View allAll Photos Tagged Relatable
All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
March 28, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
Photo of the Preparatory Committee of the Diplomatic Conference to Conclude an International Legal Instrument Relating to Intellectual Property, Genetic Resources and Traditional Knowledge Associated with Genetic Resources which took place in Geneva, Switzerland on September 11-13, 2023, and December 13, 2023, in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Photo of the Preparatory Committee of the Diplomatic Conference to Conclude an International Legal Instrument Relating to Intellectual Property, Genetic Resources and Traditional Knowledge Associated with Genetic Resources which took place in Geneva, Switzerland on September 11-13, 2023, and December 13, 2023, in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Image from 'Historical Collections of Ohio; containing a collection of the most interesting facts, traditions, biographical sketches, anecdotes, etc. relating to its general and local history: with descriptions of its counties, principal towns and villages, etc', 001748051
Author: HOWE, Henry.
Page: 511
Year: 1852
Place: Cincinnati
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
In the fall of 2020, IDeATe’s Introduction to Textile Media course had three special experiences relating to indigo and natural dyeing thanks to the FRFAF grant. Visiting artist Rosa Sung Ji Chang gave a generous and thorough presentation about her work learning and using Korean indigo dyeing methods as well as her experiences creating a natural dye garden with Blue Light Junction (a community natural dye facility in Baltimore, MD, led by Kenya Miles). We learned about the process of working with Indigo from growing the indigo to creating dye from the plant to working with the indigo dye vat. We also learned that Korea has a long history of indigo dye, but that this history is mostly unknown to the world and even to most Koreans. Globally and within Korea, the Korean indigo techniques have been overshadowed by indigo processes from other places and is currently being rediscovered and celebrated within dye communities in Korea.
The students in the Introduction to Textile Media course also participated in two workshops: dyeing with indigo and natural dyeing with plant matter. The workshops took place outdoors on CMU campus and were also open to students outside of the Textile Media course. These were the only occasions where Textile Media students who were in Pittsburgh were able to meet and interact with each other in person. The workshops covered (brief) histories of the plant dyes and the peoples who developed their use before introducing the students to the hands-on techniques. Students then dyed multiple fabrics with the indigo or natural dye. Each workshop had 20-30 participants (the maximum number we could facilitate) and the feedback from Rosa's visit and the workshops was very positive.
Every year, Realtors® Care Day offers a helping hand to homeowners in need by providing exterior home repairs and adaptive safety modifications. Regional Habitat for Humanity chapters, the City of Charlotte, and other housing partners identify homeowners who qualify for the program.
Last month, realtors and City of Charlotte Code Enforcement volunteers joined forces to make a meaningful difference in Charlotte neighborhoods. They performed various tasks such as cleaning gutters, landscaping, repairing stairs, and enhancing exterior areas. We express our gratitude for their hard work and dedication.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 267
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from '[Rump: or an exact collection of the choycest poems and songs relating to the late times. By the most eminent wits, from anno 1639 to anno 1661.]', 001087806
Author:
Page: 451
Year: 1874
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relating to John Piper I created this piece to show off that decay in buildings can be incredibly beautiful. John Piper's work consists of abstract buildings, he chooses colours that you wouldn't normal see in this particular landscape. i choose red as i though it best shows what i was trying to do and make this piece more abstract.
Co-hare Dung-Fu Grip relates a tale of the Turkey/Eagle splits. Co-hare Pink Cherry Licker remains mum as she's knows he's lying.
Makes the experience more personal. Centre for Alternative Technology. July 2014. For more ways to improve your visitor experience and interpretation visit www.katemeasures.co.uk
Image from 'Historical Collections ... relating to the history and antiquities of every town in Massachusetts, with geographical descriptions. [With illustrations.]', 000194796
Author: BARBER, John Warner.
Page: 572
Year: 1839
Place: Worcester [Mass.]
Publisher: Dorr, Howland & Co.
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relate to the obstacles the disgruntled Alexander must face in this musical adaptation of Judith Viorst's popular book! Alexander is having a bad day. A terrible day. A terrible, horrible day. But then, everybody has those kinds of days sometimes!
Recently performed in our 2010-2011 Young Audience Season in Sunnyvale and regionally.
Photo courtesy of Marcia Lepler.