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The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Moses and Ann and their family lived at "Mayfield", Mernda, near Whittlesea, Victoria.
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
HB430 (Relating to Taxation) exempts charitable deductions from the itemized state income tax deduction caps.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 579
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relate this with someone around you, um sure you will many examples.... We should not leave the old, rather stick to them and earn all their blessings, cause one day you will be old and you don't want to be left behind....!!!
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 8 March 1905.
The slide shows an image of the surface of the Moon with craters and mountain ranges visible.
Inscription Details: Handwritten in black ink on recto, top, "The Moon. Coude equatorial. Where four mountain ranges meet. '94 Sept 19' 14.1h P.M.T. Age 20d, 5.gh".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235782|PH-1984-1-LS78-2-6
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033431
0716-305-22
Lee-to-the-Rear
Many accounts relate the story of General Lee’s personal attempt to lead the charge of the Texas Brigade. No two versions entirely agree and we may never know which details belong to history and which belong to mythology.
Colonel Charles S. Venable, an officer on Lee’s staff, witnessed the event and wrote about it soon after the war:
Much moved by the greeting of these brave men and their magnificent behavior, General Lee spurred his horse through an opening in the trenches and followed close on their line as it moved rapidly forward. The men did not perceive that he was going with them until they had advanced some distance in the charge; when they did, there came from the entire line, as it rushed on, the cry, “Go back, General Lee! Go back!…. We won’t go on unless you go back!” A sergeant seized his bridle rein. Just then I called his attention to General Longstreet, who sat on his horse on a knoll to the right of the Texans. He yielded with evident reluctance to the entreaties of his men and rode up to Longstreet’s position.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890s-1920s.
The slide shows snow covered mountains and glaciers in the South Island of New Zealand.
Inscription Details: Handwritten in blue ink on recto, top of slide, "Snow in rear of Antarctic disturbance Martin NZ". Handwritten in blue ink on recto, bottom left, "O94". Handwritten in black ink on recto, bottom of slide, "Freshfield, Mt. Tasman, Mt. Haast, Haast Glacier", "104A".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235878|PH-1984-1-LS78-3-107|O94
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033335
Baker's Dozen't relates a tale about being naked in a hot tub at Seattle's Green Dress Run and exiting only to find someone had stolen his clothes! His tale(tail?) became X-Rated from this juncture forward but he stuck it out.(so to speak)
Blog relating to this story .... peterjemmett.blogspot.com/2018/08/the-year-that-was-part-...
Headshots for the relationship support charity Relate.
Video light in to softbox with flash to light backdrop.
Relating to a leather jacket, I used components of the jacket to print with including the seem stitching on the elbow and worn away parts of the polysynthetic leather.
I then experimented with the shapes and drew black marks around them creating a sense of sharp and bold effects.
Imagery relating to a previous story that I created (featuring a mother innocently baking a strawberry cake for her young daughter; however she is oblivious to the fact that her daughter has been in a fatal car accident). I wanted to contrast the two juxtaposing elements of a content mother and injured daughter whilst also linking the two, e.g. runny red ink used to symbolize both juice from the strawberries, but also the fluidity of blood. I used strawberries as they are surprisingly fragile and delicate, much like the young girl in the story. Additionally, I wanted to experiment with the monoprinting technique as I felt the paint reflected the uneven, bumpy surface of strawberries.
Connecting the next generation of waterfowl conservationists, biologists, and aviculturists.
The IWWA's inaugural Future of Waterfowl Conservation Workshop was held at the Sylvan Heights Bird Park in Scotland Neck, North Carolina USA. Over 65 young waterfowl conservationists and enthusiasts from across the United States, Europe, Canada and Brazil joined together to discuss topics such as captive propagation, verterinary care, education and conservation. The Future of Waterfowl Conservation Workshop developed out of the need for a forum for up and coming waterfowl conservationists to come together to discuss pertinent and timely topics relating to waterfowl in captivity and in the wild, particularly rare and endangered species. The initial response was overwhelmingly positive and we quickly ran out of room. We are hopeful that the Future of Waterfowl Conservation Workshops continue and many more will be able to join us in the coming years.
Headshots for the relationship support charity Relate.
Video light in to softbox with flash to light backdrop.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1880s.
The slide shows a photograph of two men sitting on the roof of the Ben Nevis Observatory. A smoke stack and the observatory's tower can be seen on the right.
Inscription Details: Handwritten in blue ink on recto, top of plate, "Ben Nevis Obsty". Handwritten in blue ink on recto, bottom of plate, "O30". Finger print printed on photograph, top right corner.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235855|PH-1984-1-LS78-3-84|O30
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033358
f1/125; 11; ISO 400
Final Written Statement
I have always been interested in the interaction between people and the natural environment. Some hold the view that humans should adapt to the natural world rather than changing the environment to suit our needs. Others hold the opposite view. Although, people may not initially relate with either of these two points of view, everyone’s personal actions reflect one of the two views.
This issue has been brought up more clearly in my mind as my neighbor’s house is being built on a plot of land that had stood vacant for twenty years. For the past eighteen years, I have grown up in a neighborhood that is made up of sections of old farmland. I never considered the building of our own house as an intrusion upon the land, much less the one hundred year old barn that had been erected years before. In fact, I always considered the farm buildings as a picturesque addition to the surrounding landscape. Therefore I decided to create a set of images that initiates a “dialogue about the impact of human activity on landscapes and an effort to depart from idealized notions of scenic beauty and pristine wilderness that were dominant in the early twentieth century” (brochure from “Altered Landscape Photography” exhibition).
I chose images that evoke a sense of conflict between nature and disruptive, yet orderly human activity. I desire to make my images compositionally pleasing, yet still have meaning. I do not have a specific age group or gender target, as human interaction with land happens across all these groups. It is ironic that this house is supposedly going to be one of the most “environmentally green” houses, yet it still disturbs the tranquility of its natural setting.
The greatest difficulty I had with this assignment was with lighting. Over our past assignments I have noticed that the quality of lighting plays an important role in how the image is viewed. It is my desire for these images to carry a significant message, and lighting is the best way to achieve that.
I hope that my images will produce a similar response that Ann M. Wolfe, the curator of Exhibitions and Collections at the Nevada Museum of Art says, “ Viewing these photographs as a collection reveals that much of today’s human activity involves the physical alteration of land and the making of marks on the Earth and that the Earth’s surface offers an irrefutable record of human civilization’s impressive endeavors—as well its worst failures.”
“Altered Landscape Photography”. Nevada Museum of Art. Web. 23 Nov. 2011.
HB430 (Relating to Taxation) exempts charitable deductions from the itemized state income tax deduction caps.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
How Does ABI Relate to Blood Pressure? How does ABI relate to blood pressure? You can track down best explanation in this article. This article supplies some relevant information about Ankle Brachial Index (ABI) in connection with blood pressure, relative to its procedure, and analysis of the
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1900.
The slide shows printed text from a hymn.
Inscription Details: Handwriten in pencil on top edge of recto, "No11".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235815|PH-1984-1-LS78-2-86|No. 11
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033398
13) Relates to Whirly Fizzles' response published 22. 08. 2015 here: jira.phoenixviewer.com/browse/FIRE-16731
Information: The setting for "Window size", in menu Advanced - was set properly from the start.
Note: Another grid and another account used for the additional test I made.
Results:
a) posting a snapshot to Flickr at current window size (in my case 1920x1018) DOES REPRODUCE this BUG.
- The reason for different results not found.
b) Posting a snapshot set at any of the preset sizes is BUGGY.
- Thank you for your tests & confirmation.
c) Posting a snapshot set to Custom is BUGGY.
- Thank you for your tests & confirmation.
Used software: Firestorm 4.7.3 (47323) Aug 18 2015 03:46:39 (Firestorm-Releasex64) with OpenSimulator support.
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SCREENSHOTS 1-10 in this album (the original post):
The screenshots document that the similar settings, when used in Second Life and Opensim generate different results. This behavior persists since the latest beta release and it is present also in the final version. Firestom 64 bit for Second Life and Opensim was used to create these snapshots. First the clean reinstall of beta version was performed and no settings were automatically restored from the previous installation.
Uploads taken at the Opensim grid are not being uploaded for me with the best possible quality. To get them online I must save them first to disk. This way the procedure is longer, not so comfortable and the result does not contain data about the place where it was taken.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1900.
Inscription Details: Handwritten text on slide reads: 'The Prescription for preventing and also stopping incipient cancer and goitre, curing boils &c, is published in Mr. Wragge's Booklet, "The Endless Universe" obtainable at this Hall, Price 2/=.'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235813|PH-1984-1-LS78-2-84
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033400
CIUDAD DE MÉXICO (apro).- Ante el “problema crónico” del agua en México, la nueva Ley General de Aguas deberá priorizar el consumo humano de ese recurso por encima de cualquier otro uso –ya sea industrial, minero o energético– y garantizar su asequibilidad, calidad y disponibilidad,...
conectaabogados.com/el-agua-en-mexico-un-problema-cronico...
Definition: Technical:
1. Of, relating to, or derived from technique.
2.
a. Having special skill or practical knowledge especially in a mechanical or scientific field: a technical adviser.
b. Used in or peculiar to a specific field or profession; specialized: technical terminology.
3.
a. Belonging or relating to a particular subject: technical expertise.
b. Of, relating to, or involving the practical, mechanical, or industrial arts or the applied sciences: a technical school.
4.
a. Abstract or theoretical: a technical analysis.
b. Of, relating to, or employing the methodology of science; scientific.
5. According to principle; formal rather than practical: a technical advantage.
6. Industrial and mechanical; technological.
7. Relating to or based on analysis of market indicators, such as trading volume and fluctuations in securities prices, rather than underlying economic conditions such as corporate earnings, inflation, and unemployment: a technical correction in the stock market.
Idea: We were shown one like this in our first week of this course. I wanted to see if I could create my own version of it. I have called it a technical tree because it definitely requires a skilled and delicate technique to create. It has taken me most of the term to finish gradually.
Process: I made this one by gradually cutting panels out of the pages of an old book. I cut the leaves from green cardboard. The hardest part of creating this tree was not ripping or damaging the pages while cutting them with a stanley knife.