View allAll Photos Tagged Relateable
The title can relate to the car or this man's low riding pants. Decide for yourself. I have no idea what these two are talking about. For all we know, he may have a lesion on his stomach or maybe he painted a smiley face on his chest, or maybe he's just proud of his abs. In any event, it was an unusual moment in an interesting setting. The old 1958 Chevy Bel Air completes the scene. And yes, the horizon is off purposely. Havana, Cuba, March 2019
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I do relate so well to this quote....art is my solace no matter the end result....the only time my brain isn't running at high speed... the only time I'm quiet...it's my meditation.
Thank you to borealnz for the texture.
I met this giraffe doing a feeding type of this and boy was he only there for the food and that’s it which is obviously pretty relatable I think
I can relate to this surfer's race to beat the setting sun. The big kid in me is always on the lookout for one last adventure before the end of the day. With this kind of daydream/sunset who can resist not getting one last ride before the days end?
Pacific Ocean Sunset
Southern California, USA
Mike D
Behind the Camera:
I'm off today and have loads of chores to do around the house. It's cold and rainy outside. All I care to do is sit around and surf the web or go out on a photo walk. Yes its the winter of my discontent.
Being a misfit
I can relate
Never quite fitting into
your skin
curled up
waiting
for the transformation
to become something
beautiful
and excepting...
I was up really late last night trying to think of the perfect words to write for this photograph, I have a lot of words in my head. I thought a lot of when I was a teenager and how I never fit into any "group" or really understood the "game" very well. I never felt completely comfortable around humans, I had an issue with trusting them. They always seemed to lie to themselves and to others just to appease their peers. The game never stops you know, it's embedded into society so tightly people don't even realize they are playing it. I felt like I was always transparent and awkward...I never even had a real boyfriend until 11th grade and I was sooooo freaked out half the time around him like I was going to screw it up at any moment! So I bonded with nature and got what I needed through long walks in the woods. I look at India and see how social she is and I want to warn her about these things I see but I know she needs to find her own way and figure it out for herself with maybe a few pointers from me...
This entry relates to the north-eastern most part of Arnhem Land, Northern Territory, that receives the first light as the sun rises in the east. This is the landscape during April and the start of the harvst season following the wet, when the earth receives sudden showers during what is meant to be the dry. This artwork was painted on a huge piece of bark and tells the story about a group of spirit women who appear as stars in the night sky.
St Bees is a village, civil parish and electoral ward in the Copeland district of Cumbria on the Irish Sea coast just south of St. Bees Head, the most westerly point of Northern England.
In the parish is St Bees Head which is the only Heritage Coast between Wales and Scotland which is a Site of Special Scientific Interest and is the spectacular location of the largest seabird colony in north-west England. St Bees Lighthouse stands on the North Head.
St Bees is a popular holiday destination due the coastline and proximity to the Lake District, and in the village there is St Bees Priory, and the St Bees School site (the school is temporarily closed). The Wainwright Coast to Coast Walk starts from the north end of St Bees Bay which is within easy walking distance of the main village centre.
Early history
Evidence of Mesolithic and Bronze Age habitation has been found in St Bees,[2] but nothing of the Roman occupation. The name St Bees is a corruption of the Norse name for the village, which is given in the earliest charter of the Priory as "Kyrkeby becok", which can be translated as the "Church town of Bega",[3] relating to the local Saint Bega.[4] She was said to be an Irish princess who fled across the Irish Sea to St Bees to avoid an enforced marriage. Carved stones at the priory show that Irish-Norse Vikings settled here in the 10th century.
The Normans did not reach Cumbria until 1092, and when they took over the local lordships, William Meschin, Lord of Egremont, used the existing religious site[5] to found a Benedictine priory for a prior and six monks sometime between 1120 and 1135. The priory was subordinate to the great Benedictine monastery of St Mary at York. The magnificent Norman doorway of the priory dates from just after this time; probably about 1150.
The priory had a great influence on the area. The monks worked the land, fished, and extended the priory buildings. The ecclesiastical parish of St Bees was large and stretched to Ennerdale, Loweswater, Wasdale and Eskdale. The coffin routes from these outlying areas to the mother church in St Bees can still be followed in places.
The priory was closed during the Dissolution of the Monasteries on the orders of Henry VIII in 1539. The nave and transepts of the monastic church have continued in use as the parish church to the present day, but much of the extensive monastic buildings were plundered or fell into decay.
Remarkably, the small West Cumbrian village of St Bees produced two of the archbishops of the reign of Queen Elizabeth I: Edmund Grindal; Archbishop of Canterbury and Edwin Sandys; Archbishop of York.[6]
In about 1519 Edmund Grindal was born in Cross Hill House, St Bees, which still exists, and is marked with a plaque.[7] He was probably educated at the priory across the valley. A devout Protestant, he made his mark in the reign of Edward VI, but had to flee to Strasbourg when the Catholic Mary I ascended the throne. On Mary's death the country once again became Protestant, and Grindal became Bishop of London, Archbishop of York and then Archbishop of Canterbury. His undoing was opposing Queen Elizabeth I on liberal religious meetings and he was suspended. He died in 1583 still in disgrace, but, virtually on his death bed, he founded St Bees School which existed until July 2015, when it closed. The present primary school in the village was established in the 1870s.
Growth of the village
The site of the priory is on an area of firm ground higher than the peat beds that fill the valley, and it is logical that the original settlement would grow up there. However the area was constricted, and as the village expanded it grew on up the opposite side of the valley. The oldest existing house dates from the early 16th century and the present Main Street was created from a string of farms and farmworkers' dwellings.
The 19th century saw the start of great changes. In 1816 St Bees Theological College was founded, and was the first theological college for the training of Church of England clergy outside Oxford and Cambridge. To house the college, the monastic chancel of the Priory was re-roofed and served as the main lecture room, and additional lecture rooms were built in the 1860s. At one time the college had 100 students, and over 2,600 clergy were trained before it closed in 1895.[8]
St. Bees School started its era of expansion with the building of the quadrangle in 1846 using compensation from the rich mine-owning Lowther family, who had illegally obtained the lucrative mineral rights for Whitehaven from the school in 1742 at a derisory sum.[9] This was the first step in St. Bees School's rise from a local institution to becoming one of the new "public schools" on the fashionable model of Dr Arnold's Rugby School. By 1916 numbers had reached 350, many new buildings had been erected, and the school had become known nationally.
Perhaps some of the greatest changes were after 1849 when the Furness Railway reached the village. St Bees attracted the professional classes which commuted to Whitehaven or Workington. This led to the building of many of the larger houses and Lonsdale Terrace. The railway brought tourists, and as early as 1851 the Lord Mayor of London stayed at the Seacote Hotel. This long history of attracting tourists for "bucket and spade" holidays has continued to this day.
The railway made possible the export of St Bees sandstone. Huge amounts of stone were quarried, much of it for building the boom town of Barrow-in-Furness. This industry died out in the 1970s, but has since been revived, and there are now two working quarries in the parish.
Agriculture was originally the mainstay of the village economy. Gradually, during the 19th century, service employment for the school and lodgings for the college gave additional income, and with the advent of commuters, the village's social mix was becoming more middle class. Tourism and quarries also provided employment, and many village men found work in the iron ore mines at Cleator. Thus the 19th century saw the change from a rural backwater based on agriculture, to the more diversified role of a dormitory village for professional and industrial worker alike, and its growth into a minor academic centre.
The start of the 20th century saw yet another decline in agriculture, and this has continued to today, when there are only a few farms left. Industrial decline also hit West Cumbria as a whole, particularly after the boom years of both world wars. However, following the Second World War, two major industries were established which have had a profound effect on the community.[10] The former Marchon Chemical Company at Whitehaven, and UKAEA/BNFL at Sellafield both soaked up village labour released by the declining heavy iron and mining industries, and brought a large influx of the technical and scientific university-educated middle class into the village; rather like the first arrival of the professional classes a century earlier. There is now an extensive science park – Westlakes, on the northern fringe of the parish, at which the Nuclear Decommissioning Authority has its national headquarters.
The last two decades have seen a significant revival in tourism, boosted by the Coast to Coast walk and increasing recognition of the unique landscape of the St Bees Heritage Coast.
In 2014, it was rated one of the most attractive postcode areas to live in England.[11]
St Bees Man
In 1981 an archaeological excavation at the priory revealed a vault with a lead coffin containing an astonishingly well preserved body – now known as the St Bees Man. He has been identified as Anthony de Lucy,[12] a knight, who died in 1368 in the Teutonic Crusades in Lithuania. Although the body was over six hundred years old, his nails, skin and stomach contents were found to be in near-perfect condition.[13] After his death the vault was enlarged to take the body of his sister, Maud de Lucy, who died in 1398. The effigies which are probably of both Maud and Anthony can be seen in the extensive history display which includes the shroud in which he was wrapped.
Transport links
The village has a railway station in the village centre which is served by St Bees railway station on the Cumbrian Coast Line, with trains from Barrow-in-Furness, Lancaster, Preston and Carlisle. There are currently (2015) 22 stopping passenger trains a day. There is no Sunday service.
The village is on the B5345 from Whitehaven to Iron Bridge junction near Beckermet.
Sport and recreation
The village has a football team which competes in the Cumbria County league. The most successful player to come through its ranks was Zac Starkie who joined Gretna FC as a youth player and went on to play for Zimbabwe Under 21's football team as he was eligible through his grandmother's origin.[citation needed]
There are facilities for rugby, football and cricket at the Adams recreation ground adjacent to the Seacote beach. This playing field was created in memory of Baron Adams of Ennerdale. The sports facilities of St Bees School are also available, which include a sports hall, squash, tennis and fives courts, and an indoor swimming pool.
Coast-based recreational activities at St Bees are: windsurfing, kite-surfing, rock climbing, bouldering, swimming, jet-skiing, water-skiing, canoeing and para-gliding. These are undertaken on St Bees Head and off the large sandy surf beach.
For downloadable walking guides, see [1] The circular walk to St Bees Head and Birkhams quarry featured in the May 2012 booklet of the best coastal walks in UK published by the Daily Telegraph newspaper; it being one of only two walks covered in the north west of England.
Wainwright Coast to Coast walk
St Bees is the start of the Wainwright Coast to Coast walk, which was devised by Alfred Wainwright in 1973. It is an 192-mile (309 km)[14] unofficial and mostly unsignposted long-distance footpath in Northern England. Devised by Alfred Wainwright, it passes through three contrasting National Parks: the Lake District National Park, the Yorkshire Dales National Park, and the North York Moors National Park.
Wainwright recommended that walkers dip their booted feet in the Irish Sea at St Bees and, at the end of the walk, in the North Sea at Robin Hood's Bay. At St Bees the start is marked by the "Wainwright Wall" which explains the walk and its history. A new interpretation board and the steel banner were installed in summer 2013 by St Bees Parish Council and the Wainwright Society.
Thasos or Thassos (Greek: Θάσος) is a Greek island in the northern Aegean Sea, close to the coast of Thrace and the plain of the river Nestos but geographically part of Macedonia. It is the northernmost Greek island, and 12th largest by area. Thasos is also the name of the largest town of the island (also known as Limenas Thasou, "Harbour of Thasos"), situated at the northern side, opposite the mainland and about 10 kilometres (6 mi) from Keramoti. Thassos island is a known from the ancient times for its termae making it a climatic and balneoclimateric resort area.
Prehistory
Lying close to the coast of Eastern Macedonia, Thasos was inhabited from the Palaeolithic period onwards,[1] but the earliest settlement to have been explored in detail is that at Limenaria, where remains from the Middle and Late Neolithic relate closely to those found at the mainland's Drama plain. In contrast, Early Bronze Age remains on the island align it with the Aegean culture of the Cyclades and Sporades, to the south; at Skala Sotiros[2] for example, a small settlement was encircled by a strongly built defensive wall. Even earlier activity is demonstrated by the presence of large pieces of 'megalithic' anthropomorphic stelai built into these walls, which, so far, have no parallels in the Aegean area.
There is then a gap in the archaeological record until the end of the Bronze Age c 1100 BC, when the first burials took place at the large cemetery of Kastri in the interior of the island.[3][4] Here built tombs covered with small mound of earth were typical until the end of the Iron Age. In the earliest tombs were a small number of locally imitated Mycenaean pottery vessels, but the majority of the hand-made pottery with incised decoration reflects connections eastwards with Thrace and beyond.
Antiquity
The island was colonized at an early date by Phoenicians, attracted probably by its gold mines; they founded a temple to the god Melqart, whom the Greeks identified as "Tyrian Heracles", and whose cult was merged with Heracles in the course of the island's Hellenization.[5] The temple still existed in the time of Herodotus.[6] An eponymous Thasos, son of Phoenix (or of Agenor, as Pausanias reported) was said to have been the leader of the Phoenicians, and to have given his name to the island.
Around 650 BC, or a little earlier, Greeks from Paros founded a colony on Thasos.[7] A generation or so later, the poet Archilochus, a descendant of these colonists, wrote of casting away his shield during a minor war against an indigenous Thracian tribe, the Saians.[8] Thasian power, and sources of its wealth, extended to the mainland, where the Thasians owned gold mines even more valuable than those of the island; their combined annual revenues amounted to between 200 and 300 talents. Herodotus says that the best mines on the island were those opened by the Phoenicians on the east side of the island, facing Samothrace.. Archilochus described Thasos as "an ass's backbone crowned with wild wood." The island's capital, Thasos, had two harbors. Besides its gold mines, the wine, nuts and marble of Thasos were well known in antiquity. Thasian wine was quite famous. Thasian coins had the head of the wine god Dionysos on one side and bunches of grape of the other.[9]
Thasos was important during the Ionian Revolt against Persia. After the capture of Miletus (494 BC) Histiaeus, the Ionian leader, laid siege. The attack failed, but, warned by the danger, the Thasians employed their revenues to build war ships [10] and strengthen their fortifications. This excited the suspicions of the Persians, and Darius compelled them to surrender their ships and pull down their walls. After the defeat of Xerxes the Thasians joined the Delian confederacy; but afterwards, on account of a difference about the mines and marts on the mainland, they revolted.
The Athenians defeated them by sea, and, after a siege that lasted more than two years, took the capital, Thasos, probably in 463 BC, and compelled the Thasians to destroy their walls, surrender their ships, pay an indemnity and an annual contribution (in 449 BC this was 21 talents, from 445 BC about 30 talents), and resign their possessions on the mainland. In 411 BC, at the time of the oligarchical revolution at Athens, Thasos again revolted from Athens and received a Lacedaemonian governor; but in 407 BC the partisans of Lacedaemon were expelled, and the Athenians under Thrasybulus were admitted.
After the Battle of Aegospotami (405 BC), Thasos again fell into the hands of the Lacedaemonians under Lysander who formed a decarchy there; but the Athenians must have recovered it, for it formed one of the subjects of dispute between them and Philip II of Macedonia. In the embroilment between Philip V of Macedonia and the Romans, Thasos submitted to Philip, but received its freedom at the hands of the Romans after the Battle of Cynoscephalae (197 BC), and it was still a "free" state in the time of Pliny.
Byzantine Era
Thasos was part of the Eastern Roman Empire, now known as the Byzantine Empire, from 395 on. According to the 6th-century Synecdemus, it belonged to the province of Macedonia Prima, although the 10th-century De thematibus claims that it was part of Thracia.[11] The island was a major source of marble until the disruption of the Slavic invasions in the late 6th/7th centuries, and several churches from Late Antiquity have been found on it.[11] The island remained in Byzantine hands for most of the Middle Ages. It functioned as a naval base in the 13th century, under its own doux, and came briefly under the rule of the Genoese Tedisio Zaccaria in 1307–13. Returning to Byzantine control, its bishopric was raised to an archdiocese by Manuel II Palaiologos. Thasos was captured by the Genoese Gattilusi family ca. 1434, who surrendered it to the Ottoman Empire in 1455.[11] Following the Ottoman conquest of the Despotate of the Morea in 1460, the former Despot Demetrios Palaiologos received lands on the island.[11]
It is related that the Byzantine Greek Saint Joannicius the Great (752–846) in one of his miracles freed the island of Thasos from a multitude of snakes.
Ottoman Era
Thassos joined the Ottoman Empire in 1456.[12] Under the Ottoman rule, the island was known as Ottoman Turkish: طاشوز Taşöz. Between 1770 and 1774, the island was briefly occupied by a Russian fleet. By this time the population of Thassos had gravitated to the inland villages as a protective measure.[13] Nearly 50 years later, a revolt against Ottoman rule arose in 1821, at the outbreak of the Greek War of Independence, led by Hatzigiorgis Metaxas, but it failed. The island was given by the Sultan Mahmud II to Muhammad Ali of Egypt as a personal fiefdom in the late 1820s, as a reward for Egyptian intervention in the War of Greek Independence (which failed to prevent the creation of the modern Greek state). Egyptian rule was relatively benign (by some accounts Muhammad Ali had either been born or spent his infancy on Thasos) and the island became prosperous, until 1908, when the New Turk regime asserted Turkish control. The island was a kaza (sub-province), lastly of the Sanjak of Drama in the Salonica Vilayet, until the Balkan Wars. On October 20, 1912 during the First Balkan War, a Greek naval detachment claimed Thasos as part of Greece. From the day it reunited with Greece, it has remained so ever since.
Archaeological Discovery
On the November 23rd, 1902 issue of the New York Times (p. 5), it was reported that on the island of Thassos, archaeologist Theodore Bent discovered the tomb of Cassius, the one who slew himself after the disastrous defeat at the Battle of Philippi in 42 B.C. Cassius was buried by Brutus at Thassos, where the army of the patriots of the Republic had established its base of supplies.[14][15]
Modern era
During the Axis occupation (1941–1944) Thasos, along with the rest of Eastern Macedonia and Thrace, came under Bulgarian control. The Bulgarian government renamed the island "Tasos" and closed its schools as a first step towards forced Bulgarization. The island's mountainous terrain facilitated small-scale resistance activity. With the end of the war and the withdrawal of Axis troops, the island was caught up in the Greek Civil War. Skirmishes and Communist guerilla attacks continued on Thasos until 1950, almost a year after the main hostilities were over on the mainland.
Thasos, the capital, is now informally known as Limenas, or "the port". It is served by a ferry route to and from Keramoti a port close to Kavala International Airport, and has the shortest possible crossing to the island. Scala Prinos 20 km south of Thassos town is served by a ferry route to and from Kavala
Administration
Thasos is a separate regional unit of the East Macedonia and Thrace region, and the only municipality of the regional unit.[16] As a part of the 2011 Kallikratis government reform, the regional unit Thasos was created out of part of the former Kavala Prefecture. The municipality, unchanged at the Kallikratis reform, includes a few uninhabited islets besides the main island Thasos. The province of Thasos (Greek: Επαρχία Θάσου) was one of the provinces of the Kavala Prefecture. It had the same territory as the present municipality.[17] It was abolished in 2006.
Geography
Thasos island is located in the northern Aegean sea approximately 7 km (4 mi) from the northern mainland and 20 kilometres (12 miles) south-east of Kavala, and is of generally rounded shape, without deep bays or significant peninsulas. The terrain is mountainous but not particularly rugged, rising gradually from coast to centre. The highest peak is Ypsario (Ipsario), at 1,205 metres (3,953 feet), somewhat east of centre. Pine forest covers much of the island's eastern slopes.
Historically, the island's population was chiefly engaged in agriculture and stockbreeding, and established villages inland, some of them connected via stairways (known as skalas) to harbors at the shore. The local population gradually migrated towards these shoreline settlements as tourism began to develop as an important source of income. Thus, there are several "paired villages" such as Marion–Skala Maries, with the former inland and the latter on the coast.
Geology
This section may be too technical for most readers to understand. Please help improve this section to make it understandable to non-experts, without removing the technical details. The talk page may contain suggestions. (January 2013)
The Island is formed mainly by gneisses, schists and marbles of the Rhodope Massif. Marble sequences corresponding to the Falacron Marbles intercalated by schists and gneisses, are up to 500m thick and are separated from the underlying gneisses by a transition zone about 300 m thick termed the T-zone consisting of alternances of dolomitic and calcitic marbles intercalated by schists and gneisses.
The rocks have undergone several periods of regional metamorphism, to at least upper amphibolite facies, and there was a subsequent phase of retrograde metamorphism. At least three periods of regional deformation have been identified, the most important being large scale isoclinal folding with axes aligned north-west. The T-zone is deformed and is interpreted by some authors as a regional thrust of pre-major folding age. There are two major high angle fault systems aligned north-west and north-east respectively. A large low-angle thrust cuts the gneiss, schist and marble sequence at the south-west corner of the island, probably indicating an overthrusting of the Serbomacedonian Massif onto the Rodope Massif.
The Late Miocene oil-producing Nestos-Prinos basin is located between Thassos island and the mainland. The floor of the basin is around 1,500 m deep off the Thassos coast (South Kavala ridge; Proedrou, 1988) and up to 4.000–5.000 m in the axial sector between Thassos and the mainland. The basin is filled with Late Miocene-Pliocene sediments, including ubiquitously repeated evaporite layers of rock salt and anhydrite-dolomite that alternate with sandstones, conglomerates, black shales, and uraniferous coal measures (Proedrou, 1979, 1988; Taupitz, 1985). Stratigraphically equivalent rocks on the mainland are clastic sediments with coal beds, marine to brackish fluvial units and travertines.
Mining history
The earliest mining on the island has been dated to around 13,000 BC, when paleolithic miners dug a shaft at the site of the modern-era Tzines iron mine for the extraction of limonitic ochre.[18] Mining for base and precious metals started around the 7th century BC with the Phoenicians, followed in the 4th century by the Greeks, then the Romans. These later mines were both open-cast and underground., mostly to exploit the island's numerous karst hosted calamine deposits for their lead and silver. Gold, copper and iron were also found; the Byzantines quarried marble on the island.
In the early 20th century, mining companies exploited the island's Zinc-lead rich calamine ores, with a yield of around 2 million tonnes, and a processing plant at Limenaria produced zinc oxide. Iron ore was mined on a significant scale from 1954 to 1964, with a yield of around 3 million tonnes. Since 1964, surveys have established the existence of a deep-level zinc-lead deposit, but the only mining activity on the island has been marble quarrying.
Economy
By far the most important economic activity is tourism. The main agricultural products on the island are honey, almonds, olives (famously Throuba olives) and olive oil, as well as wine, sheep, goat herding and fishing. Other industries are lumber and mining which includes lead, zinc and marble, especially in the Panagia area where one of the mountains near the Thracian Sea has a large marble quarry. The marble quarries in the south (in the area of Aliki), now abandoned, were mined during ancient times.
Communities
Towns and villages with over 100 inhabitants are:
Agios Georgios (149)
Astris (129)
Kallirachi (651)
Kinyra (104)
Limenaria (2,441)
Maries (182)
Ormos Prinou (122)
Panagia (820)
Potamia (1,216)
Potos (688)
Prinos (1,185)
Rachoni (365)
Skala Kallirachis (631)
Skala Marion (377)
Skala Rachoniou (206)
Sotiras (368)
Thassos (Limenas Thasou) (3,130)
Theologos (731)
Historical population[edit]
YearTownMunicipality
19812,312–
19912,600–
20013,14013,765
20113,24013,770
Beaches
Skala Prinos,with lots of pines, lying at a several kilometres length. This wonderful beach is ideal for swimming, clean and sandy. In 2004 it became a Blue Flag beach.
Pachis, with clear water and a lot of visitors
Rachoni, long beach with a forest
Glyadi, with golden sand and shallow sea
Skala Potamia and Golden Beach, one of the most clean beaches on the island. Also has a camping site, lots of restaurants, bars, and nightclubs.
Giola is a natural swimming pool with crystal clear turquoise waters! Giola is located in the village of Astris, a few kilometers from Limenaria and Potos, on the south side of the island.[19]
Saliara, with white sand (also known as Marble beach).[20]
Paradise, Paradise Beach is approximately 23 km from Thassos town via the coastal road that circles the Island. Although not signposted itself there is a signpost for the “Paradise Bar on the Beach” which is visible from the anticlockwise direction (keep an eye in the rear view mirror if travelling clockwise). There is space for a few cars by the main road (5-10mins walk).[21]
Metalia Beach Thassos: Metalia beach is situated on the foot of a villa at Limenaria. It is a fine sandy beach ideal for children and lies 39 km south west of Limenas, the capital of Thassos.[22]
Glykadi Beach Thassos: Just 4.5 km north-west of Port Thassos beach is Glikadi. Overlooking Thasopoula, this sandy beach of 150 meters with the blue waters offers relaxation in a lush natural environment. It is organized into umbrellas and sunbeds from a beach bar but no other infrastructure.[23]
Sights
Polygnotos Vagis Municipal Museum in Potamia
Archaeological Museum of Thasos in Thasos town
Polygnotos Vagis Municipal Museum in Potamia
Folklore Museum of Limenaria
Archangel Michael's Monastery
Saint Panteleimon Monastery:it was built in 1843 and became monastery in 1987. According to inhabitants of Thassos, someone wanted to built it in favor of Saint Panteleimon. The workers started the building at a location, but next day when they wanted to continue with the construction, the part they had built was destroyed and their tools were missing. It had happened on following days. One day they saw footprints on the ground and followed them until they founded their tools. Finally they built the monastery at that spot.
Monastery of the Assumption
Kastro: its foundation year is unknown. This village must have been created during the years of Frankish domination.
Krambousa Isle: it can be found across the coast of Skala Potamia. The thick vegetation make it impossible to explore all parts of it. It is full with spacial wild vegetable called "Krambi". The little church of Saint Daniel is located at the top of the hill. The inhabitants visit this church on the day of the Saint every year.
Notable people
Archilochos (7th century BC) warrior and poet. "You led us a thousand strong at Thasos, fields fattened by corpses."
Aglaophon (6th–5th century BC) painter, teacher and father of Polygnotus and Aristophon.[24]
Hegemon of Thasos comedian, inventor of parody
Leodamas (4th century BC) mathematician
Neseus of Thasos, painter
Polygnotos Vagis (1892–1965) Thasos-born US sculptor
Polygnotus (mid-5th century BC), painter
Stesimbrotos (c. 470 BC - c. 420 BC) sophist
Theagenes of Thasos Olympic boxer (480 BC), Pankratiast (476 BC) and runner.[25]
Vassilis Vassilikos (1934) poet and author
Demetrios Vassiliades (1958) Indologist scholar and author
It was the fall
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Les Invalides, officially known as L'Hôtel national des Invalides ( The National Residence of the Invalids ), is a complex of buildings in the 7th arrondissement of Paris, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine, as well as the burial site for some of France's war heroes, notably Napoleon Bonaparte.
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Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and unwell soldiers.
I can relate, Teddy.
I took this shot last fall and made it a B&W for a challenge. I really like the original, though, and I feel a sense of anguish from seeing this little bear up there.
15 years ago yesterday my sweet Momma went on to the next place. As I told my friends yesterday, that's 5,475 days of me missing her. Make that 5,476 now.
On my last outing I found this Yellow-crowned Night Heron just wanting to sleep in the early morning. I can relate to him/her today and will be a bit slow getting to everyone’s posts. Just as his eyes were drifting shut here, my eyes will need to do the same in order for me to recover from an extremely busy day yesterday. Photo taken on Armand Bayou.
DSC02099uls
RED relates to the BASE chakra situated at the base of the spine
The organs to which this chakra relates are the kidneys and bladder .(The kidneys are formed within the pelvis and here they link with the base chakra energy, although prior to birth they rise to the position in the loins with which we are more familiar). The vertebral column, hips and legs are also areas related to this chakra. The endocrine gland to which this colour relates is the adrenal gland.
On the psycho-spiritual level, this chakra relates to self awareness. That is to say our awareness of ourselves as human beings and our place on earth. It is the area of survival and relates to our basic human instincts of fight or flight. Red gives us courage and strength. The colour relates to stability and security.
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Mezhyhirya Residence Museum, Kiev, Ukraine.
The Mezhyhirya residence was built in the Soviet period on the site of a monastery that had stood there since the 14th century before being destroyed by the Bolsheviks. The Soviet regime, under which Ukraine lived for 70 years, tried to provide for all its leaders’ needs. Top communists were rewarded with a package that included a house in the country – a so-called ‘dacha’. Mezhyhirya, which was at the disposal of the leader of the Ukrainian Soviet Socialist Republic, fell into this category.
After Ukrainian independence the building was used to accommodate foreign delegations, but when in 2002 Viktor Yanukovych was appointed Prime Minister and moved to Kiev from industrial Donetsk he decided he would like to live at Mezhyhiriya. Initially he rented it, but the Orange Revolution brought a fall in his living standards – a terrible thing for Post-Soviet Man. The new government, headed by president Yushchenko and PM Tymoshenko, evicted him from his home.
But a year later, after the fall of the Orange dream team, Yanukovych returned to the post of Prime Minister and secured the right to Move back into Mezhyhiriya, which was still government property. And another year later, in 2007, when he left his post, he took the house with him.
In Yanukovych’s final weeks as Prime Minister, his government illegally privatised Mezhyhiriya. No money was paid to the state for its sale; instead, a couple of semi- derelict buildings in Kiev were handed over in return (they have continued to fall down ever since).
Mezhyhiriya, meanwhile, was acquired, without any competitive tendering process, by a Donetsk company called ‘MedInvestTraid’, which immediately resold it and a few years later filed for bankruptcy. Was someone covering their tracks?
In 2009, after an unsuccessful bid to create a political alliance with Viktor Yanukovych, Yulia Tymoshenko tried to return Mezhyhiriya to state ownership, but nothing came of it. MPs from Yanukovych’s party removed all the documents relating to the sale from the government departments involved. Yanukovych lived in it from 2002 to 21 February 2014, when he abandoned the estate during the 2014 Ukrainian Revolution.
For video, please visit youtu.be/mr-rWbtde3I
Whilst looking at things relating to Plaxton of Scarborough, its probably worth sharing this picture too. I think it was taken on the occasion of a coach operators association visit.
To the fore we have a very nice Supreme bodied Leyland Leopard for Martindales of Ferryhill, PPT 400P . . . which helps date the pictures to '75/6.
The next two Supremes in line are, I suspect, two Bedford YMTs for Harry Shaw of Coventry, NVC 3 & 10P. Further down is the only sevice bus in view which would probably be a Ford 'Derwent' for East Kent.
I'll bet many of you can relate to this image, huh? Let me make this analogy clearer ... the three birds representing the weekend days, Friday, Saturday, Sunday, and the crab representing the abrupt arrival of Monday. Let's try our best to usher it away. LOL. OK, I know, that's quite a bizarre interpretation of the image, but it's the best that I can do on an early Monday morning. :-)
Actually, the least terns are nesting on the sunny Florida beaches ... some still courting, some sitting on eggs, some taking care of their newborns. These little birds are quite aggressive with each other ... and the on-lookers ... as they don't like anything or anyone entering their "home space". Can't blame them either, since it's quite crowded on the inn. ;-)
So if those close quarters aren't enough, enter the ghost crabs which call the area their home as well. These territorial terns, who were infighting just a few moments ago, unite in fight that benefits them all. See, as the ghost crabs emerge and begin to intermingle with the nesting terns, an all-out war is waged ... terns working together ... to eliminate the threat to the colony. Several will make the approach to the crab, wings out and upward, squawking away, puffing up, and jumping around, as the crab tries to defend itself, but eventually retreats. It's 3 against 1! LOL. I can't remember when I've been so amazed at the behavior of birds (OK, it probably wasn't that long ago, seeing how it's baby bird season, but it was quite entertaining).
Nature is quite amazing and birds are quite smart, at least they seem like it to me. I guess "pack behavior" extends in all forms of life. :-)
Hope that everyone, in their own way, can find something to be happy about on this Monday morning. Welcome to another week ... not sure about you, but mine have been flying by!
Thanks for stopping by to view and especially for sharing your thoughts and comments too.
© 2015 Debbie Tubridy / TNWA Photography
I felt like I could understand this guy.
I'm having an Icelandic-Horse themed week with my photography, and this guy is a prime specimen of what it means to be an horse of Iceland, in my opinion. Long and luxurious mane, sturdy body, longer hair all around... and friendly! We were struck by how happy the horses were to come up to the fence and hang out with us whenever we came by to visit #horsesoficeland #icelandichorses
“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.
The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art
“Wild Flowers are not weeds"
Street Art is the modern, urban wildflowers
What's the difference between Graffiti Tagging and Street Art?
1. Street Art is constructive, Graffiti Tagging is destructive.
2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.
3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.
4. Street Art is about the audience, Graffiti Tagging is about the tagger.
5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".
6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.
7. Street Art takes skill, Graffiti Tagging takes balls.
8. We mourn losing Street Art and celebrate losing Graffiti Tagging.
Good Street Art is great, good Graffiti Tagging is gone!
”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html
Additional interesting sites
www.osnatfineart.com/urban-art.jsp
en.wikipedia.org/wiki/Street_art
Graffiti_27 LR
I can't say how often I've driven Messenger Road, a potholed passage which never really goes where I'm going. It's a bridge between things, like so much of my life seems to be. It's a metaphor in my mind for a kind of prophecy, the sort you say and then go about trying to make come true. Things to share and the drive to share them, I've got more of that than most. I was once accused of being a "wannabe profit", and though the typo is accurate in the sense that I could use the money, the term "prophet" doesn't really fit me. There is no targeted truth in what I'm writing, no big vision or dream to relate. I'm not planning on predicting the future, only trying to do that old tribal thing. Campfire tales and cave paintings, so we can look back on our lives and back at our faces, and see something that keeping our thoughts to ourselves couldn't show.
November 20, 2022
Paradise, Nova Scotia
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Lothian Buses Gemini 3 Facelift bodied Volvo B5LH number 554 (SA15 VUE) ‘Estiland’ is seen here at OT, under a certain sign that relates to its number plate
Taken on Wednesday the 17th of December 2025.
This is a photo I’ve been wanting to get for SO many years, 554 (SA15 VUE) ‘Estiland’ under the big ‘vue’ sign at OT, corresponding wi the registration plate very nicely. The original photo needed some editing work to be presentable, but I went a bit over the top wi the saturation and such, because I can.
Thanks to ZZ9 for motivating me to try and actually finallly go and get this shot!
I posted a photo of this bus to flickr shortly after its 5th birthday, talking about how weird it seemed that it was already five years old, the new hybrids on the 34 were a highlight of 2015, and they seemed fairly new and exciting for a while after. Well now it’s over a decade old somehow, but spending its days mainly on the 34 and 35, just where it’s most at home.
So I unofficially named this bus ‘Estiland’ originally, mistakenly thinking it was Estonian for Estonia (no, that’s Eesti), but the name stuck and It’s now played a part of enough of my life that I have a fondness for it, even slightly more than some others in its batch.
In November this year, ZZ9 nicknamed this ‘Lothian’s Cinema Bus’ in relation to the number plate, as we see here quite clearly. I intend to add ZZ9’s name to the unofficial names doc, what better name could there be for this? However, ‘Estiland’ is also staying, that’s what it’s always been to me. It’s by far not the first bus wi two names, even though I usually try and avoid multiple names, there’s no reason why we can’t have some! An example currently in the fleet is XLB number 1066, which I nicknamed ‘Frances’, and Callum Colville nicknamed ‘Battle of Hastings’, due to the fleet number corresponding to the date of that battle.
This batch (551-570) may be unremarkable, but they seem to still be doing just as well as ever, usually winding their slow way through the city from the foot of the Pentlands in Currie to the sea at OT. If anyone wants to have a go at which of this batch of B5LHs have which seatback colours then go ahead, it’s not intuitive!
Vehicle Information
Operator: Lothian Buses
Service: 34 Leith Harbour and Newhaven Ocean Terminal Ocean Drive – Currie Riccarton Hariot-Watt University The Avenue (Trip NovWedAL23925725)
Vehicle type: Wrightbus Eclipse Gemini 3 Facelift bodied Volvo B5LH
Vehicle engine: Euro 6 Diesel-Electric Hybrid
Vehicle fleet number: 554
Vehicle registration: SA15 VUE
Vehicle name: Estiland
Vehicle depot: Longstone (LS)
Vehicle livery: Lothian Buses Madder and White Fleet of the Future (FOTF) non-ADL Double Deck 2020 version
Vehicle destination screen: white Hanover LED screen
Vehicle destination display: Heriot-Watt 34 / via Research Park
Vehicle Chassis: Vo B5LH YV3T1U22XFA172380
Vehicle Body: Wt AM087
Vehicle Seating: H49/25F
Operating area: City of Edinburgh, Midlothian and East Lothian
Registration prefix area: Glesga
Year of manufacture: 2015
Date of first registration: 14.07.2015 (Day T42198)
Original operator: Lothian Buses
Original fleet number: 554
Original registration: SA15 VUE
Age of vehicle: 10 years, 5 months and 3 days (total 3809 days)
Photo location: Ocean Drive, Ocean Terminal, Leith Harbour and Newhaven, Lìte, City of Edinburgh
Taken on: Wednesday the 17th of December 2025 (17.12.2025)
Taken on Day U3639
References
Bus Lists on the Web (2025) SA15VUE. Available at: www.buslistsontheweb.co.uk/ (Accessed 17.12.2025, Day U3641)
Bustimes.org (2025) Lothian Buses - Vehicles – 554 (SA15 VUE). Available at: bustimes.org/vehicles/loth-554?date=2025-12-17 (Accessed 17.12.2025, Day U3641)
GOV.UK (2025) Check MOT History – SA15 VUE. Available at: www.check-mot.service.gov.uk/results?registration=SA15VUE... (Accessed 17.12.2025, Day U3641)
Scottish Community Councils (2025) Find a Community Council. Available at: www.communitycouncils.scot/community-council-finder (Accessed 17.12.2025, Day U3641)
The 1890 Empress Flour Mill on Queen Street is category C industrial heritage building, which means that its removal is a permitted activity. There are two plaques on the front of the building, one relating to the 118 year old structure and the other to the 1921 grain silos. With a height of 35 metres the category B listed heritage silos are the town's most prominent landmark. They're still in use and will not be demolished.
The title of this relates to an article I read some time ago by Ken Rockwell, www.kenrockwell.com/index.htm, in which he explains what is "Good Bokeh", I found it interesting because I happen to be one of those people that think the word good when describing a medium such as photography is subjective and even sometimes what is generally "bad" can be "good" every now and again, if you know what I mean. He even has a chart showing what "poor", "neutral" and "good" bokeh looks like, and I am proud to say I have achieved what I think he describes as "neutral" or "poor" bokeh. Yeah for me!!! :-)))
In truth, I don't disagree with him in looking at this image there is something a little too harsh in the blobs of light here. It certainly is not the "smooth and silky" kind of bokeh. But you know after drinking a few of those glasses of what is in the foreground, nothing was in focus, and that is clearly seen in this image (as nothing in the shot is clearly in focus), so I call the shot a success!! :-))))
Here is a link to the entire story (which is a great read, seriously), www.kenrockwell.com/tech/bokeh.htm, and an excerpt is below.
"Bokeh describes the appearance, or "feel," of out-of-focus areas. Bokeh is not how far something is out-of-focus, bokeh is the character of whatever blur is there.
Unfortunately good bokeh doesn't happen automatically in lens design. Perfect lenses render out-of-focus points of light as circles with sharp edges. Ideal bokeh would render each of these points as blurs, not hard-edged circles."
So I guess I have a good lens and a "neutral" or perhaps "poor" bokeh shot to show for it! All of this is posted in good spirits, hope it reads that way! Cheers!!! :-))
HBW!!!!!!!!!!!!!!!!!!
Sun wasn't exactly on my side while I was shooting Kayla, there was just so damn much of it. Blowing out my backgrounds, so bright it was more white than yellow.
And...now that I'm looking at this shot, having spent most of yesterday assisting for one of my Flickr favorites, Louie Banks, I'm thinking I could've used a bounce, dialed down my shutter speed, gotten more detail in the background and a better quality of light for Kayla.
Looking at it through that lens, a lot of my work is a series of compromises, making subtle adjustments due to the lack of resources. And I dig that, like problem solving as it relates to questions of creativity. Hell, I like problem solving in general, I like to say I'm Solution Oriented. Ring light didn't come with the screw to attach it to the camera? I'll figure it out. Slave system for the lights is acting all screwy? I'll go to work on it with relish.
So I don't lament the fact that for this shot I didn't have that bounce, or that assistant. The shot might've come out better, sure, but I wouldn't have gotten the chance to think through the problem, sort out a solution. Feel out the limits of what's possible. Become more creative in the search for a solution.
“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.
The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art
“Wild Flowers are not weeds"
Street Art is the modern, urban wildflowers
What's the difference between Graffiti Tagging and Street Art?
1. Street Art is constructive, Graffiti Tagging is destructive.
2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.
3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.
4. Street Art is about the audience, Graffiti Tagging is about the tagger.
5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".
6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.
7. Street Art takes skill, Graffiti Tagging takes balls.
8. We mourn losing Street Art and celebrate losing Graffiti Tagging.
Good Street Art is great, good Graffiti Tagging is gone!
”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html
Additional interesting sites
www.osnatfineart.com/urban-art.jsp
en.wikipedia.org/wiki/Street_art
DSC_0247 final.jpg
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
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Adjective
1. Characterised by lightness and insubstantiality; intangible.
2. Highly refined; delicate.
3. Heavenly or spiritual [Greek aithēr ether]
... a Of the celestial spheres; heavenly.
... b Not of this world; spiritual.
4. Chemistry. Of or relating to ether.
Dedicated to Kounelli for being the first person to comment on this shot, and to the volcanic sharrockmary for being a close second.
Les Invalides contains museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée (the military museum of the Army of France), the Musée des Plans-Reliefs and the Musée d'Histoire Contemporaine, as well as the Dôme des Invalides, a large church, the tallest in Paris at a height of 350 feet. It houses tombs of some of France's war heroes, most notably Napoleon. The architect of Les Invalides was Libéral Bruant. By the time the enlarged project was completed in 1676, the river front measured 643 feet, and the complex had 15 courtyards, the largest being the cour d'honneur ("court of honor") for military parades. Jules Hardouin-Mansart assisted the aged Bruant, and the chapel for veterans was finished in 1679. This chapel was known as Église Saint-Louis des Invalides, and daily attendance of the veterans in the church services was required. Shortly after the veterans' chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme. The domed chapel was finished in 1708. The building retained its primary function of a retirement home and hospital for military veterans until the early 20th century. In 1872 the musée d'artillerie (Artillery Museum) was located within the building to be joined by the musée historique des armées (Historical Museum of the Armies) in 1896. The two institutions were merged to form the present Musée de l'Armée in 1905. At the same time, the veterans in residence were dispersed to smaller centers outside Paris, as the building became too large for its original purpose. The modern complex includes facilities about a hundred elderly or incapacitated former soldiers, including one gentleman sitting outside in full World War II army dress.
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism.
Ancient Iran
In pre-Islamic Persian mythology, the Gaokerena world tree is a large, sacred Haoma tree which bears all seeds. Ahriman (Ahreman, Angremainyu) created a frog to invade the tree and destroy it, aiming to prevent all trees from growing on the earth. As a reaction, God (Ahura Mazda) created two kar fish staring at the frog to guard the tree. The two fishes are always staring at the frog and stay ready to react to it. Because Ahriman is responsible for all evil including death, while Ahura Mazda is responsible for all good (including life) the concept of world tree in Persian Mythology is very closely related to the concept of Tree of Life.The sacred plant haoma and the drink made from it. The preparation of the drink from the plant by pounding and the drinking of it are central features of Zoroastrian ritual. Haoma is also personified as a divinity. It bestows essential vital qualities—health, fertility, husbands for maidens, even immortality. The source of the earthly haoma plant is a shining white tree that grows on a paradisiacal mountain. Sprigs of this white haoma were brought to earth by divine birds.Haoma is the Avestan form of the Sanskrit soma. The near identity of the two in ritual significance is considered by scholars to point to a salient feature of an Indo-Iranian religion antedating Zoroastrianism.
Another related issue in ancient mythology of Iran is the myth of Mashyа and Mashyane, two trees who were the ancestors of all living beings. This myth can be considered as a prototype for the creation myth where living beings are created by Gods (who have a human form).
Ancient Egypt
Worshipping Osiris, Isis, and Horus
To the Ancient Egyptians, the Tree of Life represented the hierarchical chain of events that brought every thing into existence. The spheres of the Tree of Life demonstrate the order, process, and method of creation.In Egyptian mythology, in the Ennead system of Heliopolis, the first couple, apart from Shu and Tefnut (moisture and dryness) are Geb and Nuit (earth and sky), are Isis and Osiris. They were said to have emerged from the acacia tree of Iusaaset, which the Egyptians considered the tree of life, referring to it as the "tree in which life and death are enclosed." Some acacia trees contain DMT, a psychedelic drug associated with spiritual experiences. The drug is not orally bio-available, however and there is no evidence the Egyptians had techniques for extracting or otherwise harnessing the drug. A much later myth relates how Set and 72 conspirators killed Osiris, putting him in a coffin, and throwing it into the Nile, the coffin becoming embedded in the base of a tamarisk tree.The Egyptians' Holy Sycamore also stood on the threshold of life and death, connecting the two worlds.
Assyria
Assyrian tree of life, from Nimrud panels.The Assyrian Tree of Life was represented by a series of nodes and criss-crossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.
Baha'i Faith
The concept of the tree of life appears in the writings of the Baha'i Faith, where it can refer to the Manifestation of God, a great teacher who appears to humanity from age to age. An example of this can be found in the Hidden Words of Bahá'u'lláh:["Have ye forgotten that true and radiant morn, when in those hallowed and blessed surroundings ye were all gathered in My presence beneath the shade of the tree of life, which is planted in the all-glorious paradise? Awestruck ye listened as I gave utterance to these three most holy words: O friends! Prefer not your will to Mine, never desire that which I have not desired for you, and approach Me not with lifeless hearts, defiled with worldly desires and cravings. Would ye but sanctify your souls, ye would at this present hour recall that place and those surroundings, and the truth of My utterance should be made evident unto all of you."Also, in the Tablet of Ahmad [1], of Bahá'u'lláh:"Verily He is the Tree of Life, that bringeth forth the fruits of God, the Exalted, the Powerful, the Great".Bahá'u'lláh refers to his male descendents as branches (Aghsán) and calls women leaves.
A distinction has been made between the tree of life and the tree of the knowledge of good and evil. The latter represents the physical world with its opposites, such as good and evil and light and dark. In a different context from the one above, the tree of life represents the spiritual realm, where this duality does not exist.
Buddhism
The Bo tree, also called Bodhi tree, according to Buddhist tradition, is the pipal (Ficus religiosa) under which the Buddha sat when he attained Enlightenment (Bodhi) at Bodh Gaya (near Gaya, west-central Bihar state, India). A living pipal at Anuradhapura, Ceylon (now Sri Lanka), is said to have grown from a cutting from the Bo tree sent to that city by King Ashoka in the 3rd century BCE.According to Tibetan tradition when Buddha went to the holy Lake Manasorovar along with 500 monks, he took with him the energy of Prayaga Raj. Upon his arrival, he installed the energy of Prayaga Raj near Lake Manasorovar, at a place now known as Prayang. Then he planted the seed of this eternal banyan tree next to Mt. Kailash on a mountain known as the "Palace of Medicine Buddha".
China
In Chinese mythology, a carving of a Tree of Life depicts a phoenix and a dragon; the dragon often represents immortality. A Taoist story tells of a tree that produces a peach every three thousand years. The one who eats the fruit receives immortality.An archaeological discovery in the 1990s was of a sacrificial pit at Sanxingdui in Sichuan, China. Dating from about 1200 BCE, it contained three bronze trees, one of them 4 meters high. At the base was a dragon, and fruit hanging from the lower branches. At the top is a strange bird-like (phoenix) creature with claws. Also found in Sichuan, from the late Han dynasty (c 25 – 220 CE), is another tree of life. The ceramic base is guarded by a horned beast with wings. The leaves of the tree are coins and people. At the apex is a bird with coins and the Sun.
Christianity
In Catholic Christianity, the Tree of Life represents the immaculate state of humanity free from corruption and Original Sin before the Fall. Pope Benedict XVI has said that "the Cross is the true tree of life." Saint Bonaventure taught that the medicinal fruit of the Tree of Life is Christ himself. Saint Albert the Great taught that the Eucharist, the Body and Blood of Christ, is the Fruit of the Tree of Life.[18] Augustine of Hippo said that the tree of life is Christ: "All these things stood for something other than what they were, but all the same they were themselves bodily realities. And when the narrator mentioned them he was not employing figurative language, but giving an explicit account of things which had a forward reference that was figurative. So then the tree of life also was Christ... and indeed God did not wish the man to live in Paradise without the mysteries of spiritual things being presented to him in bodily form. So then in the other trees he was provided with nourishment, in this one with a sacrament... He is rightly called whatever came before him in order to signify him."[19]
The tree first appeared in Genesis 2:9 and 3:22-24 as the source of eternal life in the Garden of Eden, from which access is revoked when man is driven from the garden. It then reappears in the last book of the Bible, the Book of Revelation, and most predominantly in the last chapter of that book (Chapter 22) as a part of the new garden of paradise. Access is then no longer forbidden, for those who "wash their robes" (or as the textual variant in the King James Version has it, "they that do his commandments") "have right to the tree of life" (v.14). A similar statement appears in Rev 2:7, where the tree of life is promised as a reward to those who overcome. Revelation 22 begins with a reference to the "pure river of water of life" which proceeds "out of the throne of God". The river seems to feed two trees of life, one "on either side of the river" which "bear twelve manner of fruits" "and the leaves of the tree were for healing of the nations" (v.1-2).[20] Or this may indicate that the tree of life is a vine that grows on both sides of the river, as John 15:1 would hint at.
In Eastern Christianity the tree of life is the love of God.The tree of life appears in the Book of Mormon in a revelation to Lehi (see 1 Nephi 8:10). It is symbolic of the love of God (see 1 Nephi 11:21-23). Its fruit is described as "most precious and most desirable above all other fruits," which "is the greatest of all the gifts of God" (see 1 Nephi 15:36). In another scriptural book, salvation is called "the greatest of all the gifts of God" (see Doctrine and Covenants 6:13). In the same book eternal life is also called the "greatest of all the gifts of God" (see Doctrine and Covenants 14:7). Because of these references, the tree of life and its fruit is sometimes understood to be symbolic of salvation and post-mortal existence in the presence of God and his love.
Europe
11th century Tree of Life sculpture at an ancient Swedish church
In Dictionnaire Mytho-Hermetique (Paris, 1737), Antoine-Joseph Pernety, a famous alchemist, identified the Tree of Life with the Elixir of Life and the Philosopher's Stone.
In Eden in the East (1998), Stephen Oppenheimer suggests that a tree-worshipping culture arose in Indonesia and was diffused by the so-called "Younger Dryas" event of c. 8000 BCE, when the sea level rose. This culture reached China (Szechuan), then India and the Middle East. Finally the Finno-Ugaritic strand of this diffusion spread through Russia to Finland where the Norse myth of Yggdrasil took root.
Georgia
The Borjgali (Georgian: ბორჯღალი) is an ancient Georgian Tree of Life symbol.
Germanic paganism and Norse mythology[
In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic Neopaganism, continue to play) a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods.
The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic Tribes' honouring sacred trees within their societies. Examples include Thor's Oak, sacred groves, the Sacred tree at Uppsala, and the wooden Irminsul pillar. In Norse Mythology, the apples from Iðunn's ash box provide immortality for the gods.
Hinduism
The Eternal Banyan Tree (Akshaya Vata) is located on the bank of the Yamuna inside the courtyard of Allahabad Fort near the confluence of the Yamuna and Ganga Rivers in Allahabad. The eternal and divine nature of this tree has been documented at length in the scriptures.[citation needed]
During the cyclic destruction of creation when the whole earth was enveloped by waters, akshaya vata remained unaffected. It is on the leaves of this tree that Lord Krishna rested in the form of a baby when land was no longer visible. And it is here that the immortal sage, Markandeya, received the cosmic vision of the Lord. It is under this tree that Buddha meditates eternally. Legend also has it that the Bodi tree at Gaya is a manifestation of this tree.
Islam
Carpet Tree of Life
Main article: Quranic tree of life
See also: Sidrat al-Muntaha
The "Tree of Immortality" (Arabic: شجرة الخلود) is the tree of life motif as it appears in the Quran. It is also alluded to in hadiths and tafsir. Unlike the biblical account, the Quran mentions only one tree in Eden, also called the tree of immortality, which Allah specifically forbade to Adam and Eve. Satan, disguised as a serpent, repeatedly told Adam to eat from the tree, and eventually both Adam and Eve did so, thus disobeying Allah.] The hadiths also speak about other trees in heaven.
According to the Ahmadiyya movement, Quranic reference to the tree is symbolic; eating of the forbidden tree signifies that Adam disobeyed God.[
Jewish sources
Main articles: Etz Chaim and Biblical tree of life
Etz Chaim, Hebrew for "tree of life," is a common term used in Judaism. The expression, found in the Book of Proverbs, is figuratively applied to the Torah itself. Etz Chaim is also a common name for yeshivas and synagogues as well as for works of Rabbinic literature. It is also used to describe each of the wooden poles to which the parchment of a Sefer Torah is attached.The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden. (Genesis 3:22-24)
In the Book of Proverbs, the tree of life is associated with wisdom: "[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her." (Proverbs 3:13-18) In 15:4 the tree of life is associated with calmness: "A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit."
The Book of Enoch, generally considered non-canonical, states that in the time of the great judgment God will give all those whose names are in the Book of Life fruit to eat from the Tree of Life.
Kathara grid
The esoteric bio-spiritual healing system of kathara which is presented on Earth by the official Speaker of the Guardian Alliance – E’Asha Ashayana,explains in detail the function of the code of the kathara grid] as the natural tree of life. Kathara reveals the anatomy of Creation, core structure, the blueprints & interconnectedness of all matter forms and in the center is the replication of the kathara grid everywhere.The kathara grid consists of 12 kathara centers and the relationships between them represent the true meaning of the phrase "As above, so below" and the correspondence between microcosmos and macrocosmos.
Kabbalah. Judaic Kabbalah Tree of Life 10 Sephirot, through which the Ein Sof unknowable Divine manifests Creation. The configuration relates to manJewish mysticism depicts the Tree of Life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sephirot powers in the Divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the Sephirot, restoring harmony to Creation. From the time of the Renaissance onwards, Jewish Kabbalah became incorporated as an important tradition in non-Jewish Western culture, first through its adoption by Christian Cabala, and continuing in Western esotericism occult Hermetic Qabalah. These adapted the Judaic Kabbalah Tree of Life syncretically by associating it with other religious traditions, esoteric theologies, and magical practices.
Mesoamerican
The concept of world trees is a prevalent motif in pre-Columbian Mesoamerican cosmologies and iconography. World trees embodied the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of Mesoamerican chronology. Among the Maya, the central world tree was conceived as or represented by a ceiba tree, and is known variously as a wacah chan or yax imix che, depending on the Mayan language.[32] The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk.Directional world trees are also associated with the four Yearbearers in Mesoamerican calendars, and the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Fejérváry-Mayer codices.[31] It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.World trees are frequently depicted with birds in their branches, and their roots extending into earth or water (sometimes atop a "water-monster," symbolic of the underworld). The central world tree has also been interpreted as a representation of the band of the Milky Way.
Middle East
The Epic of Gilgamesh is a similar quest for immortality. In Mesopotamian mythology, Etana searches for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from Akkad (2390–2249 BCE).The Book of One Thousand and One Nights has a story, 'The Tale of Buluqiya', in which the hero searches for immortality and finds a paradise with jewel-encrusted trees. Nearby is a Fountain of Youth guarded by Al-Khidr. Unable to defeat the guard, Buluqiya has to return empty-handed.
North American
In a myth passed down among the Iroquois, The World on the Turtle's Back, explains the origin of the land in which a tree of life is described. According to the myth, it is found in the heavens, where the first humans lived, until a pregnant woman fell and landed in an endless sea. Saved by a giant turtle from drowning, she formed the world on its back by planting bark taken from the tree.The tree of life motif is present in the traditional Ojibway cosmology and traditions. It is sometimes described as Grandmother Cedar, or Nookomis Giizhig in Anishinaabemowin.In the book Black Elk Speaks, Black Elk, an Oglala Lakota (Sioux) wičháša wakȟáŋ (medicine man and holy man), describes his vision in which after dancing around a dying tree that has never bloomed he is transported to the other world (spirit world) where he meets wise elders, 12 men and 12 women. The elders tell Black Elk that they will bring him to meet "Our Father, the two-legged chief" and bring him to the center of a hoop where he sees the tree in full leaf and bloom and the "chief" standing against the tree. Coming out of his trance he hopes to see that the earthly tree has bloomed, but it is dead
Serer religion
In Serer religion, the tree of life as a religious concept forms the basis of Serer cosmogony. Trees were the first things created on Earth by the supreme being Roog (or Koox among the Cangin). In the competing versions of the Serer creation myth, the Somb (Prosopis africana) and the Saas tree (acacia albida) are both viewed as trees of life. However, the prevailing view is that, the Somb was the first tree on Earth and the progenitor of plant life. The Somb was also used in the Serer tumuli and burial chambers, many of which had survived for more than a thousand years.Thus, Somb is not only the Tree of Life in Serer society, but the symbol of immortality
Urartian Tree of Life
In ancient Urartu, the Tree of Life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.
Turkic .The Tree of Life, as seen as in flag of Chuvashia, a Turkic state in the Russian FederationThe Tree of Life design on 0,05 Turkish lira (5 kuruş).
The World Tree or Tree of Life is a central symbol in Turkic mythology.[citation needed] It is a common motif in carpets.
It is also used as the main design of a common Turkish lira sub-unit 5 kuruş since 2009.
Bucolic - relating to the pleasant aspects of the countryside and country life.
DMC-G80M - ISO200 - 1/500sec - Olympus m.zuiko 25mmF1.8 @ f/5.6
Abbey Pumping Station museum comprises collections of industrial, technological and scientific items relating to Leicester. The pump house has four working examples of Woolf compound rotative beam engines made by Gimsons, a Leicester engineering business started by brothers Josiah and Benjamin Gimson in 1842.
I often relate odd shots I take to memories of my younger days. One of the first trips my wife and I did overseas was to the USA where we visited Disneyland and LA before heading north to San Francisco where some of my Mum's family lived and still live.
I remember being on one of those iconic Disney rides that always seemed to be more well known than they are today, perhaps Small World or the Pirates of the Caribbean. These rides were and still are world class and for innocents like us, they were just fantastic. Anyway, we had this family in the car behind us on whatever ride we were on, staring in awe while one of the young sons in that family just kept on with his mantra "It's fake Daddy!". Grrr, I mean! I wonder what he would say today in the brave new electronic and digital world. Forty years on, he would have his own kids by now, perhaps adults themselves.
Every time I look at this, now damaged concrete sculpture in Humpybong Creek at Redcliffe in SE Queensland, I can't help recalling that kid's words. I just wonder if the two Cormorants drying their feathers were thinking that also in the warm sun?
I can relate to Frankenstein's monster..there are times when I feel like I've been piecemealed together, my body is a mess. My feet are a size and half different from one another, My left arm is contorted from injury, my spine does not properly align... it goes on and on. But the villagers haven't gathered yet so I'm doing pretty good! LOL
This relates to the previous photo I posted. The following night I dressed up in a velvet body shirt and black leather mini skirt and went out to a large Disco! I did have fun even though I was nervous with the big crowd.
I have a 90 year old neighbor who has hiked the 890 km length of the Bruce Trail three or four times. In the heyday of his 70's and even 80's, walking 30 or even 50 km was just a walk in the park for him. In the last year, his hips started giving out it's been one of the most difficult things he's had to leave behind. He still goes out for a walk around the block every day, just one step at a time, with a crutch under one arm and a cane in the other. Seeing him hobble down the street, I can completely relate to his determination as our own time feels the most grounded somewhere on a hiking trail. I'm also very blessed having someone to share that passion with and we're both looking forward to the day when the trails reopen after the current pandemic.
Overview
Great Minds is a dynamic monument that praises the birth of ideas and relates to all creative people. Light work appears in the form of two monumental brains in dialogue, performing active, luminous brainstorming – the unavoidable phase of each creative process – and figuratively using light to emphasize births of unique ideas and sparkling activities of all great minds. Great Minds was first presented in 2021 at Nobel Week Lights in Stockholm, Sweden with the support of GVA, Control Dept and Rebel Light. About Aleksandra Stratimirovic
Aleksandra Stratimirovic graduated in Applied Arts and Design at the University of Arts in Belgrade. She completed her studies in specialized lighting design at the University of Arts, Crafts and Design, Konstfack and the Royal Institute of Technology in Stockholm. Stratimirovic has broad knowledge and understanding of light and lighting technologies, and she is also the author of temporary and permanent light-art installations for numerous public places in Sweden and abroad. Her works include “Transmission” for the World Heritage Grimeton Radio Station, Sweden, “You Are The Dream” in Gothenburg, “Northern Lights” Jardin du Palais Royal, Paris and participation in the Amsterdam Light Festival. She has received numerous awards and recognitions. Her light works are exhibited worldwide, most recently at the NOOR Riyadh Festival, the National Museum in Stockholm and the Skopje Light Art District.
Partnership Festival: Nobel Week Lights
Nobel Week Lights is initiated and produced by Annika Levin, Alexandra Manson and Lara Szabo Greisman from Troika. The initiative collaborates with the Nobel Prize Museum with support from the City of Stockholm, the Stockholm Chamber of Commerce and the Swedish Space Agency, and many other partners and lighting companies. Inspired by Nobel Prize-awarded discoveries and laureates, stunning artworks light up the darkness of the streets of Stockholm each year during the Nobel Week.
About Fjord Studio
Fjord Studio is a creative studio dedicated to bringing the magic of light art into people’s lives. Fjord Studio curates and produces light art projects for cultural events, urban spaces, architecture and stage. Based in Oslo, the studio works globally and produces the best in light art. The studio collaborates with renowned Norwegian and international light artists and new talents, experienced technical teams and international partners. With projections on buildings, intimate installations, site-specific light sculptures and immersive video art, the studio’s work is a broad exploration of light art. Together with their artists and customers, the studio works towards a shared vision to create meaningful, inspiring and memorable experiences of light and art. Fjord Studio has been developed by artist and curator Anastasia Isachsen and producer Frank Isachsen, the team behind the light art festival Fjord Oslo. Since 2020, their work has expanded to conceptualize, produce and communicate various types of temporary and permanent projects at the intersection of art and technology – in Norway and internationally. Ongoing projects include the annual light art festival Fjord Oslo, the new light art initiative Fjord Geiranger in Geiranger and Nordic Lights – a collaborative project with Harbourfront Centre and light art festivals in Denmark, Sweden and Finland, in addition to several smaller projects. Source: harbourfrontcentre.com/event/great-minds/
Toujours entouré d’une houle blanche, plus ou moins forte, le phare de Goury trône tout au bout du bout, à Auderville. Haut de cinquante mètres, il fut mis en service dès 1837. Auparavant, en une seule année, vingt-sept navires avaient sombré dans les parages. Face à lui, le raz Blanchard, l’un des courants de marée les plus forts d’Europe. Entre le cap de la Hague et l’île d’Aurigny, le passage dit de la Déroute est connu de tous les marins pour ses violentes tempêtes et la force de ses courants. Un monde brutal à l’opposé du monde poétique de Prévert, le voisin d’en face. « Le Raz Blanchard est un monde hostile, raconte Cédric, pêcheur de homards. Il y a toujours des vagues, même les jours sans vent. »
En 1823, en une seule année, 27 navires ont sombré dans les parages. Au nombre de ces naufrages, il faut relater celui du paquebot «Paris» qui, de retour d’Amérique, transportait de nombreux passagers dont Monseigneur de Cheverus. Le prélat, qui fut le premier évêque catholique d’une paroisse de Boston aux États-Unis, rentrait en France. Le premier contact fut plutôt rude et pénible sur les rochers du Cap de la Hague. Transporté à dos d’homme à travers champs jusqu’au presbytère d’Auderville, trempé et épuisé, il trouva abri et réconfort. Ceci se passait dans la nuit du 31 octobre 1823. Le lendemain, 1er novembre, il présidait la cérémonie de la Toussaint, en l’église de la paroisse.
Ces pertes de navires et de vies humaines sur nos côtes devaient finir par alerter l’opinion publique et les autorités maritimes. C’est ainsi que peu de temps après le naufrage du «Paris», la construction d’un phare fut mise à l’étude.
Il fut décidé que cet ouvrage serait construit sur un rocher situé à 800 m. du littoral connu sous le nom du Gros du Raz. Le chantier débuta en 1834 et nécessita une main-d’oeuvre importante pendant 3 ans. Le granit, en provenance de Diélette, était travaillé à Goury, acheminé sur le site et hissé sur la construction à l’aide d’un système de palans actionnés par une grande roue dans laquelle avançait une jument («la chambre à la Belle»).
En 1837, la construction de cette tour de granit est terminée. A 48 m de hauteur, elle sert de support à une lanterne munie de puissantes lentilles. Cette lanterne a un mouvement de rotation continu au rythme d’un éclat blanc toutes les 5 secondes (EB5S).
Depuis le début du XXème siècle, un signal sonore a été ajouté au signal lumineux : En cas de brouillard, une sirène diffuse un écho dont les ondes se répercutent à la surface de la mer, précieux indicateur de position pour les navigateurs.
En 1940, le phare fut occupé par les Allemands. Il resta éteint jusqu’au 1er juillet 1944, date de sa libération.
En 1971, il est électrifié et automatisé en 1989, les derniers gardiens partent en mai 1990.
Always surrounded by a white swell, more or less strong, the Goury lighthouse sits at the very end, in Auderville. Fifty meters high, it was put into service in 1837. Previously, in a single year, twenty-seven ships had sunk in the area. Facing it, the Raz Blanchard, one of the strongest tidal currents in Europe. Between Cape de la Hague and the island of Alderney, the so-called Rout Passage is known to all sailors for its violent storms and the strength of its currents. A brutal world as opposed to the poetic world of Prévert, the neighbor across the street. “The Raz Blanchard is a hostile world,” says Cédric, a lobster fisherman. There are always waves, even on windless days. »
In 1823, in a single year, 27 ships sank in the area. Among these shipwrecks, we must mention that of the liner “Paris” which, returning from America, transported many passengers including Monseigneur de Cheverus. The prelate, who was the first Catholic bishop of a parish in Boston in the United States, was returning to France. The first contact was rather rough and painful on the rocks of Cap de la Hague. Transported on the back of a man across fields to the presbytery of Auderville, soaked and exhausted, he found shelter and comfort. This happened on the night of October 31, 1823. The next day, November 1, he presided over the All Saints’ Day ceremony in the parish church.
These losses of ships and human lives on our coasts were to end up alerting public opinion and the maritime authorities. This is how shortly after the sinking of the “Paris”, the construction of a lighthouse was studied.
It was decided that this work would be built on a rock located 800 m away. of the coast known as Gros du Raz. The construction began in 1834 and required a significant workforce for 3 years. The granite, coming from Diélette, was worked in Goury, transported to the site and hoisted onto the construction using a system of hoists operated by a large wheel in which a mare moved ("the bedroom with Beauty") ).
In 1837, the construction of this granite tower was completed. At 48 m high, it serves as a support for a lantern equipped with powerful lenses. This lantern has a continuous rotating movement at the rate of a white flash every 5 seconds (EB5S).
Since the beginning of the 20th century, a sound signal has been added to the light signal: In the event of fog, a siren broadcasts an echo whose waves are reflected on the surface of the sea, a valuable position indicator for navigators.
In 1940, the lighthouse was occupied by the Germans. It remained extinct until July 1, 1944, the date of its release.
In 1971, it was electrified and automated in 1989, the last guards left in May 1990.
Wish I could relate the emotion I experience when I'm dressed, but it does, perhaps, "feel like this picture", blurry, to represent that it feels like a dream, a beautiful dream from which I would never want to wake up from...
OH MY GOD WHERE DO I BEGIN ASDFGHJKL-
*breathes*
Okay, excuse me, this is going to be a ramble as per usual as I have a ton of things I want to talk about both relating and not relating to this lovely little lady right here but i'll space it out over my next few posts so as to not melt your brain staring at one monumental textwall.
OKAY SO. PETRA. OMG. HNNNG. I CAN'T-
So for those of you who keep up with the recent roller-coaster that is my doll journey you'll know that i've talked about shelling my character Petra as a doll for literally years and finally I found the perfect opportunity to go for it and get her with the release of Fairyland Momo. It was kind of up in the air in the beginning whether or not i'd be able to grab Momo while I could but thankfully everything worked out and I was able to get her. Of course, the main reason why I wanted to do so was because I thought the bunny body would be the absolute perfect way of portraying her character in doll form that I previously didn't think would have been possible. For a long time I had resigned myself to just getting her on a regular human body because I didn't think something like this would be possible but OF COURSE, just like with Euclid's perfectly amazing seahorse tail Fairyland is able to read my mind and just know exactly what types of fantasy parts I've wanted for my characters and exactly how to execute them. I'll get into why that is in a bit where I copy/pasta a novel about some of Petra's character but for now let me just say that I LOVE IT SO MUCH and my gosh I am so glad that I was able to get it for her. I know that you can't see her bunny legs in this picture but they actually aren't what I wanted to focus on the most for now. I'll show them off and ramble on about her character/backstory in the future once she is more put together but for now I mainly just want to focus on one thing in particular; THAT SHE IS A MINIFEE ANTE.
Yeah so if you've been keeping up with me for a while you may remember that I had stated numerous times that my plan for Petra was for her to be a Minifee Mio but, well, this happened. Its funny, the moment I first saw Minifee Mio I immediately said "that is Petra" with so much certainty that for the longest time I honestly couldn't imagine her as anything else. Minifee Ante on the other hand was always a sculpt that I was deeply enamored with since I first laid eyes on it but for whatever reason I couldn't see it as anything other than a boy but I didn't have any male characters from my main stories that would suit it and over time it became this ultimate grail for me that I thought i'd never own because I just didn't have the character for it. Well as I mentioned i've been wanting to shell Petra as a doll for years now and at some point I got to looking more and more at Ante as a possible alternative to Mio for Petra. There are things that are more canonically accurate about Mio for Petra, namely the size/shape of her eyes, but the more time went by the more I started to go back and forth between which one was really "right" for her. Eventually I decided upon Mio almost entirely because I knew from her promo photos that she looks great with little angry eyebrows as silly as that sounds, but I think her faceup really was what completely sold me on Mio for her despite being very different than what I would want for Petra. But Ante just kept creeping back into my thoughts especially once I had actually committed to ordering Momo for her bunny body, I just couldn't shake the idea that Ante really has just the perfect little bunny face and captures the cute juvenile look of Petra while still having this air of seriousness. Admittedly Mio gives the same feeling to me but I don't think the sculpt screams "bunny" in the same way that Ante does.
Anyway, I was still debating what I should choose until the very end but eventually my final decision to go with Ante for her came about from being completely unable to find a tan Mio head. xD I'm a believer in fate and that things present themselves the way they do for a reason and being completely unable to get a hold of a Mio head I interpreted as the universe's way of telling me that it just wasn't meant to be. Just when I started to get kind of depressed over it just so happened to come across a pair of tan OE and SP Ante heads and again my mind was flooded with the idea that Ante was in fact the right choice for her.
In thinking about it more heavily I came to realize that while Mio's giant eyes are more canonically accurate, I have to remember that what works in my silly animu drawings don't always translate or work as well as dolls. Faustus and Euclid are incredibly important to Petra and of course i'm insanely picky when it comes to how my really specific character dolls look together so I realized that Mio's giant eyes would probably look way too different and not mesh well with Faustus and Euclid's smaller, more sultry eyes. I learned early on that when translating my characters as dolls its impossible to get them to look EXACTLY like them because of basic stylistic differences and instead to mainly focusing on choosing a sculpt that best captures the "essence" of that character. Like, for example, Euclid's canonical nose looks absolutely nothing like Minifee Luka's nose, but everything else about that sculpt so perfectly evokes Euclid for me that I hardly even notice or think about it, you know? The same is true for me with Petra and Minifee Ante. There are a few characteristics of this sculpt that aren't exactly true of Petra canonically but it still so perfectly captures the FEEL of her character and in a way that also compliments the other important characters in her story. Also the idea of her having a sleeping head really piqued my interest as I've never owned one and they've always interested me but never really had a great excuse to justify getting one, but in thinking about it more, Petra is a character who typically appears outwardly very cold, emotionless and unyielding but a very important part of her character is her journey through very deep emotional and artistic turmoil and I LOVE the idea of using her sleeping head to show a deeply agonized, mournful and ultimately vulnerable side of her that while rarely seen by others is the perfect way of articulating the vital contrasting dynamic of her character.
So yes, in thinking about her in relation to my other dolls and the way that I wanted to portray her character as a doll it became so clear to me that Ante was the right way to go so I took the plunge and went for it and...
;O; I love it.
It was a really strange surreal feeling to own an Ante after having it in my head for so long that i'd never justify being able to own one but it also thoroughly baffled me in a way that I honestly haven't had happen before. Like, my first impression of the sculpt was that this is somehow simultaneously the most bizarre and unrealistic looking sculpt but also gave me the greatest "feeling" of realness and like the sculpt had an air of "life" to it more than any other sculpt i've come across. Idk its hard to explain and probably makes no sense but yeah, it was a strange mix of "wtf am I looking at" and "omg you feel like a real person to me". I've never had that experience before so I was really taken aback by it. It was honestly so confusing that even though I was super busy and shouldn't have been doing so I immediately had to do a suuuuuper quick faceup on her to attempt and sort out my feelings about this sculpt. Seriously, this faceup is legit terrible as it was just an experiment done in a few hours and I feel kind of embarrassed even posting it but ...somehow I still really like it? Like i'll DEFINITELY be making changes when I get the chance to do it properly but I really wanted to test out a few ideas with her eyes specifically since they are extremely important to portraying her character and it actually kind of works. Still needs a lot of fiddling but like I said, this sculpt just captures the "essence" of Petra even with a rushed and imperfect faceup. This sculpt may thoroughly confuse me, but nevertheless it captures Petra bizarrely even better than I could have anticipated. I even really love the way she looks with Faustus and Euclid so far too! She is sooooo far off from being "complete" right now, but still I am loving everything about her~
xD Ack, yeah sorry I figured i'd ramble about this for ages sorry but its crazy how this ended up becoming a thing but i'm really glad that it did and am so ridiculously excited to FINALLY have Petra as a doll and work on her in the future as she going to be a fun, unique and challenging project that i'm positive you guys are going to really love~
I've had so many things on my plate and have kind of been in the midst of both a creative and life-based chaos for a while now but i'm doing my best to sort things out as I can and when things get too crazy take a bit of time for myself and focus a little on my dolls. Over the last month or so I was making a few things for Petra here here and there like the outfit she is wearing and her bunny ears (which you can't really see either but asdfghjkl they aren't finished/painted yet so-) and when she arrived I took a little time to make her wig and do this really quick faceup just to get a feel for her as this sculpt as it baffled me so much initially. Its not much and I still have to mod her ears, finish her bunny ears and tail, do a new faceup, mod her body, make her unicorn horn, make her hammer, get proper eyes asdfghjkl SO MANY THINGS but i'm just really glad to have her home and share what little progress I've made on her~
I'll share with and talk more about some of the individual things i've made for her here later on as well as more about her character but here is just a little hello to her for now. Ah, seriously SO excited to share her with everyone more once she really starts coming together ;w;
Anyway, I'm going to talk more about my Feeple60 Cygne, IbbI, here soonish and probably some more overall updates for me in the hobby soon as well.
xD Thanks so much for putting up with my nonsensical tornado of a doll journey as always *hugs*
.....
ALSO OMG MY SIO2 RAGDOLL FINALLY SHIPPED ASDFGHJKL
....
but his tracking says he's been stuck back in China for an entire week and i'm starting to get worried. Like, he was shipped EMS so he should have been here by now but he apparently hasn't even left China yet... like I get the whole holiday rush and everything but.... ;______;
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Petra (girl) is a Fairyland Minifee Ante on a Fairyline bunny body in Tan skin. Faceup, wig, ears, dress, apron and most props by me.
When I cry, I secretly hope that you will run all the way to mah doorstep in the rain, wipe mah tear, kiss me on the forehead and stay w/ me through the night...
P.s: It's Romantic rite ;)) keke
The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".
Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.