View allAll Photos Tagged Relateable
I can relate to this surfer's race to beat the setting sun. The big kid in me is always on the lookout for one last adventure before the end of the day. With this kind of daydream/sunset who can resist not getting one last ride before the days end?
Pacific Ocean Sunset
Southern California, USA
Mike D
Behind the Camera:
I'm off today and have loads of chores to do around the house. It's cold and rainy outside. All I care to do is sit around and surf the web or go out on a photo walk. Yes its the winter of my discontent.
In a split second after I took this photo she walked away, and I couldn't help but wonder what her thoughts were as she had lingered at the artwork for quite a while before I took this photo. The white clothing she wore, plain and simple, made me think she could relate to the minimalistic and simple artwork she seemed to be admiring.
I do relate so well to this quote....art is my solace no matter the end result....the only time my brain isn't running at high speed... the only time I'm quiet...it's my meditation.
Thank you to borealnz for the texture.
In his "Metamorphoses," Ovid relates the story of the goddess Venus vainly trying to restrain her lover, the mortal Adonis, from departing for the hunt. The mood of playful sensuality conceals the tragic irony that Adonis is destined to be killed during the hunt by a wild boar. Titian painted two versions of the composition; one in 1554 for Philip II of Spain (now in the Prado, Madrid), and the other shortly before 1570 for the Farnese family (lost). The present picture is a version of the second composition, and since cleaning (1976) can be seen to have been painted in large part by Titian, the greatest painter of the Venetian Renaissance. (Gallery label)
In the Metropolitan Museum of Art, New York.
I think, people the world over can relate to a steaming cup of coffee. The taste the smell, the warmth it brings you on a cold morning. You can just sit and hold your piping hot mug to your chest, with both hands, enjoying the quiet of the morning, before the others awake, to run about the house and brake the magic of silence.
I love the atmosphere of this image. The bright light and dark shadow, cut through by the steam.
I used 4 Speedlights to stop the motion of the falling coffee beans and the coffee splashes.
I love to explore what you can do with natural light and flashes
The title can relate to the car or this man's low riding pants. Decide for yourself. I have no idea what these two are talking about. For all we know, he may have a lesion on his stomach or maybe he painted a smiley face on his chest, or maybe he's just proud of his abs. In any event, it was an unusual moment in an interesting setting. The old 1958 Chevy Bel Air completes the scene. And yes, the horizon is off purposely. Havana, Cuba, March 2019
Best viewed large by pressing "L". All rights reserved
Split ist die zweitgrößte Stadt Kroatiens. Sie ist die größte Stadt Südkroatiens und gilt daher im Volksmund als „Hauptstadt Dalmatiens“,
Die Keimzelle der heutigen Stadt Split ist der Diokletianspalast: Kaiser Diokletian ließ ihn um 300 erbauen.
Spätestens ab dem Frieden von Aachen (812) war Spalatum Teil des byzantinischen Themas von Dalmatien.[4] Slawische Fürstentümer entstanden im Hinterland.
Als die Republik Venedig unter dem Dogen Pietro II. Orseolo ihre Macht auf die romanischen Restgebiete auszudehnen begann, aus denen Byzanz sich zurückgezogen hatte, akzeptierte Spalatum – wie andere dalmatinische Städte und Inseln – die venezianische Oberhoheit.[5] Das trug dem Dogen den zusätzlichen Titel Dux Dalmatiae (Doge/Herzog von Dalmatien) ein.[5]
Im Zuge des Fünften Osmanisch-Venezianischen Krieges (um Zypern) fielen 1571 mit Solin und Kamen (Sasso di Spalato) Teile des Landgebietes der Stadt an die Türken.
Mit der sukzessiven Zurückdrängung der Osmanen im frühen 18. Jahrhundert rückte die Bedrohung auch territorial weit von Spalatos Landgebiet. Die Stadtbevölkerung wuchs, und die Zugereisten aus dem Hinterland verbreiteten das Kroatische als Umgangssprache, auch gefördert durch die Illyrische Akademie.[28]
Die Stadt wurde von den Partisanen im Jahr 1944 befreit, und wurde als Republik Kroatien in dem Nachkriegsbund Jugoslawien aufgenommen,. Im Jahr 1991 trennte sich Kroatien aus Jugoslawien nach dem kroatischen Unabhängigkeitskriege.
Split (Croatian pronunciation: [splît]; Italian: Spalato, see Name section) is the second-largest city of Croatia and the largest city of the region of Dalmatia. It lies on the eastern shore of the Adriatic Sea, centred on the Roman Palace of the Emperor Diocletian. Spread over a central peninsula and its surroundings, Split's greater area includes the neighboring seaside towns as well. An intraregional transport hub and popular tourist destination, the city is a link to numerous Adriatic islands and the Apennine peninsula.
Split is one of the oldest cities in the area. While it is traditionally considered just over 1,700 years old counting from the construction of Diocletian's Palace in 305 CE, archaeological research relating to the original founding of the city as the Greek colony of Aspálathos (Aσπάλαθος) in the 4th century BCE establishes the urban history of the area as being several centuries older.
Split became a Byzantine city, to later gradually drift into the sphere of the Byzantine vassal, the Republic of Venice, and the Croatian Kingdom, with the Byzantines retaining nominal suzerainty. For much of the High and Late Middle Ages, Split enjoyed autonomy as a free city, caught in the middle of a struggle between Venice and the king of Hungary for control over the Dalmatian cities.
Venice eventually prevailed and during the early modern period Split remained a Venetian city, a heavily fortified outpost surrounded by Ottoman territory. Eventually, its hinterland was won from the Ottomans in the Morean War of 1699, and in 1796, as Venice fell to Napoleon, the Treaty of Campo Formio rendered the city to the Habsburg Monarchy. In 1805, the Peace of Pressburg added it to the Napoleonic Kingdom of Italy, and in 1809, after the Treaty of Schönbrunn, it was included directly in the French Empire, as part of the Illyrian Provinces. After Napoleon's defeat in 1814, it was eventually granted to the Austrian Empire, where the city remained a part of the Austrian Kingdom of Dalmatia until the fall of Austria-Hungary in 1918 and the formation of Yugoslavia.
The city was liberated again by the Partisans in 1944, and was included in the post-war Federal Yugoslavia, as part of its republic of Croatia. In 1991 Croatia seceded from Yugoslavia amid the Croatian War of Independence.
(Wikipedia)
I can relate, Teddy.
I took this shot last fall and made it a B&W for a challenge. I really like the original, though, and I feel a sense of anguish from seeing this little bear up there.
15 years ago yesterday my sweet Momma went on to the next place. As I told my friends yesterday, that's 5,475 days of me missing her. Make that 5,476 now.
This entry relates to the north-eastern most part of Arnhem Land, Northern Territory, that receives the first light as the sun rises in the east. This is the landscape during April and the start of the harvst season following the wet, when the earth receives sudden showers during what is meant to be the dry. This artwork was painted on a huge piece of bark and tells the story about a group of spirit women who appear as stars in the night sky.
Thasos or Thassos (Greek: Θάσος) is a Greek island in the northern Aegean Sea, close to the coast of Thrace and the plain of the river Nestos but geographically part of Macedonia. It is the northernmost Greek island, and 12th largest by area. Thasos is also the name of the largest town of the island (also known as Limenas Thasou, "Harbour of Thasos"), situated at the northern side, opposite the mainland and about 10 kilometres (6 mi) from Keramoti. Thassos island is a known from the ancient times for its termae making it a climatic and balneoclimateric resort area.
Prehistory
Lying close to the coast of Eastern Macedonia, Thasos was inhabited from the Palaeolithic period onwards,[1] but the earliest settlement to have been explored in detail is that at Limenaria, where remains from the Middle and Late Neolithic relate closely to those found at the mainland's Drama plain. In contrast, Early Bronze Age remains on the island align it with the Aegean culture of the Cyclades and Sporades, to the south; at Skala Sotiros[2] for example, a small settlement was encircled by a strongly built defensive wall. Even earlier activity is demonstrated by the presence of large pieces of 'megalithic' anthropomorphic stelai built into these walls, which, so far, have no parallels in the Aegean area.
There is then a gap in the archaeological record until the end of the Bronze Age c 1100 BC, when the first burials took place at the large cemetery of Kastri in the interior of the island.[3][4] Here built tombs covered with small mound of earth were typical until the end of the Iron Age. In the earliest tombs were a small number of locally imitated Mycenaean pottery vessels, but the majority of the hand-made pottery with incised decoration reflects connections eastwards with Thrace and beyond.
Antiquity
The island was colonized at an early date by Phoenicians, attracted probably by its gold mines; they founded a temple to the god Melqart, whom the Greeks identified as "Tyrian Heracles", and whose cult was merged with Heracles in the course of the island's Hellenization.[5] The temple still existed in the time of Herodotus.[6] An eponymous Thasos, son of Phoenix (or of Agenor, as Pausanias reported) was said to have been the leader of the Phoenicians, and to have given his name to the island.
Around 650 BC, or a little earlier, Greeks from Paros founded a colony on Thasos.[7] A generation or so later, the poet Archilochus, a descendant of these colonists, wrote of casting away his shield during a minor war against an indigenous Thracian tribe, the Saians.[8] Thasian power, and sources of its wealth, extended to the mainland, where the Thasians owned gold mines even more valuable than those of the island; their combined annual revenues amounted to between 200 and 300 talents. Herodotus says that the best mines on the island were those opened by the Phoenicians on the east side of the island, facing Samothrace.. Archilochus described Thasos as "an ass's backbone crowned with wild wood." The island's capital, Thasos, had two harbors. Besides its gold mines, the wine, nuts and marble of Thasos were well known in antiquity. Thasian wine was quite famous. Thasian coins had the head of the wine god Dionysos on one side and bunches of grape of the other.[9]
Thasos was important during the Ionian Revolt against Persia. After the capture of Miletus (494 BC) Histiaeus, the Ionian leader, laid siege. The attack failed, but, warned by the danger, the Thasians employed their revenues to build war ships [10] and strengthen their fortifications. This excited the suspicions of the Persians, and Darius compelled them to surrender their ships and pull down their walls. After the defeat of Xerxes the Thasians joined the Delian confederacy; but afterwards, on account of a difference about the mines and marts on the mainland, they revolted.
The Athenians defeated them by sea, and, after a siege that lasted more than two years, took the capital, Thasos, probably in 463 BC, and compelled the Thasians to destroy their walls, surrender their ships, pay an indemnity and an annual contribution (in 449 BC this was 21 talents, from 445 BC about 30 talents), and resign their possessions on the mainland. In 411 BC, at the time of the oligarchical revolution at Athens, Thasos again revolted from Athens and received a Lacedaemonian governor; but in 407 BC the partisans of Lacedaemon were expelled, and the Athenians under Thrasybulus were admitted.
After the Battle of Aegospotami (405 BC), Thasos again fell into the hands of the Lacedaemonians under Lysander who formed a decarchy there; but the Athenians must have recovered it, for it formed one of the subjects of dispute between them and Philip II of Macedonia. In the embroilment between Philip V of Macedonia and the Romans, Thasos submitted to Philip, but received its freedom at the hands of the Romans after the Battle of Cynoscephalae (197 BC), and it was still a "free" state in the time of Pliny.
Byzantine Era
Thasos was part of the Eastern Roman Empire, now known as the Byzantine Empire, from 395 on. According to the 6th-century Synecdemus, it belonged to the province of Macedonia Prima, although the 10th-century De thematibus claims that it was part of Thracia.[11] The island was a major source of marble until the disruption of the Slavic invasions in the late 6th/7th centuries, and several churches from Late Antiquity have been found on it.[11] The island remained in Byzantine hands for most of the Middle Ages. It functioned as a naval base in the 13th century, under its own doux, and came briefly under the rule of the Genoese Tedisio Zaccaria in 1307–13. Returning to Byzantine control, its bishopric was raised to an archdiocese by Manuel II Palaiologos. Thasos was captured by the Genoese Gattilusi family ca. 1434, who surrendered it to the Ottoman Empire in 1455.[11] Following the Ottoman conquest of the Despotate of the Morea in 1460, the former Despot Demetrios Palaiologos received lands on the island.[11]
It is related that the Byzantine Greek Saint Joannicius the Great (752–846) in one of his miracles freed the island of Thasos from a multitude of snakes.
Ottoman Era
Thassos joined the Ottoman Empire in 1456.[12] Under the Ottoman rule, the island was known as Ottoman Turkish: طاشوز Taşöz. Between 1770 and 1774, the island was briefly occupied by a Russian fleet. By this time the population of Thassos had gravitated to the inland villages as a protective measure.[13] Nearly 50 years later, a revolt against Ottoman rule arose in 1821, at the outbreak of the Greek War of Independence, led by Hatzigiorgis Metaxas, but it failed. The island was given by the Sultan Mahmud II to Muhammad Ali of Egypt as a personal fiefdom in the late 1820s, as a reward for Egyptian intervention in the War of Greek Independence (which failed to prevent the creation of the modern Greek state). Egyptian rule was relatively benign (by some accounts Muhammad Ali had either been born or spent his infancy on Thasos) and the island became prosperous, until 1908, when the New Turk regime asserted Turkish control. The island was a kaza (sub-province), lastly of the Sanjak of Drama in the Salonica Vilayet, until the Balkan Wars. On October 20, 1912 during the First Balkan War, a Greek naval detachment claimed Thasos as part of Greece. From the day it reunited with Greece, it has remained so ever since.
Archaeological Discovery
On the November 23rd, 1902 issue of the New York Times (p. 5), it was reported that on the island of Thassos, archaeologist Theodore Bent discovered the tomb of Cassius, the one who slew himself after the disastrous defeat at the Battle of Philippi in 42 B.C. Cassius was buried by Brutus at Thassos, where the army of the patriots of the Republic had established its base of supplies.[14][15]
Modern era
During the Axis occupation (1941–1944) Thasos, along with the rest of Eastern Macedonia and Thrace, came under Bulgarian control. The Bulgarian government renamed the island "Tasos" and closed its schools as a first step towards forced Bulgarization. The island's mountainous terrain facilitated small-scale resistance activity. With the end of the war and the withdrawal of Axis troops, the island was caught up in the Greek Civil War. Skirmishes and Communist guerilla attacks continued on Thasos until 1950, almost a year after the main hostilities were over on the mainland.
Thasos, the capital, is now informally known as Limenas, or "the port". It is served by a ferry route to and from Keramoti a port close to Kavala International Airport, and has the shortest possible crossing to the island. Scala Prinos 20 km south of Thassos town is served by a ferry route to and from Kavala
Administration
Thasos is a separate regional unit of the East Macedonia and Thrace region, and the only municipality of the regional unit.[16] As a part of the 2011 Kallikratis government reform, the regional unit Thasos was created out of part of the former Kavala Prefecture. The municipality, unchanged at the Kallikratis reform, includes a few uninhabited islets besides the main island Thasos. The province of Thasos (Greek: Επαρχία Θάσου) was one of the provinces of the Kavala Prefecture. It had the same territory as the present municipality.[17] It was abolished in 2006.
Geography
Thasos island is located in the northern Aegean sea approximately 7 km (4 mi) from the northern mainland and 20 kilometres (12 miles) south-east of Kavala, and is of generally rounded shape, without deep bays or significant peninsulas. The terrain is mountainous but not particularly rugged, rising gradually from coast to centre. The highest peak is Ypsario (Ipsario), at 1,205 metres (3,953 feet), somewhat east of centre. Pine forest covers much of the island's eastern slopes.
Historically, the island's population was chiefly engaged in agriculture and stockbreeding, and established villages inland, some of them connected via stairways (known as skalas) to harbors at the shore. The local population gradually migrated towards these shoreline settlements as tourism began to develop as an important source of income. Thus, there are several "paired villages" such as Marion–Skala Maries, with the former inland and the latter on the coast.
Geology
This section may be too technical for most readers to understand. Please help improve this section to make it understandable to non-experts, without removing the technical details. The talk page may contain suggestions. (January 2013)
The Island is formed mainly by gneisses, schists and marbles of the Rhodope Massif. Marble sequences corresponding to the Falacron Marbles intercalated by schists and gneisses, are up to 500m thick and are separated from the underlying gneisses by a transition zone about 300 m thick termed the T-zone consisting of alternances of dolomitic and calcitic marbles intercalated by schists and gneisses.
The rocks have undergone several periods of regional metamorphism, to at least upper amphibolite facies, and there was a subsequent phase of retrograde metamorphism. At least three periods of regional deformation have been identified, the most important being large scale isoclinal folding with axes aligned north-west. The T-zone is deformed and is interpreted by some authors as a regional thrust of pre-major folding age. There are two major high angle fault systems aligned north-west and north-east respectively. A large low-angle thrust cuts the gneiss, schist and marble sequence at the south-west corner of the island, probably indicating an overthrusting of the Serbomacedonian Massif onto the Rodope Massif.
The Late Miocene oil-producing Nestos-Prinos basin is located between Thassos island and the mainland. The floor of the basin is around 1,500 m deep off the Thassos coast (South Kavala ridge; Proedrou, 1988) and up to 4.000–5.000 m in the axial sector between Thassos and the mainland. The basin is filled with Late Miocene-Pliocene sediments, including ubiquitously repeated evaporite layers of rock salt and anhydrite-dolomite that alternate with sandstones, conglomerates, black shales, and uraniferous coal measures (Proedrou, 1979, 1988; Taupitz, 1985). Stratigraphically equivalent rocks on the mainland are clastic sediments with coal beds, marine to brackish fluvial units and travertines.
Mining history
The earliest mining on the island has been dated to around 13,000 BC, when paleolithic miners dug a shaft at the site of the modern-era Tzines iron mine for the extraction of limonitic ochre.[18] Mining for base and precious metals started around the 7th century BC with the Phoenicians, followed in the 4th century by the Greeks, then the Romans. These later mines were both open-cast and underground., mostly to exploit the island's numerous karst hosted calamine deposits for their lead and silver. Gold, copper and iron were also found; the Byzantines quarried marble on the island.
In the early 20th century, mining companies exploited the island's Zinc-lead rich calamine ores, with a yield of around 2 million tonnes, and a processing plant at Limenaria produced zinc oxide. Iron ore was mined on a significant scale from 1954 to 1964, with a yield of around 3 million tonnes. Since 1964, surveys have established the existence of a deep-level zinc-lead deposit, but the only mining activity on the island has been marble quarrying.
Economy
By far the most important economic activity is tourism. The main agricultural products on the island are honey, almonds, olives (famously Throuba olives) and olive oil, as well as wine, sheep, goat herding and fishing. Other industries are lumber and mining which includes lead, zinc and marble, especially in the Panagia area where one of the mountains near the Thracian Sea has a large marble quarry. The marble quarries in the south (in the area of Aliki), now abandoned, were mined during ancient times.
Communities
Towns and villages with over 100 inhabitants are:
Agios Georgios (149)
Astris (129)
Kallirachi (651)
Kinyra (104)
Limenaria (2,441)
Maries (182)
Ormos Prinou (122)
Panagia (820)
Potamia (1,216)
Potos (688)
Prinos (1,185)
Rachoni (365)
Skala Kallirachis (631)
Skala Marion (377)
Skala Rachoniou (206)
Sotiras (368)
Thassos (Limenas Thasou) (3,130)
Theologos (731)
Historical population[edit]
YearTownMunicipality
19812,312–
19912,600–
20013,14013,765
20113,24013,770
Beaches
Skala Prinos,with lots of pines, lying at a several kilometres length. This wonderful beach is ideal for swimming, clean and sandy. In 2004 it became a Blue Flag beach.
Pachis, with clear water and a lot of visitors
Rachoni, long beach with a forest
Glyadi, with golden sand and shallow sea
Skala Potamia and Golden Beach, one of the most clean beaches on the island. Also has a camping site, lots of restaurants, bars, and nightclubs.
Giola is a natural swimming pool with crystal clear turquoise waters! Giola is located in the village of Astris, a few kilometers from Limenaria and Potos, on the south side of the island.[19]
Saliara, with white sand (also known as Marble beach).[20]
Paradise, Paradise Beach is approximately 23 km from Thassos town via the coastal road that circles the Island. Although not signposted itself there is a signpost for the “Paradise Bar on the Beach” which is visible from the anticlockwise direction (keep an eye in the rear view mirror if travelling clockwise). There is space for a few cars by the main road (5-10mins walk).[21]
Metalia Beach Thassos: Metalia beach is situated on the foot of a villa at Limenaria. It is a fine sandy beach ideal for children and lies 39 km south west of Limenas, the capital of Thassos.[22]
Glykadi Beach Thassos: Just 4.5 km north-west of Port Thassos beach is Glikadi. Overlooking Thasopoula, this sandy beach of 150 meters with the blue waters offers relaxation in a lush natural environment. It is organized into umbrellas and sunbeds from a beach bar but no other infrastructure.[23]
Sights
Polygnotos Vagis Municipal Museum in Potamia
Archaeological Museum of Thasos in Thasos town
Polygnotos Vagis Municipal Museum in Potamia
Folklore Museum of Limenaria
Archangel Michael's Monastery
Saint Panteleimon Monastery:it was built in 1843 and became monastery in 1987. According to inhabitants of Thassos, someone wanted to built it in favor of Saint Panteleimon. The workers started the building at a location, but next day when they wanted to continue with the construction, the part they had built was destroyed and their tools were missing. It had happened on following days. One day they saw footprints on the ground and followed them until they founded their tools. Finally they built the monastery at that spot.
Monastery of the Assumption
Kastro: its foundation year is unknown. This village must have been created during the years of Frankish domination.
Krambousa Isle: it can be found across the coast of Skala Potamia. The thick vegetation make it impossible to explore all parts of it. It is full with spacial wild vegetable called "Krambi". The little church of Saint Daniel is located at the top of the hill. The inhabitants visit this church on the day of the Saint every year.
Notable people
Archilochos (7th century BC) warrior and poet. "You led us a thousand strong at Thasos, fields fattened by corpses."
Aglaophon (6th–5th century BC) painter, teacher and father of Polygnotus and Aristophon.[24]
Hegemon of Thasos comedian, inventor of parody
Leodamas (4th century BC) mathematician
Neseus of Thasos, painter
Polygnotos Vagis (1892–1965) Thasos-born US sculptor
Polygnotus (mid-5th century BC), painter
Stesimbrotos (c. 470 BC - c. 420 BC) sophist
Theagenes of Thasos Olympic boxer (480 BC), Pankratiast (476 BC) and runner.[25]
Vassilis Vassilikos (1934) poet and author
Demetrios Vassiliades (1958) Indologist scholar and author
RED relates to the BASE chakra situated at the base of the spine
The organs to which this chakra relates are the kidneys and bladder .(The kidneys are formed within the pelvis and here they link with the base chakra energy, although prior to birth they rise to the position in the loins with which we are more familiar). The vertebral column, hips and legs are also areas related to this chakra. The endocrine gland to which this colour relates is the adrenal gland.
On the psycho-spiritual level, this chakra relates to self awareness. That is to say our awareness of ourselves as human beings and our place on earth. It is the area of survival and relates to our basic human instincts of fight or flight. Red gives us courage and strength. The colour relates to stability and security.
© All rights reserved
Cathedral (noun).
1. any large and important church
2. the principal Christian church building of a bishop's diocese
3. relating to or containing or issuing from a bishop's office or throne; "a cathedral church"
Last May as usually I’ve been in Europe. At this time my way began in West Germany: Essen, Dusseldorf, Cologne...
I was so delighted by Cologne Cathedral, the music imprinted in stone lace of this giant. So ...I took this image for defining of word CATHEDRAL.
Cologne Cathedral (German: Kölner Dom, officially Hohe Domkirche St. Peter und Maria) is a Roman Catholic church in Cologne, Germany. It is the seat of the Archbishop of Cologne, and is under the administration of the archdiocese of Cologne. It is renowned as a monument of Christianity, of German Catholicism in particular, of Gothic architecture and of the continuing faith and perseverance of the people of the city in which it stands. It is dedicated to Saint Peter and the Blessed Virgin Mary. The cathedral is a World Heritage Site, one of the best-known architectural monuments in Germany, and Cologne's most famous landmark, described by UNESCO as an "exceptional work of human creative genius".
Construction of Cologne Cathedral began in 1248 and took, with interruptions, until 1880 to complete. It is 144.5 meters long, 86.5 m wide and its towers are approximately 157 m tall. The cathedral is one of the world's largest churches and the largest Gothic church in Northern Europe. For four years, 1880-84, it was the tallest structure in the world, until the completion of the Washington Monument. It has the second-tallest church spires, only surpassed by the single spire of Ulm Minster, completed 10 years later in 1890. Because of its enormous twin spires, it also presents the largest facade of any church in the world. One of the Treasures of the cathedral is the High Altar which was installed in 1322. It is constructed of black marble, with a solid slab 15 feet long forming the top. The front and sides are overlaid with white marble niches into which are set figures, with the Coronation of the Virgin. There is a lot of great wooden sculptures and other art treasures inside the interior of CATHEDRAL.
Much better viewed large View On Black
Explore #367, 08/27/2010
I'll bet many of you can relate to this image, huh? Let me make this analogy clearer ... the three birds representing the weekend days, Friday, Saturday, Sunday, and the crab representing the abrupt arrival of Monday. Let's try our best to usher it away. LOL. OK, I know, that's quite a bizarre interpretation of the image, but it's the best that I can do on an early Monday morning. :-)
Actually, the least terns are nesting on the sunny Florida beaches ... some still courting, some sitting on eggs, some taking care of their newborns. These little birds are quite aggressive with each other ... and the on-lookers ... as they don't like anything or anyone entering their "home space". Can't blame them either, since it's quite crowded on the inn. ;-)
So if those close quarters aren't enough, enter the ghost crabs which call the area their home as well. These territorial terns, who were infighting just a few moments ago, unite in fight that benefits them all. See, as the ghost crabs emerge and begin to intermingle with the nesting terns, an all-out war is waged ... terns working together ... to eliminate the threat to the colony. Several will make the approach to the crab, wings out and upward, squawking away, puffing up, and jumping around, as the crab tries to defend itself, but eventually retreats. It's 3 against 1! LOL. I can't remember when I've been so amazed at the behavior of birds (OK, it probably wasn't that long ago, seeing how it's baby bird season, but it was quite entertaining).
Nature is quite amazing and birds are quite smart, at least they seem like it to me. I guess "pack behavior" extends in all forms of life. :-)
Hope that everyone, in their own way, can find something to be happy about on this Monday morning. Welcome to another week ... not sure about you, but mine have been flying by!
Thanks for stopping by to view and especially for sharing your thoughts and comments too.
© 2015 Debbie Tubridy / TNWA Photography
Some impressive hummingbird facts relate to their flying skills. Unlike any other species of bird, hummingbirds can fly backwards. Even more incredibly, it has recently been discovered that this is actually an efficient means of moving, and requires roughly the same energy as flying forwards. Flying backwards allows hummingbirds to cheerfully reverse from flowers after they feed, saving energy and looking seriously impressive into the bargain.
[polska wersja niżej]
This photo relates to the flood in Gdańsk, about which I have written here, but I think I will rewrite the story again and provide a better view on the story background.
It's one of trains diverted from electrified mainline into secondary diesel route: originally nigh train no. 38209 from Kraków Płaszów to Koszalin. SU46-039 on the train head yet in original paint scheme from Żagań depot. After the diesel - here "cold" originally employed to this train EP07-338. The train is passing Gdańsk Osowa station entering two-track section towards Gdynia. July 11, 2001.
Photo by Jarek / Chester
9 lipca 2001 roku w Gdańsku to był całkiem ładny dzień, przynajmniej taki się zaczął i trwał do południa. Koło niego nadciągnęły ciemne chmury, zapowiadając kolejną letnią gwałtowną burzę. Jak spadały pierwsze krople deszczu, nikt nie przeczuwał, że w ciągu popołudnia na miasto lunie dwa razy więcej wody, niż w całym typowym lipcu. Każdy metr kwadratowy przyjął prawie 130 litrów, a tylko między 15 i 17 spadło, a w zasadzie dosłownie polało się strumieniem z nieba 90 litrów na metr kwadratowy. Ulice leżące na zboczach moreny dennej falistej, bo miasto to nie tylko wybrzeże, ale i morenowe pagórki, zamieniły się w dna potoków spływających w dół. No a w dole, głównie na południu, u brzegu płaskiego terenu ujścia Wisły zaczęło tworzyć się jezioro.
Wpływająca od południa z Kaszub niewielka Radunia przerwała w paru miejscach kanał, w którym biegła i zalała południowa część miasta, dzielnice od Oruni (dolnej), przez Lipce do Świętego Wojciecha. Powódź dotknęła też nasypy linii kolejowej, uszkadzając torowisko w paru miejscach. Pod wodą były też tory samego Gdańska Głównego. Ruch kolejowy między Pruszczem Gdańskim (a w zasadzie Tczewem) i Gdańskiem na kilka dni zamarł.
Ponieważ jednak mówimy o czasach, gdy kolej była jedna, wielka i niepodzielna (choć podzielona na sektory), naprędce wypracowano rozwiązanie, które w dzisiejszych czasach byłoby nie do pomyślenia - skierowano objazdem wszystkie dalekobieżne pociągi pasażerskie na trasy objazdowe. I tak pociągi z Gdyni w kierunku Bydgoszczy jechały starą Magistralą Węglową przez Kościerzynę i Wierzchucin i dalej na Łódź, czy Katowice. Pociągi w kierunku Malborka i dalej Olsztyna czy Warszawy jechały zaś przez Kościerzynę, Bąk, Czersk i dalej "Ostbahnem" do Tczewa, gdzie powracały na normalne trasy. Oczywiście na trasach objazdowych zastosowanie miała trakcja spalinowa, a elektrowozy ciągnące pociągi nie zostawały odczepiane (oprócz paru wyjątków) i odbywały podróż "na zimno" na objazdach.
Z punktu widzenia podróżnego te objazdy to rozwiązanie tylko po części rozsądne - dzisiaj zapewne wprowadzono by komunikację autobusową od Tczewa do Gdyni, przez co nastąpiłoby wydłużenie jazdy może sumarycznie o godzinę. Wtedy, przez wprowadzone objazdy, pociągi doznawały kilkugodzinnych opóźnień, a całkiem niedawna likwidacja niektórych stacji na "węglówce" drastycznie pogorszyła przepustowość dwutorowej linii. Z drugiej strony, pasażer w kuszetce, czy sypialnym z głębi kraju na Hel, dotarł do celu podróży w tym samym łóżku, tyle, że 3-6 godzin później.
Sytuacja awaryjna trwała parę dni, po czym przywrócono ruch po głównej linii, z pewnymi ograniczeniami (ograniczenie prędkości w miejscach podmycia nasypu). Jeszcze parę dni po przywróceniu ruchu część pociągów towarowych kursowała niezelektryfikowanym objazdem z uwagi na problemy z przepustowością.
Na zdjęciu SU46-039, jeszcze w oryginalnych żagańskich szatach, z nocnym pociągiem 38209 z Krakowa Płaszowa do Koszalina, opuszcza stację w Gdańsku Osowie. Za dieslem - elektrowóz oryginalnie ciągnący nocnego "kuriera" - EP07-338. 11 lipca 2001 roku.
Fot. Jarek / Chester
I felt like I could understand this guy.
I'm having an Icelandic-Horse themed week with my photography, and this guy is a prime specimen of what it means to be an horse of Iceland, in my opinion. Long and luxurious mane, sturdy body, longer hair all around... and friendly! We were struck by how happy the horses were to come up to the fence and hang out with us whenever we came by to visit #horsesoficeland #icelandichorses
The 1890 Empress Flour Mill on Queen Street is category C industrial heritage building, which means that its removal is a permitted activity. There are two plaques on the front of the building, one relating to the 118 year old structure and the other to the 1921 grain silos. With a height of 35 metres the category B listed heritage silos are the town's most prominent landmark. They're still in use and will not be demolished.
“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.
The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art
“Wild Flowers are not weeds"
Street Art is the modern, urban wildflowers
What's the difference between Graffiti Tagging and Street Art?
1. Street Art is constructive, Graffiti Tagging is destructive.
2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.
3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.
4. Street Art is about the audience, Graffiti Tagging is about the tagger.
5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".
6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.
7. Street Art takes skill, Graffiti Tagging takes balls.
8. We mourn losing Street Art and celebrate losing Graffiti Tagging.
Good Street Art is great, good Graffiti Tagging is gone!
”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html
Additional interesting sites
www.osnatfineart.com/urban-art.jsp
en.wikipedia.org/wiki/Street_art
Graffiti_27 LR
The Pacific golden plover (Pluvialis fulva) is a medium-sized plover. The genus name is Latin and means relating to rain, from pluvia, "rain". It was believed that golden plovers flocked when rain was imminent. The species name fulva is Latin and refers to a tawny colour.[2]
The 23–26 cm long breeding adult is spotted gold and black on the crown, and back on the wings. Its face and neck are black with a white border, and it has a black breast and a dark rump. The legs are black. In winter, the black is lost and the plover then has a yellowish face and breast, and white underparts.
It is similar to two other golden plovers: the Eurasian and American plovers. The Pacific golden plover is smaller, slimmer and relatively longer-legged than the European golden plover, Pluvialis apricaria, which also has white axillary (armpit) feathers. Overall, the Pacific golden plover is found to be more similar to the American golden plover, Pluvialis dominica, with which it was once considered conspecific as "lesser golden plover".[3] The Pacific golden plover is slimmer than the American species, has a shorter primary projection, longer legs, and is usually found to have more yellow on the back.
This wader forages for food on tundra, fields, beaches and tidal flats, usually by sight. It eats insects and crustaceans and some berries.
The breeding habitat of Pacific golden plover is the Arctic tundra from northernmost Eurosiberia into western Alaska. It nests on the ground in a dry open area.
It is migratory and winters in south Asia and Australasia. A few winter in California and Hawaii, USA. In Hawaii, the bird is known as the kōlea, and in New Zealand it is known to Māori as kuriri. It is very rare vagrant to western Europe. They return to the same wintering territory each year, which allowed scientists in Hawaii to attach tiny light level geolocator devices to the birds and then retrieve them the following year in the same location. This research revealed that these birds make the 4800 km non-stop flight between Alaska and Hawaii in 3–4 days
Brimketill is a small, naturally carved pool, by marine erosion, at the lava shore edge west of the town of Grindavík. The folklore relates that the pond was regularly occupied by a giantess named Oddný.
The other major change relating to the Central Connect withdrawals is that the 93 is more-or-less replaced by the LC9. It’s similar but not identical and funded by Leicestershire County Council between Nottingham and Bottesford (despite the vast majority of the route falling within Nottinghamshire).
Since the drivers and vehicles for this route are based out of Grantham, some journeys extend to there, to allow travel on what would otherwise be dead mileage for changeovers. However the Grantham to Bottesford section has even more going on which I’ll delve into at a later time.
Journeys on the LC9 are covered by two individual duties which interwork onto different routes, so it starts off with vehicle ‘A’, then swaps to vehicle ‘B’, and then later on back to ‘A’ again. The route regulars are these YY64 E200s, plus a pair of 75 plate E200 MMCs that originated at Chaserider. The 64 plates are 6cyl and have some poke to them.
Here YY64 GWF turns down Friar Lane, Nottingham, on 2.2.26
This public domain image relates back to my notes concerning the Arlington House photo shoot of Gen. Heintzelman and Staff - its one of the six different versions taken by Mathew Brady and Alexander Gardner that day in Oct 1862.
Link: www.flickr.com/photos/110677094@N05/54989512443/
In the margin are the identities of three of Heintzelman's staff officers, including E. Parker Deacon and early pioneer photographer Leavitt Hunt. The print provides confirmation of Deacon's identity, whom Robert Knox Sneden misidentified in his scrapbook photo as, “Maj. John Milhau, Chief Surgeon.”
The print is from the Army's MOLLUS-Mass Civil War Photograph Collection, Vol. 31, Page 1510. My past experience with the Army search engine was not good, now the entire collection seems to have been taken offline - none of the hundred or so bookmarks I had stored in my browser are working. A recent Google search provided only dead links. So for Civil War photo buffs, posting this public domain image here on flickr.
I can't say how often I've driven Messenger Road, a potholed passage which never really goes where I'm going. It's a bridge between things, like so much of my life seems to be. It's a metaphor in my mind for a kind of prophecy, the sort you say and then go about trying to make come true. Things to share and the drive to share them, I've got more of that than most. I was once accused of being a "wannabe profit", and though the typo is accurate in the sense that I could use the money, the term "prophet" doesn't really fit me. There is no targeted truth in what I'm writing, no big vision or dream to relate. I'm not planning on predicting the future, only trying to do that old tribal thing. Campfire tales and cave paintings, so we can look back on our lives and back at our faces, and see something that keeping our thoughts to ourselves couldn't show.
November 20, 2022
Paradise, Nova Scotia
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The title of this relates to an article I read some time ago by Ken Rockwell, www.kenrockwell.com/index.htm, in which he explains what is "Good Bokeh", I found it interesting because I happen to be one of those people that think the word good when describing a medium such as photography is subjective and even sometimes what is generally "bad" can be "good" every now and again, if you know what I mean. He even has a chart showing what "poor", "neutral" and "good" bokeh looks like, and I am proud to say I have achieved what I think he describes as "neutral" or "poor" bokeh. Yeah for me!!! :-)))
In truth, I don't disagree with him in looking at this image there is something a little too harsh in the blobs of light here. It certainly is not the "smooth and silky" kind of bokeh. But you know after drinking a few of those glasses of what is in the foreground, nothing was in focus, and that is clearly seen in this image (as nothing in the shot is clearly in focus), so I call the shot a success!! :-))))
Here is a link to the entire story (which is a great read, seriously), www.kenrockwell.com/tech/bokeh.htm, and an excerpt is below.
"Bokeh describes the appearance, or "feel," of out-of-focus areas. Bokeh is not how far something is out-of-focus, bokeh is the character of whatever blur is there.
Unfortunately good bokeh doesn't happen automatically in lens design. Perfect lenses render out-of-focus points of light as circles with sharp edges. Ideal bokeh would render each of these points as blurs, not hard-edged circles."
So I guess I have a good lens and a "neutral" or perhaps "poor" bokeh shot to show for it! All of this is posted in good spirits, hope it reads that way! Cheers!!! :-))
HBW!!!!!!!!!!!!!!!!!!
Indeed grand from this viewpoint, the North Rim. I'm sure others can relate, but for me, majestic landscapes like this have two lives: the one at the moment the picture was imagined and snapped, and the one(s) later when there's time to zoom in on the amazing details of nature's creation.
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.
The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art
“Wild Flowers are not weeds"
Street Art is the modern, urban wildflowers
What's the difference between Graffiti Tagging and Street Art?
1. Street Art is constructive, Graffiti Tagging is destructive.
2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.
3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.
4. Street Art is about the audience, Graffiti Tagging is about the tagger.
5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".
6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.
7. Street Art takes skill, Graffiti Tagging takes balls.
8. We mourn losing Street Art and celebrate losing Graffiti Tagging.
Good Street Art is great, good Graffiti Tagging is gone!
”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html
Additional interesting sites
www.osnatfineart.com/urban-art.jsp
en.wikipedia.org/wiki/Street_art
DSC_0247 final.jpg
Adjective
1. Characterised by lightness and insubstantiality; intangible.
2. Highly refined; delicate.
3. Heavenly or spiritual [Greek aithēr ether]
... a Of the celestial spheres; heavenly.
... b Not of this world; spiritual.
4. Chemistry. Of or relating to ether.
Dedicated to Kounelli for being the first person to comment on this shot, and to the volcanic sharrockmary for being a close second.
I can relate to Frankenstein's monster..there are times when I feel like I've been piecemealed together, my body is a mess. My feet are a size and half different from one another, My left arm is contorted from injury, my spine does not properly align... it goes on and on. But the villagers haven't gathered yet so I'm doing pretty good! LOL
A set of photos dedicated to a very special person in my family and also for his wife...missing you guys.
>>>>>E & family/friends>>>> 😃💕✨The value of family life lies in the fact we can all relate to each other; no need for competition or jealousy; we\'re a team with one common goal: To make it to the end!😃💕✨👍😎😊✌😁😜👌
good ol\' home boy in action!😃💕✨
Four Little Words👍
Four little words have stuck in my mind
From the time I was just a small child
“There’s a good feller” is what he would say
When he talked of the men he admired😎😊
I remember those men he talked about
Sure ‘nuff cowboys, tough, but kind
They said what they meant and meant what they said
These men are gettin’ harder to find😜👌
“There’s a good feller,” meant he was true to his word
That’s all you expect of a man
You knew for sure he was proud to meet you
By the genuine shake of his hand😃💕
“There’s a good feller,” meant you could depend
On this man no matter the task
Never got too tough, too cold, or too late
For his help, all you need do is ask
“There’s a good feller,” meant he had a light hand
Be it with horses or cattle or crew
He spent most of his life learning this cowboy trade
And he’d be honored to teach it to you
“There’ a good feller” meant don’t ask him to do
What ain’t on a true and honest track
He knows it’s easier to keep a good reputation
Than it is to try to build one back
“There’s a good feller,” meant he’s a fair-minded man
He helped write cowboyin’s unwritten laws
He won’t ask you to do what he wouldn’t do
Yet knows, at times, the short end you’ll draw
“There’s a good feller,” meant, when he’s down on his luck
He can still hold his head way up high
‘Cause he did his best and gave it his all
He knows with faith and God’s help he’ll get by
“There’s a good feller,” just four little words
And their meaning won’t run all that deep
But when Dad would use ‘em to describe certain men
You knew they were at the top of the heap
“There’s a good feller,” just four little words
But they’ve always been favorites of mine
If after my trails end, my name’s brought up
“There’s a good feller” would suit me just fine
😃💕😃💕😃💕😃💕😃💕😃💕😃💕
THA_END!!
Wishing you a fine day!
The name Rotherfield is recorded from the 8th century and is likely to relate to the area and to predate any nucleated settlement. The Old English form of feld – means ‘open country of the cattle’. In the Weald,Since 1741, the Catts has been at the heart of the community. But did you know it is rumoured to pre-date that as a drinking house, apparently it was formerly a Tavern known as the Swan, so a tipple may have been enjoyed here since around 1635.
Whilst looking at things relating to Plaxton of Scarborough, its probably worth sharing this picture too. I think it was taken on the occasion of a coach operators association visit.
To the fore we have a very nice Supreme bodied Leyland Leopard for Martindales of Ferryhill, PPT 400P . . . which helps date the pictures to '75/6.
The next two Supremes in line are, I suspect, two Bedford YMTs for Harry Shaw of Coventry, NVC 3 & 10P. Further down is the only sevice bus in view which would probably be a Ford 'Derwent' for East Kent.
~Holden Rinehart
Sometimes I try to relate the quotes I use to my uploads and sometimes I just find one that I like! This just happened to be one that I found that sounded interesting!
This is a shot overlooking the Beer Garden at the Hofbrauhaus along the Monongahela River. For this one I used 6 exposures from my S90.
Thank you for all the support my friends!
I don't mind invitations, but please no big, shiny, flashing, glitter graphics, they will be deleted. Also, please contact me if you would like to use my pictures for any reason, as all rights are reserved. Thanks!
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The Sacred Tradition of Eastern Christianity teaches that the Virgin Mary died a natural death (the Dormition of the Theotokos, the falling asleep), like any human being; that her soul was received by Christ upon death; and that her body was resurrected on the third day after her repose, at which time she was taken up, soul and body, into heaven in anticipation of the general resurrection. Her tomb, according to this teaching, was found empty on the third day.
Roman Catholic teaching holds that Mary was "assumed" into heaven in bodily form, the Assumption; the question of whether or not Mary actually underwent physical death remains open in the Catholic view. On 25 June 1997 Pope John Paul II said that Mary experienced natural death prior to her assumption into Heaven.
A narrative known as the Euthymiaca Historia (written probably by Cyril of Scythopolis in the 5th century) relates how the Emperor Marcian and his wife, Pulcheria, requested the relics of the Virgin Mary from Juvenal, the Patriarch of Jerusalem, while he was attending the Council of Chalcedon (451). According to the account, Juvenal replied that, on the third day after her burial, Mary's tomb was discovered to be empty, only her shroud being preserved in the church of Gethsemane. In 452 the shroud was sent to Constantinople, where it was kept in the Church of Our Lady of Blachernae (Panagia Blacherniotissa).
According to other traditions, it was the Cincture of the Virgin Mary which was left behind in the tomb, or dropped by her during Assumption.
When I cry, I secretly hope that you will run all the way to mah doorstep in the rain, wipe mah tear, kiss me on the forehead and stay w/ me through the night...
P.s: It's Romantic rite ;)) keke
Overview
Great Minds is a dynamic monument that praises the birth of ideas and relates to all creative people. Light work appears in the form of two monumental brains in dialogue, performing active, luminous brainstorming – the unavoidable phase of each creative process – and figuratively using light to emphasize births of unique ideas and sparkling activities of all great minds. Great Minds was first presented in 2021 at Nobel Week Lights in Stockholm, Sweden with the support of GVA, Control Dept and Rebel Light. About Aleksandra Stratimirovic
Aleksandra Stratimirovic graduated in Applied Arts and Design at the University of Arts in Belgrade. She completed her studies in specialized lighting design at the University of Arts, Crafts and Design, Konstfack and the Royal Institute of Technology in Stockholm. Stratimirovic has broad knowledge and understanding of light and lighting technologies, and she is also the author of temporary and permanent light-art installations for numerous public places in Sweden and abroad. Her works include “Transmission” for the World Heritage Grimeton Radio Station, Sweden, “You Are The Dream” in Gothenburg, “Northern Lights” Jardin du Palais Royal, Paris and participation in the Amsterdam Light Festival. She has received numerous awards and recognitions. Her light works are exhibited worldwide, most recently at the NOOR Riyadh Festival, the National Museum in Stockholm and the Skopje Light Art District.
Partnership Festival: Nobel Week Lights
Nobel Week Lights is initiated and produced by Annika Levin, Alexandra Manson and Lara Szabo Greisman from Troika. The initiative collaborates with the Nobel Prize Museum with support from the City of Stockholm, the Stockholm Chamber of Commerce and the Swedish Space Agency, and many other partners and lighting companies. Inspired by Nobel Prize-awarded discoveries and laureates, stunning artworks light up the darkness of the streets of Stockholm each year during the Nobel Week.
About Fjord Studio
Fjord Studio is a creative studio dedicated to bringing the magic of light art into people’s lives. Fjord Studio curates and produces light art projects for cultural events, urban spaces, architecture and stage. Based in Oslo, the studio works globally and produces the best in light art. The studio collaborates with renowned Norwegian and international light artists and new talents, experienced technical teams and international partners. With projections on buildings, intimate installations, site-specific light sculptures and immersive video art, the studio’s work is a broad exploration of light art. Together with their artists and customers, the studio works towards a shared vision to create meaningful, inspiring and memorable experiences of light and art. Fjord Studio has been developed by artist and curator Anastasia Isachsen and producer Frank Isachsen, the team behind the light art festival Fjord Oslo. Since 2020, their work has expanded to conceptualize, produce and communicate various types of temporary and permanent projects at the intersection of art and technology – in Norway and internationally. Ongoing projects include the annual light art festival Fjord Oslo, the new light art initiative Fjord Geiranger in Geiranger and Nordic Lights – a collaborative project with Harbourfront Centre and light art festivals in Denmark, Sweden and Finland, in addition to several smaller projects. Source: harbourfrontcentre.com/event/great-minds/