10 ft).[166] The widely accepted theory is that dousing in captive raccoons is a fixed action pattern from the dabbling behavior performed when foraging at shores for aquatic foods.[162][166][167][168] This is supported by the observation that aquatic foods are doused more frequently. Cleaning dirty food does not seem to be a reason for "washing".[166]

 

Reproduction

Raccoons usually mate in a period triggered by increasing daylight between late January and mid-March.[169][170][171] However, there are large regional differences which are not completely explicable by solar conditions. For example, while raccoons in southern states typically mate later than average, the mating season in Manitoba also peaks later than usual in March and extends until June.[171] During the mating season, males restlessly roam their home ranges in search of females in an attempt to court them during the three- to four-day period when conception is possible. These encounters will often occur at central meeting places.[172][173][174] Copulation, including foreplay, can last over an hour and is repeated over several nights.[175] The weaker members of a male social group also are assumed to get the opportunity to mate, since the stronger ones cannot mate with all available females.[176] In a study in southern Texas during the mating seasons from 1990 to 1992, about one third of all females mated with more than one male.[177] If a female does not become pregnant or if she loses her kits early, she will sometimes become fertile again 80 to 140 days later.[178][179][180]

  

An eastern raccoon (P. l. lotor) kit

After usually 63 to 65 days of gestation (although anywhere from 54 to 70 days is possible), a litter of typically two to five young is born.[181][182] The average litter size varies widely with habitat, ranging from 2.5 in Alabama to 4.8 in North Dakota.[183][184] Larger litters are more common in areas with a high mortality rate, due, for example, to hunting or severe winters.[185][184] While male yearlings usually reach their sexual maturity only after the main mating season, female yearlings can compensate for high mortality rates and may be responsible for about 50% of all young born in a year.[186][187][188] Males have no part in raising young.[138][189][190] The kits (also called "cubs") are blind and deaf at birth, but their mask is already visible against their light fur.[191][192] The birth weight of the about 10 cm (4 in)-long kits is between 60 and 75 g (2.1 and 2.6 oz).[192] Their ear canals open after around 18 to 23 days, a few days before their eyes open for the first time.[193] Once the kits weigh about 1 kg (2 lb), they begin to explore outside the den, consuming solid food for the first time after six to nine weeks.[194][195] After this point, their mother suckles them with decreasing frequency; they are usually weaned by 16 weeks.[196] In the fall, after their mother has shown them dens and feeding grounds, the juvenile group splits up.[197] [198] While many females will stay close to the home range of their mother, males can sometimes move more than 20 km (12 mi) away. This is considered an instinctive behavior, preventing inbreeding. However, mother and offspring may share a den during the first winter in cold areas.

 

Life expectancy

Captive raccoons have been known to live for more than 20 years. However, the species' life expectancy in the wild is only 1.8 to 3.1 years, depending on the local conditions such as traffic volume, hunting, and weather severity. It is not unusual for only half of the young born in one year to survive a full year. After this point, the annual mortality rate drops to between 10% and 30%. Young raccoons are vulnerable to losing their mother and to starvation, particularly in long and cold winters. The most frequent natural cause of death in the North American raccoon population is distemper, which can reach epidemic proportions and kill most of a local raccoon population. In areas with heavy vehicular traffic and extensive hunting, these factors can account for up to 90% of all deaths of adult raccoons. The most important natural predators of the raccoon are bobcats, coyotes, and great horned owls, the latter mainly preying on young raccoons but capable of killing adults in some cases. In Florida, they have been reported to fall victim to larger carnivores like American black bear and cougars and these species may also be a threat on occasion in other areas. Where still present, gray wolves may still occasionally take raccoons as a supplemental prey item. Also in the southeast, they are among the favored prey for adult American alligators. On occasion, both bald and golden eagles will prey on raccoons. In the tropics, raccoons are known to fall prey to smaller eagles such as ornate hawk-eagles and black hawk-eagles, although it is not clear whether adults or merely juvenile raccoons are taken by these. In rare cases of overlap, they may fall victim from carnivores ranging from species averaging smaller than themselves such as fishers to those as large and formidable as jaguars in Mexico. In their introduced range in the former Soviet Union, their main predators are wolves, lynxes and Eurasian eagle-owls. However, predation is not a significant cause of death, especially because larger predators have been exterminated in many areas inhabited by raccoons.

 

Range

Although they have thrived in sparsely wooded areas in the last decades, raccoons depend on vertical structures to climb when they feel threatened. Therefore, they avoid open terrain and areas with high concentrations of beech trees, as beech bark is too smooth to climb. Tree hollows in old oaks or other trees and rock crevices are preferred by raccoons as sleeping, winter and litter dens. If such dens are unavailable or accessing them is inconvenient, raccoons use burrows dug by other mammals, dense undergrowth or tree crotches. In a study in the Solling range of hills in Germany, more than 60% of all sleeping places were used only once, but those used at least ten times accounted for about 70% of all uses. Since amphibians, crustaceans, and other animals around the shore of lakes and rivers are an important part of the raccoon's diet, lowland deciduous or mixed forests abundant with water and marshes sustain the highest population densities. While population densities range from 0.5 to 3.2 animals per square kilometer (1.3 to 8.3 animals per square mile) in prairies and do not usually exceed 6 animals per square kilometer (15.5 animals per square mile) in upland hardwood forests, more than 20 raccoons per square kilometer (51.8 animals per square mile) can live in lowland forests and marshes.

 

Distribution in North America

Raccoons are common throughout North America from Canada to Panama, where the subspecies Procyon lotor pumilus coexists with the crab-eating raccoon (Procyon cancrivorus). The population on Hispaniola was exterminated as early as 1513 by Spanish colonists who hunted them for their meat. Raccoons were also exterminated in Cuba and Jamaica, where the last sightings were reported in 1687. The Barbados raccoon became extinct relatively recently, in 1964. When they were still considered separate species, the Bahamas raccoon, Guadeloupe raccoon and Tres Marias raccoon were classified as endangered by the IUCN in 1996.

  

A Raccoon sleeping on a tree in High Park, Toronto

There is archeological evidence that in pre-Columbian times raccoons were numerous only along rivers and in the woodlands of the Southeastern United States. As raccoons were not mentioned in earlier reports of pioneers exploring the central and north-central parts of the United States, their initial spread may have begun a few decades before the 20th century. Since the 1950s, raccoons have expanded their range from Vancouver Island—formerly the northernmost limit of their range—far into the northern portions of the four south-central Canadian provinces. New habitats which have recently been occupied by raccoons (aside from urban areas) include mountain ranges, such as the Western Rocky Mountains, prairies and coastal marshes. After a population explosion starting in the 1940s, the estimated number of raccoons in North America in the late 1980s was 15 to 20 times higher than in the 1930s, when raccoons were comparatively rare. Urbanization, the expansion of agriculture, deliberate introductions, and the extermination of natural predators of the raccoon have probably caused this increase in abundance and distribution.

 

Distribution outside North America

s a result of escapes and deliberate introductions in the mid-20th century, the raccoon is now distributed in several European and Asian countries. Sightings have occurred in all the countries bordering Germany, which hosts the largest population outside of North America. Another stable population exists in northern France, where several pet raccoons were released by members of the U.S. Air Force near the Laon-Couvron Air Base in 1966. Furthermore, raccoons have been known to be in the area around Madrid since the early 1970s. In 2013, the city authorized "the capture and death of any specimen". It is also present in Italy, with one self-sustaining population in Lombardy.

 

About 1,240 animals were released in nine regions of the former Soviet Union between 1936 and 1958 for the purpose of establishing a population to be hunted for their fur. Two of these introductions were successful – one in the south of Belarus between 1954 and 1958, and another in Azerbaijan between 1941 and 1957. With a seasonal harvest of between 1,000~1,500 animals, in 1974 the estimated size of the population distributed in the Caucasus region was around 20,000 animals and the density was four animals per square kilometer (10 animals per square mile).

 

Distribution in Japan

In Japan, up to 1,500 raccoons were imported as pets each year after the success of the anime series Rascal the Raccoon (1977). In 2004, the descendants of discarded or escaped animals lived in 42 of 47 prefectures. The range of raccoons in the wild in Japan grew from 17 prefectures in 2000 to all 47 prefectures in 2008. It is estimated that raccoons cause thirty million yen (~$275,000) of agricultural damage on Hokkaido alone.

 

Distribution in Germany

In Germany – where the raccoon is called the Waschbär (literally, 'wash-bear' or 'washing bear') due to its habit of "dousing" food in water – two pairs of pet raccoons were released into the German countryside at the Edersee reservoir in the north of Hesse in April 1934 by a forester upon request of their owner, a poultry farmer. He released them two weeks before receiving permission from the Prussian hunting office to "enrich the fauna". Several prior attempts to introduce raccoons in Germany had been unsuccessful. A second population was established in eastern Germany in 1945 when 25 raccoons escaped from a fur farm at Wolfshagen (today district of Altlandsberg), east of Berlin, after an air strike. The two populations are parasitologically distinguishable: 70% of the raccoons of the Hessian population are infected with the roundworm Baylisascaris procyonis, but none of the Brandenburgian population is known to have the parasite. In the Hessian region, there were an estimated 285 raccoons in 1956, which increased to over 20,000 in 1970; in 2008 there were between 200,000 and 400,000 raccoons in the whole of Germany. By 2012 it was estimated that Germany now had more than a million raccoons.

 

The raccoon was once a protected species in Germany, but has been declared a game animal in 14 of the 16 German states since 1954. Hunters and environmentalists argue the raccoon spreads uncontrollably, threatens protected bird species, and supersedes indigenous competitors. This view is opposed by the zoologist Frank-Uwe Michler, who finds no evidence that a high population density of raccoons leads to negative effects on the biodiversity of an area. Hohmann holds that extensive hunting cannot be justified by the absence of natural predators, because predation is not a significant cause of death in the North American raccoon population.

  

Graphs are unavailable due to technical issues. There is more info on Phabricator and on MediaWiki.org.

The raccoon is extensively hunted in Germany as it is seen as an invasive species and pest. In the 1990s, only about 400 raccoons were hunted yearly. This increased dramatically over the next quarter-century: during the 2015–2016 hunting season, 128,100 raccoons were hunted, 60 percent of them in the state of Hesse.

 

Distribution in the former Soviet Union

Experiments in acclimatising raccoons into the Soviet Union began in 1936, and were repeated a further 25 times until 1962. Overall, 1,222 individuals were released, 64 of which came from zoos and fur farms (38 of them having been imports from western Europe). The remainder originated from a population previously established in Transcaucasia. The range of Soviet raccoons was never single or continuous, as they were often introduced to different locations far from each other. All introductions into the Russian Far East failed; melanistic raccoons were released on Petrov Island near Vladivostok and some areas of southern Primorsky Krai, but died. In Middle Asia, raccoons were released in Kyrgyzstan's Jalal-Abad Province, though they were later recorded as "practically absent" there in January 1963. A large and stable raccoon population (yielding 1,000~1,500 catches a year) was established in Azerbaijan after an introduction to the area in 1937. Raccoons apparently survived an introduction near Terek, along the Sulak River into the Dagestani lowlands. Attempts to settle raccoons on the Kuban River's left tributary and Kabardino-Balkaria were unsuccessful. A successful acclimatization occurred in Belarus, where three introductions (consisting of 52, 37, and 38 individuals in 1954 and 1958) took place. By January 1963, 700 individuals were recorded in the country.

 

Urban raccoons

Due to its adaptability, the raccoon has been able to use urban areas as a habitat. The first sightings were recorded in a suburb of Cincinnati in the 1920s. Since the 1950s, raccoons have been present in metropolitan areas like Washington, DC, Chicago, Toronto, and New York City. Since the 1960s, Kassel has hosted Europe's first and densest population in a large urban area, with about 50 to 150 animals per square kilometer (130 to 390 animals per square mile), a figure comparable to those of urban habitats in North America. Home range sizes of urban raccoons are only 3 to 40 hectares (7.5 to 100 acres) for females and 8 to 80 hectares (20 to 200 acres) for males. In small towns and suburbs, many raccoons sleep in a nearby forest after foraging in the settlement area. Fruit and insects in gardens and leftovers in municipal waste are easily available food sources. Furthermore, a large number of additional sleeping areas exist in these areas, such as hollows in old garden trees, cottages, garages, abandoned houses, and attics. The percentage of urban raccoons sleeping in abandoned or occupied houses varies from 15% in Washington, DC (1991) to 43% in Kassel (2003).

 

Health

Raccoons can carry rabies, a lethal disease caused by the neurotropic rabies virus carried in the saliva and transmitted by bites. Its spread began in Florida and Georgia in the 1950s and was facilitated by the introduction of infected individuals to Virginia and North Dakota in the late 1970s. Of the 6,940 documented rabies cases reported in the United States in 2006, 2,615 (37.7%) were in raccoons. The U.S. Department of Agriculture, as well as local authorities in several U.S. states and Canadian provinces, has developed oral vaccination programs to fight the spread of the disease in endangered populations. Only one human fatality has been reported after transmission of the rabies virus strain commonly known as "raccoon rabies". Among the main symptoms for rabies in raccoons are a generally sickly appearance, impaired mobility, abnormal vocalization, and aggressiveness. There may be no visible signs at all, however, and most individuals do not show the aggressive behavior seen in infected canids; rabid raccoons will often retire to their dens instead. Organizations like the U.S. Forest Service encourage people to stay away from animals with unusual behavior or appearance, and to notify the proper authorities, such as an animal control officer from the local health department. Since healthy animals, especially nursing mothers, will occasionally forage during the day, daylight activity is not a reliable indicator of illness in raccoons.

 

Unlike rabies and at least a dozen other pathogens carried by raccoons, distemper, an epizootic virus, does not affect humans. This disease is the most frequent natural cause of death in the North American raccoon population and affects individuals of all age groups. For example, 94 of 145 raccoons died during an outbreak in Clifton, Ohio, in 1968. It may occur along with a following inflammation of the brain (encephalitis), causing the animal to display rabies-like symptoms. In Germany, the first eight cases of distemper were reported in 2007.

 

Some of the most important bacterial diseases which affect raccoons are leptospirosis, listeriosis, tetanus, and tularemia. Although internal parasites weaken their immune systems, well-fed individuals can carry a great many roundworms in their digestive tracts without showing symptoms. The larvae of the roundworm Baylisascaris procyonis, which can be contained in the feces and seldom causes a severe illness in humans, can be ingested when cleaning raccoon latrines without wearing breathing protection.

 

While not endemic, the worm Trichinella does infect raccoons, and undercooked raccoon meat has caused trichinosis in humans.

 

Trematode Metorchis conjunctus can also infect raccoons.

 

Relationship with humans

Raccoons have become notorious in urban areas for consuming food waste. They possess impressive problem-solving abilities and can break into all but the most secure food waste bins, which has earned them the derisive nickname trash panda. The presence of raccoons in close proximity to humans may be undesirable, as raccoon droppings (like most wild animals) contain parasites and other disease vectors. Raccoon roundworm is of particular concern to public health. It can be contracted in humans by accidental ingestion or inhalation of the eggs, which are present in the feces of infected raccoons. While usually harmless to the host, it causes progressive neurological damage in humans, and is eventually fatal if untreated. It is found in about 60% of adult raccoons. The general presence of raccoons in an area is not typically of concern, but nests or droppings found within or near structures should be destroyed. Roundworm eggs are very robust and bleach alone is insufficient; burning or treatment with hot solutions of sodium hydroxide is required. The keeping of raccoons as pets is illegal in some jurisdictions due to these risks.

 

The increasing number of raccoons in urban areas has resulted in diverse reactions in humans, ranging from outrage at their presence to deliberate feeding. Some wildlife experts and most public authorities caution against feeding wild animals because they might become increasingly obtrusive and dependent on humans as a food source. Other experts challenge such arguments and give advice on feeding raccoons and other wildlife in their books. Raccoons without a fear of humans are a concern to those who attribute this trait to rabies, but scientists point out this behavior is much more likely to be a behavioral adjustment to living in habitats with regular contact to humans for many generations. Raccoons usually do not prey on domestic cats and dogs, but isolated cases of killings have been reported. Attacks on pets may also target their owners.

  

A Florida raccoon (P. l. elucus) in the Everglades approaches a group of humans, hoping to be fed

While overturned waste containers and raided fruit trees are just a nuisance to homeowners, it can cost several thousand dollars to repair damage caused by the use of attic space as dens. Relocating or killing raccoons without a permit is forbidden in many urban areas on grounds of animal welfare. These methods usually only solve problems with particularly wild or aggressive individuals, since adequate dens are either known to several raccoons or will quickly be rediscovered. Loud noises, flashing lights, and unpleasant odors have proven particularly effective in driving away a mother and her kits before they would normally leave the nesting place (when the kits are about eight weeks old). Typically, though, only precautionary measures to restrict access to food waste and den sites are effective in the long term.

 

Among all fruits and crops cultivated in agricultural areas, sweet corn in its milk stage is particularly popular among raccoons.[309][310] In a two-year study by Purdue University researchers, published in 2004, raccoons were responsible for 87% of the damage to corn plants. Like other predators, raccoons searching for food can break into poultry houses to feed on chickens, ducks, their eggs, or food.

 

Mythology, arts, and entertainment

In the mythology of the Indigenous peoples of the Americas, the raccoon is the subject of folk tales. Stories such as "How raccoons catch so many crayfish" from the Tuscarora centered on its skills at foraging. In other tales, the raccoon played the role of the trickster which outsmarts other animals, like coyotes and wolves. Among others, the Dakota believe the raccoon has natural spirit powers, since its mask resembles the facial paintings, two-fingered swashes of black and white, used during rituals to connect to spirit beings. The Aztecs linked supernatural abilities especially to females, whose commitment to their young was associated with the role of wise women in their society.

 

The raccoon also appears in Native American art across a wide geographic range. Petroglyphs with engraved raccoon tracks were found in Lewis Canyon, Texas; at the Crow Hollow petroglyph site in Grayson County, Kentucky; and in river drainages near Tularosa, the San Francisco River of New Mexico and Arizona. The meaning and significance of the Raccoon Priests Gorget, which features a stylized carving of a raccoon and was found at the Spiro Mounds, Oklahoma, remains unknown.

 

Hunting and fur trade

The fur of raccoons is used for clothing, especially for coats and coonskin caps. At present, it is the material used for the inaccurately named "sealskin" cap worn by the Royal Fusiliers of Great Britain. Sporrans made of raccoon pelt and hide have sometimes been used as part of traditional Scottish highland men's apparel since the 18th century, especially in North America. Such sporrans may or may not be of the "full-mask" type. Historically, Native American tribes not only used the fur for winter clothing, but also used the tails for ornament. The famous Sioux leader Spotted Tail took his name from a raccoon skin hat with the tail attached he acquired from a fur trader. Since the late 18th century, various types of scent hounds, called coonhounds, which are able to tree animals have been bred in the United States. In the 19th century, when coonskins occasionally even served as means of payment, several thousand raccoons were killed each year in the United States. This number rose quickly when automobile coats became popular after the turn of the 20th century. In the 1920s, wearing a raccoon coat was regarded as status symbol among college students. Attempts to breed raccoons in fur farms in the 1920s and 1930s in North America and Europe turned out not to be profitable, and farming was abandoned after prices for long-haired pelts dropped in the 1940s. Although raccoons had become rare in the 1930s, at least 388,000 were killed during the hunting season of 1934–1935.

 

After persistent population increases began in the 1940s, the seasonal coon hunting harvest reached about one million animals in 1946–1947 and two million in 1962–1963. The broadcast of three television episodes about the frontiersman Davy Crockett and the film Davy Crockett, King of the Wild Frontier in 1954 and 1955 led to a high demand for coonskin caps in the United States, although it is unlikely either Crockett or the actor who played him, Fess Parker, actually wore a cap made from raccoon fur. The seasonal hunt reached an all-time high with 5.2 million animals in 1976–1977 and ranged between 3.2 and 4.7 million for most of the 1980s. In 1982, the average pelt price was $20. As of 1987, the raccoon was identified as the most important wild furbearer in North America in terms of revenue. In the first half of the 1990s, the seasonal hunt dropped to 0.9 from 1.9 million due to decreasing pelt prices.

 

Food

While primarily hunted for their fur, raccoons were also a source of food for Native Americans and early American settlers. According to Ernest Thompson Seton, young specimens killed without a fight are palatable, whereas old raccoons caught after a lengthy battle are inedible. Raccoon meat was extensively eaten during the early years of California, where it was sold in the San Francisco market for $1–3 apiece. American slaves occasionally ate raccoon at Christmas, but it was not necessarily a dish of the poor or rural. The first edition of The Joy of Cooking, released in 1931, contained a recipe for preparing raccoon, and US President Calvin Coolidge's pet raccoon Rebecca was originally sent to be served at the White House Thanksgiving Dinner.

 

Although the idea of eating raccoons may seem repulsive to most mainstream consumers, who see them as endearing, cute, or vermin, several thousand raccoons are still eaten each year in the United States, primarily in the Southern United States. Some people tout the taste of the meat.

 

Other uses

In addition to the fur and meat, the raccoon baculum (penis bone) have had numerous traditional uses in the Southern United States and beyond. Indigenous people used the bones as a pipe cleaning tool. The bones were used by moonshine distillers to guide the flow of whiskey from the drip tube to the bottle. With their tips filed down, the bones were used as toothpicks under the moniker "coon rods". In hoodoo, the folk magic of the American South, the baculum is sometimes worn as an amulet for love or luck. The bones also have decorative uses (e.g. on the trademark hat of stock car racer Richard Petty or as earrings by actresses Sarah Jessica Parker and Vanessa Williams).

 

Pet raccoons

Raccoons are sometimes kept as pets, which is discouraged by many experts because the raccoon is not a domesticated species. Raccoons may act unpredictably and aggressively and it is extremely difficult to teach them to obey commands. In places where keeping raccoons as pets is not forbidden, such as in Wisconsin and other U.S. states, an exotic pet permit may be required. One notable pet raccoon was Rebecca, kept by US president Calvin Coolidge.

 

Their propensity for unruly behavior exceeds that of captive skunks, and they are even less trustworthy when allowed to roam freely. Because of their intelligence and nimble forelimbs, even inexperienced raccoons are easily capable of unscrewing jars, uncorking bottles and opening door latches, with more experienced specimens having been recorded to open door knobs. Sexually mature raccoons often show aggressive natural behaviors such as biting during the mating season. Neutering them at around five or six months of age decreases the chances of aggressive behavior developing. Raccoons can become obese and suffer from other disorders due to poor diet and lack of exercise. When fed with cat food over a long time period, raccoons can develop gout. With respect to the research results regarding their social behavior, it is now required by law in Austria and Germany to keep at least two individuals to prevent loneliness. Raccoons are usually kept in a pen (indoor or outdoor), also a legal requirement in Austria and Germany, rather than in the apartment where their natural curiosity may result in damage to property.

 

When orphaned, it is possible for kits to be rehabilitated and reintroduced to the wild. However, it is uncertain whether they readapt well to life in the wild. Feeding unweaned kits with cow's milk rather than a kitten replacement milk or a similar product can be dangerous to their health.

Christmas Lights - Coldplay

 

It's the best christmas song ever. I am going to start a tag relating to Christmas songs!

 

Currently my top 5 favorite Christmas songs:

1. Christmas Lights - Coldplay (stating the obvious)

2. Baby It's Cold Outside- Willie Nelson

3. Wonderful World - Louis Armstrong (Not christmas song exactly, but I love listening to it on christmas!)

4. I'll Be Home for Christmas

5. Christmas (Baby Please Come Home)

 

Your turn!

 

The English language contains many expressions relating to astronomical events, which is not all that strange, when you realise that before humans had clocks, radar, satellites, and so on, people were completely reliant on their own observations in order to keep time and predict seasonal changes.

 

The term ‘blue moon’ is one of many ‘full moon’-expressions. You may have also heard of ‘wolf moon’ or ‘harvest moon’, for example. Many of these terms come from ancient cultures where celestial observations guided local timekeeping.

 

A blue moon does not actually tell you anything about the colour of the Moon. The expression is commonly used when two full moons happen in one calendar month.

 

Our calendar months are based on the lunar cycle. The Moon takes 29.5 days to go through a full cycle. Our calendar months range from 28 to 31 days. As you can tell, the two cycles don’t match up completely. As a consequence, some months will have an extra full moon. The second moon in the same calendar month is often referred to as a ‘blue moon’.

 

This is a relatively rare event, only happening about once every two or three years. Hence the connection to the expression: something that seldomly happens.

 

So, if the Moon doesn’t actually change colour, where did the word ‘blue’ come from? It’s believed this word may have come from the Old English word ‘belewe’, which means ‘betray’. The moon ‘tricked’ people to believe a new calendar month had started, when in fact, it was still the same month.

 

Incidentally, there have been moments when the moon has taken on a slightly more blueish hue than what we’re used to. This sometimes happens as a result of increased ash or smoke particles in the atmosphere after a volcanic eruption, like when Krakatoa erupted in 1883. But such events only occur once in a … blue moon.

 

Credits: ESA

Life is full of stories – some deeply personal and specific, others universally relatable. My story is beautiful and complicated and bittersweet and hard. Life is just that way. So are photographs.

 

The birth of my daughter was life-changing, but not in the way I expected. Though there has been no greater joy for me, the responsibility of another life has proven to be at times a heavy load. Thinking about this in a literal sense, I imagined a heavy home on my shoulders, yet held tightly with love – a burden and a joy, a challenge and a reprieve. This became the first image in the series The Heart and the Heavy.

 

From there the stories evolved, just as my life has. The genesis of an image comes from moments of life, like a still from an old movie. Movement and pain and the simple joys of being alive are frozen in time – a study of fictional worlds based in reality. Compelled to shoot these stories, I am haunted for days and months until it is released in an image. Telling someone’s tale in a world not quite like our own.

 

-------------------------

 

It has been almost two years since I shot the image that changed my focus and redirected me as an artist. That image, The Heart and The Heavy, became a catalyst for a new study and the exhibit by the same name. I am thrilled to have the work on display in somewhat of an southeast tour this fall and winter.

 

First up, the Durham Art Guild is presenting the show from October 1 - 28 at the Room 100 Gallery in the Golden Belt in Durham, NC. There will be a public reception on Friday, October 18th from 6-9 p.m.

 

Next stop on the tour is Atlanta. The Jennifer Schwartz Gallery and I will be creating a one-night only special event on November 1st from 6-9 p.m. at DEADRINGER [prints + projects] located at Studio LR-12 at The Goat Farm Arts Center (1200 Foster Street, Atlanta, GA 30318). Then catch the show for the remainder of the year in the Jennifer Schwartz Gallery.

 

The MoNA Gallery in Charlotte will host the show from March 7 - April 26, 2014, with the opening reception on March the 7th. MoNA Gallery is located at 1900 N. Brevard St., Charlotte, NC 28206.

 

I couldn't be happier to be sharing this body of work. I hope to see you there!

  

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To view more of my images of aircraft and space craft, click "here" !

 

Very sad news, relating to a fatal crash of this beautiful aircraft, please read "here" ! ............ More "here" !

 

The North American Aviation P-51 Mustang was an American long-range, single-seat fighter and fighter-bomber used during World War II, the Korean War and other conflicts. The Mustang was conceived, designed and built by North American Aviation (NAA) in response to a specification issued directly to NAA by the British Purchasing Commission. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed and, with an engine installed, first flew on 26 October. The Mustang was originally designed to use the Allison V-1710 engine, which had limited high-altitude performance. It was first flown operationally by the Royal Air Force (RAF) as a tactical-reconnaissance aircraft and fighter-bomber (Mustang Mk I). The addition of the Rolls-Royce Merlin to the P-51B/C model transformed the Mustang's performance at altitudes above 15,000 ft, matching or bettering that of the Luftwaffe's fighters. The definitive version, the P-51D, was powered by the Packard V-1650-7, a license-built version of the Rolls-Royce Merlin 60 series two-stage two-speed supercharged engine, and armed with six .50 caliber (12.7 mm) M2 Browning machine guns. From late 1943, P-51Bs (supplemented by P-51Ds from mid-1944) were used by the USAAF's Eighth Air Force to escort bombers in raids over Germany, while the RAF's 2 TAF and the USAAF's Ninth Air Force used the Merlin-powered Mustangs as fighter-bombers, roles in which the Mustang helped ensure Allied air superiority in 1944. The P-51 was also in service with Allied air forces in the North African, Mediterranean and Italian theaters, and saw limited service against the Japanese in the Pacific War. During World War II, Mustang pilots claimed 4,950 enemy aircraft shot down. At the start of the Korean War, the Mustang was the main fighter of the United Nations until jet fighters such as the F-86 took over this role; the Mustang then became a specialized fighter-bomber. Despite the advent of jet fighters, the Mustang remained in service with some air forces until the early 1980s. After World War II and the Korean War, many Mustangs were converted for civilian use, especially air racing, and increasingly, preserved and flown as historic warbird aircraft at airshows. In April 1938, shortly after the German Anschluss of Austria, the British government established a purchasing commission in the United States, headed by Sir Henry Self. Self was given overall responsibility for Royal Air Force (RAF) production and research and development, and also served with Sir Wilfrid Freeman, the "Air Member for Development and Production". Self also sat on the British Air Council Sub-committee on Supply (or "Supply Committee") and one of his tasks was to organize the manufacturing and supply of American fighter aircraft for the RAF. At the time, the choice was very limited, as no U.S. aircraft then in production or flying met European standards, with only the Curtiss P-40 Tomahawk coming close. The Curtiss-Wright plant was running at capacity, so P-40s were in short supply. North American Aviation (NAA) was already supplying its Harvard trainer to the RAF, but was otherwise underutilized. NAA President "Dutch" Kindelberger approached Self to sell a new medium bomber, the B-25 Mitchell. Instead, Self asked if NAA could manufacture the Tomahawk under license from Curtiss. Kindelberger said NAA could have a better aircraft with the same engine in the air sooner than establishing a production line for the P-40. The Commission stipulated armament of four .303 in (7.7 mm) machine guns, the Allison V-1710 liquid-cooled engine, a unit cost of no more than $40,000, and delivery of the first production aircraft by January 1941. In March 1940, 320 aircraft were ordered by Sir Wilfred Freeman who had become the executive head of Ministry of Aircraft Production (MAP), and the contract was promulgated on 24 April. The NA-73X, which was designed by a team led by lead engineer Edgar Schmued, followed the best conventional practice of the era, but included several new features. One was a wing designed using laminar flow airfoils which were developed co-operatively by North American Aviation and the National Advisory Committee for Aeronautics (NACA). These airfoils generated very low drag at high speeds. During the development of the NA-73X, a wind tunnel test of two wings, one using NACA 5-digit airfoils and the other using the new NAA/NACA 45–100 airfoils, was performed in the University of Washington Kirsten Wind Tunnel. The results of this test showed the superiority of the wing designed with the NAA/NACA 45–100 airfoils. The other feature was a new radiator design that exploited the "Meredith Effect", in which heated air exited the radiator as a slight amount of jet thrust. Because NAA lacked a suitable wind tunnel to test this feature, it used the GALCIT 10 ft (3.0 m) wind tunnel at Caltech. This led to some controversy over whether the Mustang's cooling system aerodynamics were developed by NAA's engineer Edgar Schmued or by Curtiss, although NAA had purchased the complete set of P-40 and XP-46 wind tunnel data and flight test reports for US$56,000. The NA-73X was also one of the first aircraft to have a fuselage lofted mathematically using conic sections; this resulted in the aircraft's fuselage having smooth, low drag surfaces. To aid production, the airframe was divided into five main sections—forward, center, rear fuselage and two wing halves — all of which were fitted with wiring and piping before being joined. The prototype NA-73X was rolled out in September 1940 and first flew on 26 October 1940, respectively 102 and 149 days after the order had been placed, an uncommonly short gestation period. The prototype handled well and accommodated an impressive fuel load. The aircraft's two-section, semi-monocoque fuselage was constructed entirely of aluminum to save weight. It was armed with four .30 in (7.62 mm) M1919 Browning machine guns, two in the wings and two mounted under the engine and firing through the propeller arc using gun synchronizing gear. While the United States Army Air Corps (USAAC) could block any sales it considered detrimental to the interests of the US, the NA-73 was considered to be a special case because it had been designed at the behest of the British. In September 1940. a further 300 NA-73s were ordered by MAP. To ensure uninterrupted delivery Colonel Oliver P. Echols arranged with the Anglo-French Purchasing Commission to deliver the aircraft, and NAA gave two examples (41-038 and 41-039) to the USAAC for evaluation.

 

"From Wikipedia, the free encyclopedia" !

 

The Wright StreetLite not a type usually seen here. Possibly its presence may relate to the open engine compartment cover (just visible to the right) of a Centrebus Optare Solo in front.

 

Centrebus no longer operates to Biggleswade.

Nyxie Phoenix here with a story so dystopian that the slogan "abandon all hope, ye who enter" cannot warn you away enough. Don't read this with ordinary spectacles, you will need goggles like mine and a flask of gin and tonic laced with chamomile to suppress your nerve endings as I relate the tale known to sewer alligators and those who creep about the city at night as, "The Contagion".

 

You're all worried about the coronavirus. Little do you realize it's nothing compared to what's lurking out there.

 

I was a normal girl living a normal life in the city until my phone rang this evening. It was my friend Six, who shares my apartment, and she sounded hysterical.

 

"Nyx, come to the warehouse at White and Fifth. Get my laser gun and radiation detector from under my bed and try to get some holy water or at least rubbing alcohol. It's the big red brick building on the southeast corner. You'll need a good flashlight, there's one in my sock drawer. Don't -- "

 

The line went dead.

 

"Six?" Nothing.

 

Radiation detector? Laser gun? ... Holy water? Six was a pretty sober kind of girl who kept herself to herself but maybe she was into some weird drugs. She sounded very freaked out, though, so I guessed I could at least look under her bed.

 

Sure enough, the gun and detector were there. This was pretty strange. Not being a vampire hunter I didn't have much in the way of holy water but I poured some rubbing alcohol into a bottle. I got the flashlight from the sock drawer. It was small enough to fit in my pocket but had a wide bulb that emitted a high-powered beam. Why did she have all this stuff?

 

Are you really going to do this?

 

I didn't stop to answer myself so I guessed the answer was yes. I grabbed my jacket and went out into the night.

 

The building at the corner of White and Fifth had seen better days. The bricks were dark with grime, the windows shattered. It looked pretty grim under the streetlights. Six hadn't said anything about a way in; surely the doors must be locked.

 

As I surveyed the building something that looked like a pale wisp of smoke moved at top speed across my vision. I blinked and it was gone.

 

Ok, weird.

 

The big doors at the front were chained shut but eventually I found a small door around the back that I could pull open. It was pitch black inside and smelled damp and stale. I switched on my flashlight.

 

Now what?

 

I decided to keep to the wall, not wanting to step out into the middle of the room and lose my bearings. I could hear my breathing and heartbeat. I moved the flashlight in slow, steady sweeps, trying to ignore the whitish wisps that seemed to dance at the edge of my vision.

 

Eventually I worked my way around the room and came to another door. This led to a new room, and when I moved the flashlight it caught a pale thing on the floor. I cautiously moved towards it. It was a crumpled sheet of paper.

 

Shining the light on it, I read:

 

"I know it's already too late. Have to warn about the geists. I don't think anyone will believe how many are already infected. I think they go in through the mouth or nose while we're sleeping but we can also breathe them in while we're awake. The changed ones are cunning and can act human, but they aren't. It spreads through a breath, a kiss, a whisper. I think they emit some low-level radiation I can pick up. It may be the test so we can see who is still human. The infected will have to be cleansed. A spray of holy water might work if they're in geist form and rubbing alcohol seems to deter them, but once they're in a body I think we'll have to go for the kill. I can't reach Control any longer and I don't know if there are other agents in the field. I cannot contain this by myself. Millions may already be infected, maybe governments and military. I may have to reach out to"

 

That was all there was.

 

I wondered if this was a setup. Was I being filmed on hidden night vision camera for some stupid ghost-hunting show or was this a unique invitation to some rave? Was Six mentally ill or --

 

Again the whiteness hovering in my peripheral vision. I turned my head. Nothing there.

 

This was crazy, but I was really spooked. Alone in a dark warehouse at night, who wouldn't be?

 

And where was Six?

 

I put the paper in my pocket and kept moving through a series of doors until I saw light shining under one of them. Who was inside? Dared I go through? It was the only way to find out and I opened the door.

 

I squinted at the light in the room, as my eyes were used to the dark. There was a desk with a computer, a few chairs, some boxes of equipment and a few techie things around the room I didn't recognize. And at the desk sat Six. She turned and smiled.

 

"Hi Nyx," she said.

 

"What the hell, Six? What is this place? Why are you here? Why did you call me?"

 

Six laughed.

 

"Sorry to upset you. Actually I'm working on something for my company. It's a kind of game, you know Pokémon Go? Well, a bit like that, but more of a scavenger hunt in meatspace. It doesn't really use phones except for the initial contact, but there are some special effects we rigged in the destinations. I don't know if you noticed some pale apparitions when you came in?"

 

"You brought me out here just for a game? Are you crazy? I thought something was really wrong! And that crazy list of stuff --"

 

Six looked apologetic. "Sorry Nyx. I just wanted to test the initial concept. It's still pretty roughly worked-out, and of course the things you brought were just props. I thought you'd see the funny side. It'll be pretty exciting when we get it to the beta stage. Meanwhile, I think I have a flask of gin somewhere. Let's have a drink and then we can go home together."

 

She got busy with the flask and a bottle of tonic. Watching her, I felt something stirring in my mind. She was so easy, so relaxed, nothing like the tone of her phone call, nothing like the controlled panic of the paper I'd found. Her story didn't match what I'd read.

 

Was Six lying to me?

 

She held out a drink. "Sorry it's warm. You aren't still mad, are you?"

 

I forced a smile. "You scared the hell out of me, Six. I hope this game's going to be worth it."

 

"It'll go viral," said Six, and the ghost of a smile crossed her lips. For a minute I was scared to taste the drink -- was she going to poison or drug me? -- but I needed that drink right now. I took a sip and it seemed fine.

 

Six was watching me. Did she suspect something? I hadn't mentioned the paper to her and I realized I wasn't going to.

 

"Cool special effects," I said, trying to sound natural.

 

"Yup," said Six. "We're proud of them. Here, try these." She handed over some goggles.

 

I put them on and nearly jumped out of my skin. All around us, flying through the air, were.... things.

 

They were wispy like smoke, pale in colour, but had what looked like faces which kept shifting and re-forming. Their expression was malevolent and as they darted around the room they cast glances at me out of shadowy eyes. I ripped the goggles off my face and they vanished.

 

"You can see them a little without goggles if the room's very dark, but if it's lit up you need them," said Six.

 

"Are they some kind of computer generated projection?" I asked.

 

"Something like that," said Six. "Anyhow, I guess I've worked late enough tonight. Let's get home."

 

On the way home I kept thinking I saw flashes of light at the corners of my eyes. Six went straight to her room after we got in. I asked her if I could keep the "props" as souvenirs and she hesitated, but then she said, almost to herself, "Why not? It's not as if you know how to -- it's not as if you can do any harm with them."

 

I'm sitting in my room now. I'm very scared. I don't know what to do.

 

I believe the paper. I believe Six was trying to contact me and she wrote that note and then something happened to her. Like she said, "they go in through the mouth or nose.... we can breathe them in".

 

Six is infected.

 

I can't trust her. She's pretending everything's all right. But this is no game. I've seen the -- geists? How many have they infected already? Governments and military, she wrote. If that's true, this could be the end of the human race.

 

I'm sitting on my bed with the lights out. I'm writing this on my phone. I'll try to get it up on the Net somewhere. I haven't seen any white wisps but I can't be sure. I can't go to sleep or they may get me. I saw Six put the goggles in her pocket. Maybe I'll sneak out and try to steal them. Then I can see them with the lights on. I'll sprinkle myself with the rubbing alcohol and I'll try to figure out the radiation detector. I'll try to make it through the night.

 

But then what? Who can I tell? Who can I trust?

 

Something white just flashed past the corner of my eye. This may be my last moment of being human. If you are reading this, protect yourself. Get a radiation detector. Get holy water. Arm yourself. Don't go to sleep.

 

May we all make it through somehow. This is Nyxie Phoenix saying good night and goodbye.

 

The End

   

First of July 2017 I made my way to Stonehaven, a small fishing town a few miles from Aberdeen, while there the sun shone high in the blue sky making it a perfect day to capture the scenery and landscape surrounding me, hence I packed my Nikon D750 and made full use of it, I left Stonehaven around 16pm and drove the few miles to this wonderful location Dunnottar Castle, absolutely breathtaking , I post a few of the photos I have taken along with a brief history of castles heritage .

 

Dunnottar Castle (Scottish Gaelic: Dùn Fhoithear, "fort on the shelving slope" is a ruined medieval fortress located upon a rocky headland on the north-east coast of Scotland, about 3 kilometres (1.9 mi) south of Stonehaven.

 

The surviving buildings are largely of the 15th and 16th centuries, but the site is believed to have been fortified in the Early Middle Ages. Dunnottar has played a prominent role in the history of Scotland through to the 18th-century Jacobite risings because of its strategic location and defensive strength. Dunnottar is best known as the place where the Honours of Scotland, the Scottish crown jewels, were hidden from Oliver Cromwell's invading army in the 17th century. The property of the Keiths from the 14th century, and the seat of the Earl Marischal, Dunnottar declined after the last Earl forfeited his titles by taking part in the Jacobite rebellion of 1715.

 

The castle was restored in the 20th century and is now open to the public.

 

The ruins of the castle are spread over 1.4 hectares (3.5 acres), surrounded by steep cliffs that drop to the North Sea, 50 metres (160 ft) below. A narrow strip of land joins the headland to the mainland, along which a steep path leads up to the gatehouse.

 

The various buildings within the castle include the 14th-century tower house as well as the 16th-century palace. Dunnottar Castle is a scheduled monument, and twelve structures on the site are listed buildings.

 

History

Early Middle Ages

A chapel at Dunnottar is said to have been founded by St Ninian in the 5th century, although it is not clear when the site was first fortified, but in any case the legend is late and highly implausible. Possibly the earliest written reference to the site is found in the Annals of Ulster which record two sieges of "Dún Foither" in 681 and 694.

 

The earlier event has been interpreted as an attack by Brude, the Pictish king of Fortriu, to extend his power over the north-east coast of Scotland. The Scottish Chronicle records that King Domnall II, the first ruler to be called rí Alban (King of Alba), was killed at Dunnottar during an attack by Vikings in 900. King Aethelstan of Wessex led a force into Scotland in 934, and raided as far north as Dunnottar according to the account of Symeon of Durham. W. D. Simpson speculated that a motte might lie under the present caste, but excavations in the 1980s failed to uncover substantive evidence of early medieval fortification.

 

The discovery of a group of Pictish stones at Dunnicaer, a nearby sea stack, has prompted speculation that "Dún Foither" was actually located on the adjacent headland of Bowduns, 0.5 kilometres (0.31 mi) to the north.

 

Later Middle Ages

During the reign of King William the Lion (ruled 1165–1214) Dunnottar was a center of local administration for The Mearns. The castle is named in the Roman de Fergus, an early 13th-century Arthurian romance, in which the hero Fergus must travel to Dunnottar to retrieve a magic shield.

 

In May 1276 a church on the site was consecrated by William Wishart, Bishop of St Andrews. The poet Blind Harry relates that William Wallace captured Dunnottar from the English in 1297, during the Wars of Scottish Independence. He is said to have imprisoned 4,000 defeated English soldiers in the church and burned them alive.

 

In 1336 Edward III of England ordered William Sinclair, 8th Baron of Roslin, to sail eight ships to the partially ruined Dunnottar for the purpose of rebuilding and fortifying the site as a forward resupply base for his northern campaign. Sinclair took with him 160 soldiers, horses, and a corps of masons and carpenters.

 

Edward himself visited in July, but the English efforts were undone before the end of the year when the Scottish Regent Sir Andrew Murray led a force that captured and again destroyed the defences of Dunnottar.

 

In the 14th century Dunnottar was granted to William de Moravia, 5th Earl of Sutherland (d.1370), and in 1346 a licence to crenellate was issued by David II. Around 1359 William Keith, Marischal of Scotland, married Margaret Fraser, niece of Robert the Bruce, and was granted the barony of Dunnottar at this time. Keith then gave the lands of Dunnottar to his daughter Christian and son-in-law William Lindsay of Byres, but in 1392 an excambion (exchange) was agreed whereby Keith regained Dunnottar and Lindsay took lands in Fife.

 

William Keith completed construction of the tower house at Dunnottar, but was excommunicated for building on the consecrated ground associated with the parish church. Keith had provided a new parish church closer to Stonehaven, but was forced to write to the Pope, Benedict XIII, who issued a bull in 1395 lifting the excommunication.William Keith's descendents were created Earls Marischal in the mid 15th century, and they held Dunottar until the 18th century.

 

16th century rebuilding

Through the 16th century the Keiths improved and expanded their principal seats: at Dunnottar and also at Keith Marischal in East Lothian. James IV visited Dunnottar in 1504, and in 1531 James V exempted the Earl's men from military service on the grounds that Dunnottar was one of the "principall strenthis of our realme".

 

Mary, Queen of Scots, visited in 1562 after the Battle of Corrichie, and returned in 1564.

 

James VI stayed for 10 days in 1580, as part of a progress through Fife and Angus, during which a meeting of the Privy Council was convened at Dunnottar.

 

During a rebellion of Catholic nobles in 1592, Dunnottar was captured by a Captain Carr on behalf of the Earl of Huntly, but was restored to Lord Marischal just a few weeks later.

 

In 1581 George Keith succeeded as 5th Earl Marischal, and began a large scale reconstruction that saw the medieval fortress converted into a more comfortable home. The founder of Marischal College in Aberdeen, the 5th Earl valued Dunnottar as much for its dramatic situation as for its security.

 

A "palace" comprising a series of ranges around a quadrangle was built on the north-eastern cliffs, creating luxurious living quarters with sea views. The 13th-century chapel was restored and incorporated into the quadrangle.

 

An impressive stone gatehouse was constructed, now known as Benholm's Lodging, featuring numerous gun ports facing the approach. Although impressive, these are likely to have been fashionable embellishments rather than genuine defensive features.

 

Civil wars

Further information: Scotland in the Wars of the Three Kingdoms

In 1639 William Keith, 7th Earl Marischal, came out in support of the Covenanters, a Presbyterian movement who opposed the established Episcopal Church and the changes which Charles I was attempting to impose. With James Graham, 1st Marquess of Montrose, he marched against the Catholic James Gordon, 2nd Viscount Aboyne, Earl of Huntly, and defeated an attempt by the Royalists to seize Stonehaven. However, when Montrose changed sides to the Royalists and marched north, Marischal remained in Dunnottar, even when given command of the area by Parliament, and even when Montrose burned Stonehaven.

 

Marischal then joined with the Engager faction, who had made a deal with the king, and led a troop of horse to the Battle of Preston (1648) in support of the royalists.

 

Following the execution of Charles I in 1649, the Engagers gave their allegiance to his son and heir: Charles II was proclaimed king, arriving in Scotland in June 1650. He visited Dunnottar in July 1650, but his presence in Scotland prompted Oliver Cromwell to lead a force into Scotland, defeating the Scots at Dunbar in September 1650.

 

The Honours of Scotland

Charles II was crowned at Scone Palace on 1 January 1651, at which the Honours of Scotland (the regalia of crown, sword and sceptre) were used. However, with Cromwell's troops in Lothian, the honours could not be returned to Edinburgh. The Earl Marischal, as Marischal of Scotland, had formal responsibility for the honours, and in June the Privy Council duly decided to place them at Dunnottar.

 

They were brought to the castle by Katherine Drummond, hidden in sacks of wool. Sir George Ogilvie (or Ogilvy) of Barras was appointed lieutenant-governor of the castle, and given responsibility for its defence.

 

In November 1651 Cromwell's troops called on Ogilvie to surrender, but he refused. During the subsequent blockade of the castle, the removal of the Honours of Scotland was planned by Elizabeth Douglas, wife of Sir George Ogilvie, and Christian Fletcher, wife of James Granger, minister of Kinneff Parish Church. The king's papers were first removed from the castle by Anne Lindsay, a kinswoman of Elizabeth Douglas, who walked through the besieging force with the papers sewn into her clothes.

 

Two stories exist regarding the removal of the honours themselves. Fletcher stated in 1664 that over the course of three visits to the castle in February and March 1652, she carried away the crown, sceptre, sword and sword-case hidden amongst sacks of goods. Another account, given in the 18th century by a tutor to the Earl Marischal, records that the honours were lowered from the castle onto the beach, where they were collected by Fletcher's servant and carried off in a creel (basket) of seaweed. Having smuggled the honours from the castle, Fletcher and her husband buried them under the floor of the Old Kirk at Kinneff.

 

Meanwhile, by May 1652 the commander of the blockade, Colonel Thomas Morgan, had taken delivery of the artillery necessary for the reduction of Dunnottar. Ogilvie surrendered on 24 May, on condition that the garrison could go free. Finding the honours gone, the Cromwellians imprisoned Ogilvie and his wife in the castle until the following year, when a false story was put about suggesting that the honours had been taken overseas.

 

Much of the castle property was removed, including twenty-one brass cannons,[28] and Marischal was required to sell further lands and possessions to pay fines imposed by Cromwell's government.

 

At the Restoration of Charles II in 1660, the honours were removed from Kinneff Church and returned to the king. Ogilvie quarrelled with Marischal's mother over who would take credit for saving the honours, though he was eventually rewarded with a baronetcy. Fletcher was awarded 2,000 merks by Parliament but the sum was never paid.

  

Whigs and Jacobites

Religious and political conflicts continued to be played out at Dunnottar through the 17th and early 18th centuries. In 1685, during the rebellion of the Earl of Argyll against the new king James VII, 167 Covenanters were seized and held in a cellar at Dunnottar. The prisoners included 122 men and 45 women associated with the Whigs, an anti-Royalist group within the Covenanter movement, and had refused to take an oath of allegiance to the new king.

 

The Whigs were imprisoned from 24 May until late July. A group of 25 escaped, although two of these were killed in a fall from the cliffs, and another 15 were recaptured. Five prisoners died in the vault, and 37 of the Whigs were released after taking the oath of allegiance.

 

The remaining prisoners were transported to Perth Amboy, New Jersey, as part of a colonisation scheme devised by George Scot of Pitlochie. Many, like Scot himself, died on the voyage.

 

The cellar, located beneath the "King's Bedroom" in the 16th-century castle buildings, has since become known as the "Whigs' Vault".

 

Both the Jacobites (supporters of the exiled Stuarts) and the Hanoverians (supporters of George I and his descendents) used Dunnottar Castle. In 1689 during Viscount Dundee's campaign in support of the deposed James VII, the castle was garrisoned for William and Mary with Lord Marischal appointed captain.

 

Seventeen suspected Jacobites from Aberdeen were seized and held in the fortress for around three weeks, including George Liddell, professor of mathematics at Marischal College.

 

In the Jacobite Rising of 1715 George Keith, 10th Earl Marischal, took an active role with the rebels, leading cavalry at the Battle of Sheriffmuir. After the subsequent abandonment of the rising Lord Marischal fled to the Continent, eventually becoming French ambassador for Frederick the Great of Prussia. Meanwhile, in 1716, his titles and estates including Dunnottar were declared forfeit to the crown.

 

Later history

The seized estates of the Earl Marischal were purchased in 1720 for £41,172, by the York Buildings Company who dismantled much of the castle.

 

In 1761 the Earl briefly returned to Scotland and bought back Dunnottar only to sell it five years later to Alexander Keith, an Edinburgh lawyer who served as Knight Marischal of Scotland.

 

Dunnottar was inherited in 1852 by Sir Patrick Keith-Murray of Ochtertyre, who in turn sold it in July 1873 to Major Alexander Innes of Cowie and Raemoir for about £80,000.

 

It was purchased by Weetman Pearson, 1st Viscount Cowdray, in 1925 after which his wife embarked on a programme of repairs.

 

Since that time the castle has remained in the family, and has been open to the public, attracting 52,500 visitors in 2009.

 

Dunnottar Castle, and the headland on which is stands, was designated as a scheduled monument in 1970.In 1972 twelve of the structures at Dunnottar were listed.

 

Three buildings are listed at category A as being of "national importance": the keep; the entrance gateway; and Benholm's Lodging.

 

The remaining listings are at category B as being of "regional importance".[39] The Hon. Charles Anthony Pearson, the younger son of the 3rd Viscount Cowdray, currently owns and runs Dunnottar Castle which is part of the 210-square-kilometre (52,000-acre) Dunecht Estates.

 

Portions of the 1990 film Hamlet, starring Mel Gibson and Glenn Close, were shot there.

  

Description

Dunnottar's strategic location allowed its owners to control the coastal terrace between the North Sea cliffs and the hills of the Mounth, 3.5 kilometres (2.2 mi) inland, which enabled access to and from the north-east of Scotland.

 

The site is accessed via a steep, 800-metre (2,600 ft) footpath (with modern staircases) from a car park on the coastal road, or via a 3-kilometre (1.9 mi) cliff-top path from Stonehaven. Dunnottar's several buildings, put up between the 13th and 17th centuries, are arranged across a headland covering around 1.4 hectares (3.5 acres).

 

The dominant building, viewed from the land approach, is the 14th-century keep or tower house. The other principal buildings are the gatehouse; the chapel; and the 16th-century "palace" which incorporates the "Whigs' Vault".

 

Defences

The approach to the castle is overlooked by outworks on the "Fiddle Head", a promontory on the western side of the headland. The entrance is through the well-defended main gate, set in a curtain wall which entirely blocks a cleft in the rocky cliffs.

 

The gate has a portcullis and has been partly blocked up. Alongside the main gate is the 16th-century Benholm's Lodging, a five-storey building cut into the rock, which incorporated a prison with apartments above.

 

Three tiers of gun ports face outwards from the lower floors of Benholm's Lodging, while inside the main gate, a group of four gun ports face the entrance. The entrance passage then turns sharply to the left, running underground through two tunnels to emerge near the tower house.

 

Simpson contends that these defences are "without exception the strongest in Scotland", although later writers have doubted the effectiveness of the gun ports. Cruden notes that the alignment of the gun ports in Benholm's Lodging, facing across the approach rather than along, means that they are of limited efficiency.

 

The practicality of the gun ports facing the entrance has also been questioned, though an inventory of 1612 records that four brass cannons were placed here.

 

A second access to the castle leads up from a rocky cove, the aperture to a marine cave on the northern side of the Dunnottar cliffs into which a small boat could be brought. From here a steep path leads to the well-fortified postern gate on the cliff top, which in turn offers access to the castle via the Water Gate in the palace.

 

Artillery defences, taking the form of earthworks, surround the north-west corner of the castle, facing inland, and the south-east, facing seaward. A small sentry box or guard house stands by the eastern battery, overlooking the coast.

 

Tower house and surrounding buildings

The tower house of Dunnottar, viewed from the west

The late 14th-century tower house has a stone-vaulted basement, and originally had three further storeys and a garret above.

 

Measuring 12 by 11 metres (39 by 36 ft), the tower house stood 15 metres (49 ft) high to its gable. The principal rooms included a great hall and a private chamber for the lord, with bedrooms upstairs.

 

Beside the tower house is a storehouse, and a blacksmith's forge with a large chimney. A stable block is ranged along the southern edge of the headland. Nearby is Waterton's Lodging, also known as the Priest's House, built around 1574, possibly for the use of William Keith (died 1580), son of the 4th Earl Marischal.

 

This small self-contained house includes a hall and kitchen at ground level, with private chambers above, and has a projecting spiral stair on the north side. It is named for Thomas Forbes of Waterton, an attendant of the 7th Earl.

 

The palace

The palace, to the north-east of the headland, was built in the late 16th century and early to mid-17th century. It comprises three main wings set out around a quadrangle, and for the most part is probably the work of the 5th Earl Marischal who succeeded in 1581.

 

It provided extensive and comfortable accommodation to replace the rooms in the tower house. In its long, low design it has been compared to contemporary English buildings, in contrast to the Scottish tradition of taller towers still prevalent in the 16th century.

 

Seven identical lodgings are arranged along the west range, each opening onto the quadrangle and including windows and fireplace. Above the lodgings the west range comprised a 35-metre (115 ft) gallery. Now roofless, the gallery originally had an elaborate oak ceiling, and on display was a Roman tablet taken from the Antonine Wall.

 

At the north end of the gallery was a drawing room linked to the north range. The gallery could also be accessed from the Silver House to the south, which incorporated a broad stairway with a treasury above.

 

The basement of the north range incorporates kitchens and stores, with a dining room and great chamber above. At ground floor level is the Water Gate, between the north and west ranges, which gives access to the postern on the northern cliffs.

 

The east and north ranges are linked via a rectangular stair. The east range has a larder, brewhouse and bakery at ground level, with a suite of apartments for the Countess above. A north-east wing contains the Earl's apartments, and includes the "King's Bedroom" in which Charles II stayed. In this room is a carved stone inscribed with the arms of the 7th Earl and his wife, and the date 1654. Below these rooms is the Whigs' Vault, a cellar measuring 16 by 4.5 metres (52 by 15 ft). This cellar, in which the Covenanters were held in 1685, has a large eastern window, as well as a lower vault accessed via a trap-door in the floor.

 

Of the chambers in the palace, only the dining room and the Silver House remain roofed, having been restored in the 1920s. The central area contains a circular cistern or fish pond, 16 metres (52 ft) across and 7.6 metres (25 ft) deep, and a bowling green is located to the west.

 

At the south-east corner of the quadrangle is the chapel, consecrated in 1276 and largely rebuilt in the 16th century. Medieval walling and two 13th-century windows remain, and there is a graveyard to the south...

The title relates to the influence on me by the late Bill Brandt who famously shot this scene originally.

 

This is not what he shot (or published at least) but I have replicated that shot also, see 'Homage' in this album.

 

Although my shot is different to Brandt's famous image, I have tried to produce it in his style - heavy shadows with contrasting light. Although my Canon 5D2 is not the best for dynamic range it still managed to record a lot of detail in the shadows and mid tones which I've darkened. I also shot this image at ISO6400 for a maximum grainy effect as I was only ever going to convert the original RAW colour file into B&W.

 

It's probably my favourite shot of the day.

 

This self portrait, "In Limbo" relates to how I currently feel about my photography and the photography world overall. I know that it is an irrational fear but sometimes I am terrified that I will not be able to constantly put out meaningful, aesthetically striking, and important work. I don't want to be a one hit wonder. I would love nothing more then to make a career out of my art but I know that the chances are not in my favour. I have to be prepared for that. On the other hand, I wholeheartedly believe that if you follow your passion then everything else will follow. Truth.

 

Fun fact: I'm wearing my friend's bat mitzvah dress aka I have the body of a 12 year old apparently hahaha.

 

Please like my facebook page!

" الأوقات القديمة الطيّـبة " مضتْ – كل الأوقات هي طيِّـبة عندما تكون قديمة :)

بالعافيه :P

  

Sorry, comments that doesn't relate to the photo & copy paste will be deleted.

For a Better Flickr ،، =)

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

 

Inspiration: looking deeply into money, currency, finance, savings, investing, stocks, bonds, etc.

 

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

 

Inspiration: Receiving money. Earning money. Investing. Cost of living. Saving money... etc.

 

Imagine nestled in one of these hammocks, light fading, stresses fading, and not a care in the world. One thing I loved about Pumpkin Island, you really didn't care what time it was. The only time on this little island, is "Island Time" which only relates to the tides :)

 

Pumpkin Island, Keppel Island Group, Great Barrier Reef, Queensland, Australia.

From Wikipedia relating to the original structure:

 

For the Canadian Centennial in 1967, the City of Calgary elected to undertake, as a civic project, the construction of a new planetarium. This choice was reflective of the interest in space exploration that was prominent in the 1960s. A design competition was held in 1964 for the new building. Advised by the director of the architecture department at the University of British Columbia, Henry Elder, the three finalists were McMillan Long, Gordon Atkins, and Bill Boucock. The design by the firm of McMillan Long and Associates was eventually selected as the winner. This firm had been established in 1964 between Hugh McMillan and Jack Long, and lasted until 1969, at which time McMillan retired. The Centennial Planetarium was built between 1966 and 1967 by Sam Hashman.

 

Built on a site north of Mewata Armouries overlooking the Bow River, the Planetarium is constructed of raw concrete and features non-orthogonal design. Designed around a central bay, the building has two main wings. The west wing holds the "celestial theatre," a 255-seat theatre with a 65-foot domed screen. The east wing holds a 250-seat lecture hall. The Planetarium also contains a library, observation deck, and telescopes.

 

In 1967 the Planetarium won the Nation Design Council Concrete Award, and in 1970 the Massey Medal in Architecture.

 

From 1971 to 1985, the Planetarium also housed the collection of aircraft, aero engines, and associated reference library that became the basis of the Hangar Flight Museum. [1]

 

In 1984 the Calgary Science Centre moved into the Centennial Planetarium. It would occupy the space for the next 27 years.

 

The Science Centre moved into a new building in 2011, leaving the Planetarium empty or under-utilized until Contemporary Calgary acquired it. After extensive renovations, the building reopened as Calgary's premier modern art gallery.

Here is another scan and retouch that relates some history... and needs help from Edna to stand up. It was snapped of Katherine at Alice's Wild Basin cabin at the Copeland Lake area, the south end of Rocky Mtn. National Park. Grandmother, Alice, spent every summer at her cabin right near the Wild Basin Lodge. The one-year-old and mother is at the porch steps on the south side of the cabin. The pine is the balsam by the steps in the background that Granny watered regularly. Down the hill, the North St.Vrain River scrambled down the canyon. It was filled with all those trout. Alice kept her fly rod on nails on the porch above. It was quick to grab on her way down to the river. The cabin was ever a mellow place to stay in 1943 and anytime later.

 

Talk about a mellow place to stay, the entire world would like to pack in here this summer as Global Warming ramps up. It snowed on me at Wild Basin one July. Now, at Longmont, the nights are seldom dropping to 60 and below so far. So much for T-Rump's Tirade against the Environment (his TTE - Trade the Environment for cash policy); it's starting to really pay off with rain in the Arctic and state sized bergs calving in the Antarctic.

 

The water supply for the uninsulated cabin was pumped directly from the river when there was no thought about the quality of the water supply. Do I remember something about tumbling streams oxygenating themselves in a 1/4 mile? Nobody ever gave a thought about drinking from the stream that fed Longmont's water supply.

 

As usual, dust on the negative and contact printing left untold flecks, white and black, and garbage across the image. In close, it looks like a shotgun blast. As always, it provides plenty of practice whether needed or not. I used the same two techniques, the Stamp and Brush to work on the image. Unfortunately, the scanner usually features all the defects on old snaps like this. I suppose that it will always be possible that this family will exchange the digital retouching and spread them far enough that my labor won't be entirely wasted.

 

I gang output these to high resolution PDFs that can be printed at home of taken to Fed-X Kinkos for their color printing. I have enough to output another sheet. Their output never seems to waver from the quality of the PDF. Trimming them with scissors, especially the deckle edges, will be a challenge.

  

The following is an excerpt of a blog written by Tim Dees who relates his experiences working for Silva's in the mid 1970's.

 

Link: timdees.com/blog/?p=375

 

The ambulances were pink, because that was the owner’s wife’s favorite color. Pink bed linen, and when I got there, they were just moving away from pink shirts, as they were too difficult to find. Bob Silva never bought a new ambulance. They were all used Cadillacs, as he believed a used Cadillac was much classier than a new van-type that actually ran. I was taking a woman in labor to a hospital in San Francisco when the tranny gave up the ghost in Hunter’s Point. I’d told Bob the day before that it was on its last legs, and he advised that I should shut up and drive what I was given to drive. We were dead in the water, and just barely within radio range to call for another rig to take our patient.

 

The county came out with some new regs for gear that had to be on the rig, and one requirement was an obstetrics kit. Pre-packaged OB kits from Dyna-Med were $7.50 each. Silva bought one. He put it on a rig, sent it to be inspected, then brought that one back and put the same kit on the next rig to be inspected. When it was finally left in the rig he usually drove, he wrapped it in strapping tape to discourage anyone from actually using it. It wasn’t like we didn’t need OB kits. I delivered three babies while I worked there.

 

The electronic sirens we’re so used to now were just coming into widespread use in the 1970s. Most of our ambulances were equipped with mechanical sirens that wound up slowly when activated. They had brakes on them, and if you forgot to brake the siren before you left the rig, it would take a minute or more to wind down, growling the whole time. The big daddy of these mechanical sirens was the Federal Q2. Some of these are still in use on fire engines. The Q2 is a massive thing, and drew so much power that the engine would knock when you leaned on the button too long—the spark plugs didn’t get enough voltage. Few man-made things are as loud as a Q2. One day, while en route back to the station with a new attendant, I stopped at a Safeway for some groceries. I left the attendant in the rig, telling him to tap the siren if we got a call. When the call came in, he didn’t tap on the horn ring that activated the siren—he held it down. The ambulance was parked facing the store and its large plate glass windows. I heard the siren, then heard the window start to reverberate in its frame as it resonated with the blast of sonic waves—“whap-whap-whap-whapwhapWhapWhapWHAPWHAPWHAP.” I made it back to the rig, screaming ineffectively, before the window shattered.

 

Between the mechanical siren, separate heater for the rear compartment, more blinking lights than a Vegas casino, etc., the ambulances needed a lot of electrical power. A single battery would be dead before you got to the hospital, so most ambulances had two car batteries, cross-connected via a big rotary Cole-Hersee switch. The switch, which looked a little like the access cover to your house’s sewer cleanout pipe, had four positions: Battery One, Battery Two, Both, and Off. “Both” was the usual setting, but when the rig was parked, it was common to switch it to “Off,” so the batteries wouldn’t be drained if you had forgotten to turn something off. This effectively disconnected the batteries from the rest of the rig. If you wanted to have some fun with another crew, you could turn everything in their rig on, but leave the Cole-Hersee switch off. When they turned it back on, hilarity would ensue.

 

The gear we had in these ambulances was very basic, and most of us purchased and brought our own equipment to work, rather than provide inferior care for our patients. I bought my own stethoscope and sphygmomanometer (blood pressure cuff), chemical cold packs, wire ladder splints, ammonia “wake up gizmo” ampules, etc. Consumable supplies, such as self-adhering Kerlix bandages and waterproof tape, were stolen from the hospitals. The bandages we had on board, furnished by the company, were made of crumbling linen material from the Korean War era. Oropharyngeal airways were supposed to be either used once and discarded, or autoclaved between patients, but we had neither replacement airways or an autoclave, so we wiped them clean with alcohol and hoped for the best.

 

Our suction apparatus was powered through the engine’s vacuum manifold. Suction power went to zero when the engine was accelerating. If you were trying to clear gunk from a patient’s airway while your driver was flooring it, you’d tell him to coast until you had made some progress.

 

We weren’t allowed to say someone was dead, even if the flesh was falling from their bones. Law enforcement officers could make that determination, but doing so meant they would have to remain at the scene until the coroner arrived, which could take hours. This being the case, many officers chose to see some glimmer of life in corpses long past resurrection. We responded to an “11-80” (traffic accident with serious injuries) attended by a member of the California Highway Patrol to find a pickup truck that had rolled over with an unfortunate passenger in the back. The passenger had not quite been decapitated, as his head was hanging by a few strips of flesh. This was one of the more obvious dead people I had encountered, but the Chippie ordered us to run him in. Getting the body onto the gurney had the same effect achieved in kosher slaughterhouses, where the neck veins are severed and the blood is allowed to drain from the carcass. By the time we got to the hospital, the floor of the rear compartment was literally awash in blood, with it sloshing over my boots. I called the office and told them we would be out of service for a while.

 

This pre-dated the AIDS scare, and even though hepatitis and other bloodborne pathogens were just as nasty then as now (and there was no vaccine), we had no latex gloves to wear. Back then, gloves were worn by medical people to protect the patient from infection. There wasn’t a lot of thought given to protecting the caregivers. I remember cleaning up after an especially gruesome call and thinking that I wasn’t just cleaning something, but rather someone, out from under my fingernails.

 

One case where we didn’t have to transport was at the home of an older gentleman. I never knew the circumstances that prompted the call, but we arrived a few minutes after the fire department and before the cops. As we walked up to the house, the firemen were walking out, chuckling to one another. “He’s dead!” they said with some amusement. We entered the bedroom to find an older man lying supine on top of his bed, naked. Rigor had set in, so he had been gone for some time. What the firefighters found so funny was that the man had expired while engaged in an act of self-pleasure, and still had the weapon in hand. My partner and I looked at each other and registered much the same expression the firemen had. As we walked out, the cops were just arriving. “He’s dead!” we told them. I suppose there are worse ways to go, but that’s not how I want to be found.

 

I ran a lot of calls at Silva’s. The shifts were 120 hours long–yes, five days straight. You got paid straight time ($2.00/hour in 1974) for the first eight hours, a guaranteed time-and-a-half for five more hours, and were unpaid for three hours of meals, whether you actually got to eat them or not. Between midnight and eight in the morning, you got overtime for the time you were actually in service on the call. If you rolled and were cancelled two minutes out–which was common–you got two minutes of overtime. I swear some of those rigs could find their own way home, because there were many nights I have no memory of having driven them there. When my days off finally arrived, I would usually sleep through at least one of them.

 

The full Silva’s uniform was a sartorial delight. Each time they would give me a new uniform article, it would fall to a mysteriously tragic end, so I wore a white shirt, navy blue knit slacks, and a nylon bomber jacket. If you wanted to show you were management material, the required outfit consisted of a white (formerly pink) shirt with royal blue trousers and Ike jacket. The trousers had white piping down each leg, as did the cuffs of the jacket. On each shoulder of the Ike jacket was a huge purple and gold patch, proclaiming the wearer to be employed by Silva’s Ambulance Service, the words spelled out in metallic script. One was also obliged to wear a royal blue CHP clip-on neck tie. Mandatory accessories to the ensemble included a gold metal nametag, white belt, and white leather shoes. Worn on the shirt or jacket was a shield-type gold badge, about the size of a soup plate. All the badges identified the wearers as “Technician,” except for Bob Silva’s. His said, “Owner.” There was a $20 deposit on the badge. Those who were really in with the in crowd had huge custom Western-style belt buckles with their first names spelled out diagonally, and the corners adorned with red crosses, stars of life, or tiny ambulances. However, the crowning glory accessory–and I only saw one of these–was a gold tie bar, wider than the tie itself, with a fine gold chain attached to either end of the bar. Dangling from the chain was a pink Cadillac ambulance. Its wearer was extremely proud of this, and wouldn’t tell anyone where he got it, lest someone steal his thunder.

 

Employee turnover was around 200% annually, and I was a prized employee because I always showed up on time and sober. I was able to work full time on school vacations and summer, and from Friday evening to early Monday morning, when I’d leave to make it to my first class at San Jose State. It wasn’t uncommon to have an employee go AWOL, and have the cops show up a day or so later, looking for them. You had to be fingerprinted to get an ambulance driver’s license, but all you needed to work as an attendant was a first aid card, which management would procure for you for a small fee.

 

Bob Curry, in almost the full Silva's uniform (no badge), posing with a "new" ambulance, formerly used by Allied Ambulance in Oakland.

Bob Curry, in almost the full Silva’s uniform (no badge), posing with a “new” ambulance, formerly used by Allied Ambulance in Oakland.

 

There was one very senior employee whose name was also Bob. Bob thought he was the manager, and would tell you he was if asked, despite advice to the contrary if one of the Silvas was listening. Bob was very possessive of “his” ambulance, which was always the newest one (given that they were all used, “new” was a relative term). One night, I had just come in to work, and a call came in. The dispatcher told me to take it, so I grabbed an attendant and got in the first rig I saw. It was Bob’s, of course. When I returned, Bob screamed my face, lest I forget that that particular rig was HIS ambulance, and I had better stay the hell out of it if I knew what was good for me. Bob had an apartment near the main station, so he didn’t have to sleep at the station when he was on duty. If you were Bob’s attendant (Bob never worked in the back unless there was some real hero stuff going on), you were allowed to drive Bob’s ambulance to his place, where you switched seats. That night, a co-conspirator and I did a little customizing to Bob’s rig. When he got in the next morning, he found the handle on the driver’s door adorned with some adhesive tape, reading “Bob’s Door Handle.” Inside, more tape indicated Bob’s Steering Wheel, Bob’s Cigarette Lighter, Bob’s Gearshift, Bob’s Turn Indicator, Bob’s Accelerator, Bob’s Radio, Bob’s Other Radio, and so on. Tucked under Bob’s Sun Visor was a card on a little string, trimmed to drop to eye level: “Hi, Bob.”

 

Silva’s didn’t have the market cornered on odd employees. A rival company employed a guy we called Captain Action. Captain Action worked for a company that had more traditional uniforms, but still included a badge. The issued badge wasn’t up to Captain Action’s high standards. He had his own badge made up. It was a thing of beauty. It was a gold seven-point star (the most common style of police badge in those parts), but much larger than most police badges. It put the Silva’s badge to shame on size alone. I remember it had a big California State Seal in the middle, and a lot of text on the banners and inner ring. There was so much lettering on the badge that I never got to finish reading it, although I saw it often. Captain Action also wore a police-style Sam Browne belt with various snaps and cases, including a cuff case, handcuffs, and a baton ring. I never saw a baton, but I’m sure he had it around somewhere.

 

Captain Action loved to talk on the radio. Each ambulance had two radios, one on the company channel, and one that broadcasted on a shared, county-wide channel, called County Control. There was no direct channel to the hospitals, so one was obliged to tell County Control what you had and where you were bringing it, so the dispatcher could give the appropriate ER the heads up. An appropriate message might be something like, “County Control, Ambulance 3335, en route Code 3 to Peninsula Medical with an unconscious head injury.” Captain Action preferred to be somewhat more detailed, and made liberal use of the phonetic alphabet. “County Control, Ambulance 3330, en route Peninsula Medical Center with a 33-year-old white male with a history of cardiac myopathy, I spell CHARLES-ADAM-ROBERT-DAVID-IDA-ADAM-CHARLES-BREAK-MARY-YELLOW-OCEAN-PAUL-ADAM-TOM-HENRY-YELLOW…”

 

After one of these lengthy naratives (keep in mind that there were ten or twelve other ambulances in the county that used the same channel), the dispatcher was oddly silent. Captain Action made another try to ensure his message made it through. “County Control, Ambulance 3330, did you copy?”

 

“Ambulance 3330, County Control, TOM-EDWARD-NORA-BREAK-FRANK-OCEAN-UNION-ROBERT.”

 

Ah, the good old days.

 

Written by Tim Dees on January 1st, 2015

Maths in neon at Autonomy in Cambridge. This is Bayes's Theorem, relating the probability of A given B to B given A.

 

This image is used on the Philosopher, Psychologist, Plasterer blog paul-david-robinson.com/post/5129596878/the-philosophy-of... in an article "The Philosophy of Physics". It was also used on the Wikipedia article for Bayes Theorem.

 

It was further used on a Spanish blog profeblog.es/blog/luismiglesias/2010/01/02/fotografia-mat...

 

It was later used in a father's blog post about having twin girls - www.bigdansramblings.com/2012/03/30/phases-finding-twin-g... - congratulations mate.

 

It is also used on a blog article about Stanford offering a statistics in medicine course - scopeblog.stanford.edu/2013/05/28/stanford-offers-free-st...

 

And an article "Signal, Noise and Clinical Trials" - lacertabio.com/2013/04/signal-noise-and-clinical-trial-re...

 

And a review of an elementary statistics course. moocnewsandreviews.com/course-review-elementary-statistic...

 

And the front page of a wiki about Probabilistic Programming for Advancing Machine Learning (whatever that is) - ppaml.galois.com/wiki/

 

And an LSE blog post about citations: "A Bayesian approach to the REF: finding the right data on journal articles and citations to inform decision-making." blogs.lse.ac.uk/impactofsocialsciences/2013/12/02/journal...

 

And an Italian site "Rebel Fitness". Not sure why, I assume it just looked mathematical. www.fitnessribelle.it/alimentazione/calcolo-calorie/

 

And a blog about the emotional state of being an entrepreneur - www.ecosystemsandentrepreneurs.com/blog/2015/4/3/the-emot...

 

And a Strangeloop presentation about probability. www.youtube.com/watch?v=MiiWzJE0fEA

 

An article about Bayesian logic in Python. machinelearningmastery.com/naive-bayes-classifier-scratch...

 

"

Bayes’s Theorem & Naïve Bayes Classifiers " dem1995.github.io/machine-learning/extra_pages/naive_baye...

Crowle Manor Terrier 1738 - Nmbers relate to manorial Plan

Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).

 

Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions

 

"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".

 

The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.

 

The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.

 

Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.

 

Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:

 

Wet with cool dew drops

fragrant with perfume from the flowers

came the gentle breeze

jasmine and water lily

dance in the spring sunshine

side-long glances

of the golden-hued ladies

stab into my thoughts

heaven itself cannot take my mind

as it has been captivated by one lass

among the five hundred I have seen here.

 

Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.

 

Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.

 

There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.

 

Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.

 

The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.

 

In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:

 

During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".

 

Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.

 

While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’

 

Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.

 

An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.

 

Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983

 

Commercialization and entrance into mainstream pop culture

Main article: Commercial graffiti

With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.

 

In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".

 

Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.

 

Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.

 

Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.

 

Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.

 

There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.

 

The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.

 

Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.

 

Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis

 

Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.

 

Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.

 

Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"

 

Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal

 

In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.

 

Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.

 

Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.

 

Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.

 

With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.

 

Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.

 

Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.

 

Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.

 

Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.

 

Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.

 

Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.

 

Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.

 

The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.

 

I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.

 

The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.

 

Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.

 

Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.

 

In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".

 

There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.

 

Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.

 

A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.

By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.

 

Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.

 

In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.

 

A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.

 

From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.

 

In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.

 

Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.

 

Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.

 

Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.

  

In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.

 

Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.

 

In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.

 

In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."

 

In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.

 

In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.

 

In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.

 

In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.

 

In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.

 

The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.

 

To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."

 

In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.

 

In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.

 

Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".

 

Graffiti Tunnel, University of Sydney at Camperdown (2009)

In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.

 

Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.

 

Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.

 

In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.

 

Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.

 

Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.

 

To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.

 

When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

Kinetic: Relating to, caused by, or producing motion.

 

These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.

 

Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!

 

None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.

 

Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.

 

Albeit supremely risky this is one of my favorite ways to produce abstract photographs.

 

If you'd like to see more please check out my set, "Vertigo:"

 

www.flickr.com/photos/motorpsiclist/sets/72157630591282642/

 

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To read more about Kinetic Photography click the Wikipedia link below:

 

en.wikipedia.org/wiki/Kinetic_photography

 

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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.

 

Photographer: P H Jauncey. PAColl-1296-2-07. Lucy Taylor photographs relating to Wellington Girls’ College, Alexander Turnbull Library

 

An expanded version was published in FishHead magazine, January 2014.

 

Here we are at the Wellington Girls’ College in Thorndon. It is Parents’ Day, 1927, and the girls are giving a demonstration of Swedish drill. This particular move was called the halfway side falling position and was designed to strengthen the side muscles. An instruction booklet of the time stresses that it should be done without bending the knees or letting the hips sink. The girls seem very proficient.

 

By the 1920s Swedish drill was seen as the state-of-the-art in girls’ physical education. The flexing, lunging and balancing movements are not dissimilar to some exercise programmes today, and the loose tunics worn here were certainly an improvement on the restrictive clothing these girls’ mothers would have had to wear for any outdoor activity.

 

Less modern was the strict regimentation. In the years between the wars such military-like manoeuvrings were a popular part of organised activity for the young. In the same year as this photograph was taken, the outdoor highlight for many Wellington school children was a tightly choreographed welcome to the Duke of York at Newtown Park. Theyformed themselves into a living union jack. Other examples of uniformed mass choreography for young people included the uniquely New Zealand phenomenon of marching girls that emerged in the 1930s.

 

Mrs Taylor, the head of the College’s physical training programme, was an innovator, though. In particular she ignored some of her how-to-do-drill textbooks and enjoyed mixing her Swedish drill instruction with music and dance.

 

The girls in this photograph no doubt also took part in one of the highlights of the school year – Mrs Taylor’s annual “gymnastic display.” In 1927 it was at the Opera House. In addition to Swedish drill, the newspaper advertisements promised “Lantern marching, Cymbals, Wands, Poi Dances, Spanish Dances, Thunder, Rain and Frost,” all of which were ambitiously worked into a “Fairy Folk Tales of the Maori” theme, based on James Cowan’s recently published children’s book of the same name.

 

Go to this image's record

 

Read a review of the Opera House gymnastic display

 

Wellingtonians: From the Turnbull Collections contains a selection of the entries from this Flickr set, and some new ones too. This high-quality publication costs just $29.99. You can pick it up at good bookshops or from the publisher, Steele Roberts.

Les Invalides contains museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée (the military museum of the Army of France), the Musée des Plans-Reliefs and the Musée d'Histoire Contemporaine, as well as the Dôme des Invalides, a large church, the tallest in Paris at a height of 350 feet. It houses tombs of some of France's war heroes, most notably Napoleon. The architect of Les Invalides was Libéral Bruant. By the time the enlarged project was completed in 1676, the river front measured 643 feet, and the complex had 15 courtyards, the largest being the cour d'honneur ("court of honor") for military parades. Jules Hardouin-Mansart assisted the aged Bruant, and the chapel for veterans was finished in 1679. This chapel was known as Église Saint-Louis des Invalides, and daily attendance of the veterans in the church services was required. Shortly after the veterans' chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme. The domed chapel was finished in 1708. The building retained its primary function of a retirement home and hospital for military veterans until the early 20th century. In 1872 the musée d'artillerie (Artillery Museum) was located within the building to be joined by the musée historique des armées (Historical Museum of the Armies) in 1896. The two institutions were merged to form the present Musée de l'Armée in 1905. At the same time, the veterans in residence were dispersed to smaller centers outside Paris, as the building became too large for its original purpose. The modern complex includes facilities about a hundred elderly or incapacitated former soldiers, including one gentleman sitting outside in full World War II army dress.

  

Another atypical.

 

All shots not relating to street photography can be found on my second account.

 

www.flickr.com/photos/61688812@N08/

Here is the view of the Port de Fontvieille from the modern shopping centre. Our boat had arrived just round the corner to the right of the palm trees you can see across the water and we saw the lovely MacLaren parked along that road.

 

Fontvieille is the southernmost ward in the Principality of Monaco. It was developed by Italian engineer Gianfranco Gilardini and designed by architect Manfredi Nicoletti, between the 1970s and the 1990s.

In contrast to the other city districts Monaco-Ville, Monte Carlo and La Condamine, Fontvieille was constructed, after Italian engineer Gianfranco Gilardini's design, almost entirely on artificially reclaimed land and thus represents one of the younger parts of the principality. In order to combat the chronic land shortage in the extremely densely populated principality, the work was begun in 1966 to create new land in the Mediterranean Sea southwest of le rocher. In 1981, Albert II, then Crown Prince, laid the cornerstone for the new city quarter.

The existence of Fontvieille, and its many public works projects, relates substantially to former Prince of Monaco, Prince Rainier III's reputation as the Builder Prince. (From Wikipedia)

Another excerpt from the story that I first started relating here.

 

The three siblings had traveled for several days, finding food and water through their own skills or the generosity of strangers along their route - which meandered but steadily took them west toward the great ocean that marked the edge of the known world. On the 19th day of their journey, they finally reached the rocky shores of the great ocean, and stopped - struck by the vast vista of water spread out before them. For the first time in any of their young lives they felt the weight of that great body of water and it penetrated them to their core, knowing their goal lay on its far side. But having traveled far, and in no particular hurry, they decided to camp that evening on the beach and plan their crossing upon morning.

 

It was while searching for firewood that the youngest brother saw a sparkle of white nestled amongst the stones of the beach. Scrambling over the slippery rocks to just near the edge of the surf, he bent down and plucked up three perfectly smooth, white stones that made him involuntarily catch his breath for the obvious magic they held within them, for surely these must be three of the fabled wishing stones of old. Smiling at his good fortune, he ran up the beach to share the news with his brother and sister. Arriving breathless at the camp though, their reactions were mixed. Rather than a similar excitement, the older brother met the stones with caution and the sister was more curious than anything else. All three had grown up with stories of the magic of old, but that was all the world was left with these days... stories and tattered memories of the great magic that had once been so common. After much debate, the youngest brother and his sister wanted to try to use the stones to cross the ocean safely. The eldest brother held out though, arguing that they had come so far on just their wits and abilities that it was foolish to trust something they knew next to nothing about. But the younger two were just as stubborn, arguing that they should not be diverted by fear of the unknown, as the crossing of the ocean itself was a great unknown voyage that would not be without great danger. In the end, they decided to put the stones aside and get some badly needed rest, as the trek across the continent had been arduous indeed. The stones and their use could wait until the next morning as well, just as the ocean would.

 

And indeed, wait they did, for the stones and the ocean were still there when the three awoke in a chilly, damp fog. But still agreement eluded them and even threatened to fray the bonds between them. So each decided to take a stone and decide how to best use it. The youngest brother walked down to the surf, wading up to his knees and wished to be a fish, so that he could swim across the ocean to the far side, agreeing to wait on the far shore for the other two. Amazingly enough, and quite suddenly, the youngest brother was gone, and a silver fish hung suspended momentarily in the air where he had stood, and then gravity claimed it and the fish splashed into the ocean. The other two watched it leap once above the waves and then it was seen no more, presumably swimming west.

 

The middle sister then took up her stone, and with a quick hug to her older brother, wished to be a bird, such that she could fly safely above the ocean to the far shore, and hopefully keep an eye out for her younger brother. In a blink, she too vanished and a splendid white gull flapped its wings a bit unsteadily, before rising into the sky, circling twice and flying away west until her silhouette vanished into the morning mist. The oldest stood there a long time gazing out across the ocean and into the fog, which gently receded as the day grew longer. He stood there, just looking, holding his stone in his hand. At one point he brought it up to his chest and mouthed words that only an empty beach could hear and dropped the stone into his pocket.

 

He spent the rest of that day collecting wood, with which he started to fashion a small boat. The beach was quite generous, for between what the ocean had washed up and what he carried himself, he soon had all he needed and small but sturdy vessel lay in front of him, pulled up just beyond the hungry reach of the incoming tide. Into the boat he stocked what food and water he had left and just as the shadows were beginning to grow long, he pushed the small craft into the height of the tide. He sailed all through the evening, and though he did not think it likely, the fatigue of the day soon caught up with him and he fell fast asleep, trusting to the wind and tides to carry him in the right direction. In the middle of the night, the eldest brother was woken from his sleep and sat up with a start. The sky above him was absolutely dark and at first he didn't notice the reason, but as the fog of sleep slowly crept from his brain, he realized that not a star shone in the sky above. He then became aware of a light from the ocean itself, and leaning over the side of his small boat, he gasped as he saw all the stars of the night sky floating in the ocean - not reflected, for he glanced quickly back up to the still blank canvas of the night sky above him. The ocean itself contained all the stars that should have been wheeling by over him. The eldest could make no sense of this spectacle, and he lingered at the edge of the boat for some time trying to comprehend what he saw. Slowly dawn approached on the horizon and the stars faded from the waters around the boat as the sky lightened above it.

 

He was shaken from his reverie by the cry of a gull overhead and looking up he saw his sister flying closer and closer until she plummeted into the ocean nearby. The eldest brother quickly brought his boat around and scooped the bird from the water and set her gently into the boat. In a moment the bird was gone, replaced by the familiar form of his younger sister. "The ocean is too big," she gasped. "I flew for hours and hours and still saw no land, there is no way I can fly across this whole expanse. I am glad you came when you did." He gave her some food and water and together they sailed through the day. Just as the sun was approaching the horizon and the breeze was turning cool, a gleaming silver fish jumped from the water and landed with a splash in the boat, only to disappear and be replaced by the form of the youngest. "Am I so glad to see you," the youngest exclaimed. "It is impossible to find one's way through the ocean, it is too vast and deep. I asked other fish, but they only know of things below the waves, coasts and quests such as ours do not concern them and they were of no help at all."

 

And with that the three were once again reunited. They pointed their boat toward the setting sun and ran with the wind across the surface of the ocean. And for another eighteen days they sailed such, collecting rain water when they needed it and catching fish from the bountiful waters to fill their stomachs. But other than that first night, the stars remained as they should, twinkling safely in the night sky overhead, and the eldest remained at a loss to explain the significance of what he had seen. The story of that night had such an impact that it distracted the younger two siblings from ever asking their older brother what had become of his wishing stone, and for his part, he did not bring the subject up, content as he was with having the three reunited. And on the nineteenth day of sailing, a dark strip of land finally broke the horizon, and smiles crested the horizons on three different faces in a like manner.

  

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

The banner over the shop front on the left announces the 20th Anniversary of the Foundation of the German Democratic Republic which was celebrated on 7th October 1969. A banner relating to the same celebrations can be seen outside the "New Town Hall" in my photograph www.flickr.com/photos/hjggreen/4532652889/in/set-72157623...

 

This photograph shows part of what was then "Wilhelm-Pieck-Allee", renamed in 1956 after the one and only President of the German Democratic Republic. (On his death in office in 196, the post was abolished and his successor, Walter Ulbricht, served as Chairman of the Council of State.)

 

Above the "Wedding Cake" architecture of the communist era can be seen the North-West tower of St. John's Church. In 1969 its twin, the South-West tower, had been repaired but not rebuilt after bomb damage on 16th January, 1945.

 

Previously, the communist government had named the street "Stalinallee".

 

It is now named Ernst-Reuter-Allee, in honour of the socialist (S.P.D.) Mayor of Magdeburg (1931-3).

 

During the First World War, however, Reuter had been wounded and captured by the Russians. In captivity, he learnt Russian and joined the Bolsheviks. Subsequently, he and Pieck had been rivals for the secretary generalship of the communist party, before Reuter was expelled and returned to the S.P.D.

 

With the Nazis in power, he was forced to resign his positions and spend some time in the Lichtenburg concentration camp. On his release he made his way to Turkey where he remained unitl the end of the war.

 

In 1947 he was elected Lord Mayor of Berlin, but, in the deepening Cold War, the Soviet Union withheld its consent. He became an effective spokesman for the Western Sectors of Berlin and their people's resistence to pressure from the Soviet Union, especially during the Berlin Blockade of 1947-8. When West Berlin's new constituion was implemented in 1951, he became the so-called "Governing Mayor", of the western part of the city. a post he retained until his death in 1953.

 

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

112 pictures in 2012 #29 leap day (any shot to be taken on, or relating to 29th February 2012)

 

PeterJ© on Flickeflu

View On Black

The Greatest

Mumbaikar of All..

Huge and Tall

Hears you Cry

Hears Your Call

Saves you each Time

before You Fall

whatever your religiosity

he removes obstacles

he sees there are no pitfalls

no terrorists can breach

our city's walls

Mutual Coexistence

Be Proud Indians

on our Souls he scrawls

our greatest enemy

our bigotry

our narrow mindedness

our hate for each other

that hits the nation

first of all

before being

a hindu muslim christian

be an Indian

says it all

miljul ke rehne

main hi bhaliee hai

our mantra

of peace

the greatest cure all

dont sell your country

for american dollars

or saudi riyal

  

from wikipedia

 

Ganesha (Sanskrit: गणेश; Gaṇeśa; listen (help·info), also spelled Ganesa or Ganesh) is one of the best-known and most worshipped deities in Hinduism[8]. Although he is known by many other attributes, Ganesha's elephant head makes him easy to identify.[9] Several texts relate mythological anecdotes associated with his birth and exploits, and explain his distinct iconography. Ganesha is worshipped as the lord of beginnings and as the lord of obstacles (Vighnesha),[10] patron of arts and sciences, and the god of intellect and wisdom.[11] He is honoured with affection at the start of any ritual or ceremony and invoked as the "Patron of Letters" at the beginning of any writing.[12]

 

Ganesha appears as a distinct deity in clearly-recognizable form beginning in the fourth to fifth centuries, during the Gupta Period. His popularity rose quickly, and he was formally included as one of the five primary deities of Smartism (a Hindu denomination) in the ninth century. During this period, a sect of devotees (called Ganapatya; Sanskrit: गाणपत्य; gāṇapatya) who identify Ganesha as the supreme deity was formed.[13] The principal scriptures dedicated to his worship are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa.

 

Ganesha is one of the most-worshipped divinities in India.[14][15] Worship of Ganesha is considered complementary with the worship of other forms of the divine, and various Hindu sects worship him regardless of other affiliations.[16][17][18] Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.

 

Ganesha has many other titles and epithets, including Ganapati and Vighneśvara. The Hindu title of respect Shri (Sanskrit: श्री; śrī, also spelled Sri or Shree) is often added before his name. One popular form of Ganesha worship is by chanting one of the Ganesha Sahasranamas, which literally means "a thousand names of Ganesha". Each name in the sahasranama conveys a different meaning and symbolises a different aspect of Ganesha. There are at least two different versions of the Ganesha Sahasranama. One of these is drawn from the Ganesha Purana, a Hindu scripture that venerates Ganesha.[24]

 

The name Ganesha is a Sanskrit compound, joining the words gana (Sanskrit: गण; gaṇa), meaning a group, multitude, or categorical system and isha (Sanskrit: ईश; īśa), meaning lord or master.[25][26] The word gaņa in association with Ganesha is often taken to refer to the gaņas, a troop of semi-divine beings that form part of the retinue of Shiva (also spelled "Śiva").[27] The term more generally means a category, class, community, association, or corporation.[28] Some commentators interpret the name "Lord of the Gaņas" to mean "Lord of created categories," such as the elements, etc.[29] The translation "Lord of Hosts" may convey a familiar sense to Western readers. Ganapati (Sanskrit: गणपति; gaṇapati) is a synonym for Ganesha, being a compound composed of gaṇa, meaning "group", and pati, meaning "ruler" or "lord").[30]

 

Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras.[31] This name is reflected in the naming of the eight famous Ganesha (aṣṭavināyaka) temples in Maharashtra.[32] The name Vignesha, meaning "Lord of Obstacles", refers to his primary function in Hindu mythology as being able to both create and remove obstacles (vighna).

 

One of the main names for Ganesha in the Tamil language is Pille or Pillaiyar, which means "Little Child".[33] A. K. Narain differentiates these terms by saying that pille means a "child" and pillaiyar a "noble child", and adds that the words pallu, pella, and pell in the Dravidian family of languages signify "tooth or tusk of an elephant" but more generally "elephant".[34] In discussing the name Pillaiyar, Anita Raina Thapan notes that since the Pali word pillaka has the significance of "a young elephant" it is possible that pille originally meant "the young of the elephant".[35]

 

Ganesha is a popular figure in Indian art.[36] Unlike some deities, representations of Ganesha show wide variation with distinct patterns changing over time.[37][38][39] He may be portrayed standing, dancing, taking heroic action against demons, playing with his family as a boy, sitting down, or engaging in a remarkable range of contemporary situations.

 

Ganesha images were prevalent in many parts of India by the sixth century.[40] The figure shown to the right is typical of Ganesha statuary from 900-1200, after Ganesha had been well-established as an independent deity with his own cult. This example features some of Ganesha's common iconographic elements. A virtually identical statue has been dated between 973-1200 by Martin-Dubost[41] and another similar statue is dated circa twelfth century by Pal.[42] He has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha . He holds his own broken tusk in his lower-right hand and holds some form of delicacy, which he samples with his trunk in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet which he holds in his lower-left hand is a particularly archaic feature.[43] A more primitive statue in one of the Ellora Caves with this general form has been dated to the 7th century.[44] Details of the other hands are difficult to make out on the statue shown; in this standard configuration, Ganesha typically holds either an axe or a goad in one upper arm and a noose in the other upper arm as symbols of his ability to cut through obstacles or to create them as needed.

 

The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but rather is turned toward the viewer in the gesture of protection or "no fear" (abhaya mudra).[45][46] The same combination of four arms and attributes occurs in statues of Ganesha dancing,[47] which is a very popular theme.[48]

Ganesha has been represented with the head of an elephant since the early stages of his appearance in Indian art.[50] Puranic myths provide many explanations for how he got this form.[51] One of his popular forms (called Heramba-Ganapati) has five elephant heads, and other less-common variations in the number of heads are known.[52]

 

While some texts say that Ganesha was born with an elephant head, in most stories he acquires the head later, with several accounts given.[53] The most common motif in these stories is that Ganesha was born with a human head and body and that Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then replaced Ganesha's original head with that of an elephant.[54] Details of the battle and where the replacement head came from vary according to different sources.[55] In another story, when Ganesha was born his mother Parvati showed off her new baby to the other gods. Unfortunately, the god Shani (Saturn) – who is said to have the "evil eye" – looked at him, causing the baby's head to be burned to ashes. The god Vishnu came to the rescue and replaced the missing head with that of an elephant.[56] Another story tells that Ganesha is created directly by Shiva's laughter. Shiva became concerned that Ganesha was too alluring, so he cursed Ganesha to have the head of an elephant and a protruding belly.[57]

 

The earliest name referring to Ganesha is Ekadanta ("One Tusk"), noting his single tusk; the other is broken off. [58] Some of the earliest images of Ganesha show him holding his broken tusk.[59] The importance of this distinctive feature is reflected in the Mudgala Purana, which states that the name of Ganesha's second incarnation is Ekadanta.[60]

 

Ganesha's protruding belly appears as a distinctive attribute in his earliest statuary, which dates to the Gupta period (4th to 6th centuries).[61] This feature is so important that according to the Mudgala Purana two different incarnations of Ganesha use names based on it, Lambodara ("Pot Belly", or literally "Hanging Belly") and Mahodara ("Great Belly").[62] Both names are Sanskrit compounds describing his belly (Sanskrit: udara).[63] The Brahmanda Purana says that he has the name Lambodara because all the universes (i.e., cosmic eggs; Sanskrit brahmāṇḍas) of the past, present, and future are present in Ganesha.[64][65]

 

The number of Ganesha's arms varies; his best-known forms have between two and sixteen arms.[66] Many depictions of Ganesha feature four arms, which is mentioned in Puranic sources and codified as a standard form in some iconographic texts.[67] His earliest images had two arms.[68][69] Forms with fourteen and twenty arms appeared in Central India during the 9th and 10th century.[70]

 

The serpent is a common element in Ganesha iconography, where it appears in many forms.[71][72] According to the Ganesha Purana, Ganesha wrapped the serpent Vāsuki around his neck.[73][74] Other common depictions of snakes include use as a sacred thread (Sanskrit: yajñyopavīta),[75][76] wrapped around the stomach as a belt, held in a hand, coiled at the ankles, and as a throne. Upon Ganesha's forehead there may be either a third eye or a sectarian mark (Sanskrit: tilaka) of Shiva showing three horizontal lines.[77][78] The Ganesha Purana prescribes both a tilaka mark as well as a crescent moon for the forehead.[79][80][81] A distinct form called Bhālacandra ("Moon on the Forehead") includes that iconographic element.[82][83]

 

The colors most often associated with Ganesha are red [84] and yellow, but specific other colors are prescribed in certain forms.[85] Many examples of color associations with specific meditation forms are prescribed in the Sritattvanidhi, a treatise on iconography that includes a section on variant forms of Ganesha. For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati.("Ganapati Who Releases From Bondage").[86] Ekadanta-Ganapati is visualized as blue during meditation on that form.[

The earliest Ganesha images are without a Vahana (mount).[88] Of the eight incarnations of Ganesha described in the Mudgala Purana, Ganesha has a mouse in five of them, but uses a lion in his incarnation as Vakratunda, a peacock in his incarnation of Vikata, and Shesha, the divine serpent, in his incarnation as Vighnaraja.[89] Of the four incarnations of Ganesha listed in the Ganesha Purana, Mohotkata has a lion, Mayūreśvara has a peacock, Dhumraketu has a horse, and Gajanana has a rat.[90][91] Jain depictions of Ganesha show his vahana variously as a mouse,[92] an elephant,[93] a tortoise, a ram, or a peacock.[94]

 

Mouse as vahana

 

Ganesha riding on his mouse. A sculpture at the Vaidyeshwara temple in Talakkadu, Karnataka, India. Note the red flowers offered by the devotees.Ganesha is often shown riding on, or attended by a mouse.[95][96] Martin-Dubost says that in central and western India the rat began to appear as the principal vehicle in sculptures of Gaṇeśa in the 7th century A.D., where the rat was always placed close to his feet.[97] The mouse as a mount first appears in written sources in the Matsya Purana, and later in the Brahmananda Purana and Ganesha Purana where Ganesha uses it as his vehicle only in his last incarnation.[98] The Ganapati Atharvashirsa includes a meditation verse on Ganesha that describes the mouse appearing on his flag.[99] The names Mūṣakavāhana ("Mouse-mount") and Ākhuketana ("Rat-banner") appear in the Ganesha Sahasranama.[100]

 

Devotee literature provides a variety of interpretations regarding what the mouse means. Michael Wilcockson says it symbolizes those who wish to overcome desires and be less selfish.[101] Martin-Dubost thinks it is a symbol of the fact that Ganesha, like the rat, penetrates even the most secret places.[102] Krishan gives a completely different interpretation, noting that the rat is a destructive creature and a menace to crops. The Sanskrit word mūṣaka (mouse) is derived from the root mūṣ which means "stealing, robbing". It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome. In this theory, showing Ganesha as master of the rat proclaims his function as Vigneshvara and gives evidence of his possible role as a folk grāmata-devatā (village deity) who later rose to greater prominence.[103]

Buddhi

Ganesha is considered to be the Lord of Intelligence.[108] In Sanskrit, the word buddhi is a feminine noun that is variously translated as intelligence, wisdom, or intellect.[109] The concept of buddhi is closely associated with the personality of Ganesha, especially in the Puranic period, where many stories showcase his cleverness and love of intelligence. One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya.[110] This name also appears in a special list of twenty-one names that Gaṇeśa says are of special importance at the end of the Ganesha Sahasranama.[111] The word priya can mean "fond of", but in a marital context, it can mean "lover" or "husband". Buddhipriya probably refers to Ganesha's well-known association with intelligence.

 

This association with wisdom also appears in the name Buddha, which appears as a name of Ganesha in the second verse of the Ganesha Purana version of the Ganesha Sahasranama.[112] The positioning of this name at the beginning of the Ganesha Sahasranama reveals the name's importance. Bhaskararaya's commentary on the Ganesha Sahasranama says that this name means that the Buddha was an avatar of Ganesha.[113] This interpretation is not widely known even among Ganapatya. Buddha is not mentioned in the lists of Ganesha's incarnations given in the main sections of the Ganesha Purana and Mudgala Purana. Bhaskararaya also provides a more general interpretation of this name as simply meaning that Ganesha's very form is "eternal elightenment" (nityabuddaḥ), so he is named Buddha.

  

[edit] Aum

 

Ganesha (Devanagari) Aum jewelGanesha is identified with the Hindu mantra Aum (ॐ, also called Om, Omkara, oṃkāra, or Aumkara). The term oṃkārasvarūpa ("Aum is his form") in connection with Ganesha refers to this belief that he is the personification of the primal sound.[114] This association is attested in the Ganapati Atharvashirsa. The relevant passage is translated by Paul Courtright as follows:

 

You are Brahmā, Vişņu, and Rudra [Śiva]. You are Agni, Vāyu, and Sūrya. You are Candrama. You are earth, space, and heaven. You are the manifestation of the mantra "Oṃ".[115]

 

A variant version of this passage is translated by Chinmayananda as follows:

 

(O Lord Ganapati!) You are (the Trinity) Brahma, Vishnu, and Mahesa. You are Indra. You are fire and air. You are the sun and the moon. You are Brahman. You are (the three worlds) Bhuloka, Antariksha-loka, and Swargaloka. You are Om. (that is to say, You are all this).[116]

 

Some devotees see similarities between the shape of his body and the shape of Om in the Devanāgarī and Tamil scripts.[117]

  

[edit] First chakra

Ganesha is associated with the first or "root" chakra (mūlādhāra). This association is attested in the Ganapati Atharvashirsa. As translated by Courtright this passage reads:

 

You continually dwell in the sacral plexus at the base of the spine [mūlādhāra cakra].[118]

 

A variant version of this passage is translated by Chinmayananda:

 

You have a permanent abode (in every being) at the place called "Muladhara".[119]

  

[edit] Family and consorts

 

Shiva and Pārvatī giving a bath to Gaṇeśa. Kangra miniature, 18th century. Allahbad Museum, New Delhi.[120]For more details on this topic, see Consorts of Ganesha.

While Ganesha is popularly considered to be the son of Shiva and Parvati, the Puranic myths relate several different versions of his birth.[121][122] These include versions in which he is created by Shiva,[123] by Parvati,[124] by Shiva and Parvati,[125] or in a mysterious manner that is discovered by Shiva and Parvati.[126]

 

The family includes his brother Skanda, who is also called Karttikeya, Murugan, and other names.[127][128] Regional differences dictate the order of their births. In North India, Skanda is generally said to be the elder brother while in the South, Ganesha is considered the first born.[129] Prior to the emergence of Ganesha, Skanda had a long and glorious history as an important martial deity from about 500 BCE to about 600 CE, when his worship declined significantly in North India. The period of this decline is concurrent with the rise of Ganesha. Several stories relate episodes of sibling rivalry between Ganesha and Skanda[130] and may reflect historical tensions between the respective sects.[131]

 

Ganesha's marital status varies widely in mythological stories and the issue has been the subject of considerable scholarly review.[132] One pattern of myths identifies Ganesha as a brahmacharin (brahmacārin; celibate).[133] Another pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified by goddesses who are considered to be Ganesha's wives. A third pattern couples Ganesha with the goddess of culture and the arts, Sarasvati, and the goddess of luck and prosperity, Lakshmi, symbolically indicating that these qualities always accompany one other. A fourth pattern mainly prevalent in the Bengal region links Ganesha with the banana tree, Kala Bo.

  

[edit] Buddhi, Siddhi, and Riddhi

 

Shri Mayureshwar, MorgaonThe Ganesha Purana and the Mudgala Purana contain descriptions of Ganesha flanked by Buddhi and Siddhi.[134] In Chapter I.18.24-39 of the Ganesha Purana, Brahmā performs worship in honour of Ganesha. During the puja, Ganesha himself causes Buddhi and Siddhi to appear so that Brahmā can offer them back to Ganesha. Ganesha accepts them as offerings.[135] In a variant, the two are born from Brahmā's mind and are given by Brahmā to Ganesha.[135] Buddhi and Siddhi are best identified as his consorts in the Shiva Purana, where Ganesha cleverly wins the two desirable daugters of Prajāpati over Skanda.[136] The Shiva Purana version says that Ganesha had two sons: Kshema (Kşema, prosperity) and Labha (profit). The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma, the goddess of satisfaction. However, this story has no Puranic basis. Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity.[137][138]

 

Representations of Ganesha's consorts can be found aside from Puranic texts. In the Ganesha Temple at Morgaon (the central shrine for the regional aṣṭavināyaka complex), Buddhi and Siddhi stand to the right and left sides of the Ganesha image.[139] In northern India, the two female figures are said to be Siddhi and Riddhi; Riddhi substitutes for Buddhi with no Puranic basis.[140] The Ajitāgama describes a Tantric form of Ganesha called Haridra Ganapati as turmeric-colored and flanked by two unnamed wives distinct from shaktis.[141] The word "wives" (Sanskrit: दारा; dārā) is specifically used (Sanskrit: दारायुगलम्; dārāyugalam).[142]

  

[edit] Interpretations of relationships

 

Ganesha with the Ashta (meaning eight) Siddhi. The Ashtasiddhi are associated with Ganesha. Painted by Raja Ravi Varma (1848-1906).In discussing the Shiva Purana version, Courtright comments that while Ganesha is sometimes depicted as sitting between these two feminine deities, "these women are more like feminine emanations of his androgynous nature, Shaktis rather than spouses having their own characters and spouses."[143] Ludo Rocher says that "descriptions of Gaṇeśa as siddhi-buddhi-samanvita 'accompanied by, followed by siddhi and buddhi.' often seem to mean no more than that, when Gaṇeśa is present, siddhi 'success' and buddhi 'wisdom' are not far behind. Such may well have been the original conception, of which the marriage was a later development."[144] In verse 49a of the Ganesha Purana version of the Ganesha Sahasranama, one of Ganesha's names is Ŗddhisiddhipravardhana ("Enhancer of material and spiritual success"). The Matsya Purana identifies Gaṇesha as the "owner" of Riddhi (prosperity) and Buddhi (wisdom).[145] In discussing the northern Indian sources, Cohen remarks:

 

They are depersonalized figures, interchangeable, and given their frequent depiction fanning Gaṇeśa are often referred to as dasīs — servants. Their names represent the benefits accrued by the worshipper of Gaṇeśa, and thus Gaṇeśa is said to be the owner of Ṛddhi and Siddhi; he similarly functions as the father of Śubha (auspiciousness) and Lābha (profit), a pair similar to the Śiva Purāṇa's Kṣema (prosperity) and Lābha. Though in Varanasi the paired figures were usually called Ṛddhi and Siddhi, Gaṇeśa's relationship to them was often vague. He was their mālik, their owner; they were more often dasīs than patnīs (wives).[146]

 

His relationship with the Ashtasiddhi — the eight spiritual attaintments obtained by the practice of yoga — is also of this depersonalized type. In later iconography, these eight marvellous powers are represented by a group of young women who surround Ganesha.[147] Raja Ravi Varma's painting (shown in this section) illustrates a recent example of this iconographic form. The painting includes fans, which establish the feminine figures as attendants.

  

[edit] Motif of shaktis

 

Ganesha in his form as Mahāganapati with a shakti. From the Sritattvanidhi (19th century).A distinct type of iconographic image of Ganesha shows him with a single human-looking shakti (śakti).[148] According to Ananda Coomaraswamy, the oldest known depiction of Ganesha with a shakti of this type dates from the sixth century.[149] The consort lacks a distinctive personality or iconographic repertoire. According to Cohen and Alice Getty, the appearance of this shakti motif parallels the emergence of tantric branches of the Ganapatya cult. Six distinct forms of "Shakti Ganapati" can be linked to the Ganapatyas.[150] Of the thirty-two standard meditation forms for Ganesha that appear in the Sritattvanidhi (Śrītattvanidhi), several include a shakti.[151][152] A common form of this motif shows Ganesha seated with the shakti upon his left hip, holding a bowl of flat cakes or round sweets, with him turning his trunk to his left to touch the tasty food. In some tantric forms of this image, the gesture is modified to take on erotic overtones.[153] Some tantric variants of this form are described in the Śāradātilaka Tantram.[154]

 

Prithvi Kumar Agrawala has traced at least six different lists of fifty or more aspects or forms of Ganesha each with their specific female consorts or shaktis.[155][156] In these lists, goddess names such as Hrī, Śrī, and Puṣṭī are found. However, Buddhi, Siddhi, and Riddhi do not appear on any of these lists, which also do not provide any details about the personalities or distinguishing iconographic forms for these shaktis. Agrawala concludes that all of the lists were derived from one original set of names. The earliest of the lists appears in the Nārada Purāṇa (I.66.124-38), and a similar list with minor variations appears in the Ucchiṣṭagaṇapati Upāsanā. These lists are of two types. In the first type the names of various forms of Ganesha are given with a clear-cut pairing of a named shakti for that form. The second type, as found in the Brahmāṇḍa Purāṇa (II.IV.44.63-76) and the commentary of Rāghavabhaṭṭa on the Śāradātilaka (I.115), gives fifty or more names of Ganesha collectively in one group, with the names of the shaktis provided collectively in a second group. The second type of list poses problems in separating and properly connecting the names into pairs due to ambiguities in the formation of Sanskrit compound words.

  

[edit] Worship and festivals

 

Celebrations of Ganesh by the Indian and Sri Lankan Tamil community in Paris, FranceWhether the reason has to do with a religious ceremony, a new vehicle, students taking exams, sessions of devotional chanting, or beginning a business, Ganesha is worshipped. Throughout India and the Hindu culture, Ganesha is the first icon placed into any new home or abode. Devotees widely believe that wherever there is Ganesha, there is success and prosperity. By calling on him people believe that he will come to their aid and grant them success in their endeavours.

 

The worship of Ganesha is considered complementary with the worship of other deities.[157] Hindus of all sects begin prayers, important undertakings, and religious ceremonies with an invocation to Ganesha. Ganesha is also adored by dancers and musicians, who begin their performances of arts such as Bharatnatyam dance with a prayer to him, particularly in South India.[158] Mantras such as Om Shri Gaṇeshāya Namah ("Om, salutation to the Illustrious Ganesha"), and others, are often used. One of the most famous mantras associated with Ganesha is Om Gaṃ Ganapataye Namah (literally, "Om, Gaṃ, Salutation to the Lord of Hosts").

 

Devotees offer Ganesha various sweets, such as modaka, small sweet balls (laddus) and others.[159]. He is often shown carrying a bowl of sweets, called a modakapātra, which is one of his iconographic elements.[160] Because of his identification with the color red, he is often worshipped with things such as red sandalwood paste (raktacandana),[161] or red flowers. Dūrvā grass (Cynodon dactylon) and various other materials are used in his worship.[162]

  

[edit] Ganesh Chaturthi

 

A large Ganesha statue at a Chaturthi festival in Mumbai, 2004There is an important festival honouring Ganesha that is celebrated for ten days starting from Ganesh Chaturthi.[163] This festival culminates on the day of Ananta Chaturdashi when images (murtis) of Ganesha are immersed into the most convenient body of water.

 

The Ganapati festival is celebrated by Hindus with great devotional fervour. While it is most popular in the state of Maharashtra,[164] it is performed all over India.[165] In Mumbai, the festival assumes huge proportions. On the last day of the festival, millions of people of all ages descend onto the streets leading up to the sea, dancing and singing, to the rhythmic accompaniment of drums and cymbals.

 

In 1893, Lokmanya Tilak reshaped the annual Ganesh festival from private family celebrations into a grand public event. [166] He did so "to bridge the gap between the Brahmins and the non-Brahmins and find an appropiate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra.[167][168] Thus, Tilak chose Ganesha as a rallying point for Indian protest against British rule because of his wide appeal as "the god for Everyman".[169][170] Tilak was the first to install large public images of Ganesha in pavillions, and he established the practice of submerging all the public images on the tenth day.[171]

  

[edit] Rise to prominence

 

[edit] First appearance

Ganesha appears in his classic form as a clearly-recognizable deity with well-defined iconographic attributes from the early fourth to fifth centuries.[172] Shanti Lal Nagar says that the earliest known cult image of Ganesha is in the niche of the Shiva temple at Bhumra, which has been dated to the Gupta period.[173]. By about the tenth century his independent cult had come into existence.[174] Narain sums up controversy between devotees and academics regarding the development of Ganesha as follows:

 

[W]hat is inscrutable is the somewhat dramatic appearance of Gaņeśa on the historical scene. His antecedents are not clear. His wide acceptance and popularity, which transcend sectarian and territorial limits, are indeed amazing. On the one hand there is the pious belief of the orthodox devotees in Gaņeśa's Vedic origins and in the Purāṇic explanations contained in the confusing, but nonetheless interesting, mythology. On the other hand there are doubts about the existence of the idea and the icon of this deity" before the fourth to fifth century A.D. ... [I]n my opinion, indeed there is no convincing evidence or the existence of this divinity prior to the fifth century.[175]

  

[edit] Possible influences

Courtright reviews various speculative theories about the early history of Ganesha, including supposed tribal traditions and animal cults, and dismisses all of them in this way:

 

In this search for a historical origin for Gaņeśa, some have suggested precise locations outside the Brāhmaṇic tradition.... These historical locations are intriguing to be sure, but the fact remains that they are all speculations, variations on the Dravidian hypothesis, which argues that anything not attested to in the Vedic and Indo-European sources must have come into Brāhmaṇic religion from the Dravidian or aboriginal populations of India as part of the process that produced Hinduism out of the interactions of the Aryan and non-Aryan populations. There is no independent evidence for an elephant cult or a totem; nor is there any archaeological data pointing to a tradition prior to what we can already see in place in the Purāṇic literature and the iconography of Gaņeśsa.[176]

 

Thapan's book on the development of Ganesha devotes a chapter to speculations about the role elephants had in early India, but concludes that:

 

Although by the second century AD the elephant-headed yakṣa form exists it cannot be presumed to represent Gaṇapati-Vināyaka. There is no evidence of a deity by this name having an elephant or elephant-headed form at this early stage. Gaṇapati-Vināyaka had yet to make his debut.[177]

 

One theory of the origin of Ganesha is that he gradually came to prominence in connection with the four Vināyakas.[178][179] In Hindu mythology the Vināyakas were a group of four troublesome demons who created obstacles and difficulties,[180] but who were easily propitiated.[181] The name Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras.[182] Krishan is one of the academics who accepts this view, stating flatly of Ganesha that "He is a non-vedic god. His origin is to be traced to the four Vināyakas, evil spirits, of the Mānavagŗhyasūtra (7th-4th century B.C.) who cause various types of evil and suffering."[183]

  

[edit] Vedic and epic literature

 

5th C Ganesh by Shahi King Khingala, found at Gardez, Afghanistan now at Dargah Pir Rattan NathGanesha as we know him today does not appear in the Vedas. The title "Leader of the group" (Sanskrit: gaṇapati) occurs twice in the Rig Veda but in neither case does it refer to the modern Ganesha. The term appears in RV 2.23.1 as a title for Brahmanaspati, the teacher of the gods. H. H. Wilson translates the Sanskrit verse "gaṇānāṃ tvā gaṇapatiṃ havāmahe kaviṃ kavīnāmupamaśravastamam" (RV 2.23.1 [2222]) as "We invoke the Brahmaṇaspati, chief leader of the (heavenly) bands; a sage of sages".[184] While there is no doubt that this verse refers to Brahmanaspati, the verse was later adopted for worship of Ganesha even to this day.[185][186] In rejecting any claim that this passage is evidence of Ganesha in the Rig Veda, Ludo Rocher says that it "clearly refers to Bṛhaspati - who is the deity of the hymn - and Bṛhaspati only."[187] The second passage (RV 10.112.9) equally clearly refers to Indra.[188] Wilson translates the Sanskrit verse "ni ṣu sīda gaṇapate gaṇeṣu tvāmāhurvipratamaṃ kavīnām" as "Lord of the companies (of the Maruts), sit down among the companies (of the worshippers), they call you the most sage of sages".[189]

 

Ganesha does not appear in epic literature. There is a late interpolation to the epic poem Mahabharata, saying that the sage Vyāsa asked Ganesha to serve as his scribe to transcribe the poem as he dictated it to him. Ganesha agreed, but only on the condition that Vyasa recite the poem uninterrupted, without pausing. The sage agreed to this, but found that to get any rest he needed to recite very complex passages in order to get Ganesha to ask for clarifications. This is the single passage in which Ganesha appears in that epic. The story is not accepted as part of the original text by the editors of the critical edition of the Mahabharata,[190] where the twenty-line story is relegated to a footnote to an appendix.[191] Ganesha's association with mental agility and learning is one reason he is shown as scribe for Vyāsa's dictation of the Mahabharata in this interpolation to the text.[192] Richard L. Brown dates the story as 8th century, and Winternitz concludes that it was known as early as c. 900 but he maintains that it had not yet been added to the Mahabharata some 150 years later. Moriz Winternitz also notes that a distinctive feature of Southern manuscripts of the Mahabharata is their omission of this Ganesha legend.[193]

  

[edit] Puranic period

Stories about Ganesha often occur in the Puranic corpus. Brown notes while the Puranas "defy precise chronological ordering", the more detailed narratives of Ganesha's life are in the late texts, circa 600- 1300.[194] Yuvraj Krishan says that the Puranic myths about the birth of Ganesha and how he came to acquire an elephant's head are in the later Puranas composed from about 600 onwards, and that references to Ganesha in the earlier Puranas such as the Vayu and Brahmanda Puranas, are later interpolations made during the 7th to 10th centuries.[195]

 

In his survey of Ganesha's rise to prominence in Sanskrit literature Ludo Rocher notes that:

 

Above all, one cannot help being struck by the fact that the numerous stories surrounding Gaṇeśa concentrate on an unexpectedly limited number of incidents. These incidents are mainly three: his birth and parenthood, his elephant head, and his single tusk. Other incidents are touched on in the texts, but to a far lesser extent.[196]

 

Ganesha's rise to prominence was codified in the 9th century when he was formally included as one of the five primary deities of Smartism. The ninth-century philosopher Śaṅkarācārya popularized the "worship of the five forms" (pañcāyatana pūjā) system among orthodox Brahmins of the Smārta tradition.[197][198] This worship practice invokes the five deities Ganesha, Vishnu, Shiva, Devī, and Sūrya.[199][200] Śaṅkarācārya instituted the tradition primarily to unite the principal deities of these five major sects on an equal status. This formalized the role of Ganesha as a complementary deity. The monistic philosophy preached by Śaṅkarācārya made it possible to choose one of these as a preferred principal deity and at the same time worship the other four deities as different forms of the same all-pervading Brahman.

  

[edit] Ganesha Scriptures

 

Statue of Ganesha with a flowerFor more detail see: Ganesha Purana and Mudgala Purana

Once Ganesha was accepted as one of the five principal deities of Brahmanism, some brāhmaṇas chose to worship Ganesha as their principal deity. They developed the Ganapatya tradition as seen in the Ganesha Purana and the Mudgala Purana.[201]

 

The date of composition for the Ganesha Purana and the Mudgala Purana, and their dating relative to one another, has sparked academic debate. Both works developed over periods of time and contain age-layered strata. Anita Thapan reviews different views on dating and provides her own judgement. She states that it appears likely that the core of the Ganesha Purana came into existence around the 12th and 13th centuries but was subject to interpolations during the succeeding ages.[202] Lawrence W. Preston considers that the period 1100-1400 is the most reasonable date for the Ganesha Purana because that period agrees with the apparent age of the sacred sites mentioned by it.[203]

 

R. C. Hazra suggested that the Mudgala Purana is older than the Ganesha Purana which he dates between 1100 and 1400 A.D.[204] However Phillis Granoff finds problems with this relative dating and concludes that the Mudgala Purana was the last of the philosophical texts concerned with Ganesha because, among other internal evidence, the Mudgala Purana specifically mentions the Ganesha Purana as one of the four Puranas that deal at length with Ganesha (these are the Brahma, the Brahmanda, the Ganesha, and the Mudgala puranas).[205] The Mudgala Purana, like many other Puranas, contains multiple age strata. While the kernel of the text must be old it continued to receive interpolations until the 17th and 18th centuries as the worship of Ganapati became more important in certain regions.[206] Another highly regarded scripture, the Ganapati Atharvashirsa, was probably composed during the sixteenth or seventeenth centuries A.D.[207]

  

[edit] Beyond India and Hinduism

For more on this topic, see Ganesha outside Hinduism.

 

Tibetan depiction of Dancing Ganesha[208] This form is also known as Maharakta ("The Great Red One")[209]India had an impact on the regions of West and Southeast Asia as a result of commercial and cultural contacts. Ganesha is one of many Hindu deities who reached foreign lands as a result.[210] The worship of Ganesha by Hindus outside of India shows regional variation.

 

Ganesha was particularly worshipped by traders and merchants, who went out of India for commercial ventures.[211] The period from approximately the tenth century onwards was marked by the development of new networks of exchange, the formation of trade guilds, and a resurgence of money circulation. It was during this time that Ganesha became the principal deity associated with traders.[212] The earliest inscription where Ganesha is invoked before any other deity is by the merchant community.[213]

 

Hindus spread out to the Malay Archipelago and took their culture with them, including Ganesha.[214] Statues of Ganesa are found throughout the Malay Archipelago in great numbers, often beside Shiva sanctuaries. The forms of Ganesha found in Hindu art of Java, Bali, and Borneo show specific regional influences.[215] The gradual emigration of Hindus to Indochina established Ganesha in modified forms in Burma, Cambodia, and Thailand. In Indochina, Hinduism and Buddhism were practiced side-by-side and mutual influences can be seen in the iconography of Ganesha in the region.[216] In Thailand, Cambodia, and Vietnam, Ganesha was mainly thought of as a remover of obstacles.[217] Even today, in Buddhist Thailand Ganesha is regarded as remover of obstacles and thus god of success.[218]

 

Before the arrival of Islam, Afganistan had close cultural ties with India, and the adoration of both Hindu and Buddhist deities was practiced. A few examples of sculptures from the period 5th-7th century have survived, suggesting that the worship of Ganesha was in vogue in the region at that time.[219][220]

 

Ganesha appears in Buddhism, not only in the form of the Buddhist god Vināyaka, but also portrayed as a Hindu demon form with the same name (Vināyaka).[221] His image appears in Buddhist sculptures during the late Gupta period.[222] As the Buddhist god Vināyaka, he is often shown dancing, a form called Nṛtta Ganapati that was popular in North India, later adopted in Nepal and then in Tibet.[223] In Nepal, the Hindu form of Ganesha known as Heramba is very popular, where he appears with five heads and rides on a lion.[224] Tibetan representations of Ganesha show ambivalent views of him.[225] In one Tibetan form, he is shown being trodden under foot by Mahākala, a popular Tibetan deity.[226][227] Other depictions show him as the Destroyer of Obstacles, sometimes dancing.[228] Ganesha appears in both China and Japan in forms that show distinct regional character. In North China, the earliest known stone statue of Ganesha carries an inscription dated 531 CE.[229] In Japan the Ganesha cult was first mentioned in 806 CE.[230]

 

The canonical literature of Jainism does not mention the cult of Ganesha.[231] However Ganesha is worshipped by most Jains, for whom he appears to have taken over certain functions of Kubera.[232] Jain connections with the trading community support the idea that Jainism took up the worship of Ganesha as a result of commercial connections.[233] The earliest known Jain Ganesha statue dates to about the 9th century.[234] A 15th century Jain text provides procedures for the installation of Ganapati images.[235] Images of Ganesha appear in the Jain temples of Rajasthan and Gujarat.[236]

  

en.wikipedia.org/wiki/Ganesha

  

(Spoiler warning for the film's ending)

 

I've found, as I get older, that it takes increasingly less to make me cry at movies – my theory being that the accumulation of real life experience correlates to an empathy for fictionalised narratives to which we couldn’t previously relate. Having said that, there are still only a handful of films I’d describe as truly devastating, and those that fit the description generally share one of two themes. The first is animals – my love thereof being no great secret. (A friend once asked if I wanted to rent Hachi, and I responded by saying that I wasn’t in the mood: the truth being that a) films where the animal protagonists don’t survive past the end credits utterly destroy me and b) I’d teared up just watching the trailer two days earlier.) The second – more human – theme is that of mothers.

 

As the product of a single-parent household, there are few things that offend me more than the notion that a child needs two parents (of either gender) for healthy development, and, once I’d reached an age where the option became available to me, I ceased contact with my father altogether. In consequence of having been raised by mum alone, however, we have a closeness for which I am unendingly grateful; and trading an additional parent for the woman who remains one of my favourite people in the world is an exchange I would make time and time again. (Indeed, half the arguments we had growing up were, upon reflection, a consequence of us being more or less the same person: my strong-mindedness (read: stubbornness) and self-assurance (/inability to admit when I’m wrong) being among the more charming traits I’ve inherited.)

 

Now, going into Still Alice last week, I had high expectations. I’m a long-time fan of Julianne Moore, and knew she’d secured the Oscar for Best Actress before the film had even premiered here in the UK (an accolade I chose to have faith in despite Patricia Arquette winning Best Supporting for Boyhood, which I consider a feat of technical filmmaking vs. acting or storytelling). I was not, however, prepared for the degree to which the film moved me, and as people slowly filed out of the cinema around us, it was all I could to do stay seated throughout the end credits until I could recover enough to stop crying.

 

The film’s theme is, of course, grave – the subject of early-onset Alzheimer’s is hardly the makings of a light-hearted comedy. Dr. Alice Howland (played to devastating effect by Moore) is a linguistics professor who, she tells us, has “always been so defined by my intellect, my language, my articulation, and now sometimes I can see the words hanging in front of me and I can’t reach them and I don’t know who I am and I don’t know what I’m going to lose next.” It’s a disease that strips Alice of the traits that form the very basis of her self-identity. This loss of her sense of self – and the bitter irony that the accelerated decline in Alice’s condition owes, in part, to her erstwhile superior intellect – is difficult to watch: scenes of Alice pre-emptively visiting a nursing home and seeing the fate that awaits her reflected in people vastly beyond her age; of the shame she feels after failing to find the bathroom in her own home; the emotional breakdown when she finally reveals her condition to her husband, and sobs that “it feels like my brain is fucking dying. And everything I’ve worked for in my entire life is going. It’s all going.” It’s heartbreaking.

 

But the true heart of the movie lies, for me, in Alice’s relationship with her youngest daughter, Lydia (played by Kristen Stewart in a role for which the internet at large probably owes her a collective apology after the Twilight series). Though their relationship is, at times, strained (foremost by Alice’s misgivings over Lydia’s choice of an acting career without a solid basis in education) the bond they ultimately develop over the course of the movie is a beautiful one; the child she least understands becoming the one who understands her most. The film’s final scene is, at face value, devastating – Lydia reads to Alice from a play they had discussed months earlier while her mother was still in command of her faculties, and Alice – finally in the full grip of her condition – responds seemingly incomprehensibly. But it contains within it an echo of the speech the once-brilliant Alice gave in the film’s opening moments, where she noted that, “Most children speak and understand their mother tongue before they turn four, without lessons, homework, or much in the way of feedback. How do they accomplish this remarkable feat? Well this is a question that has interested scientists at least since Charles Darwin kept a diary of the early language of his infant son. He observed, ‘Man has an instinctive tendency to speak, as we see in the babble of our young children.’”

 

After Lydia has finished reading, she asks her mother, “Hey, did you like that? What I just read, did you like it? Wh-what…what was it about?”

 

“Love,” Alice answers.

 

And though her mother has been reduced to a state where she can only communicate through childlike babble, we feel that Alice can still comprehend – on some level – Lydia’s devotion to her. “Yeah, mom,” she responds. “It was about love.”

 

In the hands of a lesser filmmaker, Still Alice could easily have been a schmaltzy, Lifetime Movie affair like My Sister’s Keeper or The Notebook – reliant on musical cues and manipulative sentimentality to tell the viewer where and when to feel. Still Alice favours a quiet dignity, like that of its protagonist, and of the film’s co-writer and director, Richard Glatzer, who made this movie – ultimately to be his last – whilst battling motor neuron disease. The film’s lasting message is of endurance, even in the face of inevitability — and of love.

 

(Dundee, 2014)

 

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This advert appears in the May - June 1953 issue of the excellent Sales Appeal trade journal. The magazine dealt with matters relating to packaging, display, marketing and industrial design.

 

It is one of a series issued by Fisher's Foils Ltd and consists of two pages - this front sheet die-cut to allow a view of the second, backing sheet that is a sheet of decorative foil. The company were based on the site of the old 1924/25 British Empire Exhibition at Wembley whose grounds, and many exhibition buildings, became an industrial estate until modern redevelopment swept them away.

 

Fisher's was founded in 1929 and were a major concern. In 1964 they were acquired by one of the aluminium industry giants Alcan.

Here is another scan and retouch that relates a load of history... and a load of grief. It's age is in question. Maybe someone knows of this cutout photo prop at Rockaway Beach at New York City. This is a crowd of people all loaded into two who choose to advertise it. A bay tug could be at risk of capsizing were this a real boat. Perhaps the date of the snap could be determined by investigating when a food shortage took NYC by storm.

 

These two are the crowd that created the mess of the Hodum family children and spreading families. You need to pack a lot of groceries away to generate enough energy to pull off a feat like that with bodies like these. Does anyone have footage of elephants mating?

 

As usual, dust on negatives and contact printing left untold white specks and black holes. Grubby fingers and tears left plenty of defects across the image. In close, it looked like a shotgun blast. I attacked the worst of the flecks. As always, it provides plenty of practice whether needed or not. I already have far too much practice. I used the same two techniques, the Stamp and Brush to work on the image. Unfortunately, this scanner usually features all the defects on old snaps like this. I would have been lucky if these were all the problems I encountered. Part of the original was ripped away when someone tore it from an album with black pages where it was glued down, an elegant presentation certainly. Perhaps not so good for longevity and finding any inscription that might be on the reverse. I searched for the scrap but never found it.

 

I suppose that it will always be possible that this family will exchange the digital retouching and spread them far enough that my labor won't be entirely wasted. I gang output to high resolution PDFs that can be printed at home or taken to Fed-X/Kinkos for color printing. I output a couple dozen ganged sheets. Their output never seems to waver from the quality of the PDF. Trimming them with scissors, especially the deckle edges, will be a challenge. That's not my job.

 

I received a load of scanning and retouching recently relegated to me. So far, I have several solid days packed into the project and the collection has not shrunk that much. So much for me keeping up with Flickr. I wonder why the family thinks that I owe them thousands in difficult retouching labor?

 

Fife was home to a siding, post office, general store and boarding house. Many existing families’ histories can be traced back to Fife. Limestone was discovered in 1898 and a quarry (mine) was established. Limestone is used as a flux for smelting ore. The first loads were loaded by wheelbarrow onto rail cars to be used at Consolidated Mining Smelting (Comico Teck). There were three quarries located at this site during its history and as technology improved the wheel barrows loading the limestone were replaced with modern tools. One of these improvements was the Tipple loading chute.

 

Many of Fife families were employed in jobs relating to the rail such as mining, sawmill, cedar pole logging, stores and farms located near Fife. Many were of Italian descent shown by names such as Tambellini, Tedesco, Mazzochi, Timberlake, Ferraro , Maida, Clarkston, Fornelli, Decembrini and Cicconi. Many other families lived in Fife contributing to the life of the area.

 

The oldest rocks on the Fife property are limestone and greywacke of the Carboniferous to Permian Mount Roberts Formation bounded to the south and east by granodiorite and diorite of Middle Jurassic age, and to the north by Eocene Coryell Plutonic Suite syenite. The sediments have been intensely folded with variable strikes and dips. Along the contacts of the Mount Roberts Formation and the granodiorite and diorite intrusions, local areas of garnetiferous skarn is noted.

 

Mrs. Irene Buckland held under lease the six Crown grants comprising the Fife property which straddle the Kettle Valley Railway between the villages of Fife and Christina Lake. The greatest period of activity appears to have been in 1909 and 1910 when Fife Mines Co. Ltd. owned the property.

“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.

 

The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art

 

“Wild Flowers are not weeds"

Street Art is the modern, urban wildflowers

What's the difference between Graffiti Tagging and Street Art?

1. Street Art is constructive, Graffiti Tagging is destructive.

2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.

3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.

4. Street Art is about the audience, Graffiti Tagging is about the tagger.

5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".

6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.

7. Street Art takes skill, Graffiti Tagging takes balls.

8. We mourn losing Street Art and celebrate losing Graffiti Tagging.

Good Street Art is great, good Graffiti Tagging is gone!

”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html

 

Additional interesting sites

www.osnatfineart.com/urban-art.jsp

en.wikipedia.org/wiki/Street_art

 

DSC_0247 final.jpg

 

Graffiti_1 LR

Moorook Hall is dated 1897 – 1933.

The date of 1897 relates to the one-roomed stone school building, complete with chimney as had many schools of that era. The school also served as a public hall and was used for many meetings, church services and social events. In 1901 the Moorook Hall was used for an inquest after a young man was found dead near the Moorook billabong.

After the Moorook Hall of 1933 was built the old hall was referred to as the ‘supper room’.

 

The following Village Settlements, all on the River Murray, were proclaimed under the Act of 1893 in Executive Council on Wednesday: Holder, Kingston, Lyrup, Moorook, Murtho, Pyap, Ramco and Waikerie. [Ref: Adelaide Observer 6-6-1896]

 

From Kingston, reached Moorook in about four miles. Here again very much has been done. For the most part the dwellings are comfortable, and their schoolhouse, which is used for all meeting purposes, would not disgrace any town in the colony: it is well built and well finished.

The pumping-plant here seems well kept and well suited for its work, and it is really surprising the growth everything makes with a judicious water supply. As elsewhere, the settlers seem sanguine that there will soon be an entire change of system, and that if so they can support themselves without further Government assistance, and also in time pay off their liabilities to the State. [Ref: South Australian Register 17-4-1897]

 

MOOROOK, July 23

The settlement is greatly improving. A new fence has been erected to enclose the settlement from the public road. A large place has been reserved for the schoolchildren.

 

The work of making channels was started today to carry water from the low lift to the respective blocks inhabited by the settlers.

All the settlers have received the permission of Mr R Fleming, the manager, to select pine trees growing about the place, and use them for the building of temporary houses on the blocks. [Ref Register (Adelaide) 1-8-1901]

 

Moorook May 6th

A farewell social was given to Sapper Harry Krollig of the engineers on Tuesday evening of last week. Sapper Krollig having obtained his final leave came up to say good bye to his people, who are much respected in this district. The notice was short but a goodly number of folks rolled up to do him honour.

It was a coincidence that Pte H Ledgard was also in the neighbourhood. He had resided here previously and came to say goodbye to his sister Mrs B L Drogemuller, and was also welcomed and farewelled as a fellow guest of Sapper Krollig.

The Captain of the Rifle Club, Mr W Munn, presented Sapper Krollig with a periscope on behalf of the club. Mr A H Roberts also spoke and cheers were given for the soldiers.

Thirty three men have enlisted from Moorook: thirteen of these were members of the Rifle Club.

The ladies provided supper, and dancing concluded a pleasant evening. [Ref: Murray Pioneer and Australian River Record (Renmark) 11-5-1916]

 

MOOROOK

Before breakfast time on Saturday morning the ‘Industry’ and the ‘Alexandra’ left the Cobdogla woolshed landing, and His Excellence the Governor and the viceregal party continued their journey downstream. It was a perfect spring morning, and the fast steam with the current was one of the most delightful of experiences.

The trip seemed all too short, but there was plenty of interest to be seen on landing, for the next stopping place was at Moorook, originally a village settlement, but abandoned as such in 1905. A number of the old irrigable blocks are being worked by settlers with satisfactory results, and now a considerable addition has been made to the population by the establishment of a number of returned soldiers there.

The new orchards have been in for three years now, and it is anticipated that this year some 200 tons of grapes will be got from them. There are 34 returned soldiers established on the area and about 19 civilian orchardists. At the outset an experiment was tried with dairying, and several of the irrigationists grew lucerne and kept dairy cows. It has been found, however, that this is not a success, the cows have been disposed of, and the lucerne patches are to be planted, with vines, which, of all fruit crops tried along the river, are proving to be the most regular and financially successful. A packing shed and winery are now being established, and prosperity appears to lie ahead of all the settlers.

A function took place in the new hall shortly after the arrival of the visitors, who were given a hearty welcome to the district. This hall is one of the best seen all along the river. It was previously the pay office at Mitcham [military camp] and is just the very thing for the district. [This prefabricated building was subsequently named the McIntosh Hall and was intended for use by the RSL and for church services. It later became the Moorook Cooperative and general store] [Ref: Observer (Adelaide) 23-10-1920]

 

Moorook May l

A handsome Honour Roll was unveiled in the local hall on Anzac Day in the presence of a large audience. The board was constructed by Pengelly & Co, and the lettering by Mr R H Herriott, who was himself one of the original Anzacs. Mr A H Roberts who presided, asked Mr R Fleming to perform the act of unveiling, which he did, delivering a thoughtful address.

Major M I Herbert, one of the original 10th Battalion, gave a graphic account of the historic landing at Gallipoli, and of the conditions prevailing until and at the evacuation.

 

The Rev Eric Wyllie conducted the service, when special prayers were said and hymns sung, including, Kipling's Recessional and the National Anthem.

Mr R F Mayfield, chairman of the Loxton District Council, motored from Loxton to attend the ceremony, and delivered a short address. The room was tastefully decorated with flags. Altogether the ceremony was of a most impressive nature. [Ref: Murray Pioneer and Australian River Record (Renmark) 6-5-1921]

 

In 1923 the government erected a new school, still standing today, resulting in the original school house being available solely for hall use.

The following newspaper report describes the manner in which residents secured the old hall for their use.

 

The annual meeting of Moorook Progress Association was held in the local hall on the 24th inst. The president, Mr A Carne JP, occupied the chair.

Since the establishment of the new school the old "Moorook Hall" had lost its principal source of revenue. The premises, and some half acre of land, were reserved for educational purposes at the time of the founding of the Village Settlement, and the deeds were handed to the Education Department.

 

Fearing that the premises might now be lost to the public benefit by some means, the committee had for some time been in communication with the department, with the result that it had been offered a lifelong lease of the building and adjoining reserve, at a nominal rental, providing suitable trustees were appointed. To enable negotiations to be finalized, trustees were appointed at this public meeting, the following gentlemen being elected: Messrs J Aird, A G Carne, C F Drogemuller, C R Krollig, A H Roberts, A. L. Shillabeer and T G A Wachtel.

A motion authorising them to take over a lease of the property, so that it might be conserved for the benefit of the residents was carried unanimously.

Several amendments to the rules of the Progress Association were adopted. [Ref: The Murray Pioneer and Australian River Record (Renmark) of 30 March 1923]

 

Moorook November 2

A community song hour, which is held on alternate Mondays in the local and McIntosh halls, still holds its own in enthusiasm, especially that in the McIntosh hall, where the attendance is particularly good.

Mr H Gray is conductor, Mrs Herriot pianiste. [Ref: Murray Pioneer and Australian River Record (Renmark) 7-11-1924]

 

IMPROVING MOOROOK HALL

Moorook August 23

The Moorook Hall has recently been painted and generally repaired, and to the great satisfaction of the ladies, the anteroom has been floored with cement, new benches and cupboards have been installed, and doors added leading from the hall. This has been a long felt want and will be greatly appreciated by everyone having occasion to use the building. [Ref: Murray Pioneer and Australian River Record (Renmark) 27-8-1926]

 

NEW MOOROOK HALL Foundation Stone

Moorook October 7

Before a large assembly, including visitors from Barmera, Renmark, Loxton and surrounding districts, the official ceremony of laying the foundation stone of the new Moorook Hall was performed by Moorook's oldest settler and one of the River's pioneers, Mr J Aird senr, on Saturday. Appropriate speeches were made by Messrs C R Krollig, chairman of hall trustees, S G A Wachtel and F J Petch, chairman Loxton district council. Mr Aird was presented with a suitably engraved silver trowel.

The sum of £8/12/ was laid on the stone.

 

Following the ceremony a bazaar, opened by Mr F J Petch, was held in the old hall. The ugly man competition was responsible for raising about £15. Various stalls, and a mock court were operating during the afternoon and evening.

 

In the evening a dance was held, Messrs Flaherty senr, and N Schenscher supplying the music. As a result of the day's effort the building fund of the new hall will benefit to the extent of about £52.

 

It is anticipated that the building will be competed and ready for opening towards the end of December of this year. [Ref: Murray Pioneer and Australian River Record (Renmark) 12-10-1933]

 

MOOROOK January 6

The official ceremony of opening the new hall was performed by Mr T C Stott MP, before a large attendance. After a presentation to Mr Stott, by Mr C R Krollig on behalf of the hall trustees, of a gold key suitably inscribed, a banquet followed, at which, an impressive toast list was given.

A social and dance held in the evening was attended by a large crowd. [Ref: Murray Pioneer and Australian River Record (Renmark) 11-1-1934]

 

HALL IMPROVEMENT COMMITTEE

The Moorook Hall Improvements Committee held a social and dance on Saturday August 12, in the Moorook Hall.

Almond blossom and greenery on the stage comprised the decorative schemen.

Items interspersed with dancing were given by boys of the Yinkanni school, recitation: Misses S Battams and R Loxton songs: Miss F Saxon and B Krollig humorous sketches.

 

The Moorook Harmony Boys supplied the music for dancing. Mr C Krollig was MC. Supper was served by the committee.

 

Following the social and dance it is proposed if satisfactory by the Hall Improvement committee to purchase a 500 candle power petrol light for the main hall. Mr Don Loxton offered to demonstrate this lamp.

A King competition for the forthcoming fete was also discussed.

A pet and doll show with decorated perams and cycles and a miniature arts and crafts exhibition are also being considered.

 

The first of a series of bridge and table tennis evenings, arranged by the stallholder of the fete to be held in November, was held.

Bridge was played in the supper room, a cosy fire adding to the comfort of the players. Table tennis was fought out in the main hall under the direction of Mr A B C Downs. [Ref: Murray Pioneer and Australian River Record (Renmark) 24-8-1939]

 

Held on Saturday afternoon, November 25 in the hall with a large attendance, the fete of the Moorook institute was opened by Mr T C Stott MP, who made a hurried trip from Melbourne to fulfil his promise to officiate.

Mr Stott in his customary jocular manner complimented those present on the appearance of the hall and urged strong support for the undertaking. The hall was transformed into a garden, complete with trees, flowers, rockeries and garden seats.

Much credit is due to Mrs S Sanders and her band of willing workers for the beautiful setting, a veritable ocean of flowers.

A dance followed at night in the Institute, with Ern Saxon's orchestra in attendance.

The total proceeds amounted to nearly £73 which has been earmarked for the bank overdraft. [Ref: Murray Pioneer and Australian River Record (Renmark) 14-12-1939]

 

In aid of the DBNS a carnival night held In the Moorook Hall was a great success. Takings amounted to £18.

The stage was decorated with multicoloured streamers and balloons. Palm leaves and blossoms were in evidence in the background.

The large throng of dancers enjoyed the melodies supplied by the Night Owls Orchestra of Cobdogla. Mr W Wetherall was MC.

Strawberry, ice cream and cool drinks stalls were arranged cabaret style in the supper room.

 

During the evening opportunity was taken to honour Steward C Loxton, by the Win the War Committee and Moorook residents. Mr J Grey introduced Mr G Scott (president of the Moorook RSL Sub-branch) who made the usual presentation. Steward Loxton responded.

Prior to the carnival Mrs A E Loxton was hostess at a small dinner party at which Colin was the guest of honour. [Ref: Murray Pioneer and Australian River Record (Renmark) 19-12-1940]

 

Three Soldiers Honoured

Three members of the AIF, Privates M Royal, B Bartsch and R Bartsch were honoured by residents of Moorook and district on August 9.

The Moorook Hall was filled with one of the largest gatherings to a function of this nature. Mr J Gray (chairman of the Win the War Fund) presided and welcomed the residents. Presentations were made by Mr W E Harrington, representing the Moorook RSL Sub-branch.

The Bartsch brothers had lived in the district all their lives, while Pte Royal had come to Moorook as a young man and had become well known. He wished them a safe return.

The three men responded, thanking the residents for the interest taken in their welfare.

Mr. Harrington called for a minute's silence in honour of the late Pte T Chisholm.

Mr C Krollig was MC for a programme of dances. Community songs were sung to music played by Mrs R Herriott. Supper was served by members of the local Red Cross Circle.

Among the gathering were Pte T McCullock (Garrison), Steward C Loxton (RAN), Ptes L Aird, F Seiboth and G Bartsch (Militia). [Ref: Murray Pioneer and Australian River Record (Renmark) 14-8-1941]

 

New Kitchen for Moorook Hall

Following a donation for £20 from the CWA for the erection of a new kitchen, the Moorook Hall Committee met a CWA subcommittee to draw plans for the kitchen. This is now well in hand, but the treasurer stated he would like a little more money in hand for the project. Anyone wishing to give a donation could send it to Mr O W Kloden, by whom it would be officially acknowledged. [Ref: Murray Pioneer (Renmark) 26-10-1950]

 

Moorook CWA Help for Hall

Christmas Party Moorook December 18

The Moorook Branch of the CWA, at its last meeting for the year, held in the Moorook Hall on December 13, decided to help the Hall committee on a 50/50 basis, to build a new kitchen and if possible to carry on with the proposed children's playground.

The Loxton District Council, it was stated, had offered its equipment to level the ground when it was in the district.

The first function in aid of the fund would be a cherry fete on December 15.

 

A huge Christmas tree decorated the stage for a Christmas party which the hostesses arranged to follow the meeting. A good programme comprising community singing, competitions and songs by Mesdames Bullock and M E Loxton was much enjoyed.

 

During the afternoon "Merry Christmas" arrived with a huge stocking on her back containing small parcel for each person present. The president, treasurer and secretary received a well filled Christmas stocking from the members, and much appreciated the thought.

Afternoon tea was served in the supper room, and a Christmas cake made by Mrs Loxton and decorated by Mrs R Smith was cut by the president. [Ref: Murray Pioneer (Renmark) 21-12-1950]

   

Kinetic: Relating to, caused by, or producing motion.

 

These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.

 

I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.

 

Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.

 

To read more about Kinetic Photography click the Wikipedia link below:

 

en.wikipedia.org/wiki/Kinetic_photography

 

And to see more of my Kinetic Photographs please visit my set, “Flux Velocity:”

 

www.flickr.com/photos/motorpsiclist/sets/72157622224677487/

 

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Albeit supremely risky this is one of my favorite ways to produce abstract photographs.

 

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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.

 

Bob Curry, in almost the full Silva’s uniform (no badge), posing with a “new” ambulance, formerly used by Allied Ambulance in Oakland.

 

The following is an excerpt of a blog written by Tim Dees who relates his experiences working for Silva's in the mid 1970's.

 

Link: timdees.com/blog/?p=375

 

The ambulances were pink, because that was the owner’s wife’s favorite color. Pink bed linen, and when I got there, they were just moving away from pink shirts, as they were too difficult to find. Bob Silva never bought a new ambulance. They were all used Cadillacs, as he believed a used Cadillac was much classier than a new van-type that actually ran. I was taking a woman in labor to a hospital in San Francisco when the tranny gave up the ghost in Hunter’s Point. I’d told Bob the day before that it was on its last legs, and he advised that I should shut up and drive what I was given to drive. We were dead in the water, and just barely within radio range to call for another rig to take our patient.

 

The county came out with some new regs for gear that had to be on the rig, and one requirement was an obstetrics kit. Pre-packaged OB kits from Dyna-Med were $7.50 each. Silva bought one. He put it on a rig, sent it to be inspected, then brought that one back and put the same kit on the next rig to be inspected. When it was finally left in the rig he usually drove, he wrapped it in strapping tape to discourage anyone from actually using it. It wasn’t like we didn’t need OB kits. I delivered three babies while I worked there.

 

The electronic sirens we’re so used to now were just coming into widespread use in the 1970s. Most of our ambulances were equipped with mechanical sirens that wound up slowly when activated. They had brakes on them, and if you forgot to brake the siren before you left the rig, it would take a minute or more to wind down, growling the whole time. The big daddy of these mechanical sirens was the Federal Q2. Some of these are still in use on fire engines. The Q2 is a massive thing, and drew so much power that the engine would knock when you leaned on the button too long—the spark plugs didn’t get enough voltage. Few man-made things are as loud as a Q2. One day, while en route back to the station with a new attendant, I stopped at a Safeway for some groceries. I left the attendant in the rig, telling him to tap the siren if we got a call. When the call came in, he didn’t tap on the horn ring that activated the siren—he held it down. The ambulance was parked facing the store and its large plate glass windows. I heard the siren, then heard the window start to reverberate in its frame as it resonated with the blast of sonic waves—“whap-whap-whap-whapwhapWhapWhapWHAPWHAPWHAP.” I made it back to the rig, screaming ineffectively, before the window shattered.

 

Between the mechanical siren, separate heater for the rear compartment, more blinking lights than a Vegas casino, etc., the ambulances needed a lot of electrical power. A single battery would be dead before you got to the hospital, so most ambulances had two car batteries, cross-connected via a big rotary Cole-Hersee switch. The switch, which looked a little like the access cover to your house’s sewer cleanout pipe, had four positions: Battery One, Battery Two, Both, and Off. “Both” was the usual setting, but when the rig was parked, it was common to switch it to “Off,” so the batteries wouldn’t be drained if you had forgotten to turn something off. This effectively disconnected the batteries from the rest of the rig. If you wanted to have some fun with another crew, you could turn everything in their rig on, but leave the Cole-Hersee switch off. When they turned it back on, hilarity would ensue.

 

The gear we had in these ambulances was very basic, and most of us purchased and brought our own equipment to work, rather than provide inferior care for our patients. I bought my own stethoscope and sphygmomanometer (blood pressure cuff), chemical cold packs, wire ladder splints, ammonia “wake up gizmo” ampules, etc. Consumable supplies, such as self-adhering Kerlix bandages and waterproof tape, were stolen from the hospitals. The bandages we had on board, furnished by the company, were made of crumbling linen material from the Korean War era. Oropharyngeal airways were supposed to be either used once and discarded, or autoclaved between patients, but we had neither replacement airways or an autoclave, so we wiped them clean with alcohol and hoped for the best.

 

Our suction apparatus was powered through the engine’s vacuum manifold. Suction power went to zero when the engine was accelerating. If you were trying to clear gunk from a patient’s airway while your driver was flooring it, you’d tell him to coast until you had made some progress.

 

We weren’t allowed to say someone was dead, even if the flesh was falling from their bones. Law enforcement officers could make that determination, but doing so meant they would have to remain at the scene until the coroner arrived, which could take hours. This being the case, many officers chose to see some glimmer of life in corpses long past resurrection. We responded to an “11-80” (traffic accident with serious injuries) attended by a member of the California Highway Patrol to find a pickup truck that had rolled over with an unfortunate passenger in the back. The passenger had not quite been decapitated, as his head was hanging by a few strips of flesh. This was one of the more obvious dead people I had encountered, but the Chippie ordered us to run him in. Getting the body onto the gurney had the same effect achieved in kosher slaughterhouses, where the neck veins are severed and the blood is allowed to drain from the carcass. By the time we got to the hospital, the floor of the rear compartment was literally awash in blood, with it sloshing over my boots. I called the office and told them we would be out of service for a while.

 

This pre-dated the AIDS scare, and even though hepatitis and other bloodborne pathogens were just as nasty then as now (and there was no vaccine), we had no latex gloves to wear. Back then, gloves were worn by medical people to protect the patient from infection. There wasn’t a lot of thought given to protecting the caregivers. I remember cleaning up after an especially gruesome call and thinking that I wasn’t just cleaning something, but rather someone, out from under my fingernails.

 

One case where we didn’t have to transport was at the home of an older gentleman. I never knew the circumstances that prompted the call, but we arrived a few minutes after the fire department and before the cops. As we walked up to the house, the firemen were walking out, chuckling to one another. “He’s dead!” they said with some amusement. We entered the bedroom to find an older man lying supine on top of his bed, naked. Rigor had set in, so he had been gone for some time. What the firefighters found so funny was that the man had expired while engaged in an act of self-pleasure, and still had the weapon in hand. My partner and I looked at each other and registered much the same expression the firemen had. As we walked out, the cops were just arriving. “He’s dead!” we told them. I suppose there are worse ways to go, but that’s not how I want to be found.

 

I ran a lot of calls at Silva’s. The shifts were 120 hours long–yes, five days straight. You got paid straight time ($2.00/hour in 1974) for the first eight hours, a guaranteed time-and-a-half for five more hours, and were unpaid for three hours of meals, whether you actually got to eat them or not. Between midnight and eight in the morning, you got overtime for the time you were actually in service on the call. If you rolled and were cancelled two minutes out–which was common–you got two minutes of overtime. I swear some of those rigs could find their own way home, because there were many nights I have no memory of having driven them there. When my days off finally arrived, I would usually sleep through at least one of them.

 

The full Silva’s uniform was a sartorial delight. Each time they would give me a new uniform article, it would fall to a mysteriously tragic end, so I wore a white shirt, navy blue knit slacks, and a nylon bomber jacket. If you wanted to show you were management material, the required outfit consisted of a white (formerly pink) shirt with royal blue trousers and Ike jacket. The trousers had white piping down each leg, as did the cuffs of the jacket. On each shoulder of the Ike jacket was a huge purple and gold patch, proclaiming the wearer to be employed by Silva’s Ambulance Service, the words spelled out in metallic script. One was also obliged to wear a royal blue CHP clip-on neck tie. Mandatory accessories to the ensemble included a gold metal nametag, white belt, and white leather shoes. Worn on the shirt or jacket was a shield-type gold badge, about the size of a soup plate. All the badges identified the wearers as “Technician,” except for Bob Silva’s. His said, “Owner.” There was a $20 deposit on the badge. Those who were really in with the in crowd had huge custom Western-style belt buckles with their first names spelled out diagonally, and the corners adorned with red crosses, stars of life, or tiny ambulances. However, the crowning glory accessory–and I only saw one of these–was a gold tie bar, wider than the tie itself, with a fine gold chain attached to either end of the bar. Dangling from the chain was a pink Cadillac ambulance. Its wearer was extremely proud of this, and wouldn’t tell anyone where he got it, lest someone steal his thunder.

 

Employee turnover was around 200% annually, and I was a prized employee because I always showed up on time and sober. I was able to work full time on school vacations and summer, and from Friday evening to early Monday morning, when I’d leave to make it to my first class at San Jose State. It wasn’t uncommon to have an employee go AWOL, and have the cops show up a day or so later, looking for them. You had to be fingerprinted to get an ambulance driver’s license, but all you needed to work as an attendant was a first aid card, which management would procure for you for a small fee.

 

Bob Curry, in almost the full Silva's uniform (no badge), posing with a "new" ambulance, formerly used by Allied Ambulance in Oakland.

Bob Curry, in almost the full Silva’s uniform (no badge), posing with a “new” ambulance, formerly used by Allied Ambulance in Oakland.

 

There was one very senior employee whose name was also Bob. Bob thought he was the manager, and would tell you he was if asked, despite advice to the contrary if one of the Silvas was listening. Bob was very possessive of “his” ambulance, which was always the newest one (given that they were all used, “new” was a relative term). One night, I had just come in to work, and a call came in. The dispatcher told me to take it, so I grabbed an attendant and got in the first rig I saw. It was Bob’s, of course. When I returned, Bob screamed my face, lest I forget that that particular rig was HIS ambulance, and I had better stay the hell out of it if I knew what was good for me. Bob had an apartment near the main station, so he didn’t have to sleep at the station when he was on duty. If you were Bob’s attendant (Bob never worked in the back unless there was some real hero stuff going on), you were allowed to drive Bob’s ambulance to his place, where you switched seats. That night, a co-conspirator and I did a little customizing to Bob’s rig. When he got in the next morning, he found the handle on the driver’s door adorned with some adhesive tape, reading “Bob’s Door Handle.” Inside, more tape indicated Bob’s Steering Wheel, Bob’s Cigarette Lighter, Bob’s Gearshift, Bob’s Turn Indicator, Bob’s Accelerator, Bob’s Radio, Bob’s Other Radio, and so on. Tucked under Bob’s Sun Visor was a card on a little string, trimmed to drop to eye level: “Hi, Bob.”

 

Silva’s didn’t have the market cornered on odd employees. A rival company employed a guy we called Captain Action. Captain Action worked for a company that had more traditional uniforms, but still included a badge. The issued badge wasn’t up to Captain Action’s high standards. He had his own badge made up. It was a thing of beauty. It was a gold seven-point star (the most common style of police badge in those parts), but much larger than most police badges. It put the Silva’s badge to shame on size alone. I remember it had a big California State Seal in the middle, and a lot of text on the banners and inner ring. There was so much lettering on the badge that I never got to finish reading it, although I saw it often. Captain Action also wore a police-style Sam Browne belt with various snaps and cases, including a cuff case, handcuffs, and a baton ring. I never saw a baton, but I’m sure he had it around somewhere.

 

Captain Action loved to talk on the radio. Each ambulance had two radios, one on the company channel, and one that broadcasted on a shared, county-wide channel, called County Control. There was no direct channel to the hospitals, so one was obliged to tell County Control what you had and where you were bringing it, so the dispatcher could give the appropriate ER the heads up. An appropriate message might be something like, “County Control, Ambulance 3335, en route Code 3 to Peninsula Medical with an unconscious head injury.” Captain Action preferred to be somewhat more detailed, and made liberal use of the phonetic alphabet. “County Control, Ambulance 3330, en route Peninsula Medical Center with a 33-year-old white male with a history of cardiac myopathy, I spell CHARLES-ADAM-ROBERT-DAVID-IDA-ADAM-CHARLES-BREAK-MARY-YELLOW-OCEAN-PAUL-ADAM-TOM-HENRY-YELLOW…”

 

After one of these lengthy naratives (keep in mind that there were ten or twelve other ambulances in the county that used the same channel), the dispatcher was oddly silent. Captain Action made another try to ensure his message made it through. “County Control, Ambulance 3330, did you copy?”

 

“Ambulance 3330, County Control, TOM-EDWARD-NORA-BREAK-FRANK-OCEAN-UNION-ROBERT.”

 

Ah, the good old days.

 

Written by Tim Dees on January 1st, 2015

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

 

Uses: Anything relating to finance.

Relating to L263, see in my comments, it has recently had some major work carried out on the body and a repaint restoring it back to Selkent Travel livery. The centre door and areas around and including the front indicator box were scavenged from similar vehicle L101 / C101CHM, as seen in this photo.

 

The work was carried out by an external contractor and they received both buses. Apart from the bodywork it was hoped that other more “under the bonnet” bits could be used from L101 to benefit L367, but costing proved that this would have to be carried out back “in house”. As a result L101 is now back at EATM residing on the new land awaiting future donor role.

 

More on L367 and L101 in due course.

 

MORE EASTERN COACH WORKS (ECW) HERE.

 

Photo by Graham Woods.